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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #165383 it is the complementary color #E9AC7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #165383. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #165383 shade: #1B537E, #2C6591, #3D77A4, #4E89B7 and #5F9BCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #165383. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #165383 shade: #165383, #054170, #002F5D, #001D4A and #000B37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #165383 shade: #165383, #163683, #161883, #311683 and #4F1683

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #165383 shade: #165383, #163683, #161883 and #161683

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #165383 shade matches the following richer shades: #165383 and #0A548F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #165383 shade: #165383, #235276, #2F506A, #3B4F5E and #484D51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #165383 shade: #168378, #167183, #165483, #163783 and #161A83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #165383 shade: #0A263C, #103D60, #165383, #1C69A6 and #2280C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #165383 shade: #165383, #5B1683 and #7F8316

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #165383 shade: #165383, #831654 and #548316

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #165383 shade: #165383, #5B1683, #834516 and #3E8316

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #165383 shade: #165383, #7C1683, #834516 and #1D8316

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

Complementary color

CMYK 0 / 26 / 47 / 9

HEX #E9AC7C

RGB 233 172 124

HSL 26.42, 0.71%, 0.7%

LAB 75, 16.67, 33.39

 

CMYK 79 / 34 / 0 / 51

HEX #1B537E

RGB 27 83 126

HSL 206.06, 0.65%, 0.3%

LAB 33.83, -2.13, -29.43

 

CMYK 70 / 30 / 0 / 43

HEX #2C6591

RGB 44 101 145

HSL 206.14, 0.53%, 0.37%

LAB 41.04, -3.65, -29.62

 

CMYK 63 / 27 / 0 / 36

HEX #3D77A4

RGB 61 119 164

HSL 206.21, 0.46%, 0.44%

LAB 48.09, -4.73, -29.78

 

CMYK 57 / 25 / 0 / 28

HEX #4E89B7

RGB 78 137 183

HSL 206.29, 0.42%, 0.51%

LAB 55, -5.53, -29.95

 

CMYK 53 / 23 / 0 / 21

HEX #5F9BCA

RGB 95 155 202

HSL 206.36, 0.5%, 0.58%

LAB 61.77, -6.14, -30.12

 

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

CMYK 96 / 42 / 0 / 56

HEX #054170

RGB 5 65 112

HSL 206.36, 0.91%, 0.23%

LAB 26.69, 1.82, -32.02

 

CMYK 100 / 49 / 0 / 64

HEX #002F5D

RGB 0 47 93

HSL 209.68, 1%, 0.18%

LAB 19.32, 5.63, -31.52

 

CMYK 100 / 61 / 0 / 71

HEX #001D4A

RGB 0 29 74

HSL 216.49, 1%, 0.15%

LAB 11.78, 10.39, -30.89

 

CMYK 100 / 80 / 0 / 78

HEX #000B37

RGB 0 11 55

HSL 228, 1%, 0.11%

LAB 4.65, 13.09, -29

 

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

CMYK 83 / 59 / 0 / 49

HEX #163683

RGB 22 54 131

HSL 222.39, 0.71%, 0.3%

LAB 25.1, 19.09, -46.55

 

CMYK 83 / 82 / 0 / 49

HEX #161883

RGB 22 24 131

HSL 238.9, 0.71%, 0.3%

LAB 17.75, 38.76, -58.63

 

CMYK 63 / 83 / 0 / 49

HEX #311683

RGB 49 22 131

HSL 254.86, 0.71%, 0.3%

LAB 19.5, 42.14, -55.67

 

CMYK 40 / 83 / 0 / 49

HEX #4F1683

RGB 79 22 131

HSL 271.38, 0.71%, 0.3%

LAB 23.25, 46.29, -49.36

 

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

CMYK 83 / 59 / 0 / 49

HEX #163683

RGB 22 54 131

HSL 222.39, 0.71%, 0.3%

LAB 25.1, 19.09, -46.55

 

CMYK 83 / 82 / 0 / 49

HEX #161883

RGB 22 24 131

HSL 238.9, 0.71%, 0.3%

LAB 17.75, 38.76, -58.63

 

CMYK 83 / 83 / 0 / 49

HEX #161683

RGB 22 22 131

HSL 240, 0.71%, 0.3%

LAB 17.38, 39.83, -59.24

 

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

CMYK 93 / 41 / 0 / 44

HEX #0A548F

RGB 10 84 143

HSL 206.62, 0.87%, 0.3%

LAB 34.78, 2.54, -38.36

 

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

CMYK 70 / 31 / 0 / 54

HEX #235276

RGB 35 82 118

HSL 206.02, 0.54%, 0.3%

LAB 33.35, -3.33, -25.2

 

CMYK 56 / 25 / 0 / 58

HEX #2F506A

RGB 47 80 106

HSL 206.44, 0.39%, 0.3%

LAB 32.66, -3.8, -18.73

 

CMYK 37 / 16 / 0 / 63

HEX #3B4F5E

RGB 59 79 94

HSL 205.71, 0.23%, 0.3%

LAB 32.55, -3.53, -11.26

 

CMYK 11 / 5 / 0 / 68

HEX #484D51

RGB 72 77 81

HSL 206.67, 0.06%, 0.3%

LAB 32.44, -1.09, -3.06

 

CMYK 83 / 0 / 8 / 49

HEX #168378

RGB 22 131 120

HSL 173.94, 0.71%, 0.3%

LAB 49.2, -31.35, -2.35

 

CMYK 83 / 14 / 0 / 49

HEX #167183

RGB 22 113 131

HSL 189.91, 0.71%, 0.3%

LAB 43.68, -18.62, -17.16

 

CMYK 83 / 36 / 0 / 49

HEX #165483

RGB 22 84 131

HSL 205.87, 0.71%, 0.3%

LAB 34.29, -1.39, -31.78

 

CMYK 83 / 58 / 0 / 49

HEX #163783

RGB 22 55 131

HSL 221.83, 0.71%, 0.3%

LAB 25.39, 18.39, -46.08

 

CMYK 83 / 80 / 0 / 49

HEX #161A83

RGB 22 26 131

HSL 237.8, 0.71%, 0.3%

LAB 18.13, 37.65, -57.99

 

CMYK 83 / 37 / 0 / 76

HEX #0A263C

RGB 10 38 60

HSL 206.4, 0.71%, 0.14%

LAB 14.27, -1.43, -17.12

 

CMYK 83 / 36 / 0 / 62

HEX #103D60

RGB 16 61 96

HSL 206.25, 0.71%, 0.22%

LAB 24.61, -1.24, -25.02

 

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

CMYK 83 / 37 / 0 / 35

HEX #1C69A6

RGB 28 105 166

HSL 206.52, 0.71%, 0.38%

LAB 42.92, -0.28, -39.17

 

CMYK 83 / 36 / 0 / 21

HEX #2280C9

RGB 34 128 201

HSL 206.23, 0.71%, 0.46%

LAB 51.83, -0.43, -45.29

 

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

CMYK 31 / 83 / 0 / 49

HEX #5B1683

RGB 91 22 131

HSL 277.98, 0.71%, 0.3%

LAB 25.07, 48.31, -46.33

 

CMYK 3 / 0 / 83 / 49

HEX #7F8316

RGB 127 131 22

HSL 62.2, 0.71%, 0.3%

LAB 52.73, -14.47, 52.7

 

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

CMYK 0 / 83 / 36 / 49

HEX #831654

RGB 131 22 84

HSL 325.87, 0.71%, 0.3%

LAB 29.51, 49.31, -8.53

 

CMYK 36 / 0 / 83 / 49

HEX #548316

RGB 84 131 22

HSL 85.87, 0.71%, 0.3%

LAB 49.71, -32.97, 48.87

 

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

CMYK 31 / 83 / 0 / 49

HEX #5B1683

RGB 91 22 131

HSL 277.98, 0.71%, 0.3%

LAB 25.07, 48.31, -46.33

 

CMYK 0 / 47 / 83 / 49

HEX #834516

RGB 131 69 22

HSL 25.87, 0.71%, 0.3%

LAB 36.25, 23.03, 38.12

 

CMYK 53 / 0 / 83 / 49

HEX #3E8316

RGB 62 131 22

HSL 97.98, 0.71%, 0.3%

LAB 48.65, -40.71, 47.51

 

CMYK 83 / 37 / 0 / 49

HEX #165383

RGB 22 83 131

HSL 206.42, 0.71%, 0.3%

LAB 33.97, -0.75, -32.29

 

CMYK 5 / 83 / 0 / 49

HEX #7C1683

RGB 124 22 131

HSL 296.15, 0.71%, 0.3%

LAB 30.63, 54.58, -37.06

 

CMYK 0 / 47 / 83 / 49

HEX #834516

RGB 131 69 22

HSL 25.87, 0.71%, 0.3%

LAB 36.25, 23.03, 38.12

 

CMYK 78 / 0 / 83 / 49

HEX #1D8316

RGB 29 131 22

HSL 116.15, 0.71%, 0.3%

LAB 47.69, -48.61, 46.27

 

Description

Color code: HEX #165383 | qconv.com Color code: HEX #165383 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 83 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 83 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 37 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 37% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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