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Color name
HEX #15A7AC

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15A7AC it is the complementary color #EA5853. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15A7AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15A7AC shade: #1AA7A7, #2BB9BA, #3CCBCD, #4DDDE0 and #5EEFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15A7AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15A7AC shade: #15A7AC, #049599, #008386, #007173 and #005F60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15A7AC shade: #15A7AC, #157FAC, #1556AC, #152DAC and #2615AC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15A7AC shade: #15A7AC, #157FAC, #1556AC, #152DAC and #1515AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15A7AC shade matches the following richer shades: #15A7AC and #06B6BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15A7AC shade: #15A7AC, #25999D, #358A8D, #447C7D and #546D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15A7AC shade: #15AC5E, #15AC87, #15AAAC, #1582AC and #1559AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15A7AC shade: #0C6063, #118488, #15A7AC, #1ACBD1 and #2FDFE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15A7AC shade: #15A7AC, #3615AC and #AC7315

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15A7AC shade: #15A7AC, #AC15AA and #AAAC15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15A7AC shade: #15A7AC, #3615AC, #AC1815 and #8CAC15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15A7AC shade: #15A7AC, #6315AC, #AC1815 and #5EAC15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

Complementary color

CMYK 0 / 62 / 65 / 8

HEX #EA5853

RGB 234 88 83

HSL 1.99, 0.78%, 0.62%

LAB 57.17, 56.11, 33.08

 

CMYK 84 / 0 / 0 / 35

HEX #1AA7A7

RGB 26 167 167

HSL 180, 0.73%, 0.38%

LAB 62.21, -33.78, -10

 

CMYK 77 / 1 / 0 / 27

HEX #2BB9BA

RGB 43 185 186

HSL 180.42, 0.62%, 0.45%

LAB 68.57, -35.02, -11.01

 

CMYK 71 / 1 / 0 / 20

HEX #3CCBCD

RGB 60 203 205

HSL 180.83, 0.59%, 0.52%

LAB 74.88, -35.94, -11.92

 

CMYK 66 / 1 / 0 / 12

HEX #4DDDE0

RGB 77 221 224

HSL 181.22, 0.7%, 0.59%

LAB 81.11, -36.63, -12.75

 

CMYK 61 / 2 / 0 / 5

HEX #5EEFF3

RGB 94 239 243

HSL 181.61, 0.86%, 0.66%

LAB 87.28, -37.14, -13.5

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 97 / 3 / 0 / 40

HEX #049599

RGB 4 149 153

HSL 181.61, 0.95%, 0.31%

LAB 55.91, -30.76, -11.52

 

CMYK 100 / 2 / 0 / 47

HEX #008386

RGB 0 131 134

HSL 181.34, 1%, 0.26%

LAB 49.44, -28.35, -10.23

 

CMYK 100 / 2 / 0 / 55

HEX #007173

RGB 0 113 115

HSL 181.04, 1%, 0.23%

LAB 42.84, -25.71, -8.86

 

CMYK 100 / 1 / 0 / 62

HEX #005F60

RGB 0 95 96

HSL 180.63, 1%, 0.19%

LAB 36.04, -23, -7.43

HEX #005F60

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 88 / 26 / 0 / 33

HEX #157FAC

RGB 21 127 172

HSL 197.88, 0.78%, 0.38%

LAB 49.88, -11.7, -31.72

 

CMYK 88 / 50 / 0 / 33

HEX #1556AC

RGB 21 86 172

HSL 214.17, 0.78%, 0.38%

LAB 37.47, 13.81, -51.45

 

CMYK 88 / 74 / 0 / 33

HEX #152DAC

RGB 21 45 172

HSL 230.46, 0.78%, 0.38%

LAB 26.78, 40.9, -68.93

 

CMYK 78 / 88 / 0 / 33

HEX #2615AC

RGB 38 21 172

HSL 246.75, 0.78%, 0.38%

LAB 23.43, 53.77, -74.47

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 88 / 26 / 0 / 33

HEX #157FAC

RGB 21 127 172

HSL 197.88, 0.78%, 0.38%

LAB 49.88, -11.7, -31.72

 

CMYK 88 / 50 / 0 / 33

HEX #1556AC

RGB 21 86 172

HSL 214.17, 0.78%, 0.38%

LAB 37.47, 13.81, -51.45

 

CMYK 88 / 74 / 0 / 33

HEX #152DAC

RGB 21 45 172

HSL 230.46, 0.78%, 0.38%

LAB 26.78, 40.9, -68.93

 

CMYK 88 / 88 / 0 / 33

HEX #1515AC

RGB 21 21 172

HSL 240, 0.78%, 0.38%

LAB 22.56, 53.12, -75.93

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 97 / 3 / 0 / 26

HEX #06B6BC

RGB 6 182 188

HSL 181.98, 0.94%, 0.38%

LAB 67.37, -35.28, -13.96

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 76 / 3 / 0 / 38

HEX #25999D

RGB 37 153 157

HSL 182, 0.62%, 0.38%

LAB 57.67, -29.12, -11.13

 

CMYK 62 / 2 / 0 / 45

HEX #358A8D

RGB 53 138 141

HSL 182.05, 0.45%, 0.38%

LAB 52.79, -24.15, -9.2

 

CMYK 46 / 1 / 0 / 51

HEX #447C7D

RGB 68 124 125

HSL 181.05, 0.3%, 0.38%

LAB 48.42, -18.12, -6.31

 

CMYK 24 / 1 / 0 / 57

HEX #546D6E

RGB 84 109 110

HSL 182.31, 0.13%, 0.38%

LAB 44.16, -8.89, -3.58

 

CMYK 88 / 0 / 45 / 33

HEX #15AC5E

RGB 21 172 94

HSL 149.01, 0.78%, 0.38%

LAB 62.06, -54.3, 30

 

CMYK 88 / 0 / 22 / 33

HEX #15AC87

RGB 21 172 135

HSL 165.3, 0.78%, 0.38%

LAB 62.86, -45.33, 8.83

 

CMYK 88 / 1 / 0 / 33

HEX #15AAAC

RGB 21 170 172

HSL 180.79, 0.78%, 0.38%

LAB 63.25, -33.99, -11.25

 

CMYK 88 / 24 / 0 / 33

HEX #1582AC

RGB 21 130 172

HSL 196.69, 0.78%, 0.38%

LAB 50.81, -13.4, -30.27

 

CMYK 88 / 48 / 0 / 33

HEX #1559AC

RGB 21 89 172

HSL 212.98, 0.78%, 0.38%

LAB 38.35, 11.81, -50.04

 

CMYK 88 / 3 / 0 / 61

HEX #0C6063

RGB 12 96 99

HSL 182.07, 0.78%, 0.22%

LAB 36.64, -21.52, -8.38

 

CMYK 88 / 3 / 0 / 47

HEX #118488

RGB 17 132 136

HSL 182.02, 0.78%, 0.3%

LAB 49.98, -27.25, -10.58

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 88 / 3 / 0 / 18

HEX #1ACBD1

RGB 26 203 209

HSL 181.97, 0.78%, 0.46%

LAB 74.53, -37.77, -14.65

 

CMYK 79 / 3 / 0 / 10

HEX #2FDFE5

RGB 47 223 229

HSL 181.98, 0.78%, 0.54%

LAB 81.31, -39.51, -15.16

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 69 / 88 / 0 / 33

HEX #3615AC

RGB 54 21 172

HSL 253.11, 0.78%, 0.38%

LAB 24.64, 54.71, -72.42

 

CMYK 0 / 33 / 88 / 33

HEX #AC7315

RGB 172 115 21

HSL 37.35, 0.78%, 0.38%

LAB 53.04, 15.23, 55.13

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 0 / 88 / 1 / 33

HEX #AC15AA

RGB 172 21 170

HSL 300.79, 0.78%, 0.38%

LAB 41.55, 70.32, -42.93

 

CMYK 1 / 0 / 88 / 33

HEX #AAAC15

RGB 170 172 21

HSL 60.79, 0.78%, 0.38%

LAB 68.1, -16.6, 67.21

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 69 / 88 / 0 / 33

HEX #3615AC

RGB 54 21 172

HSL 253.11, 0.78%, 0.38%

LAB 24.64, 54.71, -72.42

 

CMYK 0 / 86 / 88 / 33

HEX #AC1815

RGB 172 24 21

HSL 1.19, 0.78%, 0.38%

LAB 36.89, 56.34, 42.02

 

CMYK 19 / 0 / 88 / 33

HEX #8CAC15

RGB 140 172 21

HSL 72.72, 0.78%, 0.38%

LAB 65.85, -29.48, 64.45

 

CMYK 88 / 3 / 0 / 33

HEX #15A7AC

RGB 21 167 172

HSL 181.99, 0.78%, 0.38%

LAB 62.32, -32.57, -12.65

 

CMYK 42 / 88 / 0 / 33

HEX #6315AC

RGB 99 21 172

HSL 270.99, 0.78%, 0.38%

LAB 29.83, 59.14, -63.67

 

CMYK 0 / 86 / 88 / 33

HEX #AC1815

RGB 172 24 21

HSL 1.19, 0.78%, 0.38%

LAB 36.89, 56.34, 42.02

 

CMYK 45 / 0 / 88 / 33

HEX #5EAC15

RGB 94 172 21

HSL 90.99, 0.78%, 0.38%

LAB 63.29, -46.86, 61.26

 

Description

Color code: HEX #15A7AC | qconv.com Color code: HEX #15A7AC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 167 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 167 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 3 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 3% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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