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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15E06B it is the complementary color #EA1F94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15E06B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15E06B shade: #1AE066, #2BF279, #3CFF8C, #4DFF9F and #5EFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15E06B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15E06B shade: #15E06B, #04CE58, #00BC45, #00AA32 and #00981F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15E06B shade: #15E06B, #15E034, #2CE015, #63E015 and #9AE015

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15E06B shade: #15E06B, #15E0A2, #15E0D8, #15B1E0 and #157AE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15E06B shade matches the following richer shades: #15E06B and #01F468

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15E06B shade: #15E06B, #29CC6E, #3CB871, #50A574 and #649177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15E06B shade: #2DE015, #15E033, #15E069, #15E0A0 and #15E0D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15E06B shade: #0E9447, #11BA59, #15E06B, #32EC81 and #58EF98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15E06B shade: #15E06B, #1563E0 and #E01815

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15E06B shade: #15E06B, #6915E0 and #E06915

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15E06B shade: #15E06B, #1563E0, #E0158B and #E09215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15E06B shade: #15E06B, #1526E0, #E0158B and #E0CF15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

Complementary color

CMYK 0 / 87 / 37 / 8

HEX #EA1F94

RGB 234 31 148

HSL 325.42, 0.83%, 0.52%

LAB 52.52, 78.62, -11.86

 

CMYK 88 / 0 / 54 / 12

HEX #1AE066

RGB 26 224 102

HSL 143.03, 0.79%, 0.49%

LAB 78.75, -69.94, 46.83

 

CMYK 82 / 0 / 50 / 5

HEX #2BF279

RGB 43 242 121

HSL 143.52, 0.88%, 0.56%

LAB 84.69, -71.57, 45.21

 

CMYK 76 / 0 / 45 / 0

HEX #3CFF8C

RGB 60 255 140

HSL 144.62, 1%, 0.62%

LAB 89.1, -71.1, 41.72

 

CMYK 70 / 0 / 38 / 0

HEX #4DFF9F

RGB 77 255 159

HSL 147.64, 1%, 0.65%

LAB 89.67, -65.57, 33.2

 

CMYK 63 / 0 / 30 / 0

HEX #5EFFB2

RGB 94 255 178

HSL 151.3, 1%, 0.68%

LAB 90.37, -59.2, 24.65

 

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

CMYK 98 / 0 / 57 / 19

HEX #04CE58

RGB 4 206 88

HSL 144.95, 0.96%, 0.41%

LAB 72.81, -67.28, 46.2

 

CMYK 100 / 0 / 63 / 26

HEX #00BC45

RGB 0 188 69

HSL 142.02, 1%, 0.37%

LAB 66.82, -64.34, 47.85

 

CMYK 100 / 0 / 71 / 33

HEX #00AA32

RGB 0 170 50

HSL 137.65, 1%, 0.33%

LAB 60.76, -60.97, 49.21

 

CMYK 100 / 0 / 80 / 40

HEX #00981F

RGB 0 152 31

HSL 132.24, 1%, 0.3%

LAB 54.61, -57.24, 49.91

 

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

CMYK 91 / 0 / 77 / 12

HEX #15E034

RGB 21 224 52

HSL 129.16, 0.83%, 0.48%

LAB 78.3, -75.41, 66.26

 

CMYK 80 / 0 / 91 / 12

HEX #2CE015

RGB 44 224 21

HSL 113.2, 0.83%, 0.48%

LAB 78.4, -74.9, 73.61

 

CMYK 56 / 0 / 91 / 12

HEX #63E015

RGB 99 224 21

HSL 96.95, 0.83%, 0.48%

LAB 79.62, -64.57, 75.12

 

CMYK 31 / 0 / 91 / 12

HEX #9AE015

RGB 154 224 21

HSL 80.69, 0.83%, 0.48%

LAB 81.97, -47.21, 78.01

 

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

CMYK 91 / 0 / 28 / 12

HEX #15E0A2

RGB 21 224 162

HSL 161.67, 0.83%, 0.48%

LAB 79.66, -59.18, 17.92

 

CMYK 91 / 0 / 4 / 12

HEX #15E0D8

RGB 21 224 216

HSL 177.64, 0.83%, 0.48%

LAB 80.98, -45.32, -8.77

 

CMYK 91 / 21 / 0 / 12

HEX #15B1E0

RGB 21 177 224

HSL 193.89, 0.83%, 0.48%

LAB 67.27, -20.43, -33.93

 

CMYK 91 / 46 / 0 / 12

HEX #157AE0

RGB 21 122 224

HSL 210.15, 0.83%, 0.48%

LAB 51.22, 11.19, -59.29

 

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

CMYK 100 / 0 / 57 / 4

HEX #01F468

RGB 1 244 104

HSL 145.43, 0.99%, 0.48%

LAB 84.85, -76.77, 53.16

 

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

CMYK 80 / 0 / 46 / 20

HEX #29CC6E

RGB 41 204 110

HSL 145.4, 0.67%, 0.48%

LAB 72.75, -60.81, 35.55

 

CMYK 67 / 0 / 39 / 28

HEX #3CB871

RGB 60 184 113

HSL 145.65, 0.51%, 0.48%

LAB 66.85, -50.19, 26.39

 

CMYK 52 / 0 / 30 / 35

HEX #50A574

RGB 80 165 116

HSL 145.41, 0.35%, 0.48%

LAB 61.55, -37.28, 17.71

 

CMYK 31 / 0 / 18 / 43

HEX #649177

RGB 100 145 119

HSL 145.33, 0.18%, 0.48%

LAB 56.38, -21.12, 8.95

 

CMYK 80 / 0 / 91 / 12

HEX #2DE015

RGB 45 224 21

HSL 112.91, 0.83%, 0.48%

LAB 78.42, -74.78, 73.62

 

CMYK 91 / 0 / 77 / 12

HEX #15E033

RGB 21 224 51

HSL 128.87, 0.83%, 0.48%

LAB 78.29, -75.48, 66.56

 

CMYK 91 / 0 / 53 / 12

HEX #15E069

RGB 21 224 105

HSL 144.83, 0.83%, 0.48%

LAB 78.75, -69.81, 45.42

 

CMYK 91 / 0 / 29 / 12

HEX #15E0A0

RGB 21 224 160

HSL 161.08, 0.83%, 0.48%

LAB 79.62, -59.63, 18.91

 

CMYK 91 / 0 / 4 / 12

HEX #15E0D6

RGB 21 224 214

HSL 177.04, 0.83%, 0.48%

LAB 80.92, -45.89, -7.8

 

CMYK 91 / 0 / 52 / 42

HEX #0E9447

RGB 14 148 71

HSL 145.52, 0.83%, 0.32%

LAB 53.74, -50.4, 31.45

 

CMYK 91 / 0 / 52 / 27

HEX #11BA59

RGB 17 186 89

HSL 145.56, 0.83%, 0.4%

LAB 66.49, -60.19, 38.11

 

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

CMYK 79 / 0 / 45 / 7

HEX #32EC81

RGB 50 236 129

HSL 145.48, 0.83%, 0.56%

LAB 83.05, -67.62, 39.31

 

CMYK 63 / 0 / 36 / 6

HEX #58EF98

RGB 88 239 152

HSL 145.43, 0.83%, 0.64%

LAB 85.03, -59.06, 30.57

 

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

CMYK 91 / 56 / 0 / 12

HEX #1563E0

RGB 21 99 224

HSL 216.95, 0.83%, 0.48%

LAB 44.89, 25.86, -69.54

 

CMYK 0 / 89 / 91 / 12

HEX #E01815

RGB 224 24 21

HSL 0.89, 0.83%, 0.48%

LAB 47.69, 70.38, 54.85

 

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

CMYK 53 / 91 / 0 / 12

HEX #6915E0

RGB 105 21 224

HSL 264.83, 0.83%, 0.48%

LAB 35.83, 71.72, -84.24

 

CMYK 0 / 53 / 91 / 12

HEX #E06915

RGB 224 105 21

HSL 24.83, 0.83%, 0.48%

LAB 58.04, 42.38, 62.1

 

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

CMYK 91 / 56 / 0 / 12

HEX #1563E0

RGB 21 99 224

HSL 216.95, 0.83%, 0.48%

LAB 44.89, 25.86, -69.54

 

CMYK 0 / 91 / 38 / 12

HEX #E0158B

RGB 224 21 139

HSL 325.12, 0.83%, 0.48%

LAB 49.8, 77.05, -10.75

 

CMYK 0 / 35 / 91 / 12

HEX #E09215

RGB 224 146 21

HSL 36.95, 0.83%, 0.48%

LAB 66.87, 21.07, 68.6

 

CMYK 91 / 0 / 52 / 12

HEX #15E06B

RGB 21 224 107

HSL 145.42, 0.83%, 0.48%

LAB 78.77, -69.51, 44.5

 

CMYK 91 / 83 / 0 / 12

HEX #1526E0

RGB 21 38 224

HSL 234.98, 0.83%, 0.48%

LAB 31.64, 61.55, -91.37

 

CMYK 0 / 91 / 38 / 12

HEX #E0158B

RGB 224 21 139

HSL 325.12, 0.83%, 0.48%

LAB 49.8, 77.05, -10.75

 

CMYK 0 / 8 / 91 / 12

HEX #E0CF15

RGB 224 207 21

HSL 54.98, 0.83%, 0.48%

LAB 82.12, -10.92, 80.2

 

Description

Color code: HEX #15E06B | qconv.com Color code: HEX #15E06B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 224 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 224 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 52 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 52% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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