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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1595D3 it is the complementary color #EA6A2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1595D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1595D3 shade: #1A95CE, #2BA7E1, #3CB9F4, #4DCBFF and #5EDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1595D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1595D3 shade: #1595D3, #0483C0, #0071AD, #005F9A and #004D87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1595D3 shade: #1593D1, #1561D1, #152ED1, #2E15D1 and #6115D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1595D3 shade: #1593D1, #1561D1, #152ED1 and #1515D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1595D3 shade matches the following richer shades: #1593D1 and #029AE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1595D3 shade: #1593D1, #278DBE, #3A87AC, #4C8099 and #5F7A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1595D3 shade: #15D1A8, #15C7D1, #1595D1, #1563D1 and #1531D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1595D3 shade: #0D5E86, #1179AB, #1593D1, #25A9E9 and #4BB8ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1595D3 shade: #1595D3, #7615D1 and #D1C115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1595D3 shade: #1595D3, #D11595 and #95D115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1595D3 shade: #1595D3, #7615D1, #D15015 and #70D115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1595D3 shade: #1595D3, #AE15D1, #D15015 and #37D115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 29 / 0 / 17

HEX #1595D3

RGB 21 149 211

HSL 199.58, 0.82%, 0.45%

LAB 58.37, -9.84, -40.61

 

Complementary color

CMYK 0 / 55 / 81 / 8

HEX #EA6A2C

RGB 234 106 44

HSL 19.58, 0.82%, 0.55%

LAB 59.87, 46.22, 56

 

CMYK 87 / 28 / 0 / 19

HEX #1A95CE

RGB 26 149 206

HSL 199, 0.78%, 0.45%

LAB 58.2, -11.37, -38.08

 

CMYK 81 / 26 / 0 / 12

HEX #2BA7E1

RGB 43 167 225

HSL 199.12, 0.75%, 0.53%

LAB 64.63, -13.27, -38.56

 

CMYK 75 / 24 / 0 / 4

HEX #3CB9F4

RGB 60 185 244

HSL 199.24, 0.89%, 0.6%

LAB 71, -14.79, -38.98

 

CMYK 70 / 20 / 0 / 0

HEX #4DCBFF

RGB 77 203 255

HSL 197.53, 1%, 0.65%

LAB 76.99, -18.56, -35.57

 

CMYK 63 / 13 / 0 / 0

HEX #5EDDFF

RGB 94 221 255

HSL 192.67, 1%, 0.68%

LAB 82.55, -25.16, -26.98

 

CMYK 90 / 29 / 0 / 17

HEX #1595D3

RGB 21 149 211

HSL 199.58, 0.82%, 0.45%

LAB 58.37, -9.84, -40.61

 

CMYK 98 / 32 / 0 / 25

HEX #0483C0

RGB 4 131 192

HSL 199.47, 0.96%, 0.38%

LAB 51.91, -7.29, -40.05

 

CMYK 100 / 35 / 0 / 32

HEX #0071AD

RGB 0 113 173

HSL 200.81, 1%, 0.34%

LAB 45.4, -4.1, -39.37

 

CMYK 100 / 38 / 0 / 40

HEX #005F9A

RGB 0 95 154

HSL 202.99, 1%, 0.3%

LAB 38.76, -0.57, -38.67

 

CMYK 100 / 43 / 0 / 47

HEX #004D87

RGB 0 77 135

HSL 205.78, 1%, 0.26%

LAB 31.94, 3.23, -38.02

 

CMYK 90 / 30 / 0 / 18

HEX #1593D1

RGB 21 147 209

HSL 199.79, 0.82%, 0.45%

LAB 57.68, -9.44, -40.58

 

CMYK 90 / 54 / 0 / 18

HEX #1561D1

RGB 21 97 209

HSL 215.74, 0.82%, 0.45%

LAB 43.23, 21.31, -63.69

 

CMYK 90 / 78 / 0 / 18

HEX #152ED1

RGB 21 46 209

HSL 232.02, 0.82%, 0.45%

LAB 31.15, 53.01, -83.52

 

CMYK 78 / 90 / 0 / 18

HEX #2E15D1

RGB 46 21 209

HSL 247.98, 0.82%, 0.45%

LAB 28.7, 64.32, -87.58

 

CMYK 54 / 90 / 0 / 18

HEX #6115D1

RGB 97 21 209

HSL 264.26, 0.82%, 0.45%

LAB 33.31, 67.54, -79.79

 

CMYK 90 / 30 / 0 / 18

HEX #1593D1

RGB 21 147 209

HSL 199.79, 0.82%, 0.45%

LAB 57.68, -9.44, -40.58

 

CMYK 90 / 54 / 0 / 18

HEX #1561D1

RGB 21 97 209

HSL 215.74, 0.82%, 0.45%

LAB 43.23, 21.31, -63.69

 

CMYK 90 / 78 / 0 / 18

HEX #152ED1

RGB 21 46 209

HSL 232.02, 0.82%, 0.45%

LAB 31.15, 53.01, -83.52

 

CMYK 90 / 90 / 0 / 18

HEX #1515D1

RGB 21 21 209

HSL 240, 0.82%, 0.45%

LAB 27.57, 63.63, -89.49

 

CMYK 90 / 30 / 0 / 18

HEX #1593D1

RGB 21 147 209

HSL 199.79, 0.82%, 0.45%

LAB 57.68, -9.44, -40.58

 

CMYK 99 / 32 / 0 / 11

HEX #029AE3

RGB 2 154 227

HSL 199.47, 0.98%, 0.45%

LAB 60.49, -7.44, -46.2

 

CMYK 90 / 30 / 0 / 18

HEX #1593D1

RGB 21 147 209

HSL 199.79, 0.82%, 0.45%

LAB 57.68, -9.44, -40.58

 

CMYK 79 / 26 / 0 / 25

HEX #278DBE

RGB 39 141 190

HSL 199.47, 0.66%, 0.45%

LAB 55.28, -11.55, -33.6

 

CMYK 66 / 22 / 0 / 33

HEX #3A87AC

RGB 58 135 172

HSL 199.47, 0.5%, 0.45%

LAB 53.17, -11.8, -26.53

 

CMYK 50 / 16 / 0 / 40

HEX #4C8099

RGB 76 128 153

HSL 199.48, 0.34%, 0.45%

LAB 51.01, -10.19, -18.8

 

CMYK 30 / 10 / 0 / 47

HEX #5F7A87

RGB 95 122 135

HSL 199.5, 0.17%, 0.45%

LAB 49.62, -6.46, -10.26

 

CMYK 90 / 0 / 20 / 18

HEX #15D1A8

RGB 21 209 168

HSL 166.91, 0.82%, 0.45%

LAB 75.19, -51.97, 8.44

 

CMYK 90 / 5 / 0 / 18

HEX #15C7D1

RGB 21 199 209

HSL 183.19, 0.82%, 0.45%

LAB 73.29, -36.17, -16.52

 

CMYK 90 / 29 / 0 / 18

HEX #1595D1

RGB 21 149 209

HSL 199.15, 0.82%, 0.45%

LAB 58.28, -10.57, -39.64

 

CMYK 90 / 53 / 0 / 18

HEX #1563D1

RGB 21 99 209

HSL 215.11, 0.82%, 0.45%

LAB 43.78, 20, -62.8

 

CMYK 90 / 77 / 0 / 18

HEX #1531D1

RGB 21 49 209

HSL 231.06, 0.82%, 0.45%

LAB 31.71, 51.39, -82.59

 

CMYK 90 / 30 / 0 / 47

HEX #0D5E86

RGB 13 94 134

HSL 199.83, 0.82%, 0.29%

LAB 37.5, -7.27, -28.57

 

CMYK 90 / 29 / 0 / 33

HEX #1179AB

RGB 17 121 171

HSL 199.48, 0.82%, 0.37%

LAB 47.92, -8.86, -34.21

 

CMYK 90 / 30 / 0 / 18

HEX #1593D1

RGB 21 147 209

HSL 199.79, 0.82%, 0.45%

LAB 57.68, -9.44, -40.58

 

CMYK 84 / 27 / 0 / 9

HEX #25A9E9

RGB 37 169 233

HSL 199.59, 0.82%, 0.53%

LAB 65.48, -12.06, -41.64

 

CMYK 68 / 22 / 0 / 7

HEX #4BB8ED

RGB 75 184 237

HSL 199.63, 0.82%, 0.61%

LAB 70.8, -14.62, -35.47

 

CMYK 90 / 29 / 0 / 17

HEX #1595D3

RGB 21 149 211

HSL 199.58, 0.82%, 0.45%

LAB 58.37, -9.84, -40.61

 

CMYK 44 / 90 / 0 / 18

HEX #7615D1

RGB 118 21 209

HSL 270.96, 0.82%, 0.45%

LAB 35.97, 69.62, -75.31

 

CMYK 0 / 8 / 90 / 18

HEX #D1C115

RGB 209 193 21

HSL 54.89, 0.82%, 0.45%

LAB 77.13, -10.29, 75.77

 

CMYK 90 / 29 / 0 / 17

HEX #1595D3

RGB 21 149 211

HSL 199.58, 0.82%, 0.45%

LAB 58.37, -9.84, -40.61

 

CMYK 0 / 90 / 29 / 18

HEX #D11595

RGB 209 21 149

HSL 319.15, 0.82%, 0.45%

LAB 47.32, 74.88, -20.81

 

CMYK 29 / 0 / 90 / 18

HEX #95D115

RGB 149 209 21

HSL 79.15, 0.82%, 0.45%

LAB 77.31, -42.68, 74.1

 

CMYK 90 / 29 / 0 / 17

HEX #1595D3

RGB 21 149 211

HSL 199.58, 0.82%, 0.45%

LAB 58.37, -9.84, -40.61

 

CMYK 44 / 90 / 0 / 18

HEX #7615D1

RGB 118 21 209

HSL 270.96, 0.82%, 0.45%

LAB 35.97, 69.62, -75.31

 

CMYK 0 / 62 / 90 / 18

HEX #D15015

RGB 209 80 21

HSL 18.83, 0.82%, 0.45%

LAB 51.09, 48.57, 55.95

 

CMYK 46 / 0 / 90 / 18

HEX #70D115

RGB 112 209 21

HSL 90.96, 0.82%, 0.45%

LAB 75.51, -55.47, 71.89

 

CMYK 90 / 29 / 0 / 17

HEX #1595D3

RGB 21 149 211

HSL 199.58, 0.82%, 0.45%

LAB 58.37, -9.84, -40.61

 

CMYK 17 / 90 / 0 / 18

HEX #AE15D1

RGB 174 21 209

HSL 288.83, 0.82%, 0.45%

LAB 44.43, 77.03, -61.14

 

CMYK 0 / 62 / 90 / 18

HEX #D15015

RGB 209 80 21

HSL 18.83, 0.82%, 0.45%

LAB 51.09, 48.57, 55.95

 

CMYK 74 / 0 / 90 / 18

HEX #37D115

RGB 55 209 21

HSL 109.15, 0.82%, 0.45%

LAB 73.85, -69.02, 69.81

 

Description

Color code: HEX #1595D3 | qconv.com Color code: HEX #1595D3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 149 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 149 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 29 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 29% 0% 17% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

60% - Home | Bluetext
Link: http://www.bluetext.com

36% - Hy-Mark
Link: http://hy-mark.ca.oryxagency.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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