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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #165324 it is the complementary color #E9ACDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #165324. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #165324 shade: #1B531F, #2C6532, #3D7745, #4E8958 and #5F9B6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #165324. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #165324 shade: #165324, #054111, #002F00, #001D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #165324 shade: #165525, #195516, #2A5516, #3A5516 and #4B5516

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #165324 shade: #165525, #165535, #165546, #165255 and #164155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #165324 shade matches the following richer shades: #165525, #0E5D20 and #05661B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #165324 shade: #165525, #1F4C29, #28432E, #303B33 and #393237

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #165324 shade: #2A5516, #1A5516, #165524, #165535 and #165545

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #165324 shade: #051308, #0E3417, #165525, #1F7533 and #289641

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #165324 shade: #165324, #163B55 and #551622

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #165324 shade: #165324, #241655 and #552416

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #165324 shade: #165324, #163B55, #551647 and #553016

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #165324 shade: #165324, #162855, #551647 and #554316

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 57 / 67

HEX #165324

RGB 22 83 36

HSL 133.77, 0.58%, 0.21%

LAB 30.6, -30.77, 21.86

 

Complementary color

CMYK 0 / 26 / 6 / 9

HEX #E9ACDB

RGB 233 172 219

HSL 313.77, 0.58%, 0.79%

LAB 77.25, 29.7, -14.93

 

CMYK 67 / 0 / 63 / 67

HEX #1B531F

RGB 27 83 31

HSL 124.29, 0.51%, 0.22%

LAB 30.68, -30.37, 24.77

 

CMYK 56 / 0 / 50 / 60

HEX #2C6532

RGB 44 101 50

HSL 126.32, 0.39%, 0.28%

LAB 37.97, -30.64, 23.24

 

CMYK 49 / 0 / 42 / 53

HEX #3D7745

RGB 61 119 69

HSL 128.28, 0.32%, 0.35%

LAB 45.1, -30.56, 21.77

 

CMYK 43 / 0 / 36 / 46

HEX #4E8958

RGB 78 137 88

HSL 130.17, 0.27%, 0.42%

LAB 52.08, -30.34, 20.42

 

CMYK 39 / 0 / 31 / 39

HEX #5F9B6B

RGB 95 155 107

HSL 132, 0.24%, 0.49%

LAB 58.92, -30.08, 19.19

 

CMYK 73 / 0 / 57 / 67

HEX #165324

RGB 22 83 36

HSL 133.77, 0.58%, 0.21%

LAB 30.6, -30.77, 21.86

 

CMYK 92 / 0 / 74 / 75

HEX #054111

RGB 5 65 17

HSL 132, 0.86%, 0.14%

LAB 23.18, -29.61, 23.47

 

CMYK 100 / 0 / 100 / 82

HEX #002F00

RGB 0 47 0

HSL 120, 1%, 0.09%

LAB 15.66, -26.3, 22.15

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 74 / 0 / 56 / 67

HEX #165525

RGB 22 85 37

HSL 134.29, 0.59%, 0.21%

LAB 31.35, -31.44, 22.21

 

CMYK 71 / 0 / 74 / 67

HEX #195516

RGB 25 85 22

HSL 117.14, 0.59%, 0.21%

LAB 31.26, -32.82, 29.93

 

CMYK 51 / 0 / 74 / 67

HEX #2A5516

RGB 42 85 22

HSL 100.95, 0.59%, 0.21%

LAB 31.91, -27.7, 30.83

 

CMYK 32 / 0 / 74 / 67

HEX #3A5516

RGB 58 85 22

HSL 85.71, 0.59%, 0.21%

LAB 32.82, -21.37, 32.05

 

CMYK 12 / 0 / 74 / 67

HEX #4B5516

RGB 75 85 22

HSL 69.52, 0.59%, 0.21%

LAB 34.09, -13.6, 33.75

 

CMYK 74 / 0 / 56 / 67

HEX #165525

RGB 22 85 37

HSL 134.29, 0.59%, 0.21%

LAB 31.35, -31.44, 22.21

 

CMYK 74 / 0 / 38 / 67

HEX #165535

RGB 22 85 53

HSL 149.52, 0.59%, 0.21%

LAB 31.63, -28.24, 13.07

 

CMYK 74 / 0 / 18 / 67

HEX #165546

RGB 22 85 70

HSL 165.71, 0.59%, 0.21%

LAB 32.06, -23.81, 3.04

 

CMYK 74 / 4 / 0 / 67

HEX #165255

RGB 22 82 85

HSL 182.86, 0.59%, 0.21%

LAB 31.49, -17.5, -7.31

 

CMYK 74 / 24 / 0 / 67

HEX #164155

RGB 22 65 85

HSL 199.05, 0.59%, 0.21%

LAB 25.58, -7.37, -16.32

 

CMYK 74 / 0 / 56 / 67

HEX #165525

RGB 22 85 37

HSL 134.29, 0.59%, 0.21%

LAB 31.35, -31.44, 22.21

 

CMYK 85 / 0 / 66 / 64

HEX #0E5D20

RGB 14 93 32

HSL 133.67, 0.74%, 0.21%

LAB 34.04, -36.75, 28.05

 

CMYK 95 / 0 / 74 / 60

HEX #05661B

RGB 5 102 27

HSL 133.61, 0.91%, 0.21%

LAB 37.14, -41.56, 33.82

 

CMYK 74 / 0 / 56 / 67

HEX #165525

RGB 22 85 37

HSL 134.29, 0.59%, 0.21%

LAB 31.35, -31.44, 22.21

 

CMYK 59 / 0 / 46 / 70

HEX #1F4C29

RGB 31 76 41

HSL 133.33, 0.42%, 0.21%

LAB 28.43, -24.39, 16.23

 

CMYK 40 / 0 / 31 / 74

HEX #28432E

RGB 40 67 46

HSL 133.33, 0.25%, 0.21%

LAB 25.75, -15.61, 9.59

 

CMYK 19 / 0 / 14 / 77

HEX #303B33

RGB 48 59 51

HSL 136.36, 0.1%, 0.21%

LAB 23.66, -6.5, 3.45

 

CMYK 0 / 12 / 4 / 78

HEX #393237

RGB 57 50 55

HSL 317.14, 0.07%, 0.21%

LAB 21.68, 4.22, -2.02

 

CMYK 51 / 0 / 74 / 67

HEX #2A5516

RGB 42 85 22

HSL 100.95, 0.59%, 0.21%

LAB 31.91, -27.7, 30.83

 

CMYK 69 / 0 / 74 / 67

HEX #1A5516

RGB 26 85 22

HSL 116.19, 0.59%, 0.21%

LAB 31.29, -32.57, 29.97

 

CMYK 74 / 0 / 58 / 67

HEX #165524

RGB 22 85 36

HSL 133.33, 0.59%, 0.21%

LAB 31.34, -31.61, 22.75

 

CMYK 74 / 0 / 38 / 67

HEX #165535

RGB 22 85 53

HSL 149.52, 0.59%, 0.21%

LAB 31.63, -28.24, 13.07

 

CMYK 74 / 0 / 19 / 67

HEX #165545

RGB 22 85 69

HSL 164.76, 0.59%, 0.21%

LAB 32.03, -24.1, 3.63

 

CMYK 74 / 0 / 58 / 93

HEX #051308

RGB 5 19 8

HSL 132.86, 0.58%, 0.05%

LAB 4.66, -6.17, 3.58

 

CMYK 73 / 0 / 56 / 80

HEX #0E3417

RGB 14 52 23

HSL 134.21, 0.58%, 0.13%

LAB 18.41, -21.17, 14.43

 

CMYK 74 / 0 / 56 / 67

HEX #165525

RGB 22 85 37

HSL 134.29, 0.59%, 0.21%

LAB 31.35, -31.44, 22.21

 

CMYK 74 / 0 / 56 / 54

HEX #1F7533

RGB 31 117 51

HSL 133.95, 0.58%, 0.29%

LAB 43.14, -40.24, 28.97

 

CMYK 73 / 0 / 57 / 41

HEX #289641

RGB 40 150 65

HSL 133.64, 0.58%, 0.37%

LAB 54.71, -48.91, 35.76

 

CMYK 73 / 0 / 57 / 67

HEX #165324

RGB 22 83 36

HSL 133.77, 0.58%, 0.21%

LAB 30.6, -30.77, 21.86

 

CMYK 74 / 31 / 0 / 67

HEX #163B55

RGB 22 59 85

HSL 204.76, 0.59%, 0.21%

LAB 23.52, -3.45, -19.53

 

CMYK 0 / 74 / 60 / 67

HEX #551622

RGB 85 22 34

HSL 348.57, 0.59%, 0.21%

LAB 18.46, 29.95, 8.54

 

CMYK 73 / 0 / 57 / 67

HEX #165324

RGB 22 83 36

HSL 133.77, 0.58%, 0.21%

LAB 30.6, -30.77, 21.86

 

CMYK 58 / 74 / 0 / 67

HEX #241655

RGB 36 22 85

HSL 253.33, 0.59%, 0.21%

LAB 13.26, 25.58, -35.91

 

CMYK 0 / 58 / 74 / 67

HEX #552416

RGB 85 36 22

HSL 13.33, 0.59%, 0.21%

LAB 21.02, 21.6, 19.97

 

CMYK 73 / 0 / 57 / 67

HEX #165324

RGB 22 83 36

HSL 133.77, 0.58%, 0.21%

LAB 30.6, -30.77, 21.86

 

CMYK 74 / 31 / 0 / 67

HEX #163B55

RGB 22 59 85

HSL 204.76, 0.59%, 0.21%

LAB 23.52, -3.45, -19.53

 

CMYK 0 / 74 / 16 / 67

HEX #551647

RGB 85 22 71

HSL 313.33, 0.59%, 0.21%

LAB 19.88, 34.78, -15.32

 

CMYK 0 / 44 / 74 / 67

HEX #553016

RGB 85 48 22

HSL 24.76, 0.59%, 0.21%

LAB 24.01, 14.24, 23.39

 

CMYK 73 / 0 / 57 / 67

HEX #165324

RGB 22 83 36

HSL 133.77, 0.58%, 0.21%

LAB 30.6, -30.77, 21.86

 

CMYK 74 / 53 / 0 / 67

HEX #162855

RGB 22 40 85

HSL 222.86, 0.59%, 0.21%

LAB 17.2, 10.02, -29.57

 

CMYK 0 / 74 / 16 / 67

HEX #551647

RGB 85 22 71

HSL 313.33, 0.59%, 0.21%

LAB 19.88, 34.78, -15.32

 

CMYK 0 / 21 / 74 / 67

HEX #554316

RGB 85 67 22

HSL 42.86, 0.59%, 0.21%

LAB 29.42, 2.17, 29.25

 

Description

Color code: HEX #165324 | qconv.com Color code: HEX #165324 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 83 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 83 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 57 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 57% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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