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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15BA18 it is the complementary color #EA45E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15BA18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15BA18 shade: #1ABA13, #2BCC26, #3CDE39, #4DF04C and #5EFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15BA18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15BA18 shade: #15BA18, #04A805, #009600, #008400 and #007200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15BA18 shade: #15BC18, #3FBC15, #6CBC15, #99BC15 and #BCB215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15BA18 shade: #15BC18, #15BC45, #15BC72, #15BC9F and #15ACBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15BA18 shade matches the following richer shades: #15BC18 and #04CD08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15BA18 shade: #15BC18, #26AB28, #379A39, #488949 and #597959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15BA18 shade: #6BBC15, #3FBC15, #15BC18, #15BC44 and #15BC71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15BA18 shade: #0D720E, #119713, #15BC18, #19E11D and #3AE93E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15BA18 shade: #15BA18, #1598BC and #BC1555

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15BA18 shade: #15BA18, #1815BC and #BC1815

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15BA18 shade: #15BA18, #1598BC, #BC15B9 and #BC3915

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15BA18 shade: #15BA18, #1566BC, #BC15B9 and #BC6B15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 87 / 27

HEX #15BA18

RGB 21 186 24

HSL 121.09, 0.8%, 0.41%

LAB 66.01, -66.21, 62.31

 

Complementary color

CMYK 0 / 71 / 1 / 8

HEX #EA45E7

RGB 234 69 231

HSL 301.09, 0.8%, 0.59%

LAB 59.45, 79.7, -49.06

 

CMYK 86 / 0 / 90 / 27

HEX #1ABA13

RGB 26 186 19

HSL 117.49, 0.81%, 0.4%

LAB 66.05, -65.97, 63.33

 

CMYK 79 / 0 / 81 / 20

HEX #2BCC26

RGB 43 204 38

HSL 118.19, 0.69%, 0.47%

LAB 72.12, -68.53, 64.53

 

CMYK 73 / 0 / 74 / 13

HEX #3CDE39

RGB 60 222 57

HSL 118.91, 0.71%, 0.55%

LAB 78.17, -70.37, 64.68

 

CMYK 68 / 0 / 68 / 6

HEX #4DF04C

RGB 77 240 76

HSL 119.63, 0.85%, 0.62%

LAB 84.18, -71.66, 64.2

 

CMYK 63 / 0 / 63 / 0

HEX #5EFF5F

RGB 94 255 95

HSL 120.37, 1%, 0.68%

LAB 89.26, -71.56, 62.36

 

CMYK 89 / 0 / 87 / 27

HEX #15BA18

RGB 21 186 24

HSL 121.09, 0.8%, 0.41%

LAB 66.01, -66.21, 62.31

 

CMYK 98 / 0 / 97 / 34

HEX #04A805

RGB 4 168 5

HSL 120.37, 0.95%, 0.34%

LAB 59.93, -62.71, 60.19

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 89 / 0 / 87 / 26

HEX #15BC18

RGB 21 188 24

HSL 121.08, 0.8%, 0.41%

LAB 66.67, -66.78, 62.88

 

CMYK 66 / 0 / 89 / 26

HEX #3FBC15

RGB 63 188 21

HSL 104.91, 0.8%, 0.41%

LAB 67.34, -60.97, 64.32

 

CMYK 43 / 0 / 89 / 26

HEX #6CBC15

RGB 108 188 21

HSL 88.74, 0.8%, 0.41%

LAB 68.9, -48.6, 66.28

 

CMYK 19 / 0 / 89 / 26

HEX #99BC15

RGB 153 188 21

HSL 72.57, 0.8%, 0.41%

LAB 71.41, -31.67, 69.38

 

CMYK 0 / 5 / 89 / 26

HEX #BCB215

RGB 188 178 21

HSL 56.41, 0.8%, 0.41%

LAB 71.27, -11.77, 70.39

 

CMYK 89 / 0 / 87 / 26

HEX #15BC18

RGB 21 188 24

HSL 121.08, 0.8%, 0.41%

LAB 66.67, -66.78, 62.88

 

CMYK 89 / 0 / 63 / 26

HEX #15BC45

RGB 21 188 69

HSL 137.25, 0.8%, 0.41%

LAB 66.94, -63.29, 48.01

 

CMYK 89 / 0 / 39 / 26

HEX #15BC72

RGB 21 188 114

HSL 153.41, 0.8%, 0.41%

LAB 67.53, -56.21, 26.66

 

CMYK 89 / 0 / 15 / 26

HEX #15BC9F

RGB 21 188 159

HSL 169.58, 0.8%, 0.41%

LAB 68.48, -45.72, 3.67

 

CMYK 89 / 9 / 0 / 26

HEX #15ACBC

RGB 21 172 188

HSL 185.75, 0.8%, 0.41%

LAB 64.4, -29.91, -18.44

 

CMYK 89 / 0 / 87 / 26

HEX #15BC18

RGB 21 188 24

HSL 121.08, 0.8%, 0.41%

LAB 66.67, -66.78, 62.88

 

CMYK 98 / 0 / 96 / 20

HEX #04CD08

RGB 4 205 8

HSL 121.19, 0.96%, 0.41%

LAB 72.03, -72.8, 69.76

 

CMYK 89 / 0 / 87 / 26

HEX #15BC18

RGB 21 188 24

HSL 121.08, 0.8%, 0.41%

LAB 66.67, -66.78, 62.88

 

CMYK 78 / 0 / 77 / 33

HEX #26AB28

RGB 38 171 40

HSL 120.9, 0.64%, 0.41%

LAB 61.39, -58.96, 53.66

 

CMYK 64 / 0 / 63 / 40

HEX #379A39

RGB 55 154 57

HSL 121.21, 0.47%, 0.41%

LAB 56.31, -48.43, 41.55

 

CMYK 47 / 0 / 47 / 46

HEX #488949

RGB 72 137 73

HSL 120.92, 0.31%, 0.41%

LAB 51.55, -34.75, 27.95

 

CMYK 26 / 0 / 26 / 53

HEX #597959

RGB 89 121 89

HSL 120, 0.15%, 0.41%

LAB 47.65, -18.33, 13.94

 

CMYK 43 / 0 / 89 / 26

HEX #6BBC15

RGB 107 188 21

HSL 89.1, 0.8%, 0.41%

LAB 68.86, -48.94, 66.22

 

CMYK 66 / 0 / 89 / 26

HEX #3FBC15

RGB 63 188 21

HSL 104.91, 0.8%, 0.41%

LAB 67.34, -60.97, 64.32

 

CMYK 89 / 0 / 87 / 26

HEX #15BC18

RGB 21 188 24

HSL 121.08, 0.8%, 0.41%

LAB 66.67, -66.78, 62.88

 

CMYK 89 / 0 / 64 / 26

HEX #15BC44

RGB 21 188 68

HSL 136.89, 0.8%, 0.41%

LAB 66.93, -63.4, 48.44

 

CMYK 89 / 0 / 40 / 26

HEX #15BC71

RGB 21 188 113

HSL 153.05, 0.8%, 0.41%

LAB 67.52, -56.4, 27.16

 

CMYK 89 / 0 / 88 / 55

HEX #0D720E

RGB 13 114 14

HSL 120.59, 0.8%, 0.25%

LAB 41.46, -45.71, 42.75

 

CMYK 89 / 0 / 87 / 41

HEX #119713

RGB 17 151 19

HSL 120.9, 0.8%, 0.33%

LAB 54.34, -56.51, 53.07

 

CMYK 89 / 0 / 87 / 26

HEX #15BC18

RGB 21 188 24

HSL 121.08, 0.8%, 0.41%

LAB 66.67, -66.78, 62.88

 

CMYK 89 / 0 / 87 / 12

HEX #19E11D

RGB 25 225 29

HSL 121.2, 0.8%, 0.49%

LAB 78.55, -76.64, 72.29

 

CMYK 75 / 0 / 73 / 9

HEX #3AE93E

RGB 58 233 62

HSL 121.37, 0.8%, 0.57%

LAB 81.58, -73.66, 66.41

 

CMYK 89 / 0 / 87 / 27

HEX #15BA18

RGB 21 186 24

HSL 121.09, 0.8%, 0.41%

LAB 66.01, -66.21, 62.31

 

CMYK 89 / 19 / 0 / 26

HEX #1598BC

RGB 21 152 188

HSL 192.93, 0.8%, 0.41%

LAB 58.27, -19.72, -27.83

 

CMYK 0 / 89 / 55 / 26

HEX #BC1555

RGB 188 21 85

HSL 337.01, 0.8%, 0.41%

LAB 41.03, 64.15, 9.02

 

CMYK 89 / 0 / 87 / 27

HEX #15BA18

RGB 21 186 24

HSL 121.09, 0.8%, 0.41%

LAB 66.01, -66.21, 62.31

 

CMYK 87 / 89 / 0 / 26

HEX #1815BC

RGB 24 21 188

HSL 241.08, 0.8%, 0.41%

LAB 24.83, 57.84, -81.72

 

CMYK 0 / 87 / 89 / 26

HEX #BC1815

RGB 188 24 21

HSL 1.08, 0.8%, 0.41%

LAB 40.24, 60.8, 46.1

 

CMYK 89 / 0 / 87 / 27

HEX #15BA18

RGB 21 186 24

HSL 121.09, 0.8%, 0.41%

LAB 66.01, -66.21, 62.31

 

CMYK 89 / 19 / 0 / 26

HEX #1598BC

RGB 21 152 188

HSL 192.93, 0.8%, 0.41%

LAB 58.27, -19.72, -27.83

 

CMYK 0 / 89 / 2 / 26

HEX #BC15B9

RGB 188 21 185

HSL 301.08, 0.8%, 0.41%

LAB 45.26, 75.47, -45.71

 

CMYK 0 / 70 / 89 / 26

HEX #BC3915

RGB 188 57 21

HSL 12.93, 0.8%, 0.41%

LAB 43.76, 50.98, 48.8

 

CMYK 89 / 0 / 87 / 27

HEX #15BA18

RGB 21 186 24

HSL 121.09, 0.8%, 0.41%

LAB 66.01, -66.21, 62.31

 

CMYK 89 / 46 / 0 / 26

HEX #1566BC

RGB 21 102 188

HSL 210.9, 0.8%, 0.41%

LAB 43.2, 9.74, -51.61

 

CMYK 0 / 89 / 2 / 26

HEX #BC15B9

RGB 188 21 185

HSL 301.08, 0.8%, 0.41%

LAB 45.26, 75.47, -45.71

 

CMYK 0 / 43 / 89 / 26

HEX #BC6B15

RGB 188 107 21

HSL 30.9, 0.8%, 0.41%

LAB 53.23, 26.7, 56.17

 

Description

Color code: HEX #15BA18 | qconv.com Color code: HEX #15BA18 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 186 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 186 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 87 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 87% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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