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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15E133 it is the complementary color #EA1ECC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15E133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15E133 shade: #1AE12E, #2BF341, #3CFF54, #4DFF67 and #5EFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15E133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15E133 shade: #15E133, #04CF20, #00BD0D, #00AB00 and #009900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15E133 shade: #15E033, #2EE015, #65E015, #9BE015 and #D2E015

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15E133 shade: #15E033, #15E069, #15E0A0, #15E0D7 and #15B2E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15E133 shade matches the following richer shades: #15E033 and #01F425

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15E133 shade: #15E033, #29CC41, #3CB84F, #50A55D and #64916B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15E133 shade: #66E015, #30E015, #15E030, #15E066 and #15E09C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15E133 shade: #0E9422, #11BA2A, #15E033, #32EC4D and #58EF6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15E133 shade: #15E133, #159CE0 and #E0154B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15E133 shade: #15E133, #3015E0 and #E03015

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15E133 shade: #15E133, #159CE0, #E015C5 and #E05915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15E133 shade: #15E133, #155FE0, #E015C5 and #E09515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 77 / 12

HEX #15E133

RGB 21 225 51

HSL 128.82, 0.83%, 0.48%

LAB 78.61, -75.76, 66.86

 

Complementary color

CMYK 0 / 87 / 13 / 8

HEX #EA1ECC

RGB 234 30 204

HSL 308.82, 0.83%, 0.52%

LAB 54.85, 85.18, -41.03

 

CMYK 88 / 0 / 80 / 12

HEX #1AE12E

RGB 26 225 46

HSL 126.03, 0.79%, 0.49%

LAB 78.62, -75.76, 68.34

 

CMYK 82 / 0 / 73 / 5

HEX #2BF341

RGB 43 243 65

HSL 126.6, 0.89%, 0.56%

LAB 84.48, -78.17, 68.25

 

CMYK 76 / 0 / 67 / 0

HEX #3CFF54

RGB 60 255 84

HSL 127.38, 1%, 0.62%

LAB 88.51, -78.2, 65.68

 

CMYK 70 / 0 / 60 / 0

HEX #4DFF67

RGB 77 255 103

HSL 128.76, 1%, 0.65%

LAB 88.96, -73.79, 58.57

 

CMYK 63 / 0 / 52 / 0

HEX #5EFF7A

RGB 94 255 122

HSL 130.43, 1%, 0.68%

LAB 89.54, -68.43, 50.9

 

CMYK 91 / 0 / 77 / 12

HEX #15E133

RGB 21 225 51

HSL 128.82, 0.83%, 0.48%

LAB 78.61, -75.76, 66.86

 

CMYK 98 / 0 / 85 / 19

HEX #04CF20

RGB 4 207 32

HSL 128.28, 0.96%, 0.41%

LAB 72.73, -72.59, 66.47

 

CMYK 100 / 0 / 93 / 26

HEX #00BD0D

RGB 0 189 13

HSL 124.13, 1%, 0.37%

LAB 66.84, -68.52, 64.87

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 100 / 0 / 100 / 40

HEX #009900

RGB 0 153 0

HSL 120, 1%, 0.3%

LAB 54.85, -58.86, 56.81

 

CMYK 91 / 0 / 77 / 12

HEX #15E033

RGB 21 224 51

HSL 128.87, 0.83%, 0.48%

LAB 78.29, -75.48, 66.56

 

CMYK 79 / 0 / 91 / 12

HEX #2EE015

RGB 46 224 21

HSL 112.61, 0.83%, 0.48%

LAB 78.43, -74.66, 73.64

 

CMYK 55 / 0 / 91 / 12

HEX #65E015

RGB 101 224 21

HSL 96.35, 0.83%, 0.48%

LAB 79.69, -64.05, 75.2

 

CMYK 31 / 0 / 91 / 12

HEX #9BE015

RGB 155 224 21

HSL 80.39, 0.83%, 0.48%

LAB 82.02, -46.84, 78.08

 

CMYK 6 / 0 / 91 / 12

HEX #D2E015

RGB 210 224 21

HSL 64.14, 0.83%, 0.48%

LAB 85.54, -25.17, 82.37

 

CMYK 91 / 0 / 77 / 12

HEX #15E033

RGB 21 224 51

HSL 128.87, 0.83%, 0.48%

LAB 78.29, -75.48, 66.56

 

CMYK 91 / 0 / 53 / 12

HEX #15E069

RGB 21 224 105

HSL 144.83, 0.83%, 0.48%

LAB 78.75, -69.81, 45.42

 

CMYK 91 / 0 / 29 / 12

HEX #15E0A0

RGB 21 224 160

HSL 161.08, 0.83%, 0.48%

LAB 79.62, -59.63, 18.91

 

CMYK 91 / 0 / 4 / 12

HEX #15E0D7

RGB 21 224 215

HSL 177.34, 0.83%, 0.48%

LAB 80.95, -45.6, -8.28

 

CMYK 91 / 21 / 0 / 12

HEX #15B2E0

RGB 21 178 224

HSL 193.6, 0.83%, 0.48%

LAB 67.56, -20.95, -33.47

 

CMYK 91 / 0 / 77 / 12

HEX #15E033

RGB 21 224 51

HSL 128.87, 0.83%, 0.48%

LAB 78.29, -75.48, 66.56

 

CMYK 100 / 0 / 85 / 4

HEX #01F425

RGB 1 244 37

HSL 128.89, 0.99%, 0.48%

LAB 84.4, -82.42, 75.79

 

CMYK 91 / 0 / 77 / 12

HEX #15E033

RGB 21 224 51

HSL 128.87, 0.83%, 0.48%

LAB 78.29, -75.48, 66.56

 

CMYK 80 / 0 / 68 / 20

HEX #29CC41

RGB 41 204 65

HSL 128.83, 0.67%, 0.48%

LAB 72.25, -66.76, 55.57

 

CMYK 67 / 0 / 57 / 28

HEX #3CB84F

RGB 60 184 79

HSL 129.19, 0.51%, 0.48%

LAB 66.37, -55.61, 42.95

 

CMYK 52 / 0 / 44 / 35

HEX #50A55D

RGB 80 165 93

HSL 129.18, 0.35%, 0.48%

LAB 61.14, -41.48, 29.6

 

CMYK 31 / 0 / 26 / 43

HEX #64916B

RGB 100 145 107

HSL 129.33, 0.18%, 0.48%

LAB 56.11, -23.5, 15.39

 

CMYK 54 / 0 / 91 / 12

HEX #66E015

RGB 102 224 21

HSL 96.06, 0.83%, 0.48%

LAB 79.72, -63.78, 75.24

 

CMYK 79 / 0 / 91 / 12

HEX #30E015

RGB 48 224 21

HSL 112.02, 0.83%, 0.48%

LAB 78.46, -74.42, 73.67

 

CMYK 91 / 0 / 79 / 12

HEX #15E030

RGB 21 224 48

HSL 127.98, 0.83%, 0.48%

LAB 78.28, -75.67, 67.44

 

CMYK 91 / 0 / 54 / 12

HEX #15E066

RGB 21 224 102

HSL 143.94, 0.83%, 0.48%

LAB 78.71, -70.23, 46.78

 

CMYK 91 / 0 / 30 / 12

HEX #15E09C

RGB 21 224 156

HSL 159.9, 0.83%, 0.48%

LAB 79.54, -60.51, 20.89

 

CMYK 91 / 0 / 77 / 42

HEX #0E9422

RGB 14 148 34

HSL 128.96, 0.83%, 0.32%

LAB 53.37, -54.92, 47.71

 

CMYK 91 / 0 / 77 / 27

HEX #11BA2A

RGB 17 186 42

HSL 128.88, 0.83%, 0.4%

LAB 66.06, -65.48, 57.49

 

CMYK 91 / 0 / 77 / 12

HEX #15E033

RGB 21 224 51

HSL 128.87, 0.83%, 0.48%

LAB 78.29, -75.48, 66.56

 

CMYK 79 / 0 / 67 / 7

HEX #32EC4D

RGB 50 236 77

HSL 128.71, 0.83%, 0.56%

LAB 82.49, -74.34, 61.87

 

CMYK 63 / 0 / 54 / 6

HEX #58EF6E

RGB 88 239 110

HSL 128.74, 0.83%, 0.64%

LAB 84.45, -65.58, 50.24

 

CMYK 91 / 0 / 77 / 12

HEX #15E133

RGB 21 225 51

HSL 128.82, 0.83%, 0.48%

LAB 78.61, -75.76, 66.86

 

CMYK 91 / 30 / 0 / 12

HEX #159CE0

RGB 21 156 224

HSL 200.1, 0.83%, 0.48%

LAB 61.06, -9.04, -43.63

 

CMYK 0 / 91 / 67 / 12

HEX #E0154B

RGB 224 21 75

HSL 344.04, 0.83%, 0.48%

LAB 48.12, 72.45, 26.04

 

CMYK 91 / 0 / 77 / 12

HEX #15E133

RGB 21 225 51

HSL 128.82, 0.83%, 0.48%

LAB 78.61, -75.76, 66.86

 

CMYK 79 / 91 / 0 / 12

HEX #3015E0

RGB 48 21 224

HSL 247.98, 0.83%, 0.48%

LAB 30.75, 68.34, -92.82

 

CMYK 0 / 79 / 91 / 12

HEX #E03015

RGB 224 48 21

HSL 7.98, 0.83%, 0.48%

LAB 49.51, 65.2, 56.08

 

CMYK 91 / 0 / 77 / 12

HEX #15E133

RGB 21 225 51

HSL 128.82, 0.83%, 0.48%

LAB 78.61, -75.76, 66.86

 

CMYK 91 / 30 / 0 / 12

HEX #159CE0

RGB 21 156 224

HSL 200.1, 0.83%, 0.48%

LAB 61.06, -9.04, -43.63

 

CMYK 0 / 91 / 12 / 12

HEX #E015C5

RGB 224 21 197

HSL 307.98, 0.83%, 0.48%

LAB 52.3, 83.65, -41.13

 

CMYK 0 / 60 / 91 / 12

HEX #E05915

RGB 224 89 21

HSL 20.1, 0.83%, 0.48%

LAB 55.12, 49.94, 60

 

CMYK 91 / 0 / 77 / 12

HEX #15E133

RGB 21 225 51

HSL 128.82, 0.83%, 0.48%

LAB 78.61, -75.76, 66.86

 

CMYK 91 / 58 / 0 / 12

HEX #155FE0

RGB 21 95 224

HSL 218.13, 0.83%, 0.48%

LAB 43.84, 28.45, -71.26

 

CMYK 0 / 91 / 12 / 12

HEX #E015C5

RGB 224 21 197

HSL 307.98, 0.83%, 0.48%

LAB 52.3, 83.65, -41.13

 

CMYK 0 / 33 / 91 / 12

HEX #E09515

RGB 224 149 21

HSL 37.83, 0.83%, 0.48%

LAB 67.57, 19.47, 69.13

 

Description

Color code: HEX #15E133 | qconv.com Color code: HEX #15E133 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 225 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 225 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 77 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 77% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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