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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #158586 it is the complementary color #EA7A79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #158586. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #158586 shade: #1A8581, #2B9794, #3CA9A7, #4DBBBA and #5ECDCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #158586. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #158586 shade: #158586, #047373, #006160, #004F4D and #003D3A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #158586 shade: #158384, #156584, #154784, #152984 and #1E1584

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #158586 shade: #158384, #156584, #154784, #152984 and #151584

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #158586 shade matches the following richer shades: #158384 and #089091

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #158586 shade: #158384, #217778, #2D6B6C, #3A5F5F and #465353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #158586 shade: #158449, #158467, #158484, #156784 and #154984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #158586 shade: #0A3D3D, #0F6061, #158384, #1AA7A8 and #20CACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #158586 shade: #158586, #2B1584 and #845815

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #158586 shade: #158586, #841584 and #848415

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #158586 shade: #158586, #2B1584, #841515 and #6E8415

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #158586 shade: #158586, #4D1584, #841515 and #4D8415

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 1 / 0 / 47

HEX #158586

RGB 21 133 134

HSL 180.53, 0.73%, 0.3%

LAB 50.28, -28.08, -8.95

 

Complementary color

CMYK 0 / 48 / 48 / 8

HEX #EA7A79

RGB 234 122 121

HSL 0.53, 0.73%, 0.7%

LAB 63.99, 43, 20.41

 

CMYK 80 / 0 / 3 / 48

HEX #1A8581

RGB 26 133 129

HSL 177.76, 0.67%, 0.31%

LAB 50.19, -29.18, -6.15

 

CMYK 72 / 0 / 2 / 41

HEX #2B9794

RGB 43 151 148

HSL 178.33, 0.56%, 0.38%

LAB 56.87, -30.12, -7.18

 

CMYK 64 / 0 / 1 / 34

HEX #3CA9A7

RGB 60 169 167

HSL 178.9, 0.48%, 0.45%

LAB 63.45, -30.75, -8.08

 

CMYK 59 / 0 / 1 / 27

HEX #4DBBBA

RGB 77 187 186

HSL 179.45, 0.45%, 0.52%

LAB 69.94, -31.16, -8.9

 

CMYK 54 / 0 / 0 / 20

HEX #5ECDCD

RGB 94 205 205

HSL 180, 0.53%, 0.59%

LAB 76.34, -31.43, -9.64

 

CMYK 84 / 1 / 0 / 47

HEX #158586

RGB 21 133 134

HSL 180.53, 0.73%, 0.3%

LAB 50.28, -28.08, -8.95

 

CMYK 97 / 0 / 0 / 55

HEX #047373

RGB 4 115 115

HSL 180, 0.93%, 0.23%

LAB 43.54, -26.46, -7.79

 

CMYK 100 / 0 / 1 / 62

HEX #006160

RGB 0 97 96

HSL 179.38, 1%, 0.19%

LAB 36.73, -24.03, -6.4

 

CMYK 100 / 0 / 3 / 69

HEX #004F4D

RGB 0 79 77

HSL 178.48, 1%, 0.15%

LAB 29.73, -21.26, -4.87

 

CMYK 100 / 0 / 5 / 76

HEX #003D3A

RGB 0 61 58

HSL 177.05, 1%, 0.12%

LAB 22.45, -18.4, -3.24

 

CMYK 84 / 1 / 0 / 48

HEX #158384

RGB 21 131 132

HSL 180.54, 0.73%, 0.3%

LAB 49.57, -27.73, -8.85

 

CMYK 84 / 23 / 0 / 48

HEX #156584

RGB 21 101 132

HSL 196.76, 0.73%, 0.3%

LAB 39.8, -11.56, -23.75

 

CMYK 84 / 46 / 0 / 48

HEX #154784

RGB 21 71 132

HSL 212.97, 0.73%, 0.3%

LAB 30.23, 7.54, -38.87

 

CMYK 84 / 69 / 0 / 48

HEX #152984

RGB 21 41 132

HSL 229.19, 0.73%, 0.3%

LAB 21.62, 28.47, -52.87

 

CMYK 77 / 84 / 0 / 48

HEX #1E1584

RGB 30 21 132

HSL 244.86, 0.73%, 0.3%

LAB 17.82, 41.18, -59.13

 

CMYK 84 / 1 / 0 / 48

HEX #158384

RGB 21 131 132

HSL 180.54, 0.73%, 0.3%

LAB 49.57, -27.73, -8.85

 

CMYK 84 / 23 / 0 / 48

HEX #156584

RGB 21 101 132

HSL 196.76, 0.73%, 0.3%

LAB 39.8, -11.56, -23.75

 

CMYK 84 / 46 / 0 / 48

HEX #154784

RGB 21 71 132

HSL 212.97, 0.73%, 0.3%

LAB 30.23, 7.54, -38.87

 

CMYK 84 / 69 / 0 / 48

HEX #152984

RGB 21 41 132

HSL 229.19, 0.73%, 0.3%

LAB 21.62, 28.47, -52.87

 

CMYK 84 / 84 / 0 / 48

HEX #151584

RGB 21 21 132

HSL 240, 0.73%, 0.3%

LAB 17.28, 40.62, -60.04

 

CMYK 84 / 1 / 0 / 48

HEX #158384

RGB 21 131 132

HSL 180.54, 0.73%, 0.3%

LAB 49.57, -27.73, -8.85

 

CMYK 94 / 1 / 0 / 43

HEX #089091

RGB 8 144 145

HSL 180.44, 0.9%, 0.3%

LAB 54.07, -30.73, -9.68

 

CMYK 84 / 1 / 0 / 48

HEX #158384

RGB 21 131 132

HSL 180.54, 0.73%, 0.3%

LAB 49.57, -27.73, -8.85

 

CMYK 73 / 1 / 0 / 53

HEX #217778

RGB 33 119 120

HSL 180.69, 0.57%, 0.3%

LAB 45.46, -24.13, -7.88

 

CMYK 58 / 1 / 0 / 58

HEX #2D6B6C

RGB 45 107 108

HSL 180.95, 0.41%, 0.3%

LAB 41.46, -19.4, -6.59

 

CMYK 39 / 0 / 0 / 63

HEX #3A5F5F

RGB 58 95 95

HSL 180, 0.24%, 0.3%

LAB 37.68, -13.15, -4.19

 

CMYK 16 / 0 / 0 / 67

HEX #465353

RGB 70 83 83

HSL 180, 0.08%, 0.3%

LAB 34.22, -5.09, -1.72

 

CMYK 84 / 0 / 45 / 48

HEX #158449

RGB 21 132 73

HSL 148.11, 0.73%, 0.3%

LAB 48.44, -43.59, 23.67

 

CMYK 84 / 0 / 22 / 48

HEX #158467

RGB 21 132 103

HSL 164.32, 0.73%, 0.3%

LAB 49.06, -36.7, 7.39

 

CMYK 84 / 0 / 0 / 48

HEX #158484

RGB 21 132 132

HSL 180, 0.73%, 0.3%

LAB 49.89, -28.23, -8.37

 

CMYK 84 / 22 / 0 / 48

HEX #156784

RGB 21 103 132

HSL 195.68, 0.73%, 0.3%

LAB 40.45, -12.73, -22.74

 

CMYK 84 / 45 / 0 / 48

HEX #154984

RGB 21 73 132

HSL 211.89, 0.73%, 0.3%

LAB 30.86, 6.18, -37.88

 

CMYK 84 / 0 / 0 / 76

HEX #0A3D3D

RGB 10 61 61

HSL 180, 0.72%, 0.14%

LAB 22.79, -15.84, -4.73

 

CMYK 85 / 1 / 0 / 62

HEX #0F6061

RGB 15 96 97

HSL 180.73, 0.73%, 0.22%

LAB 36.61, -21.92, -7.18

 

CMYK 84 / 1 / 0 / 48

HEX #158384

RGB 21 131 132

HSL 180.54, 0.73%, 0.3%

LAB 49.57, -27.73, -8.85

 

CMYK 85 / 1 / 0 / 34

HEX #1AA7A8

RGB 26 167 168

HSL 180.42, 0.73%, 0.38%

LAB 62.24, -33.48, -10.51

 

CMYK 84 / 1 / 0 / 20

HEX #20CACC

RGB 32 202 204

HSL 180.7, 0.73%, 0.46%

LAB 74.13, -38.44, -12.54

 

CMYK 84 / 1 / 0 / 47

HEX #158586

RGB 21 133 134

HSL 180.53, 0.73%, 0.3%

LAB 50.28, -28.08, -8.95

 

CMYK 67 / 84 / 0 / 48

HEX #2B1584

RGB 43 21 132

HSL 251.89, 0.73%, 0.3%

LAB 18.87, 42.27, -57.36

 

CMYK 0 / 33 / 84 / 48

HEX #845815

RGB 132 88 21

HSL 36.22, 0.73%, 0.3%

LAB 41.12, 12.34, 43.02

 

CMYK 84 / 1 / 0 / 47

HEX #158586

RGB 21 133 134

HSL 180.53, 0.73%, 0.3%

LAB 50.28, -28.08, -8.95

 

CMYK 0 / 84 / 0 / 48

HEX #841584

RGB 132 21 132

HSL 300, 0.73%, 0.3%

LAB 32.05, 56.62, -35.34

 

CMYK 0 / 0 / 84 / 48

HEX #848415

RGB 132 132 21

HSL 60, 0.73%, 0.3%

LAB 53.45, -12.75, 53.77

 

CMYK 84 / 1 / 0 / 47

HEX #158586

RGB 21 133 134

HSL 180.53, 0.73%, 0.3%

LAB 50.28, -28.08, -8.95

 

CMYK 67 / 84 / 0 / 48

HEX #2B1584

RGB 43 21 132

HSL 251.89, 0.73%, 0.3%

LAB 18.87, 42.27, -57.36

 

CMYK 0 / 84 / 84 / 48

HEX #841515

RGB 132 21 21

HSL 0, 0.73%, 0.3%

LAB 28.1, 45.3, 30.95

 

CMYK 17 / 0 / 84 / 48

HEX #6E8415

RGB 110 132 21

HSL 71.89, 0.73%, 0.3%

LAB 51.69, -22.68, 51.56

 

CMYK 84 / 1 / 0 / 47

HEX #158586

RGB 21 133 134

HSL 180.53, 0.73%, 0.3%

LAB 50.28, -28.08, -8.95

 

CMYK 42 / 84 / 0 / 48

HEX #4D1584

RGB 77 21 132

HSL 270.27, 0.73%, 0.3%

LAB 22.93, 46.59, -50.53

 

CMYK 0 / 84 / 84 / 48

HEX #841515

RGB 132 21 21

HSL 0, 0.73%, 0.3%

LAB 28.1, 45.3, 30.95

 

CMYK 42 / 0 / 84 / 48

HEX #4D8415

RGB 77 132 21

HSL 89.73, 0.73%, 0.3%

LAB 49.66, -36.09, 48.98

 

Description

Color code: HEX #158586 | qconv.com Color code: HEX #158586 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 133 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 133 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 1 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 1% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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