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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16272D it is the complementary color #E9D8D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16272D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16272D shade: #1B2728, #2C393B, #3D4B4E, #4E5D61 and #5F6F74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16272D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16272D shade: #16272D, #05151A, #000307 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16272D shade: #16272C, #16202C, #161A2C, #17162C and #1E162C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16272D shade: #16272C, #16202C, #161A2C and #16162C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16272D shade matches the following richer shades: #16272C, #112932, #0B2C37, #062E3D and #003142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16272D shade: #16272C, #1B2427, #212122, #261F1C and #2B1C17

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16272D shade: #162C26, #162C2C, #16272C, #16212C and #161B2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16272D shade: #000000, #080F11, #16272C, #233F48 and #315764

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16272D shade: #16272D, #20162C and #2C2916

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16272D shade: #16272D, #2C1627 and #272C16

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16272D shade: #16272D, #20162C, #2C1C16 and #222C16

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16272D shade: #16272D, #27162C, #2C1C16 and #1C2C16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 13 / 0 / 82

HEX #16272D

RGB 22 39 45

HSL 195.65, 0.34%, 0.13%

LAB 14.46, -5.06, -6.17

 

Complementary color

CMYK 0 / 7 / 10 / 9

HEX #E9D8D2

RGB 233 216 210

HSL 15.65, 0.34%, 0.87%

LAB 87.53, 4.85, 5.05

 

CMYK 33 / 2 / 0 / 84

HEX #1B2728

RGB 27 39 40

HSL 184.62, 0.19%, 0.13%

LAB 14.61, -4.85, -2.35

 

CMYK 25 / 3 / 0 / 77

HEX #2C393B

RGB 44 57 59

HSL 188, 0.15%, 0.2%

LAB 22.92, -4.8, -3.02

 

CMYK 22 / 4 / 0 / 69

HEX #3D4B4E

RGB 61 75 78

HSL 190.59, 0.12%, 0.27%

LAB 30.82, -4.77, -3.64

 

CMYK 20 / 4 / 0 / 62

HEX #4E5D61

RGB 78 93 97

HSL 192.63, 0.11%, 0.34%

LAB 38.4, -4.78, -4.22

 

CMYK 18 / 4 / 0 / 55

HEX #5F6F74

RGB 95 111 116

HSL 194.29, 0.1%, 0.41%

LAB 45.72, -4.8, -4.79

 

CMYK 51 / 13 / 0 / 82

HEX #16272D

RGB 22 39 45

HSL 195.65, 0.34%, 0.13%

LAB 14.46, -5.06, -6.17

 

CMYK 81 / 19 / 0 / 90

HEX #05151A

RGB 5 21 26

HSL 194.29, 0.68%, 0.06%

LAB 5.81, -3.86, -5.29

 

CMYK 100 / 57 / 0 / 97

HEX #000307

RGB 0 3 7

HSL 214.29, 1%, 0.01%

LAB 0.73, -0.23, -1.79

 

CMYK 50 / 11 / 0 / 83

HEX #16272C

RGB 22 39 44

HSL 193.64, 0.33%, 0.13%

LAB 14.42, -5.4, -5.52

 

CMYK 50 / 27 / 0 / 83

HEX #16202C

RGB 22 32 44

HSL 212.73, 0.33%, 0.13%

LAB 11.86, -0.45, -9.42

 

CMYK 50 / 41 / 0 / 83

HEX #161A2C

RGB 22 26 44

HSL 229.09, 0.33%, 0.13%

LAB 9.73, 4.05, -12.73

 

CMYK 48 / 50 / 0 / 83

HEX #17162C

RGB 23 22 44

HSL 242.73, 0.33%, 0.13%

LAB 8.46, 7.48, -14.72

 

CMYK 32 / 50 / 0 / 83

HEX #1E162C

RGB 30 22 44

HSL 261.82, 0.33%, 0.13%

LAB 9.25, 10.02, -13.42

 

CMYK 50 / 11 / 0 / 83

HEX #16272C

RGB 22 39 44

HSL 193.64, 0.33%, 0.13%

LAB 14.42, -5.4, -5.52

 

CMYK 50 / 27 / 0 / 83

HEX #16202C

RGB 22 32 44

HSL 212.73, 0.33%, 0.13%

LAB 11.86, -0.45, -9.42

 

CMYK 50 / 41 / 0 / 83

HEX #161A2C

RGB 22 26 44

HSL 229.09, 0.33%, 0.13%

LAB 9.73, 4.05, -12.73

 

CMYK 50 / 50 / 0 / 83

HEX #16162C

RGB 22 22 44

HSL 240, 0.33%, 0.13%

LAB 8.36, 7.14, -14.88

 

CMYK 50 / 11 / 0 / 83

HEX #16272C

RGB 22 39 44

HSL 193.64, 0.33%, 0.13%

LAB 14.42, -5.4, -5.52

 

CMYK 66 / 18 / 0 / 80

HEX #112932

RGB 17 41 50

HSL 196.36, 0.49%, 0.13%

LAB 15.14, -6.1, -8.7

 

CMYK 80 / 20 / 0 / 78

HEX #0B2C37

RGB 11 44 55

HSL 195, 0.67%, 0.13%

LAB 16.25, -7.52, -10.54

 

CMYK 90 / 25 / 0 / 76

HEX #062E3D

RGB 6 46 61

HSL 196.36, 0.82%, 0.13%

LAB 17.13, -7.24, -13.36

 

CMYK 100 / 26 / 0 / 74

HEX #003142

RGB 0 49 66

HSL 195.45, 1%, 0.13%

LAB 18.32, -8.04, -14.96

 

CMYK 50 / 11 / 0 / 83

HEX #16272C

RGB 22 39 44

HSL 193.64, 0.33%, 0.13%

LAB 14.42, -5.4, -5.52

 

CMYK 31 / 8 / 0 / 85

HEX #1B2427

RGB 27 36 39

HSL 195, 0.18%, 0.13%

LAB 13.48, -3.08, -3.31

 

CMYK 3 / 3 / 0 / 87

HEX #212122

RGB 33 33 34

HSL 240, 0.01%, 0.13%

LAB 12.78, 0.25, -0.68

 

CMYK 0 / 18 / 26 / 85

HEX #261F1C

RGB 38 31 28

HSL 18, 0.15%, 0.13%

LAB 12.45, 2.74, 3.29

 

CMYK 0 / 35 / 47 / 83

HEX #2B1C17

RGB 43 28 23

HSL 15, 0.3%, 0.13%

LAB 12, 6.56, 6.4

 

CMYK 50 / 0 / 14 / 83

HEX #162C26

RGB 22 44 38

HSL 163.64, 0.33%, 0.13%

LAB 16.06, -10.56, 1.16

 

CMYK 50 / 0 / 0 / 83

HEX #162C2C

RGB 22 44 44

HSL 180, 0.33%, 0.13%

LAB 16.27, -8.71, -2.75

 

CMYK 50 / 11 / 0 / 83

HEX #16272C

RGB 22 39 44

HSL 193.64, 0.33%, 0.13%

LAB 14.42, -5.4, -5.52

 

CMYK 50 / 25 / 0 / 83

HEX #16212C

RGB 22 33 44

HSL 210, 0.33%, 0.13%

LAB 12.22, -1.18, -8.87

 

CMYK 50 / 39 / 0 / 83

HEX #161B2C

RGB 22 27 44

HSL 226.36, 0.33%, 0.13%

LAB 10.08, 3.28, -12.18

 

CMYK 53 / 12 / 0 / 93

HEX #080F11

RGB 8 15 17

HSL 193.33, 0.36%, 0.05%

LAB 3.92, -1.64, -1.75

 

CMYK 50 / 11 / 0 / 83

HEX #16272C

RGB 22 39 44

HSL 193.64, 0.33%, 0.13%

LAB 14.42, -5.4, -5.52

 

CMYK 51 / 13 / 0 / 72

HEX #233F48

RGB 35 63 72

HSL 194.59, 0.35%, 0.21%

LAB 24.89, -7.71, -8.79

 

CMYK 51 / 13 / 0 / 61

HEX #315764

RGB 49 87 100

HSL 195.29, 0.34%, 0.29%

LAB 34.78, -9.55, -11.7

 

CMYK 51 / 13 / 0 / 82

HEX #16272D

RGB 22 39 45

HSL 195.65, 0.34%, 0.13%

LAB 14.46, -5.06, -6.17

 

CMYK 27 / 50 / 0 / 83

HEX #20162C

RGB 32 22 44

HSL 267.27, 0.33%, 0.13%

LAB 9.5, 10.78, -13.01

 

CMYK 0 / 7 / 50 / 83

HEX #2C2916

RGB 44 41 22

HSL 51.82, 0.33%, 0.13%

LAB 16.4, -2.17, 12.95

 

CMYK 51 / 13 / 0 / 82

HEX #16272D

RGB 22 39 45

HSL 195.65, 0.34%, 0.13%

LAB 14.46, -5.06, -6.17

 

CMYK 0 / 50 / 11 / 83

HEX #2C1627

RGB 44 22 39

HSL 313.64, 0.33%, 0.13%

LAB 10.96, 14.33, -6.91

 

CMYK 11 / 0 / 50 / 83

HEX #272C16

RGB 39 44 22

HSL 73.64, 0.33%, 0.13%

LAB 16.94, -6.73, 13.54

 

CMYK 51 / 13 / 0 / 82

HEX #16272D

RGB 22 39 45

HSL 195.65, 0.34%, 0.13%

LAB 14.46, -5.06, -6.17

 

CMYK 27 / 50 / 0 / 83

HEX #20162C

RGB 32 22 44

HSL 267.27, 0.33%, 0.13%

LAB 9.5, 10.78, -13.01

 

CMYK 0 / 36 / 50 / 83

HEX #2C1C16

RGB 44 28 22

HSL 16.36, 0.33%, 0.13%

LAB 12.12, 6.92, 7.31

 

CMYK 23 / 0 / 50 / 83

HEX #222C16

RGB 34 44 22

HSL 87.27, 0.33%, 0.13%

LAB 16.5, -9.2, 12.88

 

CMYK 51 / 13 / 0 / 82

HEX #16272D

RGB 22 39 45

HSL 195.65, 0.34%, 0.13%

LAB 14.46, -5.06, -6.17

 

CMYK 11 / 50 / 0 / 83

HEX #27162C

RGB 39 22 44

HSL 286.36, 0.33%, 0.13%

LAB 10.46, 13.5, -11.44

 

CMYK 0 / 36 / 50 / 83

HEX #2C1C16

RGB 44 28 22

HSL 16.36, 0.33%, 0.13%

LAB 12.12, 6.92, 7.31

 

CMYK 36 / 0 / 50 / 83

HEX #1C2C16

RGB 28 44 22

HSL 103.64, 0.33%, 0.13%

LAB 16.03, -11.99, 12.19

 

Description

Color code: HEX #16272D | qconv.com Color code: HEX #16272D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 39 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 39 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 13 magenta, none yellow and 82 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 13% 0% 82% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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