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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #163672CE it is the complementary color #E9C98DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #163672CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #163672CE shade: #1B366DCE, #2C4880CE, #3D5A93CE, #4E6CA6CE and #5F7EB9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #163672CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #163672CE shade: #163672CE, #05245FCE, #00124CCE, #000039CE and #000026CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #163672CE shade: #163774, #161D74, #281674, #411674 and #5A1674

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #163672CE shade: #163774, #161D74 and #161674

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #163672CE shade matches the following richer shades: #163774 and #0B337F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #163672CE shade: #163774, #213A69, #2C3D5D, #374152 and #434447

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #163672CE shade: #166974, #165074, #163774, #161E74 and #271674

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #163672CE shade: #09162E, #0F2651, #163774, #1D4796 and #2357B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #163672CE shade: #163672, #661674 and #5C7416

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #163672CE shade: #163672, #741637 and #377416

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #163672CE shade: #163672, #661674, #745316 and #247416

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #163672CE shade: #163672, #741666, #745316 and #167424

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 43 / 0 / 45

HEX #163672CE

RGBA 22 54 114 0.81

HSLA 219.13, 0.68%, 0.27%, 0.81

LABA 23.75, 12.02, -37.98, 0.81

 

Complementary color

CMYK 0 / 11 / 32 / 7

HEX #E9C98DCE

RGBA 233 201 141 0.81

HSLA 39.13, 0.68%, 0.73%, 0.81

LABA 82.39, 3.15, 34.15, 0.81

 

CMYK 61 / 41 / 0 / 46

HEX #1B366DCE

RGBA 27 54 109 0.81

HSLA 220.24, 0.6%, 0.27%, 0.81

LABA 23.59, 10.66, -35.03, 0.81

 

CMYK 53 / 35 / 0 / 40

HEX #2C4880CE

RGBA 44 72 128 0.81

HSLA 220, 0.49%, 0.34%, 0.81

LABA 31.18, 8.7, -34.82, 0.81

 

CMYK 47 / 31 / 0 / 34

HEX #3D5A93CE

RGBA 61 90 147 0.81

HSLA 219.77, 0.41%, 0.41%, 0.81

LABA 38.57, 7.31, -34.65, 0.81

 

CMYK 43 / 28 / 0 / 28

HEX #4E6CA6CE

RGBA 78 108 166 0.81

HSLA 219.55, 0.36%, 0.48%, 0.81

LABA 45.77, 6.27, -34.54, 0.81

 

CMYK 39 / 26 / 0 / 22

HEX #5F7EB9CE

RGBA 95 126 185 0.81

HSLA 219.33, 0.39%, 0.55%, 0.81

LABA 52.79, 5.45, -34.47, 0.81

 

CMYK 65 / 43 / 0 / 45

HEX #163672CE

RGBA 22 54 114 0.81

HSLA 219.13, 0.68%, 0.27%, 0.81

LABA 23.75, 12.02, -37.98, 0.81

 

CMYK 77 / 50 / 0 / 51

HEX #05245FCE

RGBA 5 36 95 0.81

HSLA 219.33, 0.9%, 0.2%, 0.81

LABA 16.11, 15.28, -38.05, 0.81

 

CMYK 81 / 62 / 0 / 57

HEX #00124CCE

RGBA 0 18 76 0.81

HSLA 225.79, 1%, 0.15%, 0.81

LABA 8.61, 19.93, -37.47, 0.81

 

CMYK 81 / 81 / 0 / 63

HEX #000039CE

RGBA 0 0 57 0.81

HSLA 240, 1%, 0.11%, 0.81

LABA 2.67, 18.75, -33.68, 0.81

 

CMYK 81 / 81 / 0 / 69

HEX #000026CE

RGBA 0 0 38 0.81

HSLA 240, 1%, 0.07%, 0.81

LABA 1.26, 8.88, -21.58, 0.81

 

CMYK 81 / 53 / 0 / 55

HEX #163774

RGB 22 55 116

HSL 218.94, 0.68%, 0.27%

LAB 24.21, 12.15, -38.52

 

CMYK 81 / 75 / 0 / 55

HEX #161D74

RGB 22 29 116

HSL 235.53, 0.68%, 0.27%

LAB 17.04, 30.38, -50.23

 

CMYK 66 / 81 / 0 / 55

HEX #281674

RGB 40 22 116

HSL 251.49, 0.68%, 0.27%

LAB 16.92, 36.46, -50.37

 

CMYK 44 / 81 / 0 / 55

HEX #411674

RGB 65 22 116

HSL 267.45, 0.68%, 0.27%

LAB 19.88, 40.14, -45.41

 

CMYK 22 / 81 / 0 / 55

HEX #5A1674

RGB 90 22 116

HSL 283.4, 0.68%, 0.27%

LAB 23.7, 44.82, -39.02

 

CMYK 81 / 53 / 0 / 55

HEX #163774

RGB 22 55 116

HSL 218.94, 0.68%, 0.27%

LAB 24.21, 12.15, -38.52

 

CMYK 81 / 75 / 0 / 55

HEX #161D74

RGB 22 29 116

HSL 235.53, 0.68%, 0.27%

LAB 17.04, 30.38, -50.23

 

CMYK 81 / 81 / 0 / 55

HEX #161674

RGB 22 22 116

HSL 240, 0.68%, 0.27%

LAB 15.52, 34.68, -52.74

 

CMYK 81 / 53 / 0 / 55

HEX #163774

RGB 22 55 116

HSL 218.94, 0.68%, 0.27%

LAB 24.21, 12.15, -38.52

 

CMYK 91 / 60 / 0 / 50

HEX #0B337F

RGB 11 51 127

HSL 219.31, 0.84%, 0.27%

LAB 23.58, 18.65, -46.53

 

CMYK 81 / 53 / 0 / 55

HEX #163774

RGB 22 55 116

HSL 218.94, 0.68%, 0.27%

LAB 24.21, 12.15, -38.52

 

CMYK 69 / 45 / 0 / 59

HEX #213A69

RGB 33 58 105

HSL 219.17, 0.52%, 0.27%

LAB 24.86, 7.29, -30.41

 

CMYK 53 / 34 / 0 / 64

HEX #2C3D5D

RGB 44 61 93

HSL 219.18, 0.36%, 0.27%

LAB 25.75, 3.33, -21.19

 

CMYK 33 / 21 / 0 / 68

HEX #374152

RGB 55 65 82

HSL 217.78, 0.2%, 0.27%

LAB 27.3, 0.56, -11.56

 

CMYK 6 / 4 / 0 / 72

HEX #434447

RGB 67 68 71

HSL 225, 0.03%, 0.27%

LAB 28.86, 0.27, -1.96

 

CMYK 81 / 9 / 0 / 55

HEX #166974

RGB 22 105 116

HSL 187.02, 0.68%, 0.27%

LAB 40.47, -19.49, -13.01

 

CMYK 81 / 31 / 0 / 55

HEX #165074

RGB 22 80 116

HSL 202.98, 0.68%, 0.27%

LAB 32.19, -4.8, -25.81

 

CMYK 81 / 53 / 0 / 55

HEX #163774

RGB 22 55 116

HSL 218.94, 0.68%, 0.27%

LAB 24.21, 12.15, -38.52

 

CMYK 81 / 74 / 0 / 55

HEX #161E74

RGB 22 30 116

HSL 234.89, 0.68%, 0.27%

LAB 17.27, 29.73, -49.84

 

CMYK 66 / 81 / 0 / 55

HEX #271674

RGB 39 22 116

HSL 250.85, 0.68%, 0.27%

LAB 16.83, 36.34, -50.54

 

CMYK 80 / 52 / 0 / 82

HEX #09162E

RGB 9 22 46

HSL 218.92, 0.67%, 0.11%

LAB 7.49, 4.25, -17.81

 

CMYK 81 / 53 / 0 / 68

HEX #0F2651

RGB 15 38 81

HSL 219.09, 0.69%, 0.19%

LAB 15.91, 8.64, -28.96

 

CMYK 81 / 53 / 0 / 55

HEX #163774

RGB 22 55 116

HSL 218.94, 0.68%, 0.27%

LAB 24.21, 12.15, -38.52

 

CMYK 81 / 53 / 0 / 41

HEX #1D4796

RGB 29 71 150

HSL 219.17, 0.68%, 0.35%

LAB 31.74, 15.75, -47.49

 

CMYK 81 / 53 / 0 / 27

HEX #2357B9

RGB 35 87 185

HSL 219.2, 0.68%, 0.43%

LAB 39.03, 19.48, -56.57

 

CMYK 81 / 53 / 0 / 55

HEX #163672

RGB 22 54 114

HSL 219.13, 0.68%, 0.27%

LAB 23.75, 12.02, -37.98

 

CMYK 12 / 81 / 0 / 55

HEX #661674

RGB 102 22 116

HSL 291.06, 0.68%, 0.27%

LAB 25.74, 47.29, -35.62

 

CMYK 21 / 0 / 81 / 55

HEX #5C7416

RGB 92 116 22

HSL 75.32, 0.68%, 0.27%

LAB 45.39, -22.42, 45.1

 

CMYK 81 / 53 / 0 / 55

HEX #163672

RGB 22 54 114

HSL 219.13, 0.68%, 0.27%

LAB 23.75, 12.02, -37.98

 

CMYK 0 / 81 / 53 / 55

HEX #741637

RGB 116 22 55

HSL 338.94, 0.68%, 0.27%

LAB 25.45, 42.08, 4.63

 

CMYK 53 / 0 / 81 / 55

HEX #377416

RGB 55 116 22

HSL 98.94, 0.68%, 0.27%

LAB 43.3, -36.8, 42.39

 

CMYK 81 / 53 / 0 / 55

HEX #163672

RGB 22 54 114

HSL 219.13, 0.68%, 0.27%

LAB 23.75, 12.02, -37.98

 

CMYK 12 / 81 / 0 / 55

HEX #661674

RGB 102 22 116

HSL 291.06, 0.68%, 0.27%

LAB 25.74, 47.29, -35.62

 

CMYK 0 / 28 / 81 / 55

HEX #745316

RGB 116 83 22

HSL 38.94, 0.68%, 0.27%

LAB 37.77, 7.71, 38.8

 

CMYK 69 / 0 / 81 / 55

HEX #247416

RGB 36 116 22

HSL 111.06, 0.68%, 0.27%

LAB 42.65, -42.04, 41.54

 

CMYK 81 / 53 / 0 / 55

HEX #163672

RGB 22 54 114

HSL 219.13, 0.68%, 0.27%

LAB 23.75, 12.02, -37.98

 

CMYK 0 / 81 / 12 / 55

HEX #741666

RGB 116 22 102

HSL 308.94, 0.68%, 0.27%

LAB 27.42, 47.98, -23.77

 

CMYK 0 / 28 / 81 / 55

HEX #745316

RGB 116 83 22

HSL 38.94, 0.68%, 0.27%

LAB 37.77, 7.71, 38.8

 

CMYK 81 / 0 / 69 / 55

HEX #167424

RGB 22 116 36

HSL 128.94, 0.68%, 0.27%

LAB 42.44, -43.38, 35.55

 

Description

Color code: HEX #163672CE | qconv.com Color code: HEX #163672CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 54 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 54 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 43 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 43% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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