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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15997D it is the complementary color #EA6682. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15997D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15997D shade: #1A9978, #2BAB8B, #3CBD9E, #4DCFB1 and #5EE1C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15997D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15997D shade: #15997D, #04876A, #007557, #006344 and #005131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15997D shade: #15997D, #159959, #159936, #189915 and #3B9915

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15997D shade: #15997D, #159199, #156D99, #154A99 and #152699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15997D shade matches the following richer shades: #15997D and #07A785

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15997D shade: #15997D, #238B75, #317D6C, #3F6F64 and #4D605C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15997D shade: #159936, #159959, #15997C, #159299 and #156F99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15997D shade: #0B5041, #10745F, #15997D, #1ABD9A and #1FE1B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15997D shade: #15997D, #151799 and #994715

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15997D shade: #15997D, #7C1599 and #997C15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15997D shade: #15997D, #151799, #991531 and #999615

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15997D shade: #15997D, #3A1599, #991531 and #739915

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

Complementary color

CMYK 0 / 56 / 44 / 8

HEX #EA6682

RGB 234 102 130

HSL 347.27, 0.76%, 0.66%

LAB 60.43, 53.53, 10.32

 

CMYK 83 / 0 / 22 / 40

HEX #1A9978

RGB 26 153 120

HSL 164.41, 0.71%, 0.35%

LAB 56.44, -40.82, 8.14

 

CMYK 75 / 0 / 19 / 33

HEX #2BAB8B

RGB 43 171 139

HSL 165, 0.6%, 0.42%

LAB 62.93, -41.74, 6.76

 

CMYK 68 / 0 / 16 / 26

HEX #3CBD9E

RGB 60 189 158

HSL 165.58, 0.52%, 0.49%

LAB 69.34, -42.32, 5.53

 

CMYK 63 / 0 / 14 / 19

HEX #4DCFB1

RGB 77 207 177

HSL 166.15, 0.58%, 0.56%

LAB 75.69, -42.68, 4.43

 

CMYK 58 / 0 / 13 / 12

HEX #5EE1C4

RGB 94 225 196

HSL 166.72, 0.69%, 0.63%

LAB 81.96, -42.88, 3.42

 

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

CMYK 97 / 0 / 21 / 47

HEX #04876A

RGB 4 135 106

HSL 166.72, 0.94%, 0.27%

LAB 49.97, -38.39, 6.92

 

CMYK 100 / 0 / 26 / 54

HEX #007557

RGB 0 117 87

HSL 164.62, 1%, 0.23%

LAB 43.38, -36.06, 8.72

 

CMYK 100 / 0 / 31 / 61

HEX #006344

RGB 0 99 68

HSL 161.21, 1%, 0.19%

LAB 36.63, -33.41, 10.7

 

CMYK 100 / 0 / 40 / 68

HEX #005131

RGB 0 81 49

HSL 156.3, 1%, 0.16%

LAB 29.68, -30.6, 12.83

 

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

CMYK 86 / 0 / 42 / 40

HEX #159959

RGB 21 153 89

HSL 150.91, 0.76%, 0.34%

LAB 55.75, -48.36, 24.45

 

CMYK 86 / 0 / 65 / 40

HEX #159936

RGB 21 153 54

HSL 135, 0.76%, 0.34%

LAB 55.29, -53.91, 41.59

 

CMYK 84 / 0 / 86 / 40

HEX #189915

RGB 24 153 21

HSL 118.64, 0.76%, 0.34%

LAB 55.1, -56.33, 53.3

 

CMYK 61 / 0 / 86 / 40

HEX #3B9915

RGB 59 153 21

HSL 102.73, 0.76%, 0.34%

LAB 55.85, -49.93, 54.26

 

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

CMYK 86 / 5 / 0 / 40

HEX #159199

RGB 21 145 153

HSL 183.64, 0.76%, 0.34%

LAB 54.77, -27.92, -13.22

 

CMYK 86 / 29 / 0 / 40

HEX #156D99

RGB 21 109 153

HSL 200, 0.76%, 0.34%

LAB 43.35, -8.34, -30.8

 

CMYK 86 / 52 / 0 / 40

HEX #154A99

RGB 21 74 153

HSL 215.91, 0.76%, 0.34%

LAB 32.61, 14.16, -47.92

 

CMYK 86 / 75 / 0 / 40

HEX #152699

RGB 21 38 153

HSL 232.27, 0.76%, 0.34%

LAB 23.15, 38.31, -63.39

 

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

CMYK 96 / 0 / 20 / 35

HEX #07A785

RGB 7 167 133

HSL 167.25, 0.92%, 0.34%

LAB 61.11, -44.51, 7.45

 

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

CMYK 75 / 0 / 16 / 45

HEX #238B75

RGB 35 139 117

HSL 167.31, 0.6%, 0.34%

LAB 51.96, -34.41, 3.44

 

CMYK 61 / 0 / 14 / 51

HEX #317D6C

RGB 49 125 108

HSL 166.58, 0.44%, 0.34%

LAB 47.5, -27.79, 2.3

 

CMYK 43 / 0 / 10 / 56

HEX #3F6F64

RGB 63 111 100

HSL 166.25, 0.28%, 0.34%

LAB 43.28, -19.2, 1.01

 

CMYK 20 / 0 / 4 / 62

HEX #4D605C

RGB 77 96 92

HSL 167.37, 0.11%, 0.34%

LAB 39.1, -8.13, -0.11

 

CMYK 86 / 0 / 65 / 40

HEX #159936

RGB 21 153 54

HSL 135, 0.76%, 0.34%

LAB 55.29, -53.91, 41.59

 

CMYK 86 / 0 / 42 / 40

HEX #159959

RGB 21 153 89

HSL 150.91, 0.76%, 0.34%

LAB 55.75, -48.36, 24.45

 

CMYK 86 / 0 / 19 / 40

HEX #15997C

RGB 21 153 124

HSL 166.82, 0.76%, 0.34%

LAB 56.48, -40.21, 5.91

 

CMYK 86 / 5 / 0 / 40

HEX #159299

RGB 21 146 153

HSL 183.18, 0.76%, 0.34%

LAB 55.09, -28.41, -12.74

 

CMYK 86 / 27 / 0 / 40

HEX #156F99

RGB 21 111 153

HSL 199.09, 0.76%, 0.34%

LAB 43.99, -9.53, -29.81

 

CMYK 86 / 0 / 19 / 69

HEX #0B5041

RGB 11 80 65

HSL 166.96, 0.76%, 0.18%

LAB 29.89, -24.44, 3.06

 

CMYK 86 / 0 / 18 / 55

HEX #10745F

RGB 16 116 95

HSL 167.4, 0.76%, 0.26%

LAB 43.4, -32.22, 4.01

 

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

CMYK 86 / 0 / 19 / 26

HEX #1ABD9A

RGB 26 189 154

HSL 167.12, 0.76%, 0.42%

LAB 68.71, -47.12, 6.74

 

CMYK 86 / 0 / 18 / 12

HEX #1FE1B8

RGB 31 225 184

HSL 167.32, 0.76%, 0.5%

LAB 80.52, -53.78, 7.55

 

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

CMYK 86 / 85 / 0 / 40

HEX #151799

RGB 21 23 153

HSL 239.09, 0.76%, 0.34%

LAB 20.33, 46.45, -68.07

 

CMYK 0 / 54 / 86 / 40

HEX #994715

RGB 153 71 21

HSL 22.73, 0.76%, 0.34%

LAB 40.14, 31.36, 43.33

 

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

CMYK 19 / 86 / 0 / 40

HEX #7C1599

RGB 124 21 153

HSL 286.82, 0.76%, 0.34%

LAB 32.08, 58.87, -48.33

 

CMYK 0 / 19 / 86 / 40

HEX #997C15

RGB 153 124 21

HSL 46.82, 0.76%, 0.34%

LAB 53.21, 1.42, 54.38

 

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

CMYK 86 / 85 / 0 / 40

HEX #151799

RGB 21 23 153

HSL 239.09, 0.76%, 0.34%

LAB 20.33, 46.45, -68.07

 

CMYK 0 / 86 / 68 / 40

HEX #991531

RGB 153 21 49

HSL 347.27, 0.76%, 0.34%

LAB 32.99, 52.66, 20.13

 

CMYK 0 / 2 / 86 / 40

HEX #999615

RGB 153 150 21

HSL 58.64, 0.76%, 0.34%

LAB 60.46, -12.77, 60.39

 

CMYK 86 / 0 / 18 / 40

HEX #15997D

RGB 21 153 125

HSL 167.27, 0.76%, 0.34%

LAB 56.51, -39.94, 5.38

 

CMYK 62 / 86 / 0 / 40

HEX #3A1599

RGB 58 21 153

HSL 256.82, 0.76%, 0.34%

LAB 22.78, 49.79, -63.93

 

CMYK 0 / 86 / 68 / 40

HEX #991531

RGB 153 21 49

HSL 347.27, 0.76%, 0.34%

LAB 32.99, 52.66, 20.13

 

CMYK 25 / 0 / 86 / 40

HEX #739915

RGB 115 153 21

HSL 77.27, 0.76%, 0.34%

LAB 58.49, -30.81, 57.58

 

Description

Color code: HEX #15997D | qconv.com Color code: HEX #15997D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 153 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 153 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 18 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 18% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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