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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15E8C2 it is the complementary color #EA173D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15E8C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15E8C2 shade: #1AE8BD, #2BFAD0, #3CFFE3, #4DFFF6 and #5EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15E8C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15E8C2 shade: #15E8C2, #04D6AF, #00C49C, #00B289 and #00A076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15E8C2 shade: #15E9C3, #15E98A, #15E951, #15E917 and #4CE915

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15E8C2 shade: #15E9C3, #15D6E9, #159DE9, #1564E9 and #152BE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15E8C2 shade matches the following richer shades: #15E9C3 and #01FDD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15E8C2 shade: #15E9C3, #2AD4B5, #3EC0A8, #53AB9B and #68968E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15E8C2 shade: #15E951, #15E98A, #15E9C2, #15D7E9 and #159FE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15E8C2 shade: #0E9D84, #12C3A3, #15E9C3, #3BECCC and #61F0D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15E8C2 shade: #15E8C2, #1915E9 and #E96D15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15E8C2 shade: #15E8C2, #C215E9 and #E9C215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15E8C2 shade: #15E8C2, #1915E9, #E9153C and #E5E915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15E8C2 shade: #15E8C2, #5815E9, #E9153C and #A6E915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 16 / 9

HEX #15E8C2

RGB 21 232 194

HSL 169.19, 0.83%, 0.5%

LAB 82.79, -54.58, 5.53

 

Complementary color

CMYK 0 / 90 / 74 / 8

HEX #EA173D

RGB 234 23 61

HSL 349.19, 0.83%, 0.5%

LAB 50.03, 74.05, 37.21

 

CMYK 89 / 0 / 19 / 9

HEX #1AE8BD

RGB 26 232 189

HSL 167.48, 0.82%, 0.51%

LAB 82.7, -55.6, 8.05

 

CMYK 83 / 0 / 17 / 2

HEX #2BFAD0

RGB 43 250 208

HSL 167.83, 0.95%, 0.57%

LAB 88.66, -56.94, 6.69

 

CMYK 76 / 0 / 11 / 0

HEX #3CFFE3

RGB 60 255 227

HSL 171.38, 1%, 0.62%

LAB 90.79, -52.72, -0.04

 

CMYK 70 / 0 / 4 / 0

HEX #4DFFF6

RGB 77 255 246

HSL 176.97, 1%, 0.65%

LAB 91.57, -45.88, -8.71

 

CMYK 63 / 0 / 0 / 0

HEX #5EFFFF

RGB 94 255 255

HSL 180, 1%, 0.68%

LAB 92.18, -41.18, -12.43

 

CMYK 91 / 0 / 16 / 9

HEX #15E8C2

RGB 21 232 194

HSL 169.19, 0.83%, 0.5%

LAB 82.79, -54.58, 5.53

 

CMYK 98 / 0 / 18 / 16

HEX #04D6AF

RGB 4 214 175

HSL 168.86, 0.96%, 0.43%

LAB 76.81, -52.8, 7

 

CMYK 100 / 0 / 20 / 23

HEX #00C49C

RGB 0 196 156

HSL 167.76, 1%, 0.38%

LAB 70.79, -50.59, 8.6

 

CMYK 100 / 0 / 23 / 30

HEX #00B289

RGB 0 178 137

HSL 166.18, 1%, 0.35%

LAB 64.68, -48.22, 10.3

 

CMYK 100 / 0 / 26 / 37

HEX #00A076

RGB 0 160 118

HSL 164.25, 1%, 0.31%

LAB 58.46, -45.8, 12.08

 

CMYK 91 / 0 / 16 / 9

HEX #15E9C3

RGB 21 233 195

HSL 169.25, 0.83%, 0.5%

LAB 83.11, -54.72, 5.47

 

CMYK 91 / 0 / 41 / 9

HEX #15E98A

RGB 21 233 138

HSL 153.11, 0.83%, 0.5%

LAB 81.99, -67.29, 33.41

 

CMYK 91 / 0 / 65 / 9

HEX #15E951

RGB 21 233 81

HSL 136.98, 0.83%, 0.5%

LAB 81.31, -75.51, 58.93

 

CMYK 91 / 0 / 90 / 9

HEX #15E917

RGB 21 233 23

HSL 120.57, 0.83%, 0.5%

LAB 81.02, -79.25, 75.43

 

CMYK 67 / 0 / 91 / 9

HEX #4CE915

RGB 76 233 21

HSL 104.43, 0.83%, 0.5%

LAB 81.77, -72.65, 76.66

 

CMYK 91 / 0 / 16 / 9

HEX #15E9C3

RGB 21 233 195

HSL 169.25, 0.83%, 0.5%

LAB 83.11, -54.72, 5.47

 

CMYK 91 / 8 / 0 / 9

HEX #15D6E9

RGB 21 214 233

HSL 185.38, 0.83%, 0.5%

LAB 78.54, -35.76, -21.5

 

CMYK 91 / 33 / 0 / 9

HEX #159DE9

RGB 21 157 233

HSL 201.51, 0.83%, 0.5%

LAB 61.79, -6.31, -47.46

 

CMYK 91 / 57 / 0 / 9

HEX #1564E9

RGB 21 100 233

HSL 217.64, 0.83%, 0.5%

LAB 45.85, 28.68, -73.07

 

CMYK 91 / 82 / 0 / 9

HEX #152BE9

RGB 21 43 233

HSL 233.77, 0.83%, 0.5%

LAB 33.5, 62.03, -93.42

 

CMYK 91 / 0 / 16 / 9

HEX #15E9C3

RGB 21 233 195

HSL 169.25, 0.83%, 0.5%

LAB 83.11, -54.72, 5.47

 

CMYK 100 / 0 / 18 / 1

HEX #01FDD0

RGB 1 253 208

HSL 169.29, 0.99%, 0.5%

LAB 89.3, -59.85, 7.59

 

CMYK 91 / 0 / 16 / 9

HEX #15E9C3

RGB 21 233 195

HSL 169.25, 0.83%, 0.5%

LAB 83.11, -54.72, 5.47

 

CMYK 80 / 0 / 15 / 17

HEX #2AD4B5

RGB 42 212 181

HSL 169.06, 0.67%, 0.5%

LAB 76.63, -48.41, 3.56

 

CMYK 68 / 0 / 13 / 25

HEX #3EC0A8

RGB 62 192 168

HSL 168.92, 0.51%, 0.5%

LAB 70.56, -40.79, 1.83

 

CMYK 51 / 0 / 9 / 33

HEX #53AB9B

RGB 83 171 155

HSL 169.09, 0.35%, 0.5%

LAB 64.43, -30.44, 0.15

 

CMYK 31 / 0 / 5 / 41

HEX #68968E

RGB 104 150 142

HSL 169.57, 0.18%, 0.5%

LAB 58.7, -17.36, -0.78

 

CMYK 91 / 0 / 65 / 9

HEX #15E951

RGB 21 233 81

HSL 136.98, 0.83%, 0.5%

LAB 81.31, -75.51, 58.93

 

CMYK 91 / 0 / 41 / 9

HEX #15E98A

RGB 21 233 138

HSL 153.11, 0.83%, 0.5%

LAB 81.99, -67.29, 33.41

 

CMYK 91 / 0 / 17 / 9

HEX #15E9C2

RGB 21 233 194

HSL 168.96, 0.83%, 0.5%

LAB 83.09, -54.98, 5.97

 

CMYK 91 / 8 / 0 / 9

HEX #15D7E9

RGB 21 215 233

HSL 185.09, 0.83%, 0.5%

LAB 78.84, -36.22, -21.05

 

CMYK 91 / 32 / 0 / 9

HEX #159FE9

RGB 21 159 233

HSL 200.94, 0.83%, 0.5%

LAB 62.37, -7.45, -46.54

 

CMYK 91 / 0 / 16 / 38

HEX #0E9D84

RGB 14 157 132

HSL 169.51, 0.84%, 0.34%

LAB 57.92, -40.23, 3.43

 

CMYK 91 / 0 / 16 / 24

HEX #12C3A3

RGB 18 195 163

HSL 169.15, 0.83%, 0.42%

LAB 70.73, -47.73, 4.73

 

CMYK 91 / 0 / 16 / 9

HEX #15E9C3

RGB 21 233 195

HSL 169.25, 0.83%, 0.5%

LAB 83.11, -54.72, 5.47

 

CMYK 75 / 0 / 14 / 7

HEX #3BECCC

RGB 59 236 204

HSL 169.15, 0.82%, 0.58%

LAB 84.63, -50.8, 2.98

 

CMYK 60 / 0 / 11 / 6

HEX #61F0D6

RGB 97 240 214

HSL 169.09, 0.83%, 0.66%

LAB 86.86, -44.55, 1.08

 

CMYK 91 / 0 / 16 / 9

HEX #15E8C2

RGB 21 232 194

HSL 169.19, 0.83%, 0.5%

LAB 82.79, -54.58, 5.53

 

CMYK 89 / 91 / 0 / 9

HEX #1915E9

RGB 25 21 233

HSL 241.13, 0.83%, 0.5%

LAB 30.94, 70.12, -97.68

 

CMYK 0 / 53 / 91 / 9

HEX #E96D15

RGB 233 109 21

HSL 24.91, 0.83%, 0.5%

LAB 60.17, 43.88, 64.25

 

CMYK 91 / 0 / 16 / 9

HEX #15E8C2

RGB 21 232 194

HSL 169.19, 0.83%, 0.5%

LAB 82.79, -54.58, 5.53

 

CMYK 17 / 91 / 0 / 9

HEX #C215E9

RGB 194 21 233

HSL 288.96, 0.83%, 0.5%

LAB 49.36, 84.09, -66.71

 

CMYK 0 / 17 / 91 / 9

HEX #E9C215

RGB 233 194 21

HSL 48.96, 0.83%, 0.5%

LAB 79.59, -0.41, 78.62

 

CMYK 91 / 0 / 16 / 9

HEX #15E8C2

RGB 21 232 194

HSL 169.19, 0.83%, 0.5%

LAB 82.79, -54.58, 5.53

 

CMYK 89 / 91 / 0 / 9

HEX #1915E9

RGB 25 21 233

HSL 241.13, 0.83%, 0.5%

LAB 30.94, 70.12, -97.68

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 2 / 0 / 91 / 9

HEX #E5E915

RGB 229 233 21

HSL 61.13, 0.83%, 0.5%

LAB 89.39, -21.59, 85.98

 

CMYK 91 / 0 / 16 / 9

HEX #15E8C2

RGB 21 232 194

HSL 169.19, 0.83%, 0.5%

LAB 82.79, -54.58, 5.53

 

CMYK 62 / 91 / 0 / 9

HEX #5815E9

RGB 88 21 233

HSL 258.96, 0.83%, 0.5%

LAB 34.99, 72.57, -90.83

 

CMYK 0 / 91 / 74 / 9

HEX #E9153C

RGB 233 21 60

HSL 348.96, 0.83%, 0.5%

LAB 49.72, 74.03, 37.39

 

CMYK 29 / 0 / 91 / 9

HEX #A6E915

RGB 166 233 21

HSL 78.96, 0.83%, 0.5%

LAB 85.22, -46.59, 80.91

 

Description

Color code: HEX #15E8C2 | qconv.com Color code: HEX #15E8C2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 232 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 232 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 16% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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