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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #159026 it is the complementary color #EA6FD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #159026. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #159026 shade: #1A9021, #2BA234, #3CB447, #4DC65A and #5ED86D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #159026. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #159026 shade: #159026, #047E13, #006C00, #005A00 and #004800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #159026 shade: #148F25, #248F14, #468F14, #678F14 and #888F14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #159026 shade: #148F25, #148F46, #148F67, #148F88 and #14748F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #159026 shade matches the following richer shades: #148F25 and #079C1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #159026 shade: #148F25, #22822F, #2F7438, #3C6742 and #495A4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #159026 shade: #458F14, #258F14, #148F25, #148F45 and #148F66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #159026 shade: #0A4712, #0F6B1C, #148F25, #1AB32F and #1FD738

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #159026 shade: #159026, #14668F and #8F1435

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #159026 shade: #159026, #25148F and #8F2514

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #159026 shade: #159026, #14668F, #8F147E and #8F3D14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #159026 shade: #159026, #14418F, #8F147E and #8F6214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 74 / 44

HEX #159026

RGB 21 144 38

HSL 128.29, 0.75%, 0.32%

LAB 52.11, -52.68, 44.96

 

Complementary color

CMYK 0 / 53 / 7 / 8

HEX #EA6FD9

RGB 234 111 217

HSL 308.29, 0.75%, 0.68%

LAB 64.86, 60.77, -32.73

 

CMYK 82 / 0 / 77 / 44

HEX #1A9021

RGB 26 144 33

HSL 123.56, 0.69%, 0.33%

LAB 52.15, -52.51, 46.89

 

CMYK 73 / 0 / 68 / 36

HEX #2BA234

RGB 43 162 52

HSL 124.54, 0.58%, 0.4%

LAB 58.6, -54.18, 46.22

 

CMYK 67 / 0 / 61 / 29

HEX #3CB447

RGB 60 180 71

HSL 125.5, 0.5%, 0.47%

LAB 65.01, -55.18, 45.09

 

CMYK 61 / 0 / 55 / 22

HEX #4DC65A

RGB 77 198 90

HSL 126.45, 0.51%, 0.54%

LAB 71.35, -55.74, 43.78

 

CMYK 56 / 0 / 50 / 15

HEX #5ED86D

RGB 94 216 109

HSL 127.38, 0.61%, 0.61%

LAB 77.64, -56.01, 42.44

 

CMYK 85 / 0 / 74 / 44

HEX #159026

RGB 21 144 38

HSL 128.29, 0.75%, 0.32%

LAB 52.11, -52.68, 44.96

 

CMYK 97 / 0 / 85 / 51

HEX #047E13

RGB 4 126 19

HSL 127.38, 0.94%, 0.25%

LAB 45.63, -49.96, 45.13

 

CMYK 100 / 0 / 100 / 58

HEX #006C00

RGB 0 108 0

HSL 120, 1%, 0.21%

LAB 39.11, -45.79, 44.19

 

CMYK 100 / 0 / 100 / 65

HEX #005A00

RGB 0 90 0

HSL 120, 1%, 0.18%

LAB 32.51, -40.3, 38.9

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 86 / 0 / 74 / 44

HEX #148F25

RGB 20 143 37

HSL 128.29, 0.75%, 0.32%

LAB 51.75, -52.55, 44.98

 

CMYK 75 / 0 / 86 / 44

HEX #248F14

RGB 36 143 20

HSL 112.2, 0.75%, 0.32%

LAB 51.92, -51.5, 50.76

 

CMYK 51 / 0 / 86 / 44

HEX #468F14

RGB 70 143 20

HSL 95.61, 0.75%, 0.32%

LAB 52.95, -43.09, 52.07

 

CMYK 28 / 0 / 86 / 44

HEX #678F14

RGB 103 143 20

HSL 79.51, 0.75%, 0.32%

LAB 54.64, -31.05, 54.21

 

CMYK 5 / 0 / 86 / 44

HEX #888F14

RGB 136 143 20

HSL 63.41, 0.75%, 0.32%

LAB 57.01, -16.78, 57.17

 

CMYK 86 / 0 / 74 / 44

HEX #148F25

RGB 20 143 37

HSL 128.29, 0.75%, 0.32%

LAB 51.75, -52.55, 44.98

 

CMYK 86 / 0 / 51 / 44

HEX #148F46

RGB 20 143 70

HSL 144.39, 0.75%, 0.32%

LAB 52.1, -48.3, 29.95

 

CMYK 86 / 0 / 28 / 44

HEX #148F67

RGB 20 143 103

HSL 160.49, 0.75%, 0.32%

LAB 52.7, -41.45, 12.52

 

CMYK 86 / 0 / 5 / 44

HEX #148F88

RGB 20 143 136

HSL 176.59, 0.75%, 0.32%

LAB 53.57, -32.36, -5.22

 

CMYK 86 / 19 / 0 / 44

HEX #14748F

RGB 20 116 143

HSL 193.17, 0.75%, 0.32%

LAB 45.11, -16.18, -22.12

 

CMYK 86 / 0 / 74 / 44

HEX #148F25

RGB 20 143 37

HSL 128.29, 0.75%, 0.32%

LAB 51.75, -52.55, 44.98

 

CMYK 96 / 0 / 82 / 39

HEX #079C1C

RGB 7 156 28

HSL 128.46, 0.91%, 0.32%

LAB 55.99, -58.2, 52.17

 

CMYK 86 / 0 / 74 / 44

HEX #148F25

RGB 20 143 37

HSL 128.29, 0.75%, 0.32%

LAB 51.75, -52.55, 44.98

 

CMYK 74 / 0 / 64 / 49

HEX #22822F

RGB 34 130 47

HSL 128.13, 0.59%, 0.32%

LAB 47.64, -45.1, 36.27

 

CMYK 59 / 0 / 52 / 55

HEX #2F7438

RGB 47 116 56

HSL 127.83, 0.42%, 0.32%

LAB 43.33, -35.42, 26.63

 

CMYK 42 / 0 / 36 / 60

HEX #3C6742

RGB 60 103 66

HSL 128.37, 0.26%, 0.32%

LAB 39.67, -23.64, 16.32

 

CMYK 19 / 0 / 16 / 65

HEX #495A4C

RGB 73 90 76

HSL 130.59, 0.1%, 0.32%

LAB 36.46, -9.7, 5.94

 

CMYK 52 / 0 / 86 / 44

HEX #458F14

RGB 69 143 20

HSL 96.1, 0.75%, 0.32%

LAB 52.91, -43.4, 52.02

 

CMYK 74 / 0 / 86 / 44

HEX #258F14

RGB 37 143 20

HSL 111.71, 0.75%, 0.32%

LAB 51.94, -51.32, 50.79

 

CMYK 86 / 0 / 74 / 44

HEX #148F25

RGB 20 143 37

HSL 128.29, 0.75%, 0.32%

LAB 51.75, -52.55, 44.98

 

CMYK 86 / 0 / 52 / 44

HEX #148F45

RGB 20 143 69

HSL 143.9, 0.75%, 0.32%

LAB 52.09, -48.46, 30.45

 

CMYK 86 / 0 / 29 / 44

HEX #148F66

RGB 20 143 102

HSL 160, 0.75%, 0.32%

LAB 52.68, -41.69, 13.05

 

CMYK 86 / 0 / 75 / 72

HEX #0A4712

RGB 10 71 18

HSL 127.87, 0.75%, 0.16%

LAB 25.61, -30.89, 25.66

 

CMYK 86 / 0 / 74 / 58

HEX #0F6B1C

RGB 15 107 28

HSL 128.48, 0.75%, 0.24%

LAB 39.07, -42.08, 35.46

 

CMYK 86 / 0 / 74 / 44

HEX #148F25

RGB 20 143 37

HSL 128.29, 0.75%, 0.32%

LAB 51.75, -52.55, 44.98

 

CMYK 85 / 0 / 74 / 30

HEX #1AB32F

RGB 26 179 47

HSL 128.24, 0.75%, 0.4%

LAB 63.89, -62.31, 53.64

 

CMYK 86 / 0 / 74 / 16

HEX #1FD738

RGB 31 215 56

HSL 128.15, 0.75%, 0.48%

LAB 75.56, -71.85, 62.28

 

CMYK 85 / 0 / 74 / 44

HEX #159026

RGB 21 144 38

HSL 128.29, 0.75%, 0.32%

LAB 52.11, -52.68, 44.96

 

CMYK 86 / 29 / 0 / 44

HEX #14668F

RGB 20 102 143

HSL 200, 0.75%, 0.32%

LAB 40.63, -8.07, -29.1

 

CMYK 0 / 86 / 63 / 44

HEX #8F1435

RGB 143 20 53

HSL 343.9, 0.75%, 0.32%

LAB 30.87, 50.33, 14.34

 

CMYK 85 / 0 / 74 / 44

HEX #159026

RGB 21 144 38

HSL 128.29, 0.75%, 0.32%

LAB 52.11, -52.68, 44.96

 

CMYK 74 / 86 / 0 / 44

HEX #25148F

RGB 37 20 143

HSL 248.29, 0.75%, 0.32%

LAB 19.54, 45.56, -63.16

 

CMYK 0 / 74 / 86 / 44

HEX #8F2514

RGB 143 37 20

HSL 8.29, 0.75%, 0.32%

LAB 32.29, 43.5, 36.23

 

CMYK 85 / 0 / 74 / 44

HEX #159026

RGB 21 144 38

HSL 128.29, 0.75%, 0.32%

LAB 52.11, -52.68, 44.96

 

CMYK 86 / 29 / 0 / 44

HEX #14668F

RGB 20 102 143

HSL 200, 0.75%, 0.32%

LAB 40.63, -8.07, -29.1

 

CMYK 0 / 86 / 12 / 44

HEX #8F147E

RGB 143 20 126

HSL 308.29, 0.75%, 0.32%

LAB 33.66, 58.19, -28.9

 

CMYK 0 / 57 / 86 / 44

HEX #8F3D14

RGB 143 61 20

HSL 20, 0.75%, 0.32%

LAB 36.42, 32.48, 39.89

 

CMYK 85 / 0 / 74 / 44

HEX #159026

RGB 21 144 38

HSL 128.29, 0.75%, 0.32%

LAB 52.11, -52.68, 44.96

 

CMYK 86 / 55 / 0 / 44

HEX #14418F

RGB 20 65 143

HSL 218.05, 0.75%, 0.32%

LAB 29.19, 16.15, -47.35

 

CMYK 0 / 86 / 12 / 44

HEX #8F147E

RGB 143 20 126

HSL 308.29, 0.75%, 0.32%

LAB 33.66, 58.19, -28.9

 

CMYK 0 / 31 / 86 / 44

HEX #8F6214

RGB 143 98 20

HSL 38.05, 0.75%, 0.32%

LAB 45.12, 11.61, 47.41

 

Description

Color code: HEX #159026 | qconv.com Color code: HEX #159026 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 144 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 144 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 74 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 74% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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