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Color name
HEX #1666DA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1666DA it is the complementary color #E99925. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1666DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1666DA shade: #1B66D5, #2C78E8, #3D8AFB, #4E9CFF and #5FAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1666DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1666DA shade: #1666DA, #0554C7, #0042B4, #0030A1 and #001E8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1666DA shade: #1666DA, #1631DA, #2F16DA, #6416DA and #9916DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1666DA shade: #1666DA, #1631DA and #1616DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1666DA shade matches the following richer shades: #1666DA and #0262EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1666DA shade: #1666DA, #2969C7, #3C6DB3, #5070A0 and #63748D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1666DA shade: #16D0DA, #169CDA, #1667DA, #1633DA and #2D16DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1666DA shade: #0E438F, #1254B5, #1666DA, #2F7BEA and #5493EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1666DA shade: #1666DA, #B016DA and #B6DA16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1666DA shade: #1666DA, #DA1667 and #67DA16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1666DA shade: #1666DA, #B016DA, #DA8816 and #40DA16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1666DA shade: #1666DA, #DA16CA, #DA8816 and #16DA26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

Complementary color

CMYK 0 / 34 / 84 / 9

HEX #E99925

RGB 233 153 37

HSL 35.51, 0.82%, 0.53%

LAB 69.64, 21.51, 67.05

 

CMYK 87 / 52 / 0 / 16

HEX #1B66D5

RGB 27 102 213

HSL 215.81, 0.78%, 0.47%

LAB 45, 19.97, -63.1

 

CMYK 81 / 48 / 0 / 9

HEX #2C78E8

RGB 44 120 232

HSL 215.74, 0.8%, 0.54%

LAB 51.6, 17.08, -63.15

 

CMYK 76 / 45 / 0 / 2

HEX #3D8AFB

RGB 61 138 251

HSL 215.68, 0.96%, 0.61%

LAB 58.16, 14.7, -63.12

 

CMYK 69 / 39 / 0 / 0

HEX #4E9CFF

RGB 78 156 255

HSL 213.56, 1%, 0.65%

LAB 63.85, 7.53, -56.19

 

CMYK 63 / 32 / 0 / 0

HEX #5FAEFF

RGB 95 174 255

HSL 210.38, 1%, 0.69%

LAB 69.42, -0.14, -47.34

 

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

CMYK 97 / 58 / 0 / 22

HEX #0554C7

RGB 5 84 199

HSL 215.57, 0.95%, 0.4%

LAB 38.72, 25.29, -65.27

 

CMYK 100 / 63 / 0 / 29

HEX #0042B4

RGB 0 66 180

HSL 218, 1%, 0.35%

LAB 32.24, 29.57, -64.73

 

CMYK 100 / 70 / 0 / 37

HEX #0030A1

RGB 0 48 161

HSL 222.11, 1%, 0.32%

LAB 25.82, 34.09, -63.88

 

CMYK 100 / 79 / 0 / 44

HEX #001E8E

RGB 0 30 142

HSL 227.32, 1%, 0.28%

LAB 19.56, 38.29, -62.55

 

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

CMYK 90 / 78 / 0 / 15

HEX #1631DA

RGB 22 49 218

HSL 231.73, 0.82%, 0.47%

LAB 32.76, 54.39, -86.05

 

CMYK 78 / 90 / 0 / 15

HEX #2F16DA

RGB 47 22 218

HSL 247.65, 0.82%, 0.47%

LAB 30.01, 66.45, -90.61

 

CMYK 54 / 90 / 0 / 15

HEX #6416DA

RGB 100 22 218

HSL 263.88, 0.82%, 0.47%

LAB 34.69, 69.68, -82.7

 

CMYK 30 / 90 / 0 / 15

HEX #9916DA

RGB 153 22 218

HSL 280.1, 0.82%, 0.47%

LAB 41.86, 75.52, -70.65

 

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

CMYK 90 / 78 / 0 / 15

HEX #1631DA

RGB 22 49 218

HSL 231.73, 0.82%, 0.47%

LAB 32.76, 54.39, -86.05

 

CMYK 90 / 90 / 0 / 15

HEX #1616DA

RGB 22 22 218

HSL 240, 0.82%, 0.47%

LAB 28.92, 65.79, -92.46

 

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

CMYK 99 / 59 / 0 / 7

HEX #0262EE

RGB 2 98 238

HSL 215.59, 0.98%, 0.47%

LAB 45.53, 31.33, -76.42

 

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

CMYK 79 / 47 / 0 / 22

HEX #2969C7

RGB 41 105 199

HSL 215.7, 0.66%, 0.47%

LAB 45.22, 13.78, -54.7

 

CMYK 66 / 39 / 0 / 30

HEX #3C6DB3

RGB 60 109 179

HSL 215.29, 0.5%, 0.47%

LAB 45.84, 6.42, -42.08

 

CMYK 50 / 30 / 0 / 37

HEX #5070A0

RGB 80 112 160

HSL 216, 0.33%, 0.47%

LAB 46.75, 2.38, -29.46

 

CMYK 30 / 18 / 0 / 45

HEX #63748D

RGB 99 116 141

HSL 215.71, 0.18%, 0.47%

LAB 48.34, -0.13, -15.7

 

CMYK 90 / 5 / 0 / 15

HEX #16D0DA

RGB 22 208 218

HSL 183.06, 0.82%, 0.47%

LAB 76.28, -37.54, -16.88

 

CMYK 90 / 28 / 0 / 15

HEX #169CDA

RGB 22 156 218

HSL 198.98, 0.82%, 0.47%

LAB 60.79, -11.17, -40.72

 

CMYK 90 / 53 / 0 / 15

HEX #1667DA

RGB 22 103 218

HSL 215.2, 0.82%, 0.47%

LAB 45.54, 20.99, -65.07

 

CMYK 90 / 77 / 0 / 15

HEX #1633DA

RGB 22 51 218

HSL 231.12, 0.82%, 0.47%

LAB 33.14, 53.33, -85.44

 

CMYK 79 / 90 / 0 / 15

HEX #2D16DA

RGB 45 22 218

HSL 247.04, 0.82%, 0.47%

LAB 29.9, 66.38, -90.8

 

CMYK 90 / 53 / 0 / 44

HEX #0E438F

RGB 14 67 143

HSL 215.35, 0.82%, 0.31%

LAB 29.64, 14.31, -46.63

 

CMYK 90 / 54 / 0 / 29

HEX #1254B5

RGB 18 84 181

HSL 215.71, 0.82%, 0.39%

LAB 37.49, 18.59, -56.74

 

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

CMYK 80 / 47 / 0 / 8

HEX #2F7BEA

RGB 47 123 234

HSL 215.61, 0.82%, 0.55%

LAB 52.63, 16.23, -62.61

 

CMYK 65 / 38 / 0 / 7

HEX #5493EE

RGB 84 147 238

HSL 215.45, 0.82%, 0.63%

LAB 60.72, 7.95, -51.83

 

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

CMYK 19 / 90 / 0 / 15

HEX #B016DA

RGB 176 22 218

HSL 287.14, 0.82%, 0.47%

LAB 45.45, 78.73, -64.65

 

CMYK 17 / 0 / 90 / 15

HEX #B6DA16

RGB 182 218 22

HSL 71.02, 0.82%, 0.47%

LAB 81.92, -33.79, 78.52

 

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

CMYK 0 / 90 / 53 / 15

HEX #DA1667

RGB 218 22 103

HSL 335.2, 0.82%, 0.47%

LAB 47.57, 72.55, 7.85

 

CMYK 53 / 0 / 90 / 15

HEX #67DA16

RGB 103 218 22

HSL 95.2, 0.82%, 0.47%

LAB 77.92, -61.38, 73.6

 

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

CMYK 19 / 90 / 0 / 15

HEX #B016DA

RGB 176 22 218

HSL 287.14, 0.82%, 0.47%

LAB 45.45, 78.73, -64.65

 

CMYK 0 / 38 / 90 / 15

HEX #DA8816

RGB 218 136 22

HSL 34.9, 0.82%, 0.47%

LAB 63.81, 23.88, 65.75

 

CMYK 71 / 0 / 90 / 15

HEX #40DA16

RGB 64 218 22

HSL 107.14, 0.82%, 0.47%

LAB 76.85, -70.22, 72.27

 

CMYK 90 / 53 / 0 / 15

HEX #1666DA

RGB 22 102 218

HSL 215.51, 0.82%, 0.47%

LAB 45.27, 21.63, -65.52

 

CMYK 0 / 90 / 7 / 15

HEX #DA16CA

RGB 218 22 202

HSL 304.9, 0.82%, 0.47%

LAB 51.55, 83.11, -45.28

 

CMYK 0 / 38 / 90 / 15

HEX #DA8816

RGB 218 136 22

HSL 34.9, 0.82%, 0.47%

LAB 63.81, 23.88, 65.75

 

CMYK 90 / 0 / 83 / 15

HEX #16DA26

RGB 22 218 38

HSL 124.9, 0.82%, 0.47%

LAB 76.35, -74.51, 68.34

 

Description

Color code: HEX #1666DA | qconv.com Color code: HEX #1666DA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 102 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 102 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 53 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 53% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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