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Color name
HEX #15AC3E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15AC3E it is the complementary color #EA53C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15AC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15AC3E shade: #1AAC39, #2BBE4C, #3CD05F, #4DE272 and #5EF485

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15AC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15AC3E shade: #15AC3E, #049A2B, #008818, #007605 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15AC3E shade: #15AC3E, #15AC16, #3EAC15, #67AC15 and #8FAC15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15AC3E shade: #15AC3E, #15AC67, #15AC90, #15A0AC and #1578AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15AC3E shade matches the following richer shades: #15AC3E and #06BC37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15AC3E shade: #15AC3E, #259D46, #358D4D, #447D54 and #546E5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15AC3E shade: #3EAC15, #15AC15, #15AC3E, #15AC66 and #15AC8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15AC3E shade: #0C6324, #118831, #15AC3E, #1AD14C and #2FE561

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15AC3E shade: #15AC3E, #1566AC and #AC1529

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15AC3E shade: #15AC3E, #3E15AC and #AC3E15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15AC3E shade: #15AC3E, #1566AC, #AC1584 and #AC5C15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15AC3E shade: #15AC3E, #1539AC, #AC1584 and #AC8915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

Complementary color

CMYK 0 / 65 / 18 / 8

HEX #EA53C1

RGB 234 83 193

HSL 316.29, 0.78%, 0.62%

LAB 59.46, 69.14, -27.52

 

CMYK 85 / 0 / 67 / 33

HEX #1AAC39

RGB 26 172 57

HSL 132.74, 0.74%, 0.39%

LAB 61.67, -59.19, 47.36

 

CMYK 77 / 0 / 60 / 25

HEX #2BBE4C

RGB 43 190 76

HSL 133.47, 0.63%, 0.46%

LAB 67.92, -60.83, 46.07

 

CMYK 71 / 0 / 54 / 18

HEX #3CD05F

RGB 60 208 95

HSL 134.19, 0.61%, 0.53%

LAB 74.12, -61.89, 44.65

 

CMYK 66 / 0 / 50 / 11

HEX #4DE272

RGB 77 226 114

HSL 134.9, 0.72%, 0.59%

LAB 80.28, -62.55, 43.21

 

CMYK 61 / 0 / 45 / 4

HEX #5EF485

RGB 94 244 133

HSL 135.6, 0.87%, 0.66%

LAB 86.39, -62.94, 41.8

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 97 / 0 / 72 / 40

HEX #049A2B

RGB 4 154 43

HSL 135.6, 0.95%, 0.31%

LAB 55.39, -56.6, 46.35

 

CMYK 100 / 0 / 82 / 47

HEX #008818

RGB 0 136 24

HSL 130.59, 1%, 0.27%

LAB 49.1, -52.96, 46.86

 

CMYK 100 / 0 / 96 / 54

HEX #007605

RGB 0 118 5

HSL 122.54, 1%, 0.23%

LAB 42.71, -48.55, 45.92

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 88 / 0 / 87 / 33

HEX #15AC16

RGB 21 172 22

HSL 120.4, 0.78%, 0.38%

LAB 61.41, -62.24, 58.68

 

CMYK 64 / 0 / 88 / 33

HEX #3EAC15

RGB 62 172 21

HSL 103.71, 0.78%, 0.38%

LAB 62.15, -55.85, 59.83

 

CMYK 40 / 0 / 88 / 33

HEX #67AC15

RGB 103 172 21

HSL 87.42, 0.78%, 0.38%

LAB 63.71, -43.8, 61.78

 

CMYK 17 / 0 / 88 / 33

HEX #8FAC15

RGB 143 172 21

HSL 71.52, 0.78%, 0.38%

LAB 66.06, -28.23, 64.7

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 88 / 0 / 40 / 33

HEX #15AC67

RGB 21 172 103

HSL 152.58, 0.78%, 0.38%

LAB 62.21, -52.59, 25.43

 

CMYK 88 / 0 / 16 / 33

HEX #15AC90

RGB 21 172 144

HSL 168.87, 0.78%, 0.38%

LAB 63.08, -42.98, 4.14

 

CMYK 88 / 7 / 0 / 33

HEX #15A0AC

RGB 21 160 172

HSL 184.77, 0.78%, 0.38%

LAB 60.14, -29.19, -15.93

 

CMYK 88 / 30 / 0 / 33

HEX #1578AC

RGB 21 120 172

HSL 200.66, 0.78%, 0.38%

LAB 47.71, -7.64, -35.11

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 97 / 0 / 71 / 26

HEX #06BC37

RGB 6 188 55

HSL 136.15, 0.94%, 0.38%

LAB 66.73, -65.56, 53.54

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 76 / 0 / 55 / 38

HEX #259D46

RGB 37 157 70

HSL 136.5, 0.62%, 0.38%

LAB 57.03, -51.18, 36.05

 

CMYK 62 / 0 / 45 / 45

HEX #358D4D

RGB 53 141 77

HSL 136.36, 0.45%, 0.38%

LAB 52.22, -40.93, 26.5

 

CMYK 46 / 0 / 33 / 51

HEX #447D54

RGB 68 125 84

HSL 136.84, 0.3%, 0.38%

LAB 47.67, -28.46, 16.68

 

CMYK 24 / 0 / 17 / 57

HEX #546E5B

RGB 84 110 91

HSL 136.15, 0.13%, 0.38%

LAB 43.93, -13.78, 7.51

 

CMYK 64 / 0 / 88 / 33

HEX #3EAC15

RGB 62 172 21

HSL 103.71, 0.78%, 0.38%

LAB 62.15, -55.85, 59.83

 

CMYK 88 / 0 / 88 / 33

HEX #15AC15

RGB 21 172 21

HSL 120, 0.78%, 0.38%

LAB 61.41, -62.29, 58.89

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 88 / 0 / 41 / 33

HEX #15AC66

RGB 21 172 102

HSL 152.19, 0.78%, 0.38%

LAB 62.19, -52.79, 25.94

 

CMYK 88 / 0 / 17 / 33

HEX #15AC8E

RGB 21 172 142

HSL 168.08, 0.78%, 0.38%

LAB 63.03, -43.51, 5.19

 

CMYK 88 / 0 / 64 / 61

HEX #0C6324

RGB 12 99 36

HSL 136.55, 0.78%, 0.22%

LAB 36.23, -38.64, 28.52

 

CMYK 88 / 0 / 64 / 47

HEX #118831

RGB 17 136 49

HSL 136.13, 0.78%, 0.3%

LAB 49.43, -49.28, 37.29

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 88 / 0 / 64 / 18

HEX #1AD14C

RGB 26 209 76

HSL 136.39, 0.78%, 0.46%

LAB 73.77, -68.58, 52.66

 

CMYK 79 / 0 / 58 / 10

HEX #2FE561

RGB 47 229 97

HSL 136.48, 0.78%, 0.54%

LAB 80.46, -70.33, 51.21

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 88 / 41 / 0 / 33

HEX #1566AC

RGB 21 102 172

HSL 207.81, 0.78%, 0.38%

LAB 42.22, 3.38, -43.83

 

CMYK 0 / 88 / 76 / 33

HEX #AC1529

RGB 172 21 41

HSL 352.05, 0.78%, 0.38%

LAB 36.87, 57.55, 30.79

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 64 / 88 / 0 / 33

HEX #3E15AC

RGB 62 21 172

HSL 256.29, 0.78%, 0.38%

LAB 25.38, 55.31, -71.17

 

CMYK 0 / 64 / 88 / 33

HEX #AC3E15

RGB 172 62 21

HSL 16.29, 0.78%, 0.38%

LAB 41.64, 43.23, 45.89

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 88 / 41 / 0 / 33

HEX #1566AC

RGB 21 102 172

HSL 207.81, 0.78%, 0.38%

LAB 42.22, 3.38, -43.83

 

CMYK 0 / 88 / 23 / 33

HEX #AC1584

RGB 172 21 132

HSL 315.89, 0.78%, 0.38%

LAB 39.53, 65.02, -23.05

 

CMYK 0 / 47 / 88 / 33

HEX #AC5C15

RGB 172 92 21

HSL 28.21, 0.78%, 0.38%

LAB 47.6, 28.03, 50.72

 

CMYK 88 / 0 / 64 / 33

HEX #15AC3E

RGB 21 172 62

HSL 136.29, 0.78%, 0.38%

LAB 61.66, -59.08, 45.17

 

CMYK 88 / 67 / 0 / 33

HEX #1539AC

RGB 21 57 172

HSL 225.7, 0.78%, 0.38%

LAB 29.57, 33.29, -64.32

 

CMYK 0 / 88 / 23 / 33

HEX #AC1584

RGB 172 21 132

HSL 315.89, 0.78%, 0.38%

LAB 39.53, 65.02, -23.05

 

CMYK 0 / 20 / 88 / 33

HEX #AC8915

RGB 172 137 21

HSL 46.09, 0.78%, 0.38%

LAB 58.71, 2.94, 59.71

 

Description

Color code: HEX #15AC3E | qconv.com Color code: HEX #15AC3E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 172 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 172 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 64 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 64% 33% C M Y K

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Provide designers and agencies with accurate color values.

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