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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #16026B it is the complementary color #E9FD94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #16026B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #16026B shade: #1B0266, #2C1479, #3D268C, #4E389F and #5F4AB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #16026B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #16026B shade: #16026B, #050058, #000045, #000032 and #00001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #16026B shade: #160269, #310269, #4D0269, #690269 and #69024D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #16026B shade: #160269 and #020269

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #16026B shade matches the following richer shades: #160269

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #16026B shade: #160269, #1B0B60, #201358, #261C4F and #2B2546

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #16026B shade: #022669, #020B69, #150269, #300269 and #4C0269

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #16026B shade: #050018, #0D0141, #160269, #1E0391 and #2604BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #16026B shade: #16026B, #690242 and #186902

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #16026B shade: #16026B, #691502 and #026915

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #16026B shade: #16026B, #690242, #566902 and #02692A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #16026B shade: #16026B, #690223, #566902 and #026948

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 98 / 0 / 58

HEX #16026B

RGB 22 2 107

HSL 251.43, 0.96%, 0.21%

LAB 11.1, 41.3, -54.21

 

Complementary color

CMYK 8 / 0 / 42 / 1

HEX #E9FD94

RGB 233 253 148

HSL 71.43, 0.96%, 0.79%

LAB 95.88, -22.1, 47.97

 

CMYK 74 / 98 / 0 / 60

HEX #1B0266

RGB 27 2 102

HSL 255, 0.96%, 0.2%

LAB 10.82, 40.14, -51.37

 

CMYK 64 / 83 / 0 / 53

HEX #2C1479

RGB 44 20 121

HSL 254.26, 0.72%, 0.28%

LAB 17.54, 39.49, -52.56

 

CMYK 56 / 73 / 0 / 45

HEX #3D268C

RGB 61 38 140

HSL 253.53, 0.57%, 0.35%

LAB 24.55, 38.25, -52.96

 

CMYK 51 / 65 / 0 / 38

HEX #4E389F

RGB 78 56 159

HSL 252.82, 0.48%, 0.42%

LAB 31.7, 36.7, -52.88

 

CMYK 47 / 58 / 0 / 30

HEX #5F4AB2

RGB 95 74 178

HSL 252.12, 0.41%, 0.49%

LAB 38.8, 35.2, -52.65

 

CMYK 79 / 98 / 0 / 58

HEX #16026B

RGB 22 2 107

HSL 251.43, 0.96%, 0.21%

LAB 11.1, 41.3, -54.21

 

CMYK 94 / 100 / 0 / 65

HEX #050058

RGB 5 0 88

HSL 243.41, 1%, 0.17%

LAB 6.66, 36.21, -48.95

 

CMYK 100 / 100 / 0 / 73

HEX #000045

RGB 0 0 69

HSL 240, 1%, 0.14%

LAB 3.88, 26.51, -40.35

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 79 / 98 / 0 / 59

HEX #160269

RGB 22 2 105

HSL 251.65, 0.96%, 0.21%

LAB 10.81, 40.74, -53.39

 

CMYK 53 / 98 / 0 / 59

HEX #310269

RGB 49 2 105

HSL 267.38, 0.96%, 0.21%

LAB 13.92, 42.57, -48.12

 

CMYK 27 / 98 / 0 / 59

HEX #4D0269

RGB 77 2 105

HSL 283.69, 0.96%, 0.21%

LAB 18.55, 46.03, -40.36

 

CMYK 0 / 98 / 0 / 59

HEX #690269

RGB 105 2 105

HSL 300, 0.96%, 0.21%

LAB 23.89, 50.75, -31.46

 

CMYK 0 / 98 / 27 / 59

HEX #69024D

RGB 105 2 77

HSL 316.31, 0.96%, 0.21%

LAB 22.24, 46.6, -15.44

 

CMYK 79 / 98 / 0 / 59

HEX #160269

RGB 22 2 105

HSL 251.65, 0.96%, 0.21%

LAB 10.81, 40.74, -53.39

 

CMYK 98 / 98 / 0 / 59

HEX #020269

RGB 2 2 105

HSL 240, 0.96%, 0.21%

LAB 9.61, 40.19, -55.41

 

CMYK 79 / 98 / 0 / 59

HEX #160269

RGB 22 2 105

HSL 251.65, 0.96%, 0.21%

LAB 10.81, 40.74, -53.39

 

CMYK 79 / 98 / 0 / 59

HEX #160269

RGB 22 2 105

HSL 251.65, 0.96%, 0.21%

LAB 10.81, 40.74, -53.39

 

CMYK 72 / 89 / 0 / 62

HEX #1B0B60

RGB 27 11 96

HSL 251.29, 0.79%, 0.21%

LAB 11.39, 34.17, -46.42

 

CMYK 64 / 78 / 0 / 65

HEX #201358

RGB 32 19 88

HSL 251.3, 0.64%, 0.21%

LAB 12.46, 27.77, -39.26

 

CMYK 52 / 65 / 0 / 69

HEX #261C4F

RGB 38 28 79

HSL 251.76, 0.48%, 0.21%

LAB 14.44, 19.94, -29.89

 

CMYK 39 / 47 / 0 / 73

HEX #2B2546

RGB 43 37 70

HSL 250.91, 0.31%, 0.21%

LAB 16.89, 11.99, -19.78

 

CMYK 98 / 64 / 0 / 59

HEX #022669

RGB 2 38 105

HSL 219.03, 0.96%, 0.21%

LAB 17.55, 17.98, -42.28

 

CMYK 98 / 90 / 0 / 59

HEX #020B69

RGB 2 11 105

HSL 234.76, 0.96%, 0.21%

LAB 11.08, 35.74, -52.96

 

CMYK 80 / 98 / 0 / 59

HEX #150269

RGB 21 2 105

HSL 251.07, 0.96%, 0.21%

LAB 10.72, 40.7, -53.53

 

CMYK 54 / 98 / 0 / 59

HEX #300269

RGB 48 2 105

HSL 266.8, 0.96%, 0.21%

LAB 13.78, 42.47, -48.37

 

CMYK 28 / 98 / 0 / 59

HEX #4C0269

RGB 76 2 105

HSL 283.11, 0.96%, 0.21%

LAB 18.36, 45.88, -40.66

 

CMYK 79 / 100 / 0 / 91

HEX #050018

RGB 5 0 24

HSL 252.5, 1%, 0.05%

LAB 0.89, 5.49, -10.93

 

CMYK 80 / 98 / 0 / 75

HEX #0D0141

RGB 13 1 65

HSL 251.25, 0.97%, 0.13%

LAB 4.42, 26.15, -36.59

 

CMYK 79 / 98 / 0 / 59

HEX #160269

RGB 22 2 105

HSL 251.65, 0.96%, 0.21%

LAB 10.81, 40.74, -53.39

 

CMYK 79 / 98 / 0 / 43

HEX #1E0391

RGB 30 3 145

HSL 251.41, 0.96%, 0.29%

LAB 17.39, 51.53, -68

 

CMYK 80 / 98 / 0 / 27

HEX #2604BA

RGB 38 4 186

HSL 251.21, 0.96%, 0.37%

LAB 23.82, 62.08, -82.2

 

CMYK 79 / 98 / 0 / 58

HEX #16026B

RGB 22 2 107

HSL 251.43, 0.96%, 0.21%

LAB 11.1, 41.3, -54.21

 

CMYK 0 / 98 / 37 / 59

HEX #690242

RGB 105 2 66

HSL 322.72, 0.96%, 0.21%

LAB 21.73, 45.27, -8.7

 

CMYK 77 / 0 / 98 / 59

HEX #186902

RGB 24 105 2

HSL 107.18, 0.96%, 0.21%

LAB 38.38, -41.71, 43.2

 

CMYK 79 / 98 / 0 / 58

HEX #16026B

RGB 22 2 107

HSL 251.43, 0.96%, 0.21%

LAB 11.1, 41.3, -54.21

 

CMYK 0 / 80 / 98 / 59

HEX #691502

RGB 105 21 2

HSL 11.07, 0.96%, 0.21%

LAB 22.1, 36, 32.1

 

CMYK 98 / 0 / 80 / 59

HEX #026915

RGB 2 105 21

HSL 131.07, 0.96%, 0.21%

LAB 38.15, -43.43, 37.3

 

CMYK 79 / 98 / 0 / 58

HEX #16026B

RGB 22 2 107

HSL 251.43, 0.96%, 0.21%

LAB 11.1, 41.3, -54.21

 

CMYK 0 / 98 / 37 / 59

HEX #690242

RGB 105 2 66

HSL 322.72, 0.96%, 0.21%

LAB 21.73, 45.27, -8.7

 

CMYK 18 / 0 / 98 / 59

HEX #566902

RGB 86 105 2

HSL 71.07, 0.96%, 0.21%

LAB 41.35, -20.16, 46.82

 

CMYK 98 / 0 / 60 / 59

HEX #02692A

RGB 2 105 42

HSL 143.3, 0.96%, 0.21%

LAB 38.35, -40.92, 27.85

 

CMYK 79 / 98 / 0 / 58

HEX #16026B

RGB 22 2 107

HSL 251.43, 0.96%, 0.21%

LAB 11.1, 41.3, -54.21

 

CMYK 0 / 98 / 67 / 59

HEX #690223

RGB 105 2 35

HSL 340.78, 0.96%, 0.21%

LAB 20.7, 42.53, 11.61

 

CMYK 18 / 0 / 98 / 59

HEX #566902

RGB 86 105 2

HSL 71.07, 0.96%, 0.21%

LAB 41.35, -20.16, 46.82

 

CMYK 98 / 0 / 31 / 59

HEX #026948

RGB 2 105 72

HSL 160.78, 0.96%, 0.21%

LAB 38.87, -34.74, 11.38

 

Description

Color code: HEX #16026B | qconv.com Color code: HEX #16026B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 22 red, 2 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
22 2 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 98 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 98% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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