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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #156D93 it is the complementary color #EA926C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #156D93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #156D93 shade: #1A6D8E, #2B7FA1, #3C91B4, #4DA3C7 and #5EB5DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #156D93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #156D93 shade: #156D93, #045B80, #00496D, #00375A and #002547

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #156D93 shade: #156D93, #154B93, #152993, #231593 and #451593

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #156D93 shade: #156D93, #154B93, #152993 and #151593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #156D93 shade matches the following richer shades: #156D93 and #0773A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #156D93 shade: #156D93, #236886, #306278, #3E5D6A and #4B585D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #156D93 shade: #159376, #158F93, #156D93, #154C93 and #152A93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #156D93 shade: #0B384B, #10526F, #156D93, #1A88B7 and #1FA3DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #156D93 shade: #156D93, #541593 and #938715

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #156D93 shade: #156D93, #93156D and #6D9315

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #156D93 shade: #156D93, #541593, #933B15 and #549315

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #156D93 shade: #156D93, #7A1593, #933B15 and #2E9315

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

Complementary color

CMYK 0 / 38 / 54 / 8

HEX #EA926C

RGB 234 146 108

HSL 18.1, 0.75%, 0.67%

LAB 68.85, 29.43, 34

 

CMYK 82 / 23 / 0 / 44

HEX #1A6D8E

RGB 26 109 142

HSL 197.07, 0.69%, 0.33%

LAB 42.93, -12, -24.9

 

CMYK 73 / 21 / 0 / 37

HEX #2B7FA1

RGB 43 127 161

HSL 197.29, 0.58%, 0.4%

LAB 49.82, -13.38, -25.4

 

CMYK 67 / 19 / 0 / 29

HEX #3C91B4

RGB 60 145 180

HSL 197.5, 0.5%, 0.47%

LAB 56.59, -14.38, -25.83

 

CMYK 61 / 18 / 0 / 22

HEX #4DA3C7

RGB 77 163 199

HSL 197.7, 0.52%, 0.54%

LAB 63.26, -15.12, -26.21

 

CMYK 57 / 17 / 0 / 15

HEX #5EB5DA

RGB 94 181 218

HSL 197.9, 0.63%, 0.61%

LAB 69.82, -15.68, -26.58

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 97 / 29 / 0 / 50

HEX #045B80

RGB 4 91 128

HSL 197.9, 0.94%, 0.26%

LAB 36.11, -8.39, -27.1

 

CMYK 100 / 33 / 0 / 57

HEX #00496D

RGB 0 73 109

HSL 199.82, 1%, 0.21%

LAB 29.08, -5.2, -26.32

 

CMYK 100 / 39 / 0 / 65

HEX #00375A

RGB 0 55 90

HSL 203.33, 1%, 0.18%

LAB 21.84, -1.45, -25.52

 

CMYK 100 / 48 / 0 / 72

HEX #002547

RGB 0 37 71

HSL 208.73, 1%, 0.14%

LAB 14.28, 2.74, -24.78

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 86 / 49 / 0 / 42

HEX #154B93

RGB 21 75 147

HSL 214.29, 0.75%, 0.33%

LAB 32.48, 11.01, -44.48

 

CMYK 86 / 72 / 0 / 42

HEX #152993

RGB 21 41 147

HSL 230.48, 0.75%, 0.33%

LAB 23.18, 34.22, -59.66

 

CMYK 76 / 86 / 0 / 42

HEX #231593

RGB 35 21 147

HSL 246.67, 0.75%, 0.33%

LAB 20.04, 46.21, -64.82

 

CMYK 53 / 86 / 0 / 42

HEX #451593

RGB 69 21 147

HSL 262.86, 0.75%, 0.33%

LAB 23.37, 49.34, -59.22

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 86 / 49 / 0 / 42

HEX #154B93

RGB 21 75 147

HSL 214.29, 0.75%, 0.33%

LAB 32.48, 11.01, -44.48

 

CMYK 86 / 72 / 0 / 42

HEX #152993

RGB 21 41 147

HSL 230.48, 0.75%, 0.33%

LAB 23.18, 34.22, -59.66

 

CMYK 86 / 86 / 0 / 42

HEX #151593

RGB 21 21 147

HSL 240, 0.75%, 0.33%

LAB 19.23, 45.47, -66.19

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 96 / 29 / 0 / 37

HEX #0773A1

RGB 7 115 161

HSL 197.92, 0.92%, 0.33%

LAB 45.47, -9.66, -32.22

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 74 / 22 / 0 / 47

HEX #236886

RGB 35 104 134

HSL 198.18, 0.59%, 0.33%

LAB 41.18, -10.86, -22.79

 

CMYK 60 / 18 / 0 / 53

HEX #306278

RGB 48 98 120

HSL 198.33, 0.43%, 0.33%

LAB 39.1, -9.82, -17.47

 

CMYK 42 / 12 / 0 / 58

HEX #3E5D6A

RGB 62 93 106

HSL 197.73, 0.26%, 0.33%

LAB 37.65, -7.63, -11.02

 

CMYK 19 / 5 / 0 / 64

HEX #4B585D

RGB 75 88 93

HSL 196.67, 0.11%, 0.33%

LAB 36.49, -3.83, -4.59

 

CMYK 86 / 0 / 20 / 42

HEX #159376

RGB 21 147 118

HSL 166.19, 0.75%, 0.33%

LAB 54.38, -39.22, 6.32

 

CMYK 86 / 3 / 0 / 42

HEX #158F93

RGB 21 143 147

HSL 181.9, 0.75%, 0.33%

LAB 53.93, -28.86, -11.03

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 86 / 48 / 0 / 42

HEX #154C93

RGB 21 76 147

HSL 213.81, 0.75%, 0.33%

LAB 32.78, 10.33, -44

 

CMYK 86 / 71 / 0 / 42

HEX #152A93

RGB 21 42 147

HSL 230, 0.75%, 0.33%

LAB 23.41, 33.58, -59.27

 

CMYK 85 / 25 / 0 / 71

HEX #0B384B

RGB 11 56 75

HSL 197.81, 0.74%, 0.17%

LAB 21.61, -7.27, -15.91

 

CMYK 86 / 26 / 0 / 56

HEX #10526F

RGB 16 82 111

HSL 198.32, 0.75%, 0.25%

LAB 32.46, -8.71, -22.26

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 86 / 26 / 0 / 28

HEX #1A88B7

RGB 26 136 183

HSL 197.96, 0.75%, 0.41%

LAB 53.22, -12.41, -32.83

 

CMYK 86 / 26 / 0 / 14

HEX #1FA3DB

RGB 31 163 219

HSL 197.87, 0.75%, 0.49%

LAB 63.01, -14.13, -37.79

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 43 / 86 / 0 / 42

HEX #541593

RGB 84 21 147

HSL 270, 0.75%, 0.33%

LAB 25.34, 51.29, -55.89

 

CMYK 0 / 8 / 86 / 42

HEX #938715

RGB 147 135 21

HSL 54.29, 0.75%, 0.33%

LAB 55.67, -7.46, 56.19

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 0 / 86 / 26 / 42

HEX #93156D

RGB 147 21 109

HSL 318.1, 0.75%, 0.33%

LAB 33.65, 56.54, -18.11

 

CMYK 26 / 0 / 86 / 42

HEX #6D9315

RGB 109 147 21

HSL 78.1, 0.75%, 0.33%

LAB 56.26, -30.44, 55.51

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 43 / 86 / 0 / 42

HEX #541593

RGB 84 21 147

HSL 270, 0.75%, 0.33%

LAB 25.34, 51.29, -55.89

 

CMYK 0 / 60 / 86 / 42

HEX #933B15

RGB 147 59 21

HSL 18.1, 0.75%, 0.33%

LAB 36.72, 35.14, 39.97

 

CMYK 43 / 0 / 86 / 42

HEX #549315

RGB 84 147 21

HSL 90, 0.75%, 0.33%

LAB 54.87, -40.02, 53.76

 

CMYK 86 / 26 / 0 / 42

HEX #156D93

RGB 21 109 147

HSL 198.1, 0.75%, 0.33%

LAB 43.07, -10.61, -27.68

 

CMYK 17 / 86 / 0 / 42

HEX #7A1593

RGB 122 21 147

HSL 288.1, 0.75%, 0.33%

LAB 31.3, 57.38, -45.93

 

CMYK 0 / 60 / 86 / 42

HEX #933B15

RGB 147 59 21

HSL 18.1, 0.75%, 0.33%

LAB 36.72, 35.14, 39.97

 

CMYK 69 / 0 / 86 / 42

HEX #2E9315

RGB 46 147 21

HSL 108.1, 0.75%, 0.33%

LAB 53.5, -50.85, 52.01

 

Description

Color code: HEX #156D93 | qconv.com Color code: HEX #156D93 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 109 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 109 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 26 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 26% 0% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

39% - 第一試験サービス株式会社|公式ウェブサイ...
Link: http://www.daiken.info

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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