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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15F03D it is the complementary color #EA0FC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15F03D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15F03D shade: #1AF038, #2BFF4B, #3CFF5E, #4DFF71 and #5EFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15F03D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15F03D shade: #15F03D, #04DE2A, #00CC17, #00BA04 and #00A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15F03D shade: #14F03C, #27F014, #63F014, #9EF014 and #D9F014

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15F03D shade: #14F03C, #14F078, #14F0B3, #14F0EE and #14B7F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15F03D shade matches the following richer shades: #14F03C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15F03D shade: #14F03C, #28DC49, #3DC856, #51B363 and #659F70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15F03D shade: #65F014, #2AF014, #14F039, #14F073 and #14F0AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15F03D shade: #0BA727, #0DCE30, #14F03C, #3BF25C and #62F57D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15F03D shade: #15F03D, #149FF0 and #F01447

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15F03D shade: #15F03D, #3914F0 and #F03914

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15F03D shade: #15F03D, #149FF0, #F014CB and #F06514

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15F03D shade: #15F03D, #145DF0, #F014CB and #F0A714

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 75 / 6

HEX #15F03D

RGB 21 240 61

HSL 130.96, 0.88%, 0.51%

LAB 83.35, -79.25, 68.37

 

Complementary color

CMYK 0 / 94 / 17 / 8

HEX #EA0FC2

RGB 234 15 194

HSL 310.96, 0.88%, 0.49%

LAB 53.74, 85.72, -37.01

 

CMYK 89 / 0 / 77 / 6

HEX #1AF038

RGB 26 240 56

HSL 128.41, 0.88%, 0.52%

LAB 83.35, -79.32, 69.95

 

CMYK 83 / 0 / 71 / 0

HEX #2BFF4B

RGB 43 255 75

HSL 129.06, 1%, 0.58%

LAB 88.23, -80.83, 68.62

 

CMYK 76 / 0 / 63 / 0

HEX #3CFF5E

RGB 60 255 94

HSL 130.46, 1%, 0.62%

LAB 88.59, -77.22, 61.82

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF71

RGB 77 255 113

HSL 132.13, 1%, 0.65%

LAB 89.06, -72.61, 54.32

 

CMYK 63 / 0 / 48 / 0

HEX #5EFF84

RGB 94 255 132

HSL 134.16, 1%, 0.68%

LAB 89.66, -67.05, 46.39

 

CMYK 91 / 0 / 75 / 6

HEX #15F03D

RGB 21 240 61

HSL 130.96, 0.88%, 0.51%

LAB 83.35, -79.25, 68.37

 

CMYK 98 / 0 / 81 / 13

HEX #04DE2A

RGB 4 222 42

HSL 130.46, 0.96%, 0.44%

LAB 77.54, -76.18, 68.38

 

CMYK 100 / 0 / 89 / 20

HEX #00CC17

RGB 0 204 23

HSL 126.76, 1%, 0.4%

LAB 71.72, -72.3, 67.44

 

CMYK 100 / 0 / 98 / 27

HEX #00BA04

RGB 0 186 4

HSL 121.29, 1%, 0.36%

LAB 65.85, -67.9, 65.14

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 92 / 0 / 75 / 6

HEX #14F03C

RGB 20 240 60

HSL 130.91, 0.88%, 0.51%

LAB 83.33, -79.38, 68.68

 

CMYK 84 / 0 / 92 / 6

HEX #27F014

RGB 39 240 20

HSL 114.82, 0.88%, 0.51%

LAB 83.34, -79.9, 77.87

 

CMYK 59 / 0 / 92 / 6

HEX #63F014

RGB 99 240 20

HSL 98.45, 0.88%, 0.51%

LAB 84.5, -69.97, 79.3

 

CMYK 34 / 0 / 92 / 6

HEX #9EF014

RGB 158 240 20

HSL 82.36, 0.88%, 0.51%

LAB 86.82, -52.38, 82.16

 

CMYK 10 / 0 / 92 / 6

HEX #D9F014

RGB 217 240 20

HSL 66.27, 0.88%, 0.51%

LAB 90.38, -29.84, 86.49

 

CMYK 92 / 0 / 75 / 6

HEX #14F03C

RGB 20 240 60

HSL 130.91, 0.88%, 0.51%

LAB 83.33, -79.38, 68.68

 

CMYK 92 / 0 / 50 / 6

HEX #14F078

RGB 20 240 120

HSL 147.27, 0.88%, 0.51%

LAB 83.87, -72.66, 44.63

 

CMYK 92 / 0 / 25 / 6

HEX #14F0B3

RGB 20 240 179

HSL 163.36, 0.88%, 0.51%

LAB 84.86, -61.33, 16.32

 

CMYK 92 / 0 / 1 / 6

HEX #14F0EE

RGB 20 240 238

HSL 179.45, 0.88%, 0.51%

LAB 86.33, -46.01, -12.42

 

CMYK 92 / 24 / 0 / 6

HEX #14B7F0

RGB 20 183 240

HSL 195.55, 0.88%, 0.51%

LAB 69.69, -18.1, -38.9

 

CMYK 92 / 0 / 75 / 6

HEX #14F03C

RGB 20 240 60

HSL 130.91, 0.88%, 0.51%

LAB 83.33, -79.38, 68.68

 

CMYK 92 / 0 / 75 / 6

HEX #14F03C

RGB 20 240 60

HSL 130.91, 0.88%, 0.51%

LAB 83.33, -79.38, 68.68

 

CMYK 82 / 0 / 67 / 14

HEX #28DC49

RGB 40 220 73

HSL 131, 0.72%, 0.51%

LAB 77.35, -70.99, 57.88

 

CMYK 70 / 0 / 57 / 22

HEX #3DC856

RGB 61 200 86

HSL 130.79, 0.56%, 0.51%

LAB 71.54, -60.15, 45.78

 

CMYK 55 / 0 / 45 / 30

HEX #51B363

RGB 81 179 99

HSL 131.02, 0.39%, 0.51%

LAB 65.66, -46.1, 32.28

 

CMYK 36 / 0 / 30 / 38

HEX #659F70

RGB 101 159 112

HSL 131.38, 0.23%, 0.51%

LAB 60.55, -29.16, 18.69

 

CMYK 58 / 0 / 92 / 6

HEX #65F014

RGB 101 240 20

HSL 97.91, 0.88%, 0.51%

LAB 84.55, -69.49, 79.37

 

CMYK 83 / 0 / 92 / 6

HEX #2AF014

RGB 42 240 20

HSL 114, 0.88%, 0.51%

LAB 83.37, -79.61, 77.91

 

CMYK 92 / 0 / 76 / 6

HEX #14F039

RGB 20 240 57

HSL 130.09, 0.88%, 0.51%

LAB 83.32, -79.58, 69.6

 

CMYK 92 / 0 / 52 / 6

HEX #14F073

RGB 20 240 115

HSL 145.91, 0.88%, 0.51%

LAB 83.81, -73.41, 46.91

 

CMYK 92 / 0 / 28 / 6

HEX #14F0AE

RGB 20 240 174

HSL 162, 0.88%, 0.51%

LAB 84.75, -62.46, 18.77

 

CMYK 93 / 0 / 77 / 35

HEX #0BA727

RGB 11 167 39

HSL 130.77, 0.88%, 0.35%

LAB 59.76, -60.47, 52.29

 

CMYK 94 / 0 / 77 / 19

HEX #0DCE30

RGB 13 206 48

HSL 130.88, 0.88%, 0.43%

LAB 72.52, -71.02, 61.87

 

CMYK 92 / 0 / 75 / 6

HEX #14F03C

RGB 20 240 60

HSL 130.91, 0.88%, 0.51%

LAB 83.33, -79.38, 68.68

 

CMYK 76 / 0 / 62 / 5

HEX #3BF25C

RGB 59 242 92

HSL 130.82, 0.88%, 0.59%

LAB 84.59, -73.54, 58.17

 

CMYK 60 / 0 / 49 / 4

HEX #62F57D

RGB 98 245 125

HSL 131.02, 0.88%, 0.67%

LAB 86.69, -63.65, 46.04

 

CMYK 91 / 0 / 75 / 6

HEX #15F03D

RGB 21 240 61

HSL 130.96, 0.88%, 0.51%

LAB 83.35, -79.25, 68.37

 

CMYK 92 / 34 / 0 / 6

HEX #149FF0

RGB 20 159 240

HSL 202.09, 0.88%, 0.51%

LAB 62.71, -4.93, -49.87

 

CMYK 0 / 92 / 70 / 6

HEX #F01447

RGB 240 20 71

HSL 346.09, 0.88%, 0.51%

LAB 51.24, 76.29, 33.04

 

CMYK 91 / 0 / 75 / 6

HEX #15F03D

RGB 21 240 61

HSL 130.96, 0.88%, 0.51%

LAB 83.35, -79.25, 68.37

 

CMYK 76 / 92 / 0 / 6

HEX #3914F0

RGB 57 20 240

HSL 250.09, 0.88%, 0.51%

LAB 33.27, 72.98, -97.74

 

CMYK 0 / 76 / 92 / 6

HEX #F03914

RGB 240 57 20

HSL 10.09, 0.88%, 0.51%

LAB 53.49, 67.25, 60.54

 

CMYK 91 / 0 / 75 / 6

HEX #15F03D

RGB 21 240 61

HSL 130.96, 0.88%, 0.51%

LAB 83.35, -79.25, 68.37

 

CMYK 92 / 34 / 0 / 6

HEX #149FF0

RGB 20 159 240

HSL 202.09, 0.88%, 0.51%

LAB 62.71, -4.93, -49.87

 

CMYK 0 / 92 / 15 / 6

HEX #F014CB

RGB 240 20 203

HSL 310.09, 0.88%, 0.51%

LAB 55.42, 87.45, -39.48

 

CMYK 0 / 58 / 92 / 6

HEX #F06514

RGB 240 101 20

HSL 22.09, 0.88%, 0.51%

LAB 59.78, 50.26, 64.75

 

CMYK 91 / 0 / 75 / 6

HEX #15F03D

RGB 21 240 61

HSL 130.96, 0.88%, 0.51%

LAB 83.35, -79.25, 68.37

 

CMYK 92 / 61 / 0 / 6

HEX #145DF0

RGB 20 93 240

HSL 220.09, 0.88%, 0.51%

LAB 44.62, 35.78, -79.02

 

CMYK 0 / 92 / 15 / 6

HEX #F014CB

RGB 240 20 203

HSL 310.09, 0.88%, 0.51%

LAB 55.42, 87.45, -39.48

 

CMYK 0 / 30 / 92 / 6

HEX #F0A714

RGB 240 167 20

HSL 40.09, 0.88%, 0.51%

LAB 73.68, 16.74, 74.69

 

Description

Color code: HEX #15F03D | qconv.com Color code: HEX #15F03D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 240 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 240 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 75 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 75% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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