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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16398A it is the complementary color #E9C675. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16398A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16398A shade: #1B3985, #2C4B98, #3D5DAB, #4E6FBE and #5F81D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16398A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16398A shade: #16398A, #052777, #001564, #000351 and #00003E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16398A shade: #153889, #151989, #311589, #501589 and #6F1589

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16398A shade: #153889, #151989 and #151589

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16398A shade matches the following richer shades: #153889 and #093396

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16398A shade: #153889, #223D7C, #2F426F, #3C4762 and #494C56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16398A shade: #157789, #155989, #153A89, #151B89 and #2E1589

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16398A shade: #0A1B41, #102A65, #153889, #1B47AC and #2055D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16398A shade: #16398A, #7B1589 and #688915

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16398A shade: #16398A, #89153A and #3A8915

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16398A shade: #16398A, #7B1589, #896415 and #238915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16398A shade: #16398A, #891574, #896415 and #15892B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 59 / 0 / 46

HEX #16398A

RGB 22 57 138

HSL 221.9, 0.73%, 0.31%

LAB 26.54, 19.86, -48.57

 

Complementary color

CMYK 0 / 15 / 50 / 9

HEX #E9C675

RGB 233 198 117

HSL 41.9, 0.73%, 0.69%

LAB 81.29, 2.32, 44.93

 

CMYK 80 / 57 / 0 / 48

HEX #1B3985

RGB 27 57 133

HSL 223.02, 0.66%, 0.31%

LAB 26.31, 18.34, -45.82

 

CMYK 71 / 51 / 0 / 40

HEX #2C4B98

RGB 44 75 152

HSL 222.78, 0.55%, 0.38%

LAB 33.64, 15.81, -45.61

 

CMYK 64 / 46 / 0 / 33

HEX #3D5DAB

RGB 61 93 171

HSL 222.55, 0.47%, 0.45%

LAB 40.83, 13.89, -45.37

 

CMYK 59 / 42 / 0 / 25

HEX #4E6FBE

RGB 78 111 190

HSL 222.32, 0.46%, 0.53%

LAB 47.89, 12.39, -45.16

 

CMYK 55 / 38 / 0 / 18

HEX #5F81D1

RGB 95 129 209

HSL 222.11, 0.55%, 0.6%

LAB 54.8, 11.2, -44.98

 

CMYK 84 / 59 / 0 / 46

HEX #16398A

RGB 22 57 138

HSL 221.9, 0.73%, 0.31%

LAB 26.54, 19.86, -48.57

 

CMYK 96 / 67 / 0 / 53

HEX #052777

RGB 5 39 119

HSL 222.11, 0.92%, 0.24%

LAB 19.29, 23.51, -48.47

 

CMYK 100 / 79 / 0 / 61

HEX #001564

RGB 0 21 100

HSL 227.4, 1%, 0.2%

LAB 12.33, 27.94, -47.58

 

CMYK 100 / 96 / 0 / 68

HEX #000351

RGB 0 3 81

HSL 237.78, 1%, 0.16%

LAB 5.95, 31.28, -45.32

 

CMYK 100 / 100 / 0 / 76

HEX #00003E

RGB 0 0 62

HSL 240, 1%, 0.12%

LAB 3.14, 22.06, -36.55

 

CMYK 85 / 59 / 0 / 46

HEX #153889

RGB 21 56 137

HSL 221.9, 0.73%, 0.31%

LAB 26.14, 20.06, -48.6

 

CMYK 85 / 82 / 0 / 46

HEX #151989

RGB 21 25 137

HSL 237.93, 0.73%, 0.31%

LAB 18.63, 40.2, -60.95

 

CMYK 64 / 85 / 0 / 46

HEX #311589

RGB 49 21 137

HSL 254.48, 0.73%, 0.31%

LAB 20.03, 44.36, -58.58

 

CMYK 42 / 85 / 0 / 46

HEX #501589

RGB 80 21 137

HSL 270.52, 0.73%, 0.31%

LAB 23.83, 48.28, -52.18

 

CMYK 19 / 85 / 0 / 46

HEX #6F1589

RGB 111 21 137

HSL 286.55, 0.73%, 0.31%

LAB 28.7, 53.47, -44.03

 

CMYK 85 / 59 / 0 / 46

HEX #153889

RGB 21 56 137

HSL 221.9, 0.73%, 0.31%

LAB 26.14, 20.06, -48.6

 

CMYK 85 / 82 / 0 / 46

HEX #151989

RGB 21 25 137

HSL 237.93, 0.73%, 0.31%

LAB 18.63, 40.2, -60.95

 

CMYK 85 / 85 / 0 / 46

HEX #151589

RGB 21 21 137

HSL 240, 0.73%, 0.31%

LAB 17.93, 42.26, -62.12

 

CMYK 85 / 59 / 0 / 46

HEX #153889

RGB 21 56 137

HSL 221.9, 0.73%, 0.31%

LAB 26.14, 20.06, -48.6

 

CMYK 94 / 66 / 0 / 41

HEX #093396

RGB 9 51 150

HSL 222.13, 0.89%, 0.31%

LAB 25.65, 28.07, -57.45

 

CMYK 85 / 59 / 0 / 46

HEX #153889

RGB 21 56 137

HSL 221.9, 0.73%, 0.31%

LAB 26.14, 20.06, -48.6

 

CMYK 73 / 51 / 0 / 51

HEX #223D7C

RGB 34 61 124

HSL 222, 0.57%, 0.31%

LAB 27.11, 12.9, -38.88

 

CMYK 58 / 41 / 0 / 56

HEX #2F426F

RGB 47 66 111

HSL 222.19, 0.41%, 0.31%

LAB 28.51, 7.13, -28.39

 

CMYK 39 / 28 / 0 / 62

HEX #3C4762

RGB 60 71 98

HSL 222.63, 0.24%, 0.31%

LAB 30.28, 3.11, -17.28

 

CMYK 15 / 12 / 0 / 66

HEX #494C56

RGB 73 76 86

HSL 226.15, 0.08%, 0.31%

LAB 32.39, 1.14, -6.31

 

CMYK 85 / 13 / 0 / 46

HEX #157789

RGB 21 119 137

HSL 189.31, 0.73%, 0.31%

LAB 45.85, -19.87, -17.42

 

CMYK 85 / 35 / 0 / 46

HEX #155989

RGB 21 89 137

HSL 204.83, 0.73%, 0.31%

LAB 36.2, -2.29, -32.45

 

CMYK 85 / 58 / 0 / 46

HEX #153A89

RGB 21 58 137

HSL 220.86, 0.73%, 0.31%

LAB 26.71, 18.65, -47.67

 

CMYK 85 / 80 / 0 / 46

HEX #151B89

RGB 21 27 137

HSL 236.9, 0.73%, 0.31%

LAB 19.01, 39.1, -60.32

 

CMYK 66 / 85 / 0 / 46

HEX #2E1589

RGB 46 21 137

HSL 252.93, 0.73%, 0.31%

LAB 19.73, 44.06, -59.07

 

CMYK 85 / 58 / 0 / 75

HEX #0A1B41

RGB 10 27 65

HSL 221.45, 0.73%, 0.15%

LAB 10.78, 9.19, -26.21

 

CMYK 84 / 58 / 0 / 60

HEX #102A65

RGB 16 42 101

HSL 221.65, 0.73%, 0.23%

LAB 18.82, 14.49, -37.56

 

CMYK 85 / 59 / 0 / 46

HEX #153889

RGB 21 56 137

HSL 221.9, 0.73%, 0.31%

LAB 26.14, 20.06, -48.6

 

CMYK 84 / 59 / 0 / 33

HEX #1B47AC

RGB 27 71 172

HSL 221.79, 0.73%, 0.39%

LAB 33.39, 24.35, -58.07

 

CMYK 85 / 59 / 0 / 18

HEX #2055D0

RGB 32 85 208

HSL 221.93, 0.73%, 0.47%

LAB 40.18, 29.43, -68.07

 

CMYK 84 / 59 / 0 / 46

HEX #16398A

RGB 22 57 138

HSL 221.9, 0.73%, 0.31%

LAB 26.54, 19.86, -48.57

 

CMYK 10 / 85 / 0 / 46

HEX #7B1589

RGB 123 21 137

HSL 292.76, 0.73%, 0.31%

LAB 30.77, 55.71, -40.6

 

CMYK 24 / 0 / 85 / 46

HEX #688915

RGB 104 137 21

HSL 77.07, 0.73%, 0.31%

LAB 52.83, -27.74, 52.39

 

CMYK 84 / 59 / 0 / 46

HEX #16398A

RGB 22 57 138

HSL 221.9, 0.73%, 0.31%

LAB 26.54, 19.86, -48.57

 

CMYK 0 / 85 / 58 / 46

HEX #89153A

RGB 137 21 58

HSL 340.86, 0.73%, 0.31%

LAB 29.81, 48.74, 9.36

 

CMYK 58 / 0 / 85 / 46

HEX #3A8915

RGB 58 137 21

HSL 100.86, 0.73%, 0.31%

LAB 50.51, -44.29, 49.44

 

CMYK 84 / 59 / 0 / 46

HEX #16398A

RGB 22 57 138

HSL 221.9, 0.73%, 0.31%

LAB 26.54, 19.86, -48.57

 

CMYK 10 / 85 / 0 / 46

HEX #7B1589

RGB 123 21 137

HSL 292.76, 0.73%, 0.31%

LAB 30.77, 55.71, -40.6

 

CMYK 0 / 27 / 85 / 46

HEX #896415

RGB 137 100 21

HSL 40.86, 0.73%, 0.31%

LAB 44.92, 7.66, 46.61

 

CMYK 74 / 0 / 85 / 46

HEX #238915

RGB 35 137 21

HSL 112.76, 0.73%, 0.31%

LAB 49.86, -49.63, 48.62

 

CMYK 84 / 59 / 0 / 46

HEX #16398A

RGB 22 57 138

HSL 221.9, 0.73%, 0.31%

LAB 26.54, 19.86, -48.57

 

CMYK 0 / 85 / 15 / 46

HEX #891574

RGB 137 21 116

HSL 310.86, 0.73%, 0.31%

LAB 32.07, 55.2, -25.18

 

CMYK 0 / 27 / 85 / 46

HEX #896415

RGB 137 100 21

HSL 40.86, 0.73%, 0.31%

LAB 44.92, 7.66, 46.61

 

CMYK 85 / 0 / 69 / 46

HEX #15892B

RGB 21 137 43

HSL 131.38, 0.73%, 0.31%

LAB 49.77, -49.9, 40.4

 

Description

Color code: HEX #16398A | qconv.com Color code: HEX #16398A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 57 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 57 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 59 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 59% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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