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Color name
HEX #15B833

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15B833 it is the complementary color #EA47CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15B833. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15B833 shade: #1AB82E, #2BCA41, #3CDC54, #4DEE67 and #5EFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15B833. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15B833 shade: #15B833, #04A620, #00940D, #008200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15B833 shade: #14B832, #22B814, #4EB814, #7AB814 and #A6B814

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15B833 shade: #14B832, #14B85E, #14B88A, #14B8B6 and #148DB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15B833 shade matches the following richer shades: #14B832 and #04C828

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15B833 shade: #14B832, #25A73D, #359747, #468652 and #56765C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15B833 shade: #4EB814, #22B814, #14B832, #14B85E and #14B889

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15B833 shade: #0C6D1E, #109228, #14B832, #19DD3D and #36E957

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15B833 shade: #15B833, #1479B8 and #B81438

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15B833 shade: #15B833, #3214B8 and #B83214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15B833 shade: #15B833, #1479B8, #B8149A and #B85314

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15B833 shade: #15B833, #1448B8, #B8149A and #B88414

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 72 / 28

HEX #15B833

RGB 21 184 51

HSL 131.04, 0.8%, 0.4%

LAB 65.5, -63.9, 53.8

 

Complementary color

CMYK 0 / 70 / 13 / 8

HEX #EA47CC

RGB 234 71 204

HSL 311.04, 0.8%, 0.6%

LAB 58.38, 75.04, -35.49

 

CMYK 86 / 0 / 75 / 28

HEX #1AB82E

RGB 26 184 46

HSL 127.59, 0.75%, 0.41%

LAB 65.51, -63.9, 55.63

 

CMYK 79 / 0 / 68 / 21

HEX #2BCA41

RGB 43 202 65

HSL 128.3, 0.65%, 0.48%

LAB 71.65, -65.89, 54.93

 

CMYK 73 / 0 / 62 / 14

HEX #3CDC54

RGB 60 220 84

HSL 129, 0.7%, 0.55%

LAB 77.75, -67.26, 53.85

 

CMYK 68 / 0 / 57 / 7

HEX #4DEE67

RGB 77 238 103

HSL 129.69, 0.83%, 0.62%

LAB 83.81, -68.18, 52.59

 

CMYK 63 / 0 / 52 / 0

HEX #5EFF7A

RGB 94 255 122

HSL 130.43, 1%, 0.68%

LAB 89.54, -68.43, 50.9

 

CMYK 89 / 0 / 72 / 28

HEX #15B833

RGB 21 184 51

HSL 131.04, 0.8%, 0.4%

LAB 65.5, -63.9, 53.8

 

CMYK 98 / 0 / 81 / 35

HEX #04A620

RGB 4 166 32

HSL 130.37, 0.95%, 0.33%

LAB 59.35, -61.04, 54.13

 

CMYK 100 / 0 / 91 / 42

HEX #00940D

RGB 0 148 13

HSL 125.27, 1%, 0.29%

LAB 53.18, -57.03, 53.27

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 89 / 0 / 73 / 28

HEX #14B832

RGB 20 184 50

HSL 130.98, 0.8%, 0.4%

LAB 65.48, -64.06, 54.15

 

CMYK 82 / 0 / 89 / 28

HEX #22B814

RGB 34 184 20

HSL 114.88, 0.8%, 0.4%

LAB 65.49, -64.52, 62.7

 

CMYK 58 / 0 / 89 / 28

HEX #4EB814

RGB 78 184 20

HSL 98.78, 0.8%, 0.4%

LAB 66.48, -56.12, 63.94

 

CMYK 34 / 0 / 89 / 28

HEX #7AB814

RGB 122 184 20

HSL 82.68, 0.8%, 0.4%

LAB 68.36, -42.04, 66.29

 

CMYK 10 / 0 / 89 / 28

HEX #A6B814

RGB 166 184 20

HSL 66.59, 0.8%, 0.4%

LAB 71.17, -24.35, 69.74

 

CMYK 89 / 0 / 73 / 28

HEX #14B832

RGB 20 184 50

HSL 130.98, 0.8%, 0.4%

LAB 65.48, -64.06, 54.15

 

CMYK 89 / 0 / 49 / 28

HEX #14B85E

RGB 20 184 94

HSL 147.07, 0.8%, 0.4%

LAB 65.93, -58.52, 34.93

 

CMYK 89 / 0 / 25 / 28

HEX #14B88A

RGB 20 184 138

HSL 163.17, 0.8%, 0.4%

LAB 66.72, -49.49, 12.65

 

CMYK 89 / 0 / 1 / 28

HEX #14B8B6

RGB 20 184 182

HSL 179.27, 0.8%, 0.4%

LAB 67.88, -37.5, -9.88

 

CMYK 89 / 23 / 0 / 28

HEX #148DB8

RGB 20 141 184

HSL 195.73, 0.8%, 0.4%

LAB 54.72, -15.24, -31.07

 

CMYK 89 / 0 / 73 / 28

HEX #14B832

RGB 20 184 50

HSL 130.98, 0.8%, 0.4%

LAB 65.48, -64.06, 54.15

 

CMYK 98 / 0 / 80 / 22

HEX #04C828

RGB 4 200 40

HSL 131.02, 0.96%, 0.4%

LAB 70.52, -70.22, 62.36

 

CMYK 89 / 0 / 73 / 28

HEX #14B832

RGB 20 184 50

HSL 130.98, 0.8%, 0.4%

LAB 65.48, -64.06, 54.15

 

CMYK 78 / 0 / 63 / 35

HEX #25A73D

RGB 37 167 61

HSL 131.08, 0.64%, 0.4%

LAB 60.22, -55.81, 44.04

 

CMYK 65 / 0 / 53 / 41

HEX #359747

RGB 53 151 71

HSL 131.02, 0.48%, 0.4%

LAB 55.43, -45.89, 33.68

 

CMYK 48 / 0 / 39 / 47

HEX #468652

RGB 70 134 82

HSL 131.25, 0.31%, 0.4%

LAB 50.64, -32.48, 21.81

 

CMYK 27 / 0 / 22 / 54

HEX #56765C

RGB 86 118 92

HSL 131.25, 0.16%, 0.4%

LAB 46.59, -17.23, 10.68

 

CMYK 58 / 0 / 89 / 28

HEX #4EB814

RGB 78 184 20

HSL 98.78, 0.8%, 0.4%

LAB 66.48, -56.12, 63.94

 

CMYK 82 / 0 / 89 / 28

HEX #22B814

RGB 34 184 20

HSL 114.88, 0.8%, 0.4%

LAB 65.49, -64.52, 62.7

 

CMYK 89 / 0 / 73 / 28

HEX #14B832

RGB 20 184 50

HSL 130.98, 0.8%, 0.4%

LAB 65.48, -64.06, 54.15

 

CMYK 89 / 0 / 49 / 28

HEX #14B85E

RGB 20 184 94

HSL 147.07, 0.8%, 0.4%

LAB 65.93, -58.52, 34.93

 

CMYK 89 / 0 / 26 / 28

HEX #14B889

RGB 20 184 137

HSL 162.8, 0.8%, 0.4%

LAB 66.7, -49.73, 13.16

 

CMYK 89 / 0 / 72 / 57

HEX #0C6D1E

RGB 12 109 30

HSL 131.13, 0.8%, 0.24%

LAB 39.76, -42.9, 35.31

 

CMYK 89 / 0 / 73 / 43

HEX #109228

RGB 16 146 40

HSL 131.08, 0.8%, 0.32%

LAB 52.75, -53.61, 44.82

 

CMYK 89 / 0 / 73 / 28

HEX #14B832

RGB 20 184 50

HSL 130.98, 0.8%, 0.4%

LAB 65.48, -64.06, 54.15

 

CMYK 89 / 0 / 72 / 13

HEX #19DD3D

RGB 25 221 61

HSL 131.02, 0.8%, 0.48%

LAB 77.43, -73.64, 62.43

 

CMYK 77 / 0 / 63 / 9

HEX #36E957

RGB 54 233 87

HSL 131.06, 0.8%, 0.56%

LAB 81.7, -71.92, 57

 

CMYK 89 / 0 / 72 / 28

HEX #15B833

RGB 21 184 51

HSL 131.04, 0.8%, 0.4%

LAB 65.5, -63.9, 53.8

 

CMYK 89 / 34 / 0 / 28

HEX #1479B8

RGB 20 121 184

HSL 203.05, 0.8%, 0.4%

LAB 48.62, -3.73, -40.65

 

CMYK 0 / 89 / 70 / 28

HEX #B81438

RGB 184 20 56

HSL 346.83, 0.8%, 0.4%

LAB 39.54, 61.58, 25.27

 

CMYK 89 / 0 / 72 / 28

HEX #15B833

RGB 21 184 51

HSL 131.04, 0.8%, 0.4%

LAB 65.5, -63.9, 53.8

 

CMYK 73 / 89 / 0 / 28

HEX #3214B8

RGB 50 20 184

HSL 250.98, 0.8%, 0.4%

LAB 25.68, 58.08, -77.88

 

CMYK 0 / 73 / 89 / 28

HEX #B83214

RGB 184 50 20

HSL 10.98, 0.8%, 0.4%

LAB 42.03, 52.29, 47.55

 

CMYK 89 / 0 / 72 / 28

HEX #15B833

RGB 21 184 51

HSL 131.04, 0.8%, 0.4%

LAB 65.5, -63.9, 53.8

 

CMYK 89 / 34 / 0 / 28

HEX #1479B8

RGB 20 121 184

HSL 203.05, 0.8%, 0.4%

LAB 48.62, -3.73, -40.65

 

CMYK 0 / 89 / 16 / 28

HEX #B8149A

RGB 184 20 154

HSL 310.98, 0.8%, 0.4%

LAB 42.8, 70.51, -31.21

 

CMYK 0 / 55 / 89 / 28

HEX #B85314

RGB 184 83 20

HSL 23.05, 0.8%, 0.4%

LAB 47.53, 37.68, 51.79

 

CMYK 89 / 0 / 72 / 28

HEX #15B833

RGB 21 184 51

HSL 131.04, 0.8%, 0.4%

LAB 65.5, -63.9, 53.8

 

CMYK 89 / 61 / 0 / 28

HEX #1448B8

RGB 20 72 184

HSL 220.98, 0.8%, 0.4%

LAB 34.49, 27.94, -63.4

 

CMYK 0 / 89 / 16 / 28

HEX #B8149A

RGB 184 20 154

HSL 310.98, 0.8%, 0.4%

LAB 42.8, 70.51, -31.21

 

CMYK 0 / 28 / 89 / 28

HEX #B88414

RGB 184 132 20

HSL 40.98, 0.8%, 0.4%

LAB 58.74, 11.13, 60.53

 

Description

Color code: HEX #15B833 | qconv.com Color code: HEX #15B833 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 184 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 184 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 72 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 72% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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