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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15D5B5 it is the complementary color #EA2A4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15D5B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15D5B5 shade: #1AD5B0, #2BE7C3, #3CF9D6, #4DFFE9 and #5EFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15D5B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15D5B5 shade: #15D5B5, #04C3A2, #00B18F, #009F7C and #008D69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15D5B5 shade: #15D5B5, #15D582, #15D54E, #15D51A and #44D515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15D5B5 shade: #15D5B5, #15C2D5, #158ED5, #155AD5 and #1526D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15D5B5 shade matches the following richer shades: #15D5B5 and #02E8C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15D5B5 shade: #15D5B5, #28C3A9, #3BB09C, #4E9D8F and #618A83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15D5B5 shade: #15D54F, #15D582, #15D5B5, #15C2D5 and #158FD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15D5B5 shade: #0E8A76, #11B096, #15D5B5, #2AEACA and #4FEED3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15D5B5 shade: #15D5B5, #1C15D5 and #D56815

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15D5B5 shade: #15D5B5, #B515D5 and #D5B515

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15D5B5 shade: #15D5B5, #1C15D5, #D51535 and #CFD515

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15D5B5 shade: #15D5B5, #5515D5, #D51535 and #95D515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

Complementary color

CMYK 0 / 82 / 68 / 8

HEX #EA2A4A

RGB 234 42 74

HSL 350, 0.82%, 0.54%

LAB 51.43, 71.1, 31.21

 

CMYK 88 / 0 / 17 / 16

HEX #1AD5B0

RGB 26 213 176

HSL 168.13, 0.78%, 0.47%

LAB 76.64, -51.29, 6.24

 

CMYK 81 / 0 / 16 / 9

HEX #2BE7C3

RGB 43 231 195

HSL 168.51, 0.8%, 0.54%

LAB 82.7, -52.56, 4.91

 

CMYK 76 / 0 / 14 / 2

HEX #3CF9D6

RGB 60 249 214

HSL 168.89, 0.94%, 0.61%

LAB 88.72, -53.54, 3.69

 

CMYK 70 / 0 / 9 / 0

HEX #4DFFE9

RGB 77 255 233

HSL 172.58, 1%, 0.65%

LAB 91.23, -49.27, -2.49

 

CMYK 63 / 0 / 1 / 0

HEX #5EFFFC

RGB 94 255 252

HSL 178.88, 1%, 0.68%

LAB 92.1, -41.98, -11

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 98 / 0 / 17 / 24

HEX #04C3A2

RGB 4 195 162

HSL 169.63, 0.96%, 0.39%

LAB 70.64, -48.51, 5.13

 

CMYK 100 / 0 / 19 / 31

HEX #00B18F

RGB 0 177 143

HSL 168.47, 1%, 0.35%

LAB 64.51, -46.28, 6.74

 

CMYK 100 / 0 / 22 / 38

HEX #009F7C

RGB 0 159 124

HSL 166.79, 1%, 0.31%

LAB 58.28, -43.87, 8.45

 

CMYK 100 / 0 / 26 / 45

HEX #008D69

RGB 0 141 105

HSL 164.68, 1%, 0.28%

LAB 51.92, -41.39, 10.25

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 90 / 0 / 39 / 16

HEX #15D582

RGB 21 213 130

HSL 154.06, 0.82%, 0.46%

LAB 75.67, -61.93, 29.14

 

CMYK 90 / 0 / 63 / 16

HEX #15D54E

RGB 21 213 78

HSL 137.81, 0.82%, 0.46%

LAB 75.01, -69.9, 53.2

 

CMYK 90 / 0 / 88 / 16

HEX #15D51A

RGB 21 213 26

HSL 121.56, 0.82%, 0.46%

LAB 74.71, -73.71, 69.51

 

CMYK 68 / 0 / 90 / 16

HEX #44D515

RGB 68 213 21

HSL 105.31, 0.82%, 0.46%

LAB 75.37, -67.97, 71.21

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 90 / 9 / 0 / 16

HEX #15C2D5

RGB 21 194 213

HSL 185.94, 0.82%, 0.46%

LAB 71.92, -32.56, -20.76

 

CMYK 90 / 33 / 0 / 16

HEX #158ED5

RGB 21 142 213

HSL 202.19, 0.82%, 0.46%

LAB 56.4, -5.09, -44.85

 

CMYK 90 / 58 / 0 / 16

HEX #155AD5

RGB 21 90 213

HSL 218.44, 0.82%, 0.46%

LAB 41.65, 27.44, -68.55

 

CMYK 90 / 82 / 0 / 16

HEX #1526D5

RGB 21 38 213

HSL 234.69, 0.82%, 0.46%

LAB 30.28, 58.22, -87.3

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 99 / 0 / 16 / 9

HEX #02E8C2

RGB 2 232 194

HSL 170.09, 0.98%, 0.46%

LAB 82.71, -55.15, 5.41

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 79 / 0 / 13 / 24

HEX #28C3A9

RGB 40 195 169

HSL 169.94, 0.66%, 0.46%

LAB 71.11, -44.56, 2.04

 

CMYK 66 / 0 / 11 / 31

HEX #3BB09C

RGB 59 176 156

HSL 169.74, 0.5%, 0.46%

LAB 65.26, -37.21, 0.72

 

CMYK 50 / 0 / 9 / 38

HEX #4E9D8F

RGB 78 157 143

HSL 169.37, 0.34%, 0.46%

LAB 59.63, -27.83, -0.14

 

CMYK 30 / 0 / 5 / 46

HEX #618A83

RGB 97 138 131

HSL 169.76, 0.17%, 0.46%

LAB 54.4, -15.72, -0.81

 

CMYK 90 / 0 / 63 / 16

HEX #15D54F

RGB 21 213 79

HSL 138.13, 0.82%, 0.46%

LAB 75.02, -69.79, 52.78

 

CMYK 90 / 0 / 39 / 16

HEX #15D582

RGB 21 213 130

HSL 154.06, 0.82%, 0.46%

LAB 75.67, -61.93, 29.14

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 90 / 9 / 0 / 16

HEX #15C2D5

RGB 21 194 213

HSL 185.94, 0.82%, 0.46%

LAB 71.92, -32.56, -20.76

 

CMYK 90 / 33 / 0 / 16

HEX #158FD5

RGB 21 143 213

HSL 201.88, 0.82%, 0.46%

LAB 56.69, -5.67, -44.39

 

CMYK 90 / 0 / 14 / 46

HEX #0E8A76

RGB 14 138 118

HSL 170.32, 0.82%, 0.3%

LAB 51.36, -35.79, 1.96

 

CMYK 90 / 0 / 15 / 31

HEX #11B096

RGB 17 176 150

HSL 170.19, 0.82%, 0.38%

LAB 64.46, -43.29, 2.81

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 82 / 0 / 14 / 8

HEX #2AEACA

RGB 42 234 202

HSL 170, 0.82%, 0.54%

LAB 83.76, -52.08, 2.74

 

CMYK 67 / 0 / 11 / 7

HEX #4FEED3

RGB 79 238 211

HSL 169.81, 0.82%, 0.62%

LAB 85.76, -47.34, 1

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 87 / 90 / 0 / 16

HEX #1C15D5

RGB 28 21 213

HSL 242.19, 0.82%, 0.46%

LAB 28.35, 64.85, -90.51

 

CMYK 0 / 51 / 90 / 16

HEX #D56815

RGB 213 104 21

HSL 25.94, 0.82%, 0.46%

LAB 56.19, 38.57, 59.99

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 15 / 90 / 0 / 16

HEX #B515D5

RGB 181 21 213

HSL 290, 0.82%, 0.46%

LAB 45.86, 78.78, -61.08

 

CMYK 0 / 15 / 90 / 16

HEX #D5B515

RGB 213 181 21

HSL 50, 0.82%, 0.46%

LAB 74.35, -2.35, 73.77

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 87 / 90 / 0 / 16

HEX #1C15D5

RGB 28 21 213

HSL 242.19, 0.82%, 0.46%

LAB 28.35, 64.85, -90.51

 

CMYK 0 / 90 / 75 / 16

HEX #D51535

RGB 213 21 53

HSL 350, 0.82%, 0.46%

LAB 45.55, 68.77, 35.68

 

CMYK 3 / 0 / 90 / 16

HEX #CFD515

RGB 207 213 21

HSL 61.88, 0.82%, 0.46%

LAB 82.33, -21.12, 79.76

 

CMYK 90 / 0 / 15 / 16

HEX #15D5B5

RGB 21 213 181

HSL 170, 0.82%, 0.46%

LAB 76.73, -50.26, 3.68

 

CMYK 60 / 90 / 0 / 16

HEX #5515D5

RGB 85 21 213

HSL 260, 0.82%, 0.46%

LAB 32.42, 67.52, -83.63

 

CMYK 0 / 90 / 75 / 16

HEX #D51535

RGB 213 21 53

HSL 350, 0.82%, 0.46%

LAB 45.55, 68.77, 35.68

 

CMYK 30 / 0 / 90 / 16

HEX #95D515

RGB 149 213 21

HSL 80, 0.82%, 0.46%

LAB 78.48, -44.4, 75.06

 

Description

Color code: HEX #15D5B5 | qconv.com Color code: HEX #15D5B5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 213 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 213 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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