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Color name
HEX #15AD98

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15AD98 it is the complementary color #EA5267. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15AD98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15AD98 shade: #1AAD93, #2BBFA6, #3CD1B9, #4DE3CC and #5EF5DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15AD98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15AD98 shade: #15AD98, #049B85, #008972, #00775F and #00654C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15AD98 shade: #15AC98, #15AC6F, #15AC46, #15AC1D and #36AC15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15AD98 shade: #15AC98, #1599AC, #1570AC, #1547AC and #151EAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15AD98 shade matches the following richer shades: #15AC98 and #06BCA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15AD98 shade: #15AC98, #259D8C, #358D81, #447D76 and #546E6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15AD98 shade: #15AC45, #15AC6D, #15AC96, #159BAC and #1573AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15AD98 shade: #0C6357, #118877, #15AC98, #1AD1B8 and #2FE5CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15AD98 shade: #15AD98, #1D15AC and #AC5915

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15AD98 shade: #15AD98, #9615AC and #AC9615

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15AD98 shade: #15AD98, #1D15AC, #AC152C and #A5AC15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15AD98 shade: #15AD98, #4A15AC, #AC152C and #78AC15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 12 / 32

HEX #15AD98

RGB 21 173 152

HSL 171.71, 0.78%, 0.38%

LAB 63.6, -41.22, 0.45

 

Complementary color

CMYK 0 / 65 / 56 / 8

HEX #EA5267

RGB 234 82 103

HSL 351.71, 0.78%, 0.62%

LAB 56.59, 59.91, 20.76

 

CMYK 85 / 0 / 15 / 32

HEX #1AAD93

RGB 26 173 147

HSL 169.39, 0.74%, 0.39%

LAB 63.52, -42.24, 3.12

 

CMYK 77 / 0 / 13 / 25

HEX #2BBFA6

RGB 43 191 166

HSL 169.86, 0.63%, 0.46%

LAB 69.84, -43.33, 1.84

 

CMYK 71 / 0 / 11 / 18

HEX #3CD1B9

RGB 60 209 185

HSL 170.34, 0.62%, 0.53%

LAB 76.11, -44.11, 0.69

 

CMYK 66 / 0 / 10 / 11

HEX #4DE3CC

RGB 77 227 204

HSL 170.8, 0.73%, 0.6%

LAB 82.31, -44.65, -0.35

 

CMYK 62 / 0 / 9 / 4

HEX #5EF5DF

RGB 94 245 223

HSL 171.26, 0.88%, 0.66%

LAB 88.45, -45.03, -1.3

 

CMYK 88 / 0 / 12 / 32

HEX #15AD98

RGB 21 173 152

HSL 171.71, 0.78%, 0.38%

LAB 63.6, -41.22, 0.45

 

CMYK 97 / 0 / 14 / 39

HEX #049B85

RGB 4 155 133

HSL 171.26, 0.95%, 0.31%

LAB 57.23, -39.55, 1.86

 

CMYK 100 / 0 / 17 / 46

HEX #008972

RGB 0 137 114

HSL 169.93, 1%, 0.27%

LAB 50.81, -37.27, 3.48

 

CMYK 100 / 0 / 20 / 53

HEX #00775F

RGB 0 119 95

HSL 167.9, 1%, 0.23%

LAB 44.26, -34.74, 5.23

 

CMYK 100 / 0 / 25 / 60

HEX #00654C

RGB 0 101 76

HSL 165.15, 1%, 0.2%

LAB 37.53, -32.13, 7.09

 

CMYK 88 / 0 / 12 / 33

HEX #15AC98

RGB 21 172 152

HSL 172.05, 0.78%, 0.38%

LAB 63.29, -40.78, -0.01

 

CMYK 88 / 0 / 35 / 33

HEX #15AC6F

RGB 21 172 111

HSL 155.76, 0.78%, 0.38%

LAB 62.35, -50.95, 21.32

 

CMYK 88 / 0 / 59 / 33

HEX #15AC46

RGB 21 172 70

HSL 139.47, 0.78%, 0.38%

LAB 61.75, -58.08, 41.6

 

CMYK 88 / 0 / 83 / 33

HEX #15AC1D

RGB 21 172 29

HSL 123.18, 0.78%, 0.38%

LAB 61.44, -61.9, 56.99

 

CMYK 69 / 0 / 88 / 33

HEX #36AC15

RGB 54 172 21

HSL 106.89, 0.78%, 0.38%

LAB 61.95, -57.58, 59.57

 

CMYK 88 / 0 / 12 / 33

HEX #15AC98

RGB 21 172 152

HSL 172.05, 0.78%, 0.38%

LAB 63.29, -40.78, -0.01

 

CMYK 88 / 11 / 0 / 33

HEX #1599AC

RGB 21 153 172

HSL 187.55, 0.78%, 0.38%

LAB 57.96, -25.69, -19.24

 

CMYK 88 / 35 / 0 / 33

HEX #1570AC

RGB 21 112 172

HSL 203.84, 0.78%, 0.38%

LAB 45.26, -2.84, -38.99

 

CMYK 88 / 59 / 0 / 33

HEX #1547AC

RGB 21 71 172

HSL 220.13, 0.78%, 0.38%

LAB 33.23, 23.91, -58.33

 

CMYK 88 / 83 / 0 / 33

HEX #151EAC

RGB 21 30 172

HSL 236.42, 0.78%, 0.38%

LAB 23.89, 49.17, -73.72

 

CMYK 88 / 0 / 12 / 33

HEX #15AC98

RGB 21 172 152

HSL 172.05, 0.78%, 0.38%

LAB 63.29, -40.78, -0.01

 

CMYK 97 / 0 / 13 / 26

HEX #06BCA3

RGB 6 188 163

HSL 171.76, 0.94%, 0.38%

LAB 68.5, -45.27, 1.48

 

CMYK 88 / 0 / 12 / 33

HEX #15AC98

RGB 21 172 152

HSL 172.05, 0.78%, 0.38%

LAB 63.29, -40.78, -0.01

 

CMYK 76 / 0 / 11 / 38

HEX #259D8C

RGB 37 157 140

HSL 171.5, 0.62%, 0.38%

LAB 58.42, -36.02, -0.35

 

CMYK 62 / 0 / 9 / 45

HEX #358D81

RGB 53 141 129

HSL 171.82, 0.45%, 0.38%

LAB 53.38, -29.1, -1.38

 

CMYK 46 / 0 / 6 / 51

HEX #447D76

RGB 68 125 118

HSL 172.63, 0.3%, 0.38%

LAB 48.52, -20.55, -2.03

 

CMYK 24 / 0 / 4 / 57

HEX #546E6A

RGB 84 110 106

HSL 170.77, 0.13%, 0.38%

LAB 44.34, -10.43, -0.9

 

CMYK 88 / 0 / 60 / 33

HEX #15AC45

RGB 21 172 69

HSL 139.07, 0.78%, 0.38%

LAB 61.74, -58.21, 42.05

 

CMYK 88 / 0 / 37 / 33

HEX #15AC6D

RGB 21 172 109

HSL 154.97, 0.78%, 0.38%

LAB 62.31, -51.37, 22.35

 

CMYK 88 / 0 / 13 / 33

HEX #15AC96

RGB 21 172 150

HSL 171.26, 0.78%, 0.38%

LAB 63.23, -41.34, 1.03

 

CMYK 88 / 10 / 0 / 33

HEX #159BAC

RGB 21 155 172

HSL 186.75, 0.78%, 0.38%

LAB 58.58, -26.7, -18.29

 

CMYK 88 / 33 / 0 / 33

HEX #1573AC

RGB 21 115 172

HSL 202.65, 0.78%, 0.38%

LAB 46.18, -4.66, -37.54

 

CMYK 88 / 0 / 12 / 61

HEX #0C6357

RGB 12 99 87

HSL 171.72, 0.78%, 0.22%

LAB 37.28, -26.94, -0.01

 

CMYK 88 / 0 / 13 / 47

HEX #118877

RGB 17 136 119

HSL 171.43, 0.78%, 0.3%

LAB 50.76, -34.39, 0.51

 

CMYK 88 / 0 / 12 / 33

HEX #15AC98

RGB 21 172 152

HSL 172.05, 0.78%, 0.38%

LAB 63.29, -40.78, -0.01

 

CMYK 88 / 0 / 12 / 18

HEX #1AD1B8

RGB 26 209 184

HSL 171.8, 0.78%, 0.46%

LAB 75.63, -47.55, 0.47

 

CMYK 79 / 0 / 11 / 10

HEX #2FE5CC

RGB 47 229 204

HSL 171.76, 0.78%, 0.54%

LAB 82.38, -49.07, -0.31

 

CMYK 88 / 0 / 12 / 32

HEX #15AD98

RGB 21 173 152

HSL 171.71, 0.78%, 0.38%

LAB 63.6, -41.22, 0.45

 

CMYK 83 / 88 / 0 / 33

HEX #1D15AC

RGB 29 21 172

HSL 243.18, 0.78%, 0.38%

LAB 22.92, 53.38, -75.33

 

CMYK 0 / 48 / 88 / 33

HEX #AC5915

RGB 172 89 21

HSL 27.02, 0.78%, 0.38%

LAB 46.93, 29.66, 50.19

 

CMYK 88 / 0 / 12 / 32

HEX #15AD98

RGB 21 173 152

HSL 171.71, 0.78%, 0.38%

LAB 63.6, -41.22, 0.45

 

CMYK 13 / 88 / 0 / 33

HEX #9615AC

RGB 150 21 172

HSL 291.26, 0.78%, 0.38%

LAB 37.84, 66.77, -50.28

 

CMYK 0 / 13 / 88 / 33

HEX #AC9615

RGB 172 150 21

HSL 51.26, 0.78%, 0.38%

LAB 62.2, -4.16, 62.53

 

CMYK 88 / 0 / 12 / 32

HEX #15AD98

RGB 21 173 152

HSL 171.71, 0.78%, 0.38%

LAB 63.6, -41.22, 0.45

 

CMYK 83 / 88 / 0 / 33

HEX #1D15AC

RGB 29 21 172

HSL 243.18, 0.78%, 0.38%

LAB 22.92, 53.38, -75.33

 

CMYK 0 / 88 / 74 / 33

HEX #AC152C

RGB 172 21 44

HSL 350.86, 0.78%, 0.38%

LAB 36.91, 57.67, 28.99

 

CMYK 4 / 0 / 88 / 33

HEX #A5AC15

RGB 165 172 21

HSL 62.78, 0.78%, 0.38%

LAB 67.69, -18.79, 66.71

 

CMYK 88 / 0 / 12 / 32

HEX #15AD98

RGB 21 173 152

HSL 171.71, 0.78%, 0.38%

LAB 63.6, -41.22, 0.45

 

CMYK 57 / 88 / 0 / 33

HEX #4A15AC

RGB 74 21 172

HSL 261.06, 0.78%, 0.38%

LAB 26.65, 56.37, -69.02

 

CMYK 0 / 88 / 74 / 33

HEX #AC152C

RGB 172 21 44

HSL 350.86, 0.78%, 0.38%

LAB 36.91, 57.67, 28.99

 

CMYK 30 / 0 / 88 / 33

HEX #78AC15

RGB 120 172 21

HSL 80.66, 0.78%, 0.38%

LAB 64.61, -37.52, 62.9

 

Description

Color code: HEX #15AD98 | qconv.com Color code: HEX #15AD98 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 173 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 173 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 12 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 12% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

40% - 済生会宇都宮病院 - 5階西病棟 (2)
Link: http://www.saimiya.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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