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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #158739 it is the complementary color #EA78C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #158739. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #158739 shade: #1A8734, #2B9947, #3CAB5A, #4DBD6D and #5ECF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #158739. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #158739 shade: #158739, #047526, #006313, #005100 and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #158739 shade: #15893A, #15891B, #2F8915, #4E8915 and #6D8915

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #158739 shade: #15893A, #158959, #158978, #157A89 and #155B89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #158739 shade matches the following richer shades: #15893A and #099635

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #158739 shade: #15893A, #227C3F, #2F6F43, #3C6248 and #49564D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #158739 shade: #308915, #158919, #158938, #158957 and #158976

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #158739 shade: #0A411C, #10652B, #15893A, #1BAC49 and #20D058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #158739 shade: #158739, #154F89 and #891521

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #158739 shade: #158739, #381589 and #893815

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #158739 shade: #158739, #154F89, #891566 and #894F15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #158739 shade: #158739, #152C89, #891566 and #897215

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 58 / 47

HEX #158739

RGB 21 135 57

HSL 138.95, 0.73%, 0.31%

LAB 49.23, -47.42, 33.15

 

Complementary color

CMYK 0 / 49 / 15 / 8

HEX #EA78C6

RGB 234 120 198

HSL 318.95, 0.73%, 0.69%

LAB 65.75, 53.5, -20.71

 

CMYK 81 / 0 / 61 / 47

HEX #1A8734

RGB 26 135 52

HSL 134.31, 0.68%, 0.32%

LAB 49.25, -47.5, 35.67

 

CMYK 72 / 0 / 54 / 40

HEX #2B9947

RGB 43 153 71

HSL 135.27, 0.56%, 0.38%

LAB 55.84, -48.61, 34.13

 

CMYK 65 / 0 / 47 / 33

HEX #3CAB5A

RGB 60 171 90

HSL 136.22, 0.48%, 0.45%

LAB 62.36, -49.19, 32.6

 

CMYK 59 / 0 / 42 / 26

HEX #4DBD6D

RGB 77 189 109

HSL 137.14, 0.46%, 0.52%

LAB 68.81, -49.44, 31.14

 

CMYK 55 / 0 / 38 / 19

HEX #5ECF80

RGB 94 207 128

HSL 138.05, 0.54%, 0.59%

LAB 75.18, -49.49, 29.76

 

CMYK 84 / 0 / 58 / 47

HEX #158739

RGB 21 135 57

HSL 138.95, 0.73%, 0.31%

LAB 49.23, -47.42, 33.15

 

CMYK 97 / 0 / 68 / 54

HEX #047526

RGB 4 117 38

HSL 138.05, 0.93%, 0.24%

LAB 42.59, -45.39, 34.73

 

CMYK 100 / 0 / 81 / 61

HEX #006313

RGB 0 99 19

HSL 131.52, 1%, 0.19%

LAB 35.93, -41.89, 35.84

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 85 / 0 / 58 / 46

HEX #15893A

RGB 21 137 58

HSL 139.14, 0.73%, 0.31%

LAB 49.93, -47.97, 33.48

 

CMYK 85 / 0 / 80 / 46

HEX #15891B

RGB 21 137 27

HSL 123.1, 0.73%, 0.31%

LAB 49.65, -51.33, 46.5

 

CMYK 66 / 0 / 85 / 46

HEX #2F8915

RGB 47 137 21

HSL 106.55, 0.73%, 0.31%

LAB 50.16, -47.14, 48.99

 

CMYK 43 / 0 / 85 / 46

HEX #4E8915

RGB 78 137 21

HSL 90.52, 0.73%, 0.31%

LAB 51.34, -37.89, 50.51

 

CMYK 20 / 0 / 85 / 46

HEX #6D8915

RGB 109 137 21

HSL 74.48, 0.73%, 0.31%

LAB 53.16, -25.61, 52.82

 

CMYK 85 / 0 / 58 / 46

HEX #15893A

RGB 21 137 58

HSL 139.14, 0.73%, 0.31%

LAB 49.93, -47.97, 33.48

 

CMYK 85 / 0 / 35 / 46

HEX #158959

RGB 21 137 89

HSL 155.17, 0.73%, 0.31%

LAB 50.42, -42.2, 17.33

 

CMYK 85 / 0 / 12 / 46

HEX #158978

RGB 21 137 120

HSL 171.21, 0.73%, 0.31%

LAB 51.16, -34.23, 0.52

 

CMYK 85 / 11 / 0 / 46

HEX #157A89

RGB 21 122 137

HSL 187.76, 0.73%, 0.31%

LAB 46.82, -21.47, -15.94

 

CMYK 85 / 34 / 0 / 46

HEX #155B89

RGB 21 91 137

HSL 203.79, 0.73%, 0.31%

LAB 36.83, -3.56, -31.44

 

CMYK 85 / 0 / 58 / 46

HEX #15893A

RGB 21 137 58

HSL 139.14, 0.73%, 0.31%

LAB 49.93, -47.97, 33.48

 

CMYK 94 / 0 / 65 / 41

HEX #099635

RGB 9 150 53

HSL 138.72, 0.89%, 0.31%

LAB 54.16, -53.97, 40.76

 

CMYK 85 / 0 / 58 / 46

HEX #15893A

RGB 21 137 58

HSL 139.14, 0.73%, 0.31%

LAB 49.93, -47.97, 33.48

 

CMYK 73 / 0 / 49 / 51

HEX #227C3F

RGB 34 124 63

HSL 139.33, 0.57%, 0.31%

LAB 45.79, -40.45, 25.82

 

CMYK 58 / 0 / 40 / 56

HEX #2F6F43

RGB 47 111 67

HSL 138.75, 0.41%, 0.31%

LAB 41.81, -31.26, 18.48

 

CMYK 39 / 0 / 27 / 62

HEX #3C6248

RGB 60 98 72

HSL 138.95, 0.24%, 0.31%

LAB 38.14, -19.83, 10.62

 

CMYK 15 / 0 / 10 / 66

HEX #49564D

RGB 73 86 77

HSL 138.46, 0.08%, 0.31%

LAB 35.22, -7.12, 3.53

 

CMYK 65 / 0 / 85 / 46

HEX #308915

RGB 48 137 21

HSL 106.03, 0.73%, 0.31%

LAB 50.18, -46.9, 49.03

 

CMYK 85 / 0 / 82 / 46

HEX #158919

RGB 21 137 25

HSL 122.07, 0.73%, 0.31%

LAB 49.64, -51.47, 47.13

 

CMYK 85 / 0 / 59 / 46

HEX #158938

RGB 21 137 56

HSL 138.1, 0.73%, 0.31%

LAB 49.9, -48.26, 34.45

 

CMYK 85 / 0 / 36 / 46

HEX #158957

RGB 21 137 87

HSL 154.14, 0.73%, 0.31%

LAB 50.38, -42.64, 18.41

 

CMYK 85 / 0 / 14 / 46

HEX #158976

RGB 21 137 118

HSL 170.17, 0.73%, 0.31%

LAB 51.1, -34.8, 1.6

 

CMYK 85 / 0 / 57 / 75

HEX #0A411C

RGB 10 65 28

HSL 139.64, 0.73%, 0.15%

LAB 23.44, -26.95, 17.62

 

CMYK 84 / 0 / 57 / 60

HEX #10652B

RGB 16 101 43

HSL 139.06, 0.73%, 0.23%

LAB 37.1, -37.82, 25.87

 

CMYK 85 / 0 / 58 / 46

HEX #15893A

RGB 21 137 58

HSL 139.14, 0.73%, 0.31%

LAB 49.93, -47.97, 33.48

 

CMYK 84 / 0 / 58 / 33

HEX #1BAC49

RGB 27 172 73

HSL 139.03, 0.73%, 0.39%

LAB 61.84, -57.13, 40.3

 

CMYK 85 / 0 / 58 / 18

HEX #20D058

RGB 32 208 88

HSL 139.09, 0.73%, 0.47%

LAB 73.63, -66.33, 47.21

 

CMYK 84 / 0 / 58 / 47

HEX #158739

RGB 21 135 57

HSL 138.95, 0.73%, 0.31%

LAB 49.23, -47.42, 33.15

 

CMYK 85 / 42 / 0 / 46

HEX #154F89

RGB 21 79 137

HSL 210, 0.73%, 0.31%

LAB 33.04, 4.21, -37.46

 

CMYK 0 / 85 / 76 / 46

HEX #891521

RGB 137 21 33

HSL 353.79, 0.73%, 0.31%

LAB 29.32, 47.26, 25.22

 

CMYK 84 / 0 / 58 / 47

HEX #158739

RGB 21 135 57

HSL 138.95, 0.73%, 0.31%

LAB 49.23, -47.42, 33.15

 

CMYK 59 / 85 / 0 / 46

HEX #381589

RGB 56 21 137

HSL 258.1, 0.73%, 0.31%

LAB 20.76, 45.11, -57.33

 

CMYK 0 / 59 / 85 / 46

HEX #893815

RGB 137 56 21

HSL 18.1, 0.73%, 0.31%

LAB 34.4, 32.66, 37.23

 

CMYK 84 / 0 / 58 / 47

HEX #158739

RGB 21 135 57

HSL 138.95, 0.73%, 0.31%

LAB 49.23, -47.42, 33.15

 

CMYK 85 / 42 / 0 / 46

HEX #154F89

RGB 21 79 137

HSL 210, 0.73%, 0.31%

LAB 33.04, 4.21, -37.46

 

CMYK 0 / 85 / 26 / 46

HEX #891566

RGB 137 21 102

HSL 318.1, 0.73%, 0.31%

LAB 31.38, 53.28, -17.3

 

CMYK 0 / 42 / 85 / 46

HEX #894F15

RGB 137 79 21

HSL 30, 0.73%, 0.31%

LAB 39.52, 19.93, 41.86

 

CMYK 84 / 0 / 58 / 47

HEX #158739

RGB 21 135 57

HSL 138.95, 0.73%, 0.31%

LAB 49.23, -47.42, 33.15

 

CMYK 85 / 68 / 0 / 46

HEX #152C89

RGB 21 44 137

HSL 228.1, 0.73%, 0.31%

LAB 22.89, 28.39, -53.92

 

CMYK 0 / 85 / 26 / 46

HEX #891566

RGB 137 21 102

HSL 318.1, 0.73%, 0.31%

LAB 31.38, 53.28, -17.3

 

CMYK 0 / 17 / 85 / 46

HEX #897215

RGB 137 114 21

HSL 48.1, 0.73%, 0.31%

LAB 48.77, -0.43, 49.94

 

Description

Color code: HEX #158739 | qconv.com Color code: HEX #158739 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 135 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 135 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 58 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 58% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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