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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #162B5E it is the complementary color #E9D4A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #162B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #162B5E shade: #1B2B59, #2C3D6C, #3D4F7F, #4E6192 and #5F73A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #162B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #162B5E shade: #162B5E, #05194B, #000738, #000025 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #162B5E shade: #162B5F, #16175F, #28165F, #3B165F and #4F165F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #162B5E shade: #162B5F, #16175F and #16165F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #162B5E shade matches the following richer shades: #162B5F, #0C2768 and #032371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #162B5E shade: #162B5F, #1F2F55, #29334C, #323742 and #3C3B39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #162B5E shade: #16525F, #163F5F, #162C5F, #16185F and #27165F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #162B5E shade: #060C1C, #0E1C3D, #162B5F, #1E3A80 and #254AA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #162B5E shade: #162B5E, #57165F and #495F16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #162B5E shade: #162B5E, #5F162C and #2C5F16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #162B5E shade: #162B5E, #57165F, #5F4916 and #1D5F16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #162B5E shade: #162B5E, #5F1650, #5F4916 and #165F24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 54 / 0 / 63

HEX #162B5E

RGB 22 43 94

HSL 222.5, 0.62%, 0.23%

LAB 18.83, 11.59, -32.94

 

Complementary color

CMYK 0 / 9 / 31 / 9

HEX #E9D4A1

RGB 233 212 161

HSL 42.5, 0.62%, 0.77%

LAB 85.5, -0.2, 27.92

 

CMYK 70 / 52 / 0 / 65

HEX #1B2B59

RGB 27 43 89

HSL 224.52, 0.53%, 0.23%

LAB 18.72, 10.41, -29.78

 

CMYK 59 / 44 / 0 / 58

HEX #2C3D6C

RGB 44 61 108

HSL 224.06, 0.42%, 0.3%

LAB 26.61, 8.73, -29.51

 

CMYK 52 / 38 / 0 / 50

HEX #3D4F7F

RGB 61 79 127

HSL 223.64, 0.35%, 0.37%

LAB 34.22, 7.56, -29.32

 

CMYK 47 / 34 / 0 / 43

HEX #4E6192

RGB 78 97 146

HSL 223.24, 0.3%, 0.44%

LAB 41.6, 6.69, -29.21

 

CMYK 42 / 30 / 0 / 35

HEX #5F73A5

RGB 95 115 165

HSL 222.86, 0.28%, 0.51%

LAB 48.77, 6.02, -29.17

 

CMYK 77 / 54 / 0 / 63

HEX #162B5E

RGB 22 43 94

HSL 222.5, 0.62%, 0.23%

LAB 18.83, 11.59, -32.94

 

CMYK 93 / 67 / 0 / 71

HEX #05194B

RGB 5 25 75

HSL 222.86, 0.88%, 0.16%

LAB 10.82, 14.66, -33.14

 

CMYK 100 / 88 / 0 / 78

HEX #000738

RGB 0 7 56

HSL 232.5, 1%, 0.11%

LAB 3.95, 15.32, -30.87

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 77 / 55 / 0 / 63

HEX #162B5F

RGB 22 43 95

HSL 222.74, 0.62%, 0.23%

LAB 18.91, 12.01, -33.47

 

CMYK 77 / 76 / 0 / 63

HEX #16175F

RGB 22 23 95

HSL 239.18, 0.62%, 0.23%

LAB 13.29, 26.37, -42.64

 

CMYK 58 / 77 / 0 / 63

HEX #28165F

RGB 40 22 95

HSL 254.79, 0.62%, 0.23%

LAB 14.69, 29.65, -40.28

 

CMYK 38 / 77 / 0 / 63

HEX #3B165F

RGB 59 22 95

HSL 270.41, 0.62%, 0.23%

LAB 17.13, 33.35, -36.19

 

CMYK 17 / 77 / 0 / 63

HEX #4F165F

RGB 79 22 95

HSL 286.85, 0.62%, 0.23%

LAB 20.29, 37.86, -30.92

 

CMYK 77 / 55 / 0 / 63

HEX #162B5F

RGB 22 43 95

HSL 222.74, 0.62%, 0.23%

LAB 18.91, 12.01, -33.47

 

CMYK 77 / 76 / 0 / 63

HEX #16175F

RGB 22 23 95

HSL 239.18, 0.62%, 0.23%

LAB 13.29, 26.37, -42.64

 

CMYK 77 / 77 / 0 / 63

HEX #16165F

RGB 22 22 95

HSL 240, 0.62%, 0.23%

LAB 13.05, 27.03, -43.03

 

CMYK 77 / 55 / 0 / 63

HEX #162B5F

RGB 22 43 95

HSL 222.74, 0.62%, 0.23%

LAB 18.91, 12.01, -33.47

 

CMYK 88 / 63 / 0 / 59

HEX #0C2768

RGB 12 39 104

HSL 222.39, 0.79%, 0.23%

LAB 18.05, 17.6, -40.8

 

CMYK 97 / 69 / 0 / 56

HEX #032371

RGB 3 35 113

HSL 222.55, 0.95%, 0.23%

LAB 17.52, 23.72, -47.52

 

CMYK 77 / 55 / 0 / 63

HEX #162B5F

RGB 22 43 95

HSL 222.74, 0.62%, 0.23%

LAB 18.91, 12.01, -33.47

 

CMYK 64 / 45 / 0 / 67

HEX #1F2F55

RGB 31 47 85

HSL 222.22, 0.47%, 0.23%

LAB 19.96, 6.79, -25.11

 

CMYK 46 / 33 / 0 / 70

HEX #29334C

RGB 41 51 76

HSL 222.86, 0.3%, 0.23%

LAB 21.43, 3.43, -16.73

 

CMYK 24 / 17 / 0 / 74

HEX #323742

RGB 50 55 66

HSL 221.25, 0.14%, 0.23%

LAB 23.01, 0.76, -7.53

 

CMYK 0 / 2 / 5 / 76

HEX #3C3B39

RGB 60 59 57

HSL 40, 0.03%, 0.23%

LAB 24.9, -0.01, 1.39

 

CMYK 77 / 14 / 0 / 63

HEX #16525F

RGB 22 82 95

HSL 190.68, 0.62%, 0.23%

LAB 31.88, -13.99, -13.07

 

CMYK 77 / 34 / 0 / 63

HEX #163F5F

RGB 22 63 95

HSL 206.3, 0.62%, 0.23%

LAB 25.42, -2.12, -23.09

 

CMYK 77 / 54 / 0 / 63

HEX #162C5F

RGB 22 44 95

HSL 221.92, 0.62%, 0.23%

LAB 19.22, 11.27, -32.97

 

CMYK 77 / 75 / 0 / 63

HEX #16185F

RGB 22 24 95

HSL 238.36, 0.62%, 0.23%

LAB 13.53, 25.7, -42.24

 

CMYK 59 / 77 / 0 / 63

HEX #27165F

RGB 39 22 95

HSL 253.97, 0.62%, 0.23%

LAB 14.58, 29.47, -40.46

 

CMYK 79 / 57 / 0 / 89

HEX #060C1C

RGB 6 12 28

HSL 223.64, 0.65%, 0.07%

LAB 3.48, 2.04, -10.3

 

CMYK 77 / 54 / 0 / 76

HEX #0E1C3D

RGB 14 28 61

HSL 222.13, 0.63%, 0.15%

LAB 11, 7.31, -23.02

 

CMYK 77 / 55 / 0 / 63

HEX #162B5F

RGB 22 43 95

HSL 222.74, 0.62%, 0.23%

LAB 18.91, 12.01, -33.47

 

CMYK 77 / 55 / 0 / 50

HEX #1E3A80

RGB 30 58 128

HSL 222.86, 0.62%, 0.31%

LAB 26.33, 16, -42.65

 

CMYK 77 / 54 / 0 / 37

HEX #254AA1

RGB 37 74 161

HSL 222.1, 0.63%, 0.39%

LAB 33.7, 19, -50.96

 

CMYK 77 / 54 / 0 / 63

HEX #162B5E

RGB 22 43 94

HSL 222.5, 0.62%, 0.23%

LAB 18.83, 11.59, -32.94

 

CMYK 8 / 77 / 0 / 63

HEX #57165F

RGB 87 22 95

HSL 293.42, 0.62%, 0.23%

LAB 21.68, 39.77, -28.63

 

CMYK 23 / 0 / 77 / 63

HEX #495F16

RGB 73 95 22

HSL 78.08, 0.62%, 0.23%

LAB 37.22, -19.98, 36.84

 

CMYK 77 / 54 / 0 / 63

HEX #162B5E

RGB 22 43 94

HSL 222.5, 0.62%, 0.23%

LAB 18.83, 11.59, -32.94

 

CMYK 0 / 77 / 54 / 63

HEX #5F162C

RGB 95 22 44

HSL 341.92, 0.62%, 0.23%

LAB 20.78, 34.38, 5.02

 

CMYK 54 / 0 / 77 / 63

HEX #2C5F16

RGB 44 95 22

HSL 101.92, 0.62%, 0.23%

LAB 35.55, -31.48, 34.62

 

CMYK 77 / 54 / 0 / 63

HEX #162B5E

RGB 22 43 94

HSL 222.5, 0.62%, 0.23%

LAB 18.83, 11.59, -32.94

 

CMYK 8 / 77 / 0 / 63

HEX #57165F

RGB 87 22 95

HSL 293.42, 0.62%, 0.23%

LAB 21.68, 39.77, -28.63

 

CMYK 0 / 23 / 77 / 63

HEX #5F4916

RGB 95 73 22

HSL 41.92, 0.62%, 0.23%

LAB 32.38, 3.47, 32.68

 

CMYK 69 / 0 / 77 / 63

HEX #1D5F16

RGB 29 95 22

HSL 114.25, 0.62%, 0.23%

LAB 35.01, -35.78, 33.89

 

CMYK 77 / 54 / 0 / 63

HEX #162B5E

RGB 22 43 94

HSL 222.5, 0.62%, 0.23%

LAB 18.83, 11.59, -32.94

 

CMYK 0 / 77 / 16 / 63

HEX #5F1650

RGB 95 22 80

HSL 312.33, 0.62%, 0.23%

LAB 22.25, 39.11, -17.61

 

CMYK 0 / 23 / 77 / 63

HEX #5F4916

RGB 95 73 22

HSL 41.92, 0.62%, 0.23%

LAB 32.38, 3.47, 32.68

 

CMYK 77 / 0 / 62 / 63

HEX #165F24

RGB 22 95 36

HSL 131.51, 0.62%, 0.23%

LAB 34.97, -35.63, 27.09

 

Description

Color code: HEX #162B5E | qconv.com Color code: HEX #162B5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 43 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 43 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 54 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 54% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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