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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #157CC84C it is the complementary color #EA83374C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #157CC84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #157CC84C shade: #1A7CC34C, #2B8ED64C, #3CA0E94C, #4DB2FC4C and #5EC4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #157CC84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #157CC84C shade: #157CC84C, #046AB54C, #0058A24C, #00468F4C and #00347C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #157CC84C shade: #157BC6, #154BC6, #151BC6, #3E15C6 and #6E15C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #157CC84C shade: #157BC6, #154BC6, #151BC6 and #1515C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #157CC84C shade matches the following richer shades: #157BC6 and #037ED8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #157CC84C shade: #157BC6, #2778B5, #3876A3, #4A7391 and #5C7080

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #157CC84C shade: #15C6B2, #15ACC6, #157CC6, #154DC6 and #151EC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #157CC84C shade: #0D4D7C, #1164A1, #157BC6, #1D92E7 and #43A4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #157CC84C shade: #157CC8, #8215C6 and #C4C615

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #157CC84C shade: #157CC8, #C6157C and #7CC615

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #157CC84C shade: #157CC8, #8215C6, #C65F15 and #59C615

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #157CC84C shade: #157CC8, #B815C6, #C65F15 and #24C615

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 11 / 0 / 6

HEX #157CC84C

RGBA 21 124 200 0.3

HSLA 205.47, 0.81%, 0.43%, 0.3

LABA 50.39, 0.67, -47.03, 0.3

 

Complementary color

CMYK 0 / 13 / 23 / 2

HEX #EA83374C

RGBA 234 131 55 0.3

HSLA 25.47, 0.81%, 0.57%, 0.3

LABA 64.96, 34.07, 56.09, 0.3

 

CMYK 26 / 11 / 0 / 7

HEX #1A7CC34C

RGBA 26 124 195 0.3

HSLA 205.21, 0.76%, 0.43%, 0.3

LABA 50.19, -0.92, -44.48, 0.3

 

CMYK 24 / 10 / 0 / 5

HEX #2B8ED64C

RGBA 43 142 214 0.3

HSLA 205.26, 0.68%, 0.5%, 0.3

LABA 56.8, -3.07, -44.76, 0.3

 

CMYK 22 / 9 / 0 / 3

HEX #3CA0E94C

RGBA 60 160 233 0.3

HSLA 205.32, 0.8%, 0.57%, 0.3

LABA 63.33, -4.79, -44.98, 0.3

 

CMYK 21 / 9 / 0 / 0

HEX #4DB2FC4C

RGBA 77 178 252 0.3

HSLA 205.37, 0.97%, 0.65%, 0.3

LABA 69.79, -6.17, -45.18, 0.3

 

CMYK 19 / 7 / 0 / 0

HEX #5EC4FF4C

RGBA 94 196 255 0.3

HSLA 201.99, 1%, 0.68%, 0.3

LABA 75.5, -12.34, -37.84, 0.3

 

CMYK 27 / 11 / 0 / 6

HEX #157CC84C

RGBA 21 124 200 0.3

HSLA 205.47, 0.81%, 0.43%, 0.3

LABA 50.39, 0.67, -47.03, 0.3

 

CMYK 29 / 12 / 0 / 9

HEX #046AB54C

RGBA 4 106 181 0.3

HSLA 205.42, 0.96%, 0.36%, 0.3

LABA 43.76, 3.59, -46.65, 0.3

 

CMYK 30 / 14 / 0 / 11

HEX #0058A24C

RGBA 0 88 162 0.3

HSLA 207.41, 1%, 0.32%, 0.3

LABA 37.09, 7.28, -46.12, 0.3

 

CMYK 30 / 15 / 0 / 13

HEX #00468F4C

RGBA 0 70 143 0.3

HSLA 210.63, 1%, 0.28%, 0.3

LABA 30.31, 11.43, -45.55, 0.3

 

CMYK 30 / 17 / 0 / 15

HEX #00347C4C

RGBA 0 52 124 0.3

HSLA 214.84, 1%, 0.24%, 0.3

LABA 23.38, 15.94, -44.97, 0.3

 

CMYK 89 / 38 / 0 / 22

HEX #157BC6

RGB 21 123 198

HSL 205.42, 0.81%, 0.43%

LAB 49.98, 0.51, -46.53

 

CMYK 89 / 62 / 0 / 22

HEX #154BC6

RGB 21 75 198

HSL 221.69, 0.81%, 0.43%

LAB 36.5, 31.46, -68.31

 

CMYK 89 / 86 / 0 / 22

HEX #151BC6

RGB 21 27 198

HSL 237.97, 0.81%, 0.43%

LAB 26.79, 58.43, -84.35

 

CMYK 69 / 89 / 0 / 22

HEX #3E15C6

RGB 62 21 198

HSL 253.9, 0.81%, 0.43%

LAB 28.48, 62.19, -81.48

 

CMYK 44 / 89 / 0 / 22

HEX #6E15C6

RGB 110 21 198

HSL 270.17, 0.81%, 0.43%

LAB 33.83, 66.31, -72.45

 

CMYK 89 / 38 / 0 / 22

HEX #157BC6

RGB 21 123 198

HSL 205.42, 0.81%, 0.43%

LAB 49.98, 0.51, -46.53

 

CMYK 89 / 62 / 0 / 22

HEX #154BC6

RGB 21 75 198

HSL 221.69, 0.81%, 0.43%

LAB 36.5, 31.46, -68.31

 

CMYK 89 / 86 / 0 / 22

HEX #151BC6

RGB 21 27 198

HSL 237.97, 0.81%, 0.43%

LAB 26.79, 58.43, -84.35

 

CMYK 89 / 89 / 0 / 22

HEX #1515C6

RGB 21 21 198

HSL 240, 0.81%, 0.43%

LAB 26.08, 60.59, -85.55

 

CMYK 89 / 38 / 0 / 22

HEX #157BC6

RGB 21 123 198

HSL 205.42, 0.81%, 0.43%

LAB 49.98, 0.51, -46.53

 

CMYK 99 / 42 / 0 / 15

HEX #037ED8

RGB 3 126 216

HSL 205.35, 0.97%, 0.43%

LAB 51.72, 4.96, -53.99

 

CMYK 89 / 38 / 0 / 22

HEX #157BC6

RGB 21 123 198

HSL 205.42, 0.81%, 0.43%

LAB 49.98, 0.51, -46.53

 

CMYK 78 / 34 / 0 / 29

HEX #2778B5

RGB 39 120 181

HSL 205.77, 0.65%, 0.43%

LAB 48.51, -2.6, -39.06

 

CMYK 66 / 28 / 0 / 36

HEX #3876A3

RGB 56 118 163

HSL 205.23, 0.49%, 0.43%

LAB 47.55, -5.41, -30.06

 

CMYK 49 / 21 / 0 / 43

HEX #4A7391

RGB 74 115 145

HSL 205.35, 0.32%, 0.43%

LAB 46.66, -5.62, -20.78

 

CMYK 28 / 13 / 0 / 50

HEX #5C7080

RGB 92 112 128

HSL 206.67, 0.16%, 0.43%

LAB 46.21, -3.42, -11.26

 

CMYK 89 / 0 / 10 / 22

HEX #15C6B2

RGB 21 198 178

HSL 173.22, 0.81%, 0.43%

LAB 72.07, -44.79, -1.49

 

CMYK 89 / 13 / 0 / 22

HEX #15ACC6

RGB 21 172 198

HSL 188.81, 0.81%, 0.43%

LAB 64.76, -26.65, -23.45

 

CMYK 89 / 37 / 0 / 22

HEX #157CC6

RGB 21 124 198

HSL 205.08, 0.81%, 0.43%

LAB 50.28, -0.1, -46.06

 

CMYK 89 / 61 / 0 / 22

HEX #154DC6

RGB 21 77 198

HSL 221.02, 0.81%, 0.43%

LAB 37.01, 30.14, -67.47

 

CMYK 89 / 85 / 0 / 22

HEX #151EC6

RGB 21 30 198

HSL 236.95, 0.81%, 0.43%

LAB 27.2, 57.21, -83.67

 

CMYK 90 / 38 / 0 / 51

HEX #0D4D7C

RGB 13 77 124

HSL 205.41, 0.81%, 0.27%

LAB 31.46, -0.54, -31.96

 

CMYK 89 / 38 / 0 / 37

HEX #1164A1

RGB 17 100 161

HSL 205.42, 0.81%, 0.35%

LAB 40.91, -0, -39.42

 

CMYK 89 / 38 / 0 / 22

HEX #157BC6

RGB 21 123 198

HSL 205.42, 0.81%, 0.43%

LAB 49.98, 0.51, -46.53

 

CMYK 87 / 37 / 0 / 9

HEX #1D92E7

RGB 29 146 231

HSL 205.25, 0.81%, 0.51%

LAB 58.59, -0.26, -51.42

 

CMYK 71 / 30 / 0 / 8

HEX #43A4EB

RGB 67 164 235

HSL 205.36, 0.81%, 0.59%

LAB 64.76, -5.46, -43.83

 

CMYK 90 / 38 / 0 / 22

HEX #157CC8

RGB 21 124 200

HSL 205.47, 0.81%, 0.43%

LAB 50.39, 0.67, -47.03

 

CMYK 34 / 89 / 0 / 22

HEX #8215C6

RGB 130 21 198

HSL 276.95, 0.81%, 0.43%

LAB 36.67, 68.72, -67.7

 

CMYK 1 / 0 / 89 / 22

HEX #C4C615

RGB 196 198 21

HSL 60.68, 0.81%, 0.43%

LAB 77.39, -18.41, 75.5

 

CMYK 90 / 38 / 0 / 22

HEX #157CC8

RGB 21 124 200

HSL 205.47, 0.81%, 0.43%

LAB 50.39, 0.67, -47.03

 

CMYK 0 / 89 / 37 / 22

HEX #C6157C

RGB 198 21 124

HSL 325.08, 0.81%, 0.43%

LAB 44.23, 69.86, -10.48

 

CMYK 37 / 0 / 89 / 22

HEX #7CC615

RGB 124 198 21

HSL 85.08, 0.81%, 0.43%

LAB 72.71, -47.16, 69.77

 

CMYK 90 / 38 / 0 / 22

HEX #157CC8

RGB 21 124 200

HSL 205.47, 0.81%, 0.43%

LAB 50.39, 0.67, -47.03

 

CMYK 34 / 89 / 0 / 22

HEX #8215C6

RGB 130 21 198

HSL 276.95, 0.81%, 0.43%

LAB 36.67, 68.72, -67.7

 

CMYK 0 / 52 / 89 / 22

HEX #C65F15

RGB 198 95 21

HSL 25.08, 0.81%, 0.43%

LAB 52.11, 37.18, 55.93

 

CMYK 55 / 0 / 89 / 22

HEX #59C615

RGB 89 198 21

HSL 96.95, 0.81%, 0.43%

LAB 71.26, -58.13, 67.97

 

CMYK 90 / 38 / 0 / 22

HEX #157CC8

RGB 21 124 200

HSL 205.47, 0.81%, 0.43%

LAB 50.39, 0.67, -47.03

 

CMYK 7 / 89 / 0 / 22

HEX #B815C6

RGB 184 21 198

HSL 295.25, 0.81%, 0.43%

LAB 45.36, 76.79, -53.18

 

CMYK 0 / 52 / 89 / 22

HEX #C65F15

RGB 198 95 21

HSL 25.08, 0.81%, 0.43%

LAB 52.11, 37.18, 55.93

 

CMYK 82 / 0 / 89 / 22

HEX #24C615

RGB 36 198 21

HSL 114.92, 0.81%, 0.43%

LAB 70.05, -68.35, 66.45

 

Description

Color code: HEX #157CC84C | qconv.com Color code: HEX #157CC84C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 124 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 124 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 11 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 11% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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