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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15ED5B it is the complementary color #EA12A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15ED5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15ED5B shade: #1AED56, #2BFF69, #3CFF7C, #4DFF8F and #5EFFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15ED5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15ED5B shade: #15ED5B, #04DB48, #00C935, #00B722 and #00A50F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15ED5B shade: #17EE5C, #17EE22, #45EE17, #7FEE17 and #B9EE17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15ED5B shade: #17EE5C, #17EE96, #17EED0, #17D1EE and #1797EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15ED5B shade matches the following richer shades: #17EE5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15ED5B shade: #17EE5C, #2BD963, #3FC56A, #53B172 and #679D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15ED5B shade: #45EE17, #17EE21, #17EE5B, #17EE94 and #17EECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15ED5B shade: #0CA53E, #0FCC4C, #17EE5C, #3DF077 and #63F392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15ED5B shade: #15ED5B, #177EEE and #EE1729

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15ED5B shade: #15ED5B, #5B17EE and #EE5B17

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15ED5B shade: #15ED5B, #177EEE, #EE17A9 and #EE8617

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15ED5B shade: #15ED5B, #173EEE, #EE17A9 and #EEC617

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 62 / 7

HEX #15ED5B

RGB 21 237 91

HSL 139.44, 0.86%, 0.51%

LAB 82.64, -75.59, 56.28

 

Complementary color

CMYK 0 / 92 / 30 / 8

HEX #EA12A4

RGB 234 18 164

HSL 319.44, 0.86%, 0.49%

LAB 52.51, 82, -21.37

 

CMYK 89 / 0 / 64 / 7

HEX #1AED56

RGB 26 237 86

HSL 137.06, 0.85%, 0.52%

LAB 82.63, -75.87, 58.36

 

CMYK 83 / 0 / 59 / 0

HEX #2BFF69

RGB 43 255 105

HSL 137.55, 1%, 0.58%

LAB 88.47, -77.8, 57.02

 

CMYK 76 / 0 / 51 / 0

HEX #3CFF7C

RGB 60 255 124

HSL 139.69, 1%, 0.62%

LAB 88.89, -73.53, 49.04

 

CMYK 70 / 0 / 44 / 0

HEX #4DFF8F

RGB 77 255 143

HSL 142.25, 1%, 0.65%

LAB 89.43, -68.3, 40.75

 

CMYK 63 / 0 / 36 / 0

HEX #5EFFA2

RGB 94 255 162

HSL 145.34, 1%, 0.68%

LAB 90.09, -62.2, 32.33

 

CMYK 91 / 0 / 62 / 7

HEX #15ED5B

RGB 21 237 91

HSL 139.44, 0.86%, 0.51%

LAB 82.64, -75.59, 56.28

 

CMYK 98 / 0 / 67 / 14

HEX #04DB48

RGB 4 219 72

HSL 138.98, 0.96%, 0.44%

LAB 76.77, -73.03, 57.57

 

CMYK 100 / 0 / 74 / 21

HEX #00C935

RGB 0 201 53

HSL 135.82, 1%, 0.39%

LAB 70.89, -69.74, 58.55

 

CMYK 100 / 0 / 81 / 28

HEX #00B722

RGB 0 183 34

HSL 131.15, 1%, 0.36%

LAB 64.95, -65.98, 58.82

 

CMYK 100 / 0 / 91 / 35

HEX #00A50F

RGB 0 165 15

HSL 125.45, 1%, 0.32%

LAB 58.92, -61.8, 57.85

 

CMYK 90 / 0 / 61 / 7

HEX #17EE5C

RGB 23 238 92

HSL 139.26, 0.86%, 0.51%

LAB 82.97, -75.67, 56.23

 

CMYK 90 / 0 / 86 / 7

HEX #17EE22

RGB 23 238 34

HSL 123.07, 0.86%, 0.51%

LAB 82.62, -80.11, 74.87

 

CMYK 71 / 0 / 90 / 7

HEX #45EE17

RGB 69 238 23

HSL 107.16, 0.86%, 0.51%

LAB 83.17, -75.37, 77.49

 

CMYK 47 / 0 / 90 / 7

HEX #7FEE17

RGB 127 238 23

HSL 90.98, 0.86%, 0.51%

LAB 84.85, -61.65, 79.58

 

CMYK 22 / 0 / 90 / 7

HEX #B9EE17

RGB 185 238 23

HSL 74.79, 0.86%, 0.51%

LAB 87.74, -41.55, 83.13

 

CMYK 90 / 0 / 61 / 7

HEX #17EE5C

RGB 23 238 92

HSL 139.26, 0.86%, 0.51%

LAB 82.97, -75.67, 56.23

 

CMYK 90 / 0 / 37 / 7

HEX #17EE96

RGB 23 238 150

HSL 155.44, 0.86%, 0.51%

LAB 83.72, -66.63, 29.66

 

CMYK 90 / 0 / 13 / 7

HEX #17EED0

RGB 23 238 208

HSL 171.63, 0.86%, 0.51%

LAB 84.94, -53.3, 1.28

 

CMYK 90 / 12 / 0 / 7

HEX #17D1EE

RGB 23 209 238

HSL 188.09, 0.86%, 0.51%

LAB 77.25, -31.73, -26.13

 

CMYK 90 / 37 / 0 / 7

HEX #1797EE

RGB 23 151 238

HSL 204.28, 0.86%, 0.51%

LAB 60.33, -0.91, -52.54

 

CMYK 90 / 0 / 61 / 7

HEX #17EE5C

RGB 23 238 92

HSL 139.26, 0.86%, 0.51%

LAB 82.97, -75.67, 56.23

 

CMYK 90 / 0 / 61 / 7

HEX #17EE5C

RGB 23 238 92

HSL 139.26, 0.86%, 0.51%

LAB 82.97, -75.67, 56.23

 

CMYK 80 / 0 / 54 / 15

HEX #2BD963

RGB 43 217 99

HSL 139.31, 0.7%, 0.51%

LAB 76.7, -66.65, 45.81

 

CMYK 68 / 0 / 46 / 23

HEX #3FC56A

RGB 63 197 106

HSL 139.25, 0.54%, 0.51%

LAB 70.89, -55.81, 35.28

 

CMYK 53 / 0 / 36 / 31

HEX #53B172

RGB 83 177 114

HSL 139.79, 0.38%, 0.51%

LAB 65.36, -42.17, 23.98

 

CMYK 34 / 0 / 23 / 38

HEX #679D79

RGB 103 157 121

HSL 140, 0.22%, 0.51%

LAB 60.23, -25.81, 13.27

 

CMYK 71 / 0 / 90 / 7

HEX #45EE17

RGB 69 238 23

HSL 107.16, 0.86%, 0.51%

LAB 83.17, -75.37, 77.49

 

CMYK 90 / 0 / 86 / 7

HEX #17EE21

RGB 23 238 33

HSL 122.79, 0.86%, 0.51%

LAB 82.62, -80.14, 75.07

 

CMYK 90 / 0 / 62 / 7

HEX #17EE5B

RGB 23 238 91

HSL 138.98, 0.86%, 0.51%

LAB 82.96, -75.78, 56.64

 

CMYK 90 / 0 / 38 / 7

HEX #17EE94

RGB 23 238 148

HSL 154.88, 0.86%, 0.51%

LAB 83.69, -67.02, 30.63

 

CMYK 90 / 0 / 14 / 7

HEX #17EECD

RGB 23 238 205

HSL 170.79, 0.86%, 0.51%

LAB 84.86, -54.08, 2.75

 

CMYK 93 / 0 / 62 / 35

HEX #0CA53E

RGB 12 165 62

HSL 139.61, 0.86%, 0.35%

LAB 59.28, -57.48, 42.45

 

CMYK 93 / 0 / 63 / 20

HEX #0FCC4C

RGB 15 204 76

HSL 139.37, 0.86%, 0.43%

LAB 72.1, -67.74, 50.77

 

CMYK 90 / 0 / 61 / 7

HEX #17EE5C

RGB 23 238 92

HSL 139.26, 0.86%, 0.51%

LAB 82.97, -75.67, 56.23

 

CMYK 75 / 0 / 50 / 6

HEX #3DF077

RGB 61 240 119

HSL 139.44, 0.86%, 0.59%

LAB 84.3, -69.18, 45.73

 

CMYK 59 / 0 / 40 / 5

HEX #63F392

RGB 99 243 146

HSL 139.58, 0.86%, 0.67%

LAB 86.42, -59.47, 35.47

 

CMYK 91 / 0 / 62 / 7

HEX #15ED5B

RGB 21 237 91

HSL 139.44, 0.86%, 0.51%

LAB 82.64, -75.59, 56.28

 

CMYK 90 / 47 / 0 / 7

HEX #177EEE

RGB 23 126 238

HSL 211.26, 0.86%, 0.51%

LAB 53.25, 14.19, -63.86

 

CMYK 0 / 90 / 83 / 7

HEX #EE1729

RGB 238 23 41

HSL 354.98, 0.86%, 0.51%

LAB 50.63, 74.46, 49.18

 

CMYK 91 / 0 / 62 / 7

HEX #15ED5B

RGB 21 237 91

HSL 139.44, 0.86%, 0.51%

LAB 82.64, -75.59, 56.28

 

CMYK 62 / 90 / 0 / 7

HEX #5B17EE

RGB 91 23 238

HSL 258.98, 0.86%, 0.51%

LAB 36, 73.51, -91.98

 

CMYK 0 / 62 / 90 / 7

HEX #EE5B17

RGB 238 91 23

HSL 18.98, 0.86%, 0.51%

LAB 57.77, 54.06, 62.34

 

CMYK 91 / 0 / 62 / 7

HEX #15ED5B

RGB 21 237 91

HSL 139.44, 0.86%, 0.51%

LAB 82.64, -75.59, 56.28

 

CMYK 90 / 47 / 0 / 7

HEX #177EEE

RGB 23 126 238

HSL 211.26, 0.86%, 0.51%

LAB 53.25, 14.19, -63.86

 

CMYK 0 / 90 / 29 / 7

HEX #EE17A9

RGB 238 23 169

HSL 319.26, 0.86%, 0.51%

LAB 53.66, 82.77, -22.5

 

CMYK 0 / 44 / 90 / 7

HEX #EE8617

RGB 238 134 23

HSL 30.98, 0.86%, 0.51%

LAB 65.97, 33.28, 68.28

 

CMYK 91 / 0 / 62 / 7

HEX #15ED5B

RGB 21 237 91

HSL 139.44, 0.86%, 0.51%

LAB 82.64, -75.59, 56.28

 

CMYK 90 / 74 / 0 / 7

HEX #173EEE

RGB 23 62 238

HSL 229.12, 0.86%, 0.51%

LAB 37.48, 53.97, -89.65

 

CMYK 0 / 90 / 29 / 7

HEX #EE17A9

RGB 238 23 169

HSL 319.26, 0.86%, 0.51%

LAB 53.66, 82.77, -22.5

 

CMYK 0 / 17 / 90 / 7

HEX #EEC617

RGB 238 198 23

HSL 48.84, 0.86%, 0.51%

LAB 81.09, -0.29, 79.64

 

Description

Color code: HEX #15ED5B | qconv.com Color code: HEX #15ED5B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 237 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 237 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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