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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15B87E it is the complementary color #EA4781. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15B87E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15B87E shade: #1AB879, #2BCA8C, #3CDC9F, #4DEEB2 and #5EFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15B87E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15B87E shade: #15B87E, #04A66B, #009458, #008245 and #007032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15B87E shade: #14B87E, #14B852, #14B826, #2FB814 and #5BB814

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15B87E shade: #14B87E, #14B8AA, #149AB8, #146EB8 and #1442B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15B87E shade matches the following richer shades: #14B87E and #04C882

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15B87E shade: #14B87E, #25A779, #359774, #46866F and #56766A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15B87E shade: #14B825, #14B850, #14B87C, #14B8A7 and #149CB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15B87E shade: #0C6D4B, #109264, #14B87E, #19DD97 and #36E9A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15B87E shade: #15B87E, #1430B8 and #B83A14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15B87E shade: #15B87E, #7C14B8 and #B87C14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15B87E shade: #15B87E, #1430B8, #B81450 and #B89C14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15B87E shade: #15B87E, #2A14B8, #B81450 and #A2B814

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 32 / 28

HEX #15B87E

RGB 21 184 126

HSL 158.65, 0.8%, 0.4%

LAB 66.48, -52.21, 18.83

 

Complementary color

CMYK 0 / 70 / 45 / 8

HEX #EA4781

RGB 234 71 129

HSL 338.65, 0.8%, 0.6%

LAB 55.67, 66.24, 4.1

 

CMYK 86 / 0 / 34 / 28

HEX #1AB879

RGB 26 184 121

HSL 156.08, 0.75%, 0.41%

LAB 66.43, -52.94, 21.46

 

CMYK 79 / 0 / 31 / 21

HEX #2BCA8C

RGB 43 202 140

HSL 156.6, 0.65%, 0.48%

LAB 72.66, -54.08, 19.87

 

CMYK 73 / 0 / 28 / 14

HEX #3CDC9F

RGB 60 220 159

HSL 157.13, 0.7%, 0.55%

LAB 78.84, -54.85, 18.42

 

CMYK 68 / 0 / 25 / 7

HEX #4DEEB2

RGB 77 238 178

HSL 157.64, 0.83%, 0.62%

LAB 84.97, -55.36, 17.1

 

CMYK 63 / 0 / 23 / 0

HEX #5EFFC5

RGB 94 255 197

HSL 158.39, 1%, 0.68%

LAB 90.75, -55.28, 15.47

 

CMYK 89 / 0 / 32 / 28

HEX #15B87E

RGB 21 184 126

HSL 158.65, 0.8%, 0.4%

LAB 66.48, -52.21, 18.83

 

CMYK 98 / 0 / 36 / 35

HEX #04A66B

RGB 4 166 107

HSL 158.15, 0.95%, 0.33%

LAB 60.21, -50.48, 20.58

 

CMYK 100 / 0 / 41 / 42

HEX #009458

RGB 0 148 88

HSL 155.68, 1%, 0.29%

LAB 53.9, -48.05, 22.54

 

CMYK 100 / 0 / 47 / 49

HEX #008245

RGB 0 130 69

HSL 151.85, 1%, 0.25%

LAB 47.49, -45.28, 24.6

 

CMYK 100 / 0 / 55 / 56

HEX #007032

RGB 0 112 50

HSL 146.79, 1%, 0.22%

LAB 40.93, -42.28, 26.71

 

CMYK 89 / 0 / 32 / 28

HEX #14B87E

RGB 20 184 126

HSL 158.78, 0.8%, 0.4%

LAB 66.47, -52.28, 18.82

 

CMYK 89 / 0 / 55 / 28

HEX #14B852

RGB 20 184 82

HSL 142.68, 0.8%, 0.4%

LAB 65.78, -60.39, 40.66

 

CMYK 89 / 0 / 79 / 28

HEX #14B826

RGB 20 184 38

HSL 126.59, 0.8%, 0.4%

LAB 65.41, -64.96, 58.13

 

CMYK 74 / 0 / 89 / 28

HEX #2FB814

RGB 47 184 20

HSL 110.12, 0.8%, 0.4%

LAB 65.7, -62.7, 62.96

 

CMYK 51 / 0 / 89 / 28

HEX #5BB814

RGB 91 184 20

HSL 94.02, 0.8%, 0.4%

LAB 66.94, -52.48, 64.52

 

CMYK 89 / 0 / 32 / 28

HEX #14B87E

RGB 20 184 126

HSL 158.78, 0.8%, 0.4%

LAB 66.47, -52.28, 18.82

 

CMYK 89 / 0 / 8 / 28

HEX #14B8AA

RGB 20 184 170

HSL 174.88, 0.8%, 0.4%

LAB 67.53, -41.02, -3.78

 

CMYK 89 / 16 / 0 / 28

HEX #149AB8

RGB 20 154 184

HSL 190.98, 0.8%, 0.4%

LAB 58.71, -22.21, -24.89

 

CMYK 89 / 40 / 0 / 28

HEX #146EB8

RGB 20 110 184

HSL 207.07, 0.8%, 0.4%

LAB 45.31, 3.02, -45.91

 

CMYK 89 / 64 / 0 / 28

HEX #1442B8

RGB 20 66 184

HSL 223.17, 0.8%, 0.4%

LAB 32.93, 31.92, -65.95

 

CMYK 89 / 0 / 32 / 28

HEX #14B87E

RGB 20 184 126

HSL 158.78, 0.8%, 0.4%

LAB 66.47, -52.28, 18.82

 

CMYK 98 / 0 / 35 / 22

HEX #04C882

RGB 4 200 130

HSL 158.57, 0.96%, 0.4%

LAB 71.52, -58.02, 23.55

 

CMYK 89 / 0 / 32 / 28

HEX #14B87E

RGB 20 184 126

HSL 158.78, 0.8%, 0.4%

LAB 66.47, -52.28, 18.82

 

CMYK 78 / 0 / 28 / 35

HEX #25A779

RGB 37 167 121

HSL 158.77, 0.64%, 0.4%

LAB 61.14, -45.21, 14.21

 

CMYK 65 / 0 / 23 / 41

HEX #359774

RGB 53 151 116

HSL 158.57, 0.48%, 0.4%

LAB 56.24, -37.11, 10.19

 

CMYK 48 / 0 / 17 / 47

HEX #46866F

RGB 70 134 111

HSL 158.44, 0.31%, 0.4%

LAB 51.27, -26.39, 6.07

 

CMYK 27 / 0 / 10 / 54

HEX #56766A

RGB 86 118 106

HSL 157.5, 0.16%, 0.4%

LAB 46.94, -14.23, 2.9

 

CMYK 89 / 0 / 80 / 28

HEX #14B825

RGB 20 184 37

HSL 126.22, 0.8%, 0.4%

LAB 65.41, -65.03, 58.43

 

CMYK 89 / 0 / 57 / 28

HEX #14B850

RGB 20 184 80

HSL 141.95, 0.8%, 0.4%

LAB 65.76, -60.67, 41.6

 

CMYK 89 / 0 / 33 / 28

HEX #14B87C

RGB 20 184 124

HSL 158.05, 0.8%, 0.4%

LAB 66.43, -52.72, 19.84

 

CMYK 89 / 0 / 9 / 28

HEX #14B8A7

RGB 20 184 167

HSL 173.78, 0.8%, 0.4%

LAB 67.44, -41.87, -2.25

 

CMYK 89 / 15 / 0 / 28

HEX #149CB8

RGB 20 156 184

HSL 190.24, 0.8%, 0.4%

LAB 59.33, -23.25, -23.94

 

CMYK 89 / 0 / 31 / 57

HEX #0C6D4B

RGB 12 109 75

HSL 158.97, 0.8%, 0.24%

LAB 40.45, -34.83, 11.79

 

CMYK 89 / 0 / 32 / 43

HEX #109264

RGB 16 146 100

HSL 158.77, 0.8%, 0.32%

LAB 53.59, -43.71, 15.44

 

CMYK 89 / 0 / 32 / 28

HEX #14B87E

RGB 20 184 126

HSL 158.78, 0.8%, 0.4%

LAB 66.47, -52.28, 18.82

 

CMYK 89 / 0 / 32 / 13

HEX #19DD97

RGB 25 221 151

HSL 158.57, 0.8%, 0.48%

LAB 78.55, -60.28, 22.14

 

CMYK 77 / 0 / 27 / 9

HEX #36E9A9

RGB 54 233 169

HSL 158.55, 0.8%, 0.56%

LAB 82.87, -58.42, 18.79

 

CMYK 89 / 0 / 32 / 28

HEX #15B87E

RGB 21 184 126

HSL 158.65, 0.8%, 0.4%

LAB 66.48, -52.21, 18.83

 

CMYK 89 / 74 / 0 / 28

HEX #1430B8

RGB 20 48 184

HSL 229.76, 0.8%, 0.4%

LAB 28.7, 43.33, -72.91

 

CMYK 0 / 68 / 89 / 28

HEX #B83A14

RGB 184 58 20

HSL 13.9, 0.8%, 0.4%

LAB 43.16, 49.2, 48.42

 

CMYK 89 / 0 / 32 / 28

HEX #15B87E

RGB 21 184 126

HSL 158.65, 0.8%, 0.4%

LAB 66.48, -52.21, 18.83

 

CMYK 33 / 89 / 0 / 28

HEX #7C14B8

RGB 124 20 184

HSL 278.05, 0.8%, 0.4%

LAB 34.49, 65.26, -63.05

 

CMYK 0 / 33 / 89 / 28

HEX #B87C14

RGB 184 124 20

HSL 38.05, 0.8%, 0.4%

LAB 56.74, 15.56, 58.97

 

CMYK 89 / 0 / 32 / 28

HEX #15B87E

RGB 21 184 126

HSL 158.65, 0.8%, 0.4%

LAB 66.48, -52.21, 18.83

 

CMYK 89 / 74 / 0 / 28

HEX #1430B8

RGB 20 48 184

HSL 229.76, 0.8%, 0.4%

LAB 28.7, 43.33, -72.91

 

CMYK 0 / 89 / 57 / 28

HEX #B81450

RGB 184 20 80

HSL 338.05, 0.8%, 0.4%

LAB 40.03, 62.97, 10.68

 

CMYK 0 / 15 / 89 / 28

HEX #B89C14

RGB 184 156 20

HSL 49.76, 0.8%, 0.4%

LAB 64.98, -1.99, 65.45

 

CMYK 89 / 0 / 32 / 28

HEX #15B87E

RGB 21 184 126

HSL 158.65, 0.8%, 0.4%

LAB 66.48, -52.21, 18.83

 

CMYK 77 / 89 / 0 / 28

HEX #2A14B8

RGB 42 20 184

HSL 248.05, 0.8%, 0.4%

LAB 25.12, 57.68, -78.84

 

CMYK 0 / 89 / 57 / 28

HEX #B81450

RGB 184 20 80

HSL 338.05, 0.8%, 0.4%

LAB 40.03, 62.97, 10.68

 

CMYK 12 / 0 / 89 / 28

HEX #A2B814

RGB 162 184 20

HSL 68.05, 0.8%, 0.4%

LAB 70.88, -26.04, 69.38

 

Description

Color code: HEX #15B87E | qconv.com Color code: HEX #15B87E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 184 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 184 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 32 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 32% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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