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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15C935 it is the complementary color #EA36CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15C935. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15C935 shade: #1AC930, #2BDB43, #3CED56, #4DFF69 and #5EFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15C935. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15C935 shade: #15C935, #04B722, #00A50F, #009300 and #008100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15C935 shade: #15CB36, #26CB15, #57CB15, #88CB15 and #B9CB15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15C935 shade: #15CB36, #15CB67, #15CB98, #15CBC9 and #159CCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15C935 shade matches the following richer shades: #15CB36 and #03DD2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15C935 shade: #15CB36, #27B941, #3AA74D, #4C9559 and #5E8264

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15C935 shade: #58CB15, #27CB15, #15CB34, #15CB64 and #15CB95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15C935 shade: #0D8022, #11A62C, #15CB36, #22E845 and #47EC64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15C935 shade: #15C935, #1588CB and #CB1540

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15C935 shade: #15C935, #3415CB and #CB3415

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15C935 shade: #15C935, #1588CB, #CB15AD and #CB5815

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15C935 shade: #15C935, #1552CB, #CB15AD and #CB8E15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 74 / 21

HEX #15C935

RGB 21 201 53

HSL 130.67, 0.81%, 0.44%

LAB 71, -68.76, 58.7

 

Complementary color

CMYK 0 / 77 / 14 / 8

HEX #EA36CA

RGB 234 54 202

HSL 310.67, 0.81%, 0.56%

LAB 56.48, 79.89, -37.31

 

CMYK 87 / 0 / 76 / 21

HEX #1AC930

RGB 26 201 48

HSL 127.54, 0.77%, 0.45%

LAB 71.01, -68.78, 60.42

 

CMYK 80 / 0 / 69 / 14

HEX #2BDB43

RGB 43 219 67

HSL 128.18, 0.71%, 0.51%

LAB 77.03, -70.93, 59.87

 

CMYK 75 / 0 / 64 / 7

HEX #3CED56

RGB 60 237 86

HSL 128.81, 0.83%, 0.58%

LAB 83.02, -72.48, 58.91

 

CMYK 70 / 0 / 59 / 0

HEX #4DFF69

RGB 77 255 105

HSL 129.44, 1%, 0.65%

LAB 88.98, -73.57, 57.73

 

CMYK 63 / 0 / 51 / 0

HEX #5EFF7C

RGB 94 255 124

HSL 131.18, 1%, 0.68%

LAB 89.56, -68.16, 50.01

 

CMYK 90 / 0 / 74 / 21

HEX #15C935

RGB 21 201 53

HSL 130.67, 0.81%, 0.44%

LAB 71, -68.76, 58.7

 

CMYK 98 / 0 / 81 / 28

HEX #04B722

RGB 4 183 34

HSL 130.06, 0.96%, 0.37%

LAB 64.97, -65.8, 58.85

 

CMYK 100 / 0 / 91 / 35

HEX #00A50F

RGB 0 165 15

HSL 125.45, 1%, 0.32%

LAB 58.92, -61.8, 57.85

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 100 / 0 / 100 / 49

HEX #008100

RGB 0 129 0

HSL 120, 1%, 0.25%

LAB 46.58, -51.99, 50.18

 

CMYK 90 / 0 / 73 / 20

HEX #15CB36

RGB 21 203 54

HSL 130.88, 0.81%, 0.44%

LAB 71.65, -69.27, 59

 

CMYK 81 / 0 / 90 / 20

HEX #26CB15

RGB 38 203 21

HSL 114.4, 0.81%, 0.44%

LAB 71.68, -69.57, 67.86

 

CMYK 57 / 0 / 90 / 20

HEX #57CB15

RGB 87 203 21

HSL 98.24, 0.81%, 0.44%

LAB 72.75, -60.41, 69.2

 

CMYK 33 / 0 / 90 / 20

HEX #88CB15

RGB 136 203 21

HSL 82.09, 0.81%, 0.44%

LAB 74.83, -44.94, 71.77

 

CMYK 9 / 0 / 90 / 20

HEX #B9CB15

RGB 185 203 21

HSL 65.93, 0.81%, 0.44%

LAB 77.92, -25.52, 75.57

 

CMYK 90 / 0 / 73 / 20

HEX #15CB36

RGB 21 203 54

HSL 130.88, 0.81%, 0.44%

LAB 71.65, -69.27, 59

 

CMYK 90 / 0 / 49 / 20

HEX #15CB67

RGB 21 203 103

HSL 147.03, 0.81%, 0.44%

LAB 72.13, -63.34, 38.21

 

CMYK 90 / 0 / 25 / 20

HEX #15CB98

RGB 21 203 152

HSL 163.19, 0.81%, 0.44%

LAB 72.98, -53.52, 13.88

 

CMYK 90 / 0 / 1 / 20

HEX #15CBC9

RGB 21 203 201

HSL 179.34, 0.81%, 0.44%

LAB 74.25, -40.41, -10.75

 

CMYK 90 / 23 / 0 / 20

HEX #159CCB

RGB 21 156 203

HSL 195.49, 0.81%, 0.44%

LAB 60.11, -16.6, -33.41

 

CMYK 90 / 0 / 73 / 20

HEX #15CB36

RGB 21 203 54

HSL 130.88, 0.81%, 0.44%

LAB 71.65, -69.27, 59

 

CMYK 99 / 0 / 81 / 13

HEX #03DD2A

RGB 3 221 42

HSL 130.73, 0.97%, 0.44%

LAB 77.22, -75.95, 68.08

 

CMYK 90 / 0 / 73 / 20

HEX #15CB36

RGB 21 203 54

HSL 130.88, 0.81%, 0.44%

LAB 71.65, -69.27, 59

 

CMYK 79 / 0 / 65 / 27

HEX #27B941

RGB 39 185 65

HSL 130.68, 0.65%, 0.44%

LAB 66.14, -61, 48.92

 

CMYK 65 / 0 / 54 / 35

HEX #3AA74D

RGB 58 167 77

HSL 130.46, 0.48%, 0.44%

LAB 60.85, -50.05, 37.3

 

CMYK 49 / 0 / 40 / 42

HEX #4C9559

RGB 76 149 89

HSL 130.68, 0.32%, 0.44%

LAB 55.84, -36.3, 24.83

 

CMYK 28 / 0 / 23 / 49

HEX #5E8264

RGB 94 130 100

HSL 130, 0.16%, 0.44%

LAB 51, -19.18, 12.24

 

CMYK 57 / 0 / 90 / 20

HEX #58CB15

RGB 88 203 21

HSL 97.91, 0.81%, 0.44%

LAB 72.79, -60.15, 69.24

 

CMYK 81 / 0 / 90 / 20

HEX #27CB15

RGB 39 203 21

HSL 114.07, 0.81%, 0.44%

LAB 71.69, -69.46, 67.87

 

CMYK 90 / 0 / 74 / 20

HEX #15CB34

RGB 21 203 52

HSL 130.22, 0.81%, 0.44%

LAB 71.64, -69.43, 59.68

 

CMYK 90 / 0 / 51 / 20

HEX #15CB64

RGB 21 203 100

HSL 146.04, 0.81%, 0.44%

LAB 72.09, -63.82, 39.63

 

CMYK 90 / 0 / 27 / 20

HEX #15CB95

RGB 21 203 149

HSL 162.2, 0.81%, 0.44%

LAB 72.92, -54.22, 15.4

 

CMYK 90 / 0 / 73 / 50

HEX #0D8022

RGB 13 128 34

HSL 130.96, 0.82%, 0.28%

LAB 46.5, -48.69, 40.71

 

CMYK 90 / 0 / 73 / 35

HEX #11A62C

RGB 17 166 44

HSL 130.87, 0.81%, 0.36%

LAB 59.5, -59.37, 50.24

 

CMYK 90 / 0 / 73 / 20

HEX #15CB36

RGB 21 203 54

HSL 130.88, 0.81%, 0.44%

LAB 71.65, -69.27, 59

 

CMYK 85 / 0 / 70 / 9

HEX #22E845

RGB 34 232 69

HSL 130.61, 0.81%, 0.52%

LAB 81.01, -75.48, 63.26

 

CMYK 70 / 0 / 58 / 7

HEX #47EC64

RGB 71 236 100

HSL 130.55, 0.81%, 0.6%

LAB 83.05, -68.9, 53

 

CMYK 90 / 0 / 74 / 21

HEX #15C935

RGB 21 201 53

HSL 130.67, 0.81%, 0.44%

LAB 71, -68.76, 58.7

 

CMYK 90 / 33 / 0 / 20

HEX #1588CB

RGB 21 136 203

HSL 202.09, 0.81%, 0.44%

LAB 54.11, -5.34, -42.83

 

CMYK 0 / 90 / 68 / 20

HEX #CB1540

RGB 203 21 64

HSL 345.82, 0.81%, 0.44%

LAB 43.66, 66.69, 26.27

 

CMYK 90 / 0 / 74 / 21

HEX #15C935

RGB 21 201 53

HSL 130.67, 0.81%, 0.44%

LAB 71, -68.76, 58.7

 

CMYK 74 / 90 / 0 / 20

HEX #3415CB

RGB 52 21 203

HSL 250.22, 0.81%, 0.44%

LAB 28.32, 62.98, -84.7

 

CMYK 0 / 74 / 90 / 20

HEX #CB3415

RGB 203 52 21

HSL 10.22, 0.81%, 0.44%

LAB 45.92, 57.66, 51.67

 

CMYK 90 / 0 / 74 / 21

HEX #15C935

RGB 21 201 53

HSL 130.67, 0.81%, 0.44%

LAB 71, -68.76, 58.7

 

CMYK 90 / 33 / 0 / 20

HEX #1588CB

RGB 21 136 203

HSL 202.09, 0.81%, 0.44%

LAB 54.11, -5.34, -42.83

 

CMYK 0 / 90 / 15 / 20

HEX #CB15AD

RGB 203 21 173

HSL 309.89, 0.81%, 0.44%

LAB 47.3, 76.57, -35.24

 

CMYK 0 / 57 / 90 / 20

HEX #CB5815

RGB 203 88 21

HSL 22.09, 0.81%, 0.44%

LAB 51.53, 42.61, 55.83

 

CMYK 90 / 0 / 74 / 21

HEX #15C935

RGB 21 201 53

HSL 130.67, 0.81%, 0.44%

LAB 71, -68.76, 58.7

 

CMYK 90 / 60 / 0 / 20

HEX #1552CB

RGB 21 82 203

HSL 219.89, 0.81%, 0.44%

LAB 38.74, 28.8, -67.55

 

CMYK 0 / 90 / 15 / 20

HEX #CB15AD

RGB 203 21 173

HSL 309.89, 0.81%, 0.44%

LAB 47.3, 76.57, -35.24

 

CMYK 0 / 30 / 90 / 20

HEX #CB8E15

RGB 203 142 21

HSL 39.89, 0.81%, 0.44%

LAB 63.42, 14.11, 64.89

 

Description

Color code: HEX #15C935 | qconv.com Color code: HEX #15C935 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 201 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 201 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 74 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 74% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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