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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15B861 it is the complementary color #EA479E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15B861. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15B861 shade: #1AB85C, #2BCA6F, #3CDC82, #4DEE95 and #5EFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15B861. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15B861 shade: #15B861, #04A64E, #00943B, #008228 and #007015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15B861 shade: #14B861, #14B834, #20B814, #4CB814 and #78B814

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15B861 shade: #14B861, #14B88D, #14B7B8, #148BB8 and #145FB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15B861 shade matches the following richer shades: #14B861 and #04C85F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15B861 shade: #14B861, #25A762, #359763, #468664 and #567665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15B861 shade: #22B814, #14B832, #14B85E, #14B889 and #14B8B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15B861 shade: #0C6D39, #10924D, #14B861, #19DD74 and #36E989

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15B861 shade: #15B861, #144EB8 and #B81D14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15B861 shade: #15B861, #5E14B8 and #B85E14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15B861 shade: #15B861, #144EB8, #B8146E and #B87E14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15B861 shade: #15B861, #141DB8, #B8146E and #B8AF14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 47 / 28

HEX #15B861

RGB 21 184 97

HSL 147.98, 0.8%, 0.4%

LAB 65.98, -57.94, 33.47

 

Complementary color

CMYK 0 / 70 / 32 / 8

HEX #EA479E

RGB 234 71 158

HSL 327.98, 0.8%, 0.6%

LAB 56.55, 69.18, -11.7

 

CMYK 86 / 0 / 50 / 28

HEX #1AB85C

RGB 26 184 92

HSL 145.06, 0.75%, 0.41%

LAB 65.96, -58.39, 35.98

 

CMYK 79 / 0 / 45 / 21

HEX #2BCA6F

RGB 43 202 111

HSL 145.66, 0.65%, 0.48%

LAB 72.16, -59.71, 34.3

 

CMYK 73 / 0 / 41 / 14

HEX #3CDC82

RGB 60 220 130

HSL 146.25, 0.7%, 0.55%

LAB 78.32, -60.59, 32.72

 

CMYK 68 / 0 / 37 / 7

HEX #4DEE95

RGB 77 238 149

HSL 146.83, 0.83%, 0.62%

LAB 84.43, -61.15, 31.24

 

CMYK 63 / 0 / 34 / 0

HEX #5EFFA8

RGB 94 255 168

HSL 147.58, 1%, 0.68%

LAB 90.2, -61.11, 29.46

 

CMYK 89 / 0 / 47 / 28

HEX #15B861

RGB 21 184 97

HSL 147.98, 0.8%, 0.4%

LAB 65.98, -57.94, 33.47

 

CMYK 98 / 0 / 53 / 35

HEX #04A64E

RGB 4 166 78

HSL 147.41, 0.95%, 0.33%

LAB 59.75, -55.95, 35.28

 

CMYK 100 / 0 / 60 / 42

HEX #00943B

RGB 0 148 59

HSL 143.92, 1%, 0.29%

LAB 53.49, -53.08, 37.15

 

CMYK 100 / 0 / 69 / 49

HEX #008228

RGB 0 130 40

HSL 138.46, 1%, 0.25%

LAB 47.13, -49.7, 38.8

 

CMYK 100 / 0 / 81 / 56

HEX #007015

RGB 0 112 21

HSL 131.25, 1%, 0.22%

LAB 40.64, -45.84, 39.74

 

CMYK 89 / 0 / 47 / 28

HEX #14B861

RGB 20 184 97

HSL 148.17, 0.8%, 0.4%

LAB 65.98, -58.01, 33.46

 

CMYK 89 / 0 / 72 / 28

HEX #14B834

RGB 20 184 52

HSL 131.71, 0.8%, 0.4%

LAB 65.5, -63.89, 53.42

 

CMYK 83 / 0 / 89 / 28

HEX #20B814

RGB 32 184 20

HSL 115.61, 0.8%, 0.4%

LAB 65.47, -64.75, 62.67

 

CMYK 59 / 0 / 89 / 28

HEX #4CB814

RGB 76 184 20

HSL 99.51, 0.8%, 0.4%

LAB 66.42, -56.64, 63.86

 

CMYK 35 / 0 / 89 / 28

HEX #78B814

RGB 120 184 20

HSL 83.41, 0.8%, 0.4%

LAB 68.26, -42.77, 66.16

 

CMYK 89 / 0 / 47 / 28

HEX #14B861

RGB 20 184 97

HSL 148.17, 0.8%, 0.4%

LAB 65.98, -58.01, 33.46

 

CMYK 89 / 0 / 23 / 28

HEX #14B88D

RGB 20 184 141

HSL 164.27, 0.8%, 0.4%

LAB 66.79, -48.76, 11.1

 

CMYK 89 / 1 / 0 / 28

HEX #14B7B8

RGB 20 183 184

HSL 180.37, 0.8%, 0.4%

LAB 67.63, -36.44, -11.35

 

CMYK 89 / 24 / 0 / 28

HEX #148BB8

RGB 20 139 184

HSL 196.46, 0.8%, 0.4%

LAB 54.11, -14.13, -32.03

 

CMYK 89 / 48 / 0 / 28

HEX #145FB8

RGB 20 95 184

HSL 212.56, 0.8%, 0.4%

LAB 40.89, 12.63, -53

 

CMYK 89 / 0 / 47 / 28

HEX #14B861

RGB 20 184 97

HSL 148.17, 0.8%, 0.4%

LAB 65.98, -58.01, 33.46

 

CMYK 98 / 0 / 53 / 22

HEX #04C85F

RGB 4 200 95

HSL 147.86, 0.96%, 0.4%

LAB 70.98, -64.38, 40.68

 

CMYK 89 / 0 / 47 / 28

HEX #14B861

RGB 20 184 97

HSL 148.17, 0.8%, 0.4%

LAB 65.98, -58.01, 33.46

 

CMYK 78 / 0 / 41 / 35

HEX #25A762

RGB 37 167 98

HSL 148.15, 0.64%, 0.4%

LAB 60.7, -50.1, 26.16

 

CMYK 65 / 0 / 34 / 41

HEX #359763

RGB 53 151 99

HSL 148.16, 0.48%, 0.4%

LAB 55.88, -40.9, 19.24

 

CMYK 48 / 0 / 25 / 47

HEX #468664

RGB 70 134 100

HSL 148.13, 0.31%, 0.4%

LAB 51, -28.9, 12.06

 

CMYK 27 / 0 / 14 / 54

HEX #567665

RGB 86 118 101

HSL 148.13, 0.16%, 0.4%

LAB 46.81, -15.35, 5.67

 

CMYK 82 / 0 / 89 / 28

HEX #22B814

RGB 34 184 20

HSL 114.88, 0.8%, 0.4%

LAB 65.49, -64.52, 62.7

 

CMYK 89 / 0 / 73 / 28

HEX #14B832

RGB 20 184 50

HSL 130.98, 0.8%, 0.4%

LAB 65.48, -64.06, 54.15

 

CMYK 89 / 0 / 49 / 28

HEX #14B85E

RGB 20 184 94

HSL 147.07, 0.8%, 0.4%

LAB 65.93, -58.52, 34.93

 

CMYK 89 / 0 / 26 / 28

HEX #14B889

RGB 20 184 137

HSL 162.8, 0.8%, 0.4%

LAB 66.7, -49.73, 13.16

 

CMYK 89 / 0 / 2 / 28

HEX #14B8B5

RGB 20 184 181

HSL 178.9, 0.8%, 0.4%

LAB 67.85, -37.8, -9.37

 

CMYK 89 / 0 / 48 / 57

HEX #0C6D39

RGB 12 109 57

HSL 147.84, 0.8%, 0.24%

LAB 40.1, -38.83, 21.82

 

CMYK 89 / 0 / 47 / 43

HEX #10924D

RGB 16 146 77

HSL 148.15, 0.8%, 0.32%

LAB 53.17, -48.5, 27.58

 

CMYK 89 / 0 / 47 / 28

HEX #14B861

RGB 20 184 97

HSL 148.17, 0.8%, 0.4%

LAB 65.98, -58.01, 33.46

 

CMYK 89 / 0 / 48 / 13

HEX #19DD74

RGB 25 221 116

HSL 147.86, 0.8%, 0.48%

LAB 77.98, -66.91, 39.18

 

CMYK 77 / 0 / 41 / 9

HEX #36E989

RGB 54 233 137

HSL 147.82, 0.8%, 0.56%

LAB 82.31, -64.76, 34.4

 

CMYK 89 / 0 / 47 / 28

HEX #15B861

RGB 21 184 97

HSL 147.98, 0.8%, 0.4%

LAB 65.98, -57.94, 33.47

 

CMYK 89 / 58 / 0 / 28

HEX #144EB8

RGB 20 78 184

HSL 218.78, 0.8%, 0.4%

LAB 36.1, 23.92, -60.77

 

CMYK 0 / 84 / 89 / 28

HEX #B81D14

RGB 184 29 20

HSL 3.29, 0.8%, 0.4%

LAB 39.78, 58.6, 45.83

 

CMYK 89 / 0 / 47 / 28

HEX #15B861

RGB 21 184 97

HSL 147.98, 0.8%, 0.4%

LAB 65.98, -57.94, 33.47

 

CMYK 49 / 89 / 0 / 28

HEX #5E14B8

RGB 94 20 184

HSL 267.07, 0.8%, 0.4%

LAB 30.26, 61.61, -70.16

 

CMYK 0 / 49 / 89 / 28

HEX #B85E14

RGB 184 94 20

HSL 27.07, 0.8%, 0.4%

LAB 49.79, 31.98, 53.54

 

CMYK 89 / 0 / 47 / 28

HEX #15B861

RGB 21 184 97

HSL 147.98, 0.8%, 0.4%

LAB 65.98, -57.94, 33.47

 

CMYK 89 / 58 / 0 / 28

HEX #144EB8

RGB 20 78 184

HSL 218.78, 0.8%, 0.4%

LAB 36.1, 23.92, -60.77

 

CMYK 0 / 89 / 40 / 28

HEX #B8146E

RGB 184 20 110

HSL 327.07, 0.8%, 0.4%

LAB 40.92, 65.46, -7.02

 

CMYK 0 / 32 / 89 / 28

HEX #B87E14

RGB 184 126 20

HSL 38.78, 0.8%, 0.4%

LAB 57.23, 14.45, 59.35

 

CMYK 89 / 0 / 47 / 28

HEX #15B861

RGB 21 184 97

HSL 147.98, 0.8%, 0.4%

LAB 65.98, -57.94, 33.47

 

CMYK 89 / 84 / 0 / 28

HEX #141DB8

RGB 20 29 184

HSL 236.71, 0.8%, 0.4%

LAB 25.22, 53.37, -78.69

 

CMYK 0 / 89 / 40 / 28

HEX #B8146E

RGB 184 20 110

HSL 327.07, 0.8%, 0.4%

LAB 40.92, 65.46, -7.02

 

CMYK 0 / 5 / 89 / 28

HEX #B8AF14

RGB 184 175 20

HSL 56.71, 0.8%, 0.4%

LAB 70.11, -12, 69.5

 

Description

Color code: HEX #15B861 | qconv.com Color code: HEX #15B861 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 184 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 184 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 47 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 47% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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