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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #157765 it is the complementary color #EA889A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #157765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #157765 shade: #1A7760, #2B8973, #3C9B86, #4DAD99 and #5EBFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #157765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #157765 shade: #157765, #046552, #00533F, #00412C and #002F19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #157765 shade: #157563, #157549, #15752F, #157515 and #2E7515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #157765 shade: #157563, #156D75, #155375, #153975 and #151F75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #157765 shade matches the following richer shades: #157563 and #0A806A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #157765 shade: #157563, #206A5C, #2B5F55, #36544E and #414847

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #157765 shade: #15752E, #157548, #157562, #156F75 and #155575

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #157765 shade: #082F28, #0E5246, #157563, #1B9881 and #21BB9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #157765 shade: #157765, #151575 and #753B15

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #157765 shade: #157765, #621575 and #756215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #157765 shade: #157765, #151575, #751528 and #757515

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #157765 shade: #157765, #321575, #751528 and #587515

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 15 / 53

HEX #157765

RGB 21 119 101

HSL 168.98, 0.7%, 0.27%

LAB 44.65, -31.39, 2.24

 

Complementary color

CMYK 0 / 42 / 34 / 8

HEX #EA889A

RGB 234 136 154

HSL 348.98, 0.7%, 0.73%

LAB 67.6, 39.39, 6.83

 

CMYK 78 / 0 / 19 / 53

HEX #1A7760

RGB 26 119 96

HSL 165.16, 0.64%, 0.28%

LAB 44.6, -32.19, 5.16

 

CMYK 69 / 0 / 16 / 46

HEX #2B8973

RGB 43 137 115

HSL 165.96, 0.52%, 0.35%

LAB 51.43, -32.79, 3.87

 

CMYK 61 / 0 / 14 / 39

HEX #3C9B86

RGB 60 155 134

HSL 166.74, 0.44%, 0.42%

LAB 58.16, -33.1, 2.74

 

CMYK 55 / 0 / 12 / 32

HEX #4DAD99

RGB 77 173 153

HSL 167.5, 0.38%, 0.49%

LAB 64.78, -33.22, 1.74

 

CMYK 51 / 0 / 10 / 25

HEX #5EBFAC

RGB 94 191 172

HSL 168.25, 0.43%, 0.56%

LAB 71.3, -33.24, 0.83

 

CMYK 82 / 0 / 15 / 53

HEX #157765

RGB 21 119 101

HSL 168.98, 0.7%, 0.27%

LAB 44.65, -31.39, 2.24

 

CMYK 96 / 0 / 19 / 60

HEX #046552

RGB 4 101 82

HSL 168.25, 0.92%, 0.21%

LAB 37.74, -30.07, 3.72

 

CMYK 100 / 0 / 24 / 67

HEX #00533F

RGB 0 83 63

HSL 165.54, 1%, 0.16%

LAB 30.75, -27.72, 5.54

 

CMYK 100 / 0 / 32 / 75

HEX #00412C

RGB 0 65 44

HSL 160.62, 1%, 0.13%

LAB 23.55, -24.9, 7.62

 

CMYK 100 / 0 / 47 / 82

HEX #002F19

RGB 0 47 25

HSL 151.91, 1%, 0.09%

LAB 16.02, -21.85, 9.94

 

CMYK 82 / 0 / 15 / 54

HEX #157563

RGB 21 117 99

HSL 168.75, 0.7%, 0.27%

LAB 43.92, -31.03, 2.38

 

CMYK 82 / 0 / 38 / 54

HEX #157549

RGB 21 117 73

HSL 152.5, 0.7%, 0.27%

LAB 43.31, -37.67, 16.88

 

CMYK 82 / 0 / 60 / 54

HEX #15752F

RGB 21 117 47

HSL 136.25, 0.7%, 0.27%

LAB 42.89, -42.46, 30.71

 

CMYK 82 / 0 / 82 / 54

HEX #157515

RGB 21 117 21

HSL 120, 0.7%, 0.27%

LAB 42.67, -45.25, 41.78

 

CMYK 61 / 0 / 82 / 54

HEX #2E7515

RGB 46 117 21

HSL 104.38, 0.7%, 0.27%

LAB 43.3, -39.96, 42.61

 

CMYK 82 / 0 / 15 / 54

HEX #157563

RGB 21 117 99

HSL 168.75, 0.7%, 0.27%

LAB 43.92, -31.03, 2.38

 

CMYK 82 / 7 / 0 / 54

HEX #156D75

RGB 21 109 117

HSL 185, 0.7%, 0.27%

LAB 41.82, -21.4, -11.58

 

CMYK 82 / 29 / 0 / 54

HEX #155375

RGB 21 83 117

HSL 201.25, 0.7%, 0.27%

LAB 33.2, -6.42, -24.84

 

CMYK 82 / 51 / 0 / 54

HEX #153975

RGB 21 57 117

HSL 217.5, 0.7%, 0.27%

LAB 24.86, 11.02, -38.11

 

CMYK 82 / 74 / 0 / 54

HEX #151F75

RGB 21 31 117

HSL 233.75, 0.7%, 0.27%

LAB 17.57, 29.37, -50

 

CMYK 82 / 0 / 15 / 54

HEX #157563

RGB 21 117 99

HSL 168.75, 0.7%, 0.27%

LAB 43.92, -31.03, 2.38

 

CMYK 92 / 0 / 17 / 50

HEX #0A806A

RGB 10 128 106

HSL 168.81, 0.86%, 0.27%

LAB 47.68, -34.98, 3.64

 

CMYK 82 / 0 / 15 / 54

HEX #157563

RGB 21 117 99

HSL 168.75, 0.7%, 0.27%

LAB 43.92, -31.03, 2.38

 

CMYK 70 / 0 / 13 / 58

HEX #206A5C

RGB 32 106 92

HSL 168.65, 0.54%, 0.27%

LAB 40.23, -26.18, 1.27

 

CMYK 55 / 0 / 11 / 63

HEX #2B5F55

RGB 43 95 85

HSL 168.46, 0.38%, 0.27%

LAB 36.66, -20.14, 0.42

 

CMYK 36 / 0 / 7 / 67

HEX #36544E

RGB 54 84 78

HSL 168, 0.22%, 0.27%

LAB 33.3, -12.66, -0.04

 

CMYK 10 / 0 / 1 / 72

HEX #414847

RGB 65 72 71

HSL 171.43, 0.05%, 0.27%

LAB 29.94, -3.08, -0.38

 

CMYK 82 / 0 / 61 / 54

HEX #15752E

RGB 21 117 46

HSL 135.63, 0.7%, 0.27%

LAB 42.88, -42.6, 31.21

 

CMYK 82 / 0 / 38 / 54

HEX #157548

RGB 21 117 72

HSL 151.88, 0.7%, 0.27%

LAB 43.29, -37.89, 17.43

 

CMYK 82 / 0 / 16 / 54

HEX #157562

RGB 21 117 98

HSL 168.13, 0.7%, 0.27%

LAB 43.89, -31.32, 2.94

 

CMYK 82 / 5 / 0 / 54

HEX #156F75

RGB 21 111 117

HSL 183.75, 0.7%, 0.27%

LAB 42.48, -22.46, -10.58

 

CMYK 82 / 27 / 0 / 54

HEX #155575

RGB 21 85 117

HSL 200, 0.7%, 0.27%

LAB 33.86, -7.66, -23.81

 

CMYK 83 / 0 / 15 / 82

HEX #082F28

RGB 8 47 40

HSL 169.23, 0.71%, 0.11%

LAB 16.69, -15.49, 0.59

 

CMYK 83 / 0 / 15 / 68

HEX #0E5246

RGB 14 82 70

HSL 169.41, 0.71%, 0.19%

LAB 30.81, -23.54, 1.21

 

CMYK 82 / 0 / 15 / 54

HEX #157563

RGB 21 117 99

HSL 168.75, 0.7%, 0.27%

LAB 43.92, -31.03, 2.38

 

CMYK 82 / 0 / 15 / 40

HEX #1B9881

RGB 27 152 129

HSL 168.96, 0.7%, 0.35%

LAB 56.36, -37.9, 2.9

 

CMYK 82 / 0 / 15 / 27

HEX #21BB9F

RGB 33 187 159

HSL 169.09, 0.7%, 0.43%

LAB 68.29, -44.44, 3.41

 

CMYK 82 / 0 / 15 / 53

HEX #157765

RGB 21 119 101

HSL 168.98, 0.7%, 0.27%

LAB 44.65, -31.39, 2.24

 

CMYK 82 / 82 / 0 / 54

HEX #151575

RGB 21 21 117

HSL 240, 0.7%, 0.27%

LAB 15.38, 35.52, -53.61

 

CMYK 0 / 50 / 82 / 54

HEX #753B15

RGB 117 59 21

HSL 23.75, 0.7%, 0.27%

LAB 31.72, 22.49, 33.53

 

CMYK 82 / 0 / 15 / 53

HEX #157765

RGB 21 119 101

HSL 168.98, 0.7%, 0.27%

LAB 44.65, -31.39, 2.24

 

CMYK 16 / 82 / 0 / 54

HEX #621575

RGB 98 21 117

HSL 288.13, 0.7%, 0.27%

LAB 25.01, 46.99, -37.49

 

CMYK 0 / 16 / 82 / 54

HEX #756215

RGB 117 98 21

HSL 48.13, 0.7%, 0.27%

LAB 42.11, -0.77, 43.25

 

CMYK 82 / 0 / 15 / 53

HEX #157765

RGB 21 119 101

HSL 168.98, 0.7%, 0.27%

LAB 44.65, -31.39, 2.24

 

CMYK 82 / 82 / 0 / 54

HEX #151575

RGB 21 21 117

HSL 240, 0.7%, 0.27%

LAB 15.38, 35.52, -53.61

 

CMYK 0 / 82 / 66 / 54

HEX #751528

RGB 117 21 40

HSL 348.13, 0.7%, 0.27%

LAB 25.17, 41.54, 14.53

 

CMYK 0 / 0 / 82 / 54

HEX #757515

RGB 117 117 21

HSL 60, 0.7%, 0.27%

LAB 47.7, -11.56, 48.26

 

CMYK 82 / 0 / 15 / 53

HEX #157765

RGB 21 119 101

HSL 168.98, 0.7%, 0.27%

LAB 44.65, -31.39, 2.24

 

CMYK 57 / 82 / 0 / 54

HEX #321575

RGB 50 21 117

HSL 258.13, 0.7%, 0.27%

LAB 17.91, 38.57, -49.35

 

CMYK 0 / 82 / 66 / 54

HEX #751528

RGB 117 21 40

HSL 348.13, 0.7%, 0.27%

LAB 25.17, 41.54, 14.53

 

CMYK 25 / 0 / 82 / 54

HEX #587515

RGB 88 117 21

HSL 78.13, 0.7%, 0.27%

LAB 45.43, -24.71, 45.36

 

Description

Color code: HEX #157765 | qconv.com Color code: HEX #157765 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 119 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 119 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 15 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 15% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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