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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1582DC it is the complementary color #EA7D23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1582DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1582DC shade: #1A82D7, #2B94EA, #3CA6FD, #4DB8FF and #5ECAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1582DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1582DC shade: #1582DC, #0470C9, #005EB6, #004CA3 and #003A90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1582DC shade: #1481DB, #144CDB, #1416DB, #4814DB and #7E14DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1582DC shade: #1481DB, #144CDB, #1416DB and #1414DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1582DC shade matches the following richer shades: #1481DB and #0183EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1582DC shade: #1481DB, #287FC8, #3B7EB5, #4F7CA1 and #627A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1582DC shade: #14DBCB, #14B7DB, #1482DB, #144DDB and #1418DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1582DC shade: #0D5590, #116BB6, #1481DB, #2D96EC and #53A9EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1582DC shade: #1582DC, #9614DB and #D1DB14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1582DC shade: #1582DC, #DB1482 and #82DB14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1582DC shade: #1582DC, #9614DB, #DB6E14 and #5ADB14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1582DC shade: #1582DC, #D114DB, #DB6E14 and #1EDB14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 41 / 0 / 14

HEX #1582DC

RGB 21 130 220

HSL 207.14, 0.83%, 0.47%

LAB 53.27, 4.71, -53.76

 

Complementary color

CMYK 0 / 47 / 85 / 8

HEX #EA7D23

RGB 234 125 35

HSL 27.14, 0.83%, 0.53%

LAB 63.57, 36.54, 62.69

 

CMYK 88 / 40 / 0 / 16

HEX #1A82D7

RGB 26 130 215

HSL 206.98, 0.78%, 0.47%

LAB 53.05, 3.08, -51.29

 

CMYK 82 / 37 / 0 / 8

HEX #2B94EA

RGB 43 148 234

HSL 207.02, 0.82%, 0.54%

LAB 59.56, 0.71, -51.53

 

CMYK 76 / 34 / 0 / 1

HEX #3CA6FD

RGB 60 166 253

HSL 207.05, 0.98%, 0.61%

LAB 66, -1.22, -51.72

 

CMYK 70 / 28 / 0 / 0

HEX #4DB8FF

RGB 77 184 255

HSL 203.93, 1%, 0.65%

LAB 71.61, -8.47, -43.94

 

CMYK 63 / 21 / 0 / 0

HEX #5ECAFF

RGB 94 202 255

HSL 199.75, 1%, 0.68%

LAB 77.19, -15.5, -35.22

 

CMYK 90 / 41 / 0 / 14

HEX #1582DC

RGB 21 130 220

HSL 207.14, 0.83%, 0.47%

LAB 53.27, 4.71, -53.76

 

CMYK 98 / 44 / 0 / 21

HEX #0470C9

RGB 4 112 201

HSL 207.11, 0.96%, 0.4%

LAB 46.75, 7.8, -53.42

 

CMYK 100 / 48 / 0 / 29

HEX #005EB6

RGB 0 94 182

HSL 209.01, 1%, 0.36%

LAB 40.22, 11.59, -52.92

 

CMYK 100 / 53 / 0 / 36

HEX #004CA3

RGB 0 76 163

HSL 212.02, 1%, 0.32%

LAB 33.59, 15.78, -52.38

 

CMYK 100 / 60 / 0 / 44

HEX #003A90

RGB 0 58 144

HSL 215.83, 1%, 0.28%

LAB 26.85, 20.27, -51.8

 

CMYK 91 / 41 / 0 / 14

HEX #1481DB

RGB 20 129 219

HSL 207.14, 0.83%, 0.47%

LAB 52.91, 4.89, -53.77

 

CMYK 91 / 65 / 0 / 14

HEX #144CDB

RGB 20 76 219

HSL 223.12, 0.83%, 0.47%

LAB 38.61, 38.73, -76.98

 

CMYK 91 / 90 / 0 / 14

HEX #1416DB

RGB 20 22 219

HSL 239.4, 0.83%, 0.47%

LAB 29, 66.03, -92.9

 

CMYK 67 / 91 / 0 / 14

HEX #4814DB

RGB 72 20 219

HSL 255.68, 0.83%, 0.47%

LAB 31.79, 68.4, -88.17

 

CMYK 42 / 91 / 0 / 14

HEX #7E14DB

RGB 126 20 219

HSL 271.96, 0.83%, 0.47%

LAB 37.93, 72.85, -77.81

 

CMYK 91 / 41 / 0 / 14

HEX #1481DB

RGB 20 129 219

HSL 207.14, 0.83%, 0.47%

LAB 52.91, 4.89, -53.77

 

CMYK 91 / 65 / 0 / 14

HEX #144CDB

RGB 20 76 219

HSL 223.12, 0.83%, 0.47%

LAB 38.61, 38.73, -76.98

 

CMYK 91 / 90 / 0 / 14

HEX #1416DB

RGB 20 22 219

HSL 239.4, 0.83%, 0.47%

LAB 29, 66.03, -92.9

 

CMYK 91 / 91 / 0 / 14

HEX #1414DB

RGB 20 20 219

HSL 240, 0.83%, 0.47%

LAB 28.81, 66.61, -93.22

 

CMYK 91 / 41 / 0 / 14

HEX #1481DB

RGB 20 129 219

HSL 207.14, 0.83%, 0.47%

LAB 52.91, 4.89, -53.77

 

CMYK 100 / 45 / 0 / 6

HEX #0183EF

RGB 1 131 239

HSL 207.23, 0.99%, 0.47%

LAB 54.52, 10.77, -62.38

 

CMYK 91 / 41 / 0 / 14

HEX #1481DB

RGB 20 129 219

HSL 207.14, 0.83%, 0.47%

LAB 52.91, 4.89, -53.77

 

CMYK 80 / 37 / 0 / 22

HEX #287FC8

RGB 40 127 200

HSL 207.38, 0.67%, 0.47%

LAB 51.61, 0.36, -45.06

 

CMYK 67 / 30 / 0 / 29

HEX #3B7EB5

RGB 59 126 181

HSL 207.05, 0.51%, 0.47%

LAB 50.91, -3.37, -35.25

 

CMYK 51 / 23 / 0 / 37

HEX #4F7CA1

RGB 79 124 161

HSL 207.07, 0.34%, 0.47%

LAB 50.28, -4.71, -24.57

 

CMYK 31 / 14 / 0 / 44

HEX #627A8E

RGB 98 122 142

HSL 207.27, 0.18%, 0.47%

LAB 50.06, -3.7, -13.69

 

CMYK 91 / 0 / 7 / 14

HEX #14DBCB

RGB 20 219 203

HSL 175.18, 0.83%, 0.47%

LAB 79.11, -46.87, -4.61

 

CMYK 91 / 16 / 0 / 14

HEX #14B7DB

RGB 20 183 219

HSL 190.85, 0.83%, 0.47%

LAB 68.85, -25.25, -28.75

 

CMYK 91 / 41 / 0 / 14

HEX #1482DB

RGB 20 130 219

HSL 206.83, 0.83%, 0.47%

LAB 53.2, 4.28, -53.31

 

CMYK 91 / 65 / 0 / 14

HEX #144DDB

RGB 20 77 219

HSL 222.81, 0.83%, 0.47%

LAB 38.85, 38.09, -76.58

 

CMYK 91 / 89 / 0 / 14

HEX #1418DB

RGB 20 24 219

HSL 238.79, 0.83%, 0.47%

LAB 29.2, 65.41, -92.56

 

CMYK 91 / 41 / 0 / 44

HEX #0D5590

RGB 13 85 144

HSL 207.02, 0.83%, 0.31%

LAB 35.19, 2.48, -38.31

 

CMYK 91 / 41 / 0 / 29

HEX #116BB6

RGB 17 107 182

HSL 207.27, 0.83%, 0.39%

LAB 44.25, 3.93, -46.44

 

CMYK 91 / 41 / 0 / 14

HEX #1481DB

RGB 20 129 219

HSL 207.14, 0.83%, 0.47%

LAB 52.91, 4.89, -53.77

 

CMYK 81 / 36 / 0 / 7

HEX #2D96EC

RGB 45 150 236

HSL 207.02, 0.83%, 0.55%

LAB 60.27, 0.45, -51.5

 

CMYK 65 / 29 / 0 / 6

HEX #53A9EF

RGB 83 169 239

HSL 206.92, 0.83%, 0.63%

LAB 66.86, -4.55, -42.68

 

CMYK 90 / 41 / 0 / 14

HEX #1582DC

RGB 21 130 220

HSL 207.14, 0.83%, 0.47%

LAB 53.27, 4.71, -53.76

 

CMYK 32 / 91 / 0 / 14

HEX #9614DB

RGB 150 20 219

HSL 279.2, 0.83%, 0.47%

LAB 41.37, 75.66, -72.04

 

CMYK 5 / 0 / 91 / 14

HEX #D1DB14

RGB 209 219 20

HSL 63.02, 0.83%, 0.47%

LAB 84.11, -23.2, 81.35

 

CMYK 90 / 41 / 0 / 14

HEX #1582DC

RGB 21 130 220

HSL 207.14, 0.83%, 0.47%

LAB 53.27, 4.71, -53.76

 

CMYK 0 / 91 / 41 / 14

HEX #DB1482

RGB 219 20 130

HSL 326.83, 0.83%, 0.47%

LAB 48.48, 75.25, -7.37

 

CMYK 41 / 0 / 91 / 14

HEX #82DB14

RGB 130 219 20

HSL 86.83, 0.83%, 0.47%

LAB 79.31, -53.57, 75.49

 

CMYK 90 / 41 / 0 / 14

HEX #1582DC

RGB 21 130 220

HSL 207.14, 0.83%, 0.47%

LAB 53.27, 4.71, -53.76

 

CMYK 32 / 91 / 0 / 14

HEX #9614DB

RGB 150 20 219

HSL 279.2, 0.83%, 0.47%

LAB 41.37, 75.66, -72.04

 

CMYK 0 / 50 / 91 / 14

HEX #DB6E14

RGB 219 110 20

HSL 27.14, 0.83%, 0.47%

LAB 58.29, 37.9, 62.2

 

CMYK 59 / 0 / 91 / 14

HEX #5ADB14

RGB 90 219 20

HSL 98.89, 0.83%, 0.47%

LAB 77.81, -65.15, 73.64

 

CMYK 90 / 41 / 0 / 14

HEX #1582DC

RGB 21 130 220

HSL 207.14, 0.83%, 0.47%

LAB 53.27, 4.71, -53.76

 

CMYK 5 / 91 / 0 / 14

HEX #D114DB

RGB 209 20 219

HSL 296.98, 0.83%, 0.47%

LAB 50.89, 84.29, -56.17

 

CMYK 0 / 50 / 91 / 14

HEX #DB6E14

RGB 219 110 20

HSL 27.14, 0.83%, 0.47%

LAB 58.29, 37.9, 62.2

 

CMYK 86 / 0 / 91 / 14

HEX #1EDB14

RGB 30 219 20

HSL 116.98, 0.83%, 0.47%

LAB 76.67, -74.9, 72.23

 

Description

Color code: HEX #1582DC | qconv.com Color code: HEX #1582DC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 130 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 130 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 41 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 41% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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