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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15CB19 it is the complementary color #EA34E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15CB19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15CB19 shade: #1ACB14, #2BDD27, #3CEF3A, #4DFF4D and #5EFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15CB19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15CB19 shade: #15CB19, #04B906, #00A700, #009500 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15CB19 shade: #15CB19, #42CB15, #73CB15, #A4CB15 and #CBC115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15CB19 shade: #15CB19, #15CB4A, #15CB7B, #15CBAC and #15B9CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15CB19 shade matches the following richer shades: #15CB19 and #03DD08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15CB19 shade: #15CB19, #27B92B, #3AA73C, #4C954D and #5E825F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15CB19 shade: #73CB15, #43CB15, #15CB18, #15CB49 and #15CB79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15CB19 shade: #0D8010, #11A615, #15CB19, #22E826 and #47EC4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15CB19 shade: #15CB19, #15A4CB and #CB155B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15CB19 shade: #15CB19, #1815CB and #CB1815

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15CB19 shade: #15CB19, #15A4CB, #CB15C8 and #CB3D15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15CB19 shade: #15CB19, #156DCB, #CB15C8 and #CB7315

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

Complementary color

CMYK 0 / 78 / 2 / 8

HEX #EA34E6

RGB 234 52 230

HSL 301.32, 0.81%, 0.56%

LAB 57.71, 84.39, -51.25

 

CMYK 87 / 0 / 90 / 20

HEX #1ACB14

RGB 26 203 20

HSL 118.03, 0.82%, 0.44%

LAB 71.54, -70.77, 67.86

 

CMYK 81 / 0 / 82 / 13

HEX #2BDD27

RGB 43 221 39

HSL 118.68, 0.73%, 0.51%

LAB 77.5, -73.46, 69.23

 

CMYK 75 / 0 / 76 / 6

HEX #3CEF3A

RGB 60 239 58

HSL 119.34, 0.85%, 0.58%

LAB 83.44, -75.46, 69.56

 

CMYK 70 / 0 / 70 / 0

HEX #4DFF4D

RGB 77 255 77

HSL 120, 1%, 0.65%

LAB 88.75, -76.31, 68.61

 

CMYK 63 / 0 / 62 / 0

HEX #5EFF60

RGB 94 255 96

HSL 120.75, 1%, 0.68%

LAB 89.27, -71.46, 61.96

 

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

CMYK 98 / 0 / 97 / 27

HEX #04B906

RGB 4 185 6

HSL 120.66, 0.96%, 0.37%

LAB 65.54, -67.4, 64.66

 

CMYK 100 / 0 / 100 / 35

HEX #00A700

RGB 0 167 0

HSL 120, 1%, 0.33%

LAB 59.56, -62.77, 60.59

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

CMYK 67 / 0 / 90 / 20

HEX #42CB15

RGB 66 203 21

HSL 105.16, 0.81%, 0.44%

LAB 72.18, -65.2, 68.49

 

CMYK 43 / 0 / 90 / 20

HEX #73CB15

RGB 115 203 21

HSL 89.01, 0.81%, 0.44%

LAB 73.81, -52.22, 70.52

 

CMYK 19 / 0 / 90 / 20

HEX #A4CB15

RGB 164 203 21

HSL 72.86, 0.81%, 0.44%

LAB 76.47, -34.16, 73.8

 

CMYK 0 / 5 / 90 / 20

HEX #CBC115

RGB 203 193 21

HSL 56.7, 0.81%, 0.44%

LAB 76.61, -12.89, 75.14

 

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

CMYK 90 / 0 / 64 / 20

HEX #15CB4A

RGB 21 203 74

HSL 137.47, 0.81%, 0.44%

LAB 71.8, -67.33, 51.31

 

CMYK 90 / 0 / 39 / 20

HEX #15CB7B

RGB 21 203 123

HSL 153.63, 0.81%, 0.44%

LAB 72.43, -59.78, 28.45

 

CMYK 90 / 0 / 15 / 20

HEX #15CBAC

RGB 21 203 172

HSL 169.78, 0.81%, 0.44%

LAB 73.45, -48.51, 3.78

 

CMYK 90 / 9 / 0 / 20

HEX #15B9CB

RGB 21 185 203

HSL 185.93, 0.81%, 0.44%

LAB 68.87, -31.42, -19.94

 

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

CMYK 99 / 0 / 96 / 13

HEX #03DD08

RGB 3 221 8

HSL 121.38, 0.97%, 0.44%

LAB 77.13, -77.11, 73.93

 

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

CMYK 79 / 0 / 77 / 27

HEX #27B92B

RGB 39 185 43

HSL 121.64, 0.65%, 0.44%

LAB 65.98, -62.98, 57.17

 

CMYK 65 / 0 / 64 / 35

HEX #3AA73C

RGB 58 167 60

HSL 121.1, 0.48%, 0.44%

LAB 60.66, -52.19, 45.11

 

CMYK 49 / 0 / 48 / 42

HEX #4C954D

RGB 76 149 77

HSL 120.82, 0.32%, 0.44%

LAB 55.65, -38.24, 31.03

 

CMYK 28 / 0 / 27 / 49

HEX #5E825F

RGB 94 130 95

HSL 121.67, 0.16%, 0.44%

LAB 50.89, -20.14, 14.97

 

CMYK 43 / 0 / 90 / 20

HEX #73CB15

RGB 115 203 21

HSL 89.01, 0.81%, 0.44%

LAB 73.81, -52.22, 70.52

 

CMYK 67 / 0 / 90 / 20

HEX #43CB15

RGB 67 203 21

HSL 104.84, 0.81%, 0.44%

LAB 72.2, -65, 68.51

 

CMYK 90 / 0 / 88 / 20

HEX #15CB18

RGB 21 203 24

HSL 120.99, 0.81%, 0.44%

LAB 71.51, -71.01, 67.11

 

CMYK 90 / 0 / 64 / 20

HEX #15CB49

RGB 21 203 73

HSL 137.14, 0.81%, 0.44%

LAB 71.79, -67.44, 51.72

 

CMYK 90 / 0 / 40 / 20

HEX #15CB79

RGB 21 203 121

HSL 152.97, 0.81%, 0.44%

LAB 72.4, -60.16, 29.44

 

CMYK 90 / 0 / 88 / 50

HEX #0D8010

RGB 13 128 16

HSL 121.57, 0.82%, 0.28%

LAB 46.39, -50.01, 46.68

 

CMYK 90 / 0 / 87 / 35

HEX #11A615

RGB 17 166 21

HSL 121.61, 0.81%, 0.36%

LAB 59.38, -60.86, 57.09

 

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

CMYK 85 / 0 / 84 / 9

HEX #22E826

RGB 34 232 38

HSL 121.21, 0.81%, 0.52%

LAB 80.85, -77.51, 72.46

 

CMYK 70 / 0 / 68 / 7

HEX #47EC4B

RGB 71 236 75

HSL 121.45, 0.81%, 0.6%

LAB 82.83, -71.52, 63.11

 

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

CMYK 90 / 19 / 0 / 20

HEX #15A4CB

RGB 21 164 203

HSL 192.86, 0.81%, 0.44%

LAB 62.53, -20.86, -29.67

 

CMYK 0 / 90 / 55 / 20

HEX #CB155B

RGB 203 21 91

HSL 336.92, 0.81%, 0.44%

LAB 44.22, 68.26, 10.15

 

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

CMYK 88 / 90 / 0 / 20

HEX #1815CB

RGB 24 21 203

HSL 240.99, 0.81%, 0.44%

LAB 26.85, 62.04, -87.18

 

CMYK 0 / 88 / 90 / 20

HEX #CB1815

RGB 203 24 21

HSL 0.99, 0.81%, 0.44%

LAB 43.37, 64.86, 49.81

 

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

CMYK 90 / 19 / 0 / 20

HEX #15A4CB

RGB 21 164 203

HSL 192.86, 0.81%, 0.44%

LAB 62.53, -20.86, -29.67

 

CMYK 0 / 90 / 1 / 20

HEX #CB15C8

RGB 203 21 200

HSL 300.99, 0.81%, 0.44%

LAB 48.76, 80.32, -48.71

 

CMYK 0 / 70 / 90 / 20

HEX #CB3D15

RGB 203 61 21

HSL 13.19, 0.81%, 0.44%

LAB 47.09, 54.43, 52.53

 

CMYK 90 / 0 / 88 / 20

HEX #15CB19

RGB 21 203 25

HSL 121.32, 0.81%, 0.44%

LAB 71.52, -70.97, 66.92

 

CMYK 90 / 46 / 0 / 20

HEX #156DCB

RGB 21 109 203

HSL 210.99, 0.81%, 0.44%

LAB 46.19, 11.19, -55.46

 

CMYK 0 / 90 / 1 / 20

HEX #CB15C8

RGB 203 21 200

HSL 300.99, 0.81%, 0.44%

LAB 48.76, 80.32, -48.71

 

CMYK 0 / 43 / 90 / 20

HEX #CB7315

RGB 203 115 21

HSL 30.99, 0.81%, 0.44%

LAB 57.09, 28.75, 60.03

 

Description

Color code: HEX #15CB19 | qconv.com Color code: HEX #15CB19 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 203 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 203 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 88 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 88% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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