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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #15515F it is the complementary color #EAAEA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #15515F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #15515F shade: #1A515A, #2B636D, #3C7580, #4D8793 and #5E99A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #15515F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #15515F shade: #15515F, #043F4C, #002D39, #001B26 and #000913

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #15515F shade: #155260, #153E60, #152960, #151560 and #291560

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #15515F shade: #155260, #153E60, #152960 and #151560

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #15515F shade matches the following richer shades: #155260, #0C586A and #025E73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #15515F shade: #155260, #1F4C57, #28464D, #324044 and #3B3A3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #15515F shade: #156046, #15605A, #155260, #153E60 and #152A60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #15515F shade: #06181D, #0E353E, #155260, #1D6F82 and #248CA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #15515F shade: #15515F, #321560 and #605015

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #15515F shade: #15515F, #601552 and #526015

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #15515F shade: #15515F, #321560, #602315 and #436015

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #15515F shade: #15515F, #481560, #602315 and #2D6015

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 15 / 0 / 63

HEX #15515F

RGB 21 81 95

HSL 191.35, 0.64%, 0.23%

LAB 31.51, -13.56, -13.63

 

Complementary color

CMYK 0 / 26 / 32 / 8

HEX #EAAEA0

RGB 234 174 160

HSL 11.35, 0.64%, 0.77%

LAB 76.25, 20.05, 15.76

 

CMYK 71 / 10 / 0 / 65

HEX #1A515A

RGB 26 81 90

HSL 188.44, 0.55%, 0.23%

LAB 31.45, -14.53, -10.54

 

CMYK 61 / 9 / 0 / 57

HEX #2B636D

RGB 43 99 109

HSL 189.09, 0.43%, 0.3%

LAB 38.8, -15.1, -11.21

 

CMYK 53 / 9 / 0 / 50

HEX #3C7580

RGB 60 117 128

HSL 189.71, 0.36%, 0.37%

LAB 45.96, -15.41, -11.8

 

CMYK 48 / 8 / 0 / 42

HEX #4D8793

RGB 77 135 147

HSL 190.29, 0.31%, 0.44%

LAB 52.96, -15.59, -12.34

 

CMYK 43 / 8 / 0 / 35

HEX #5E99A6

RGB 94 153 166

HSL 190.83, 0.29%, 0.51%

LAB 59.81, -15.7, -12.84

 

CMYK 78 / 15 / 0 / 63

HEX #15515F

RGB 21 81 95

HSL 191.35, 0.64%, 0.23%

LAB 31.51, -13.56, -13.63

 

CMYK 95 / 17 / 0 / 70

HEX #043F4C

RGB 4 63 76

HSL 190.83, 0.9%, 0.16%

LAB 24.01, -12.15, -12.87

 

CMYK 100 / 21 / 0 / 78

HEX #002D39

RGB 0 45 57

HSL 192.63, 1%, 0.11%

LAB 16.37, -9.34, -11.78

 

CMYK 100 / 29 / 0 / 85

HEX #001B26

RGB 0 27 38

HSL 197.37, 1%, 0.07%

LAB 8.34, -5.56, -10.57

 

CMYK 100 / 53 / 0 / 93

HEX #000913

RGB 0 9 19

HSL 211.58, 1%, 0.04%

LAB 2.19, -0.62, -5.54

 

CMYK 78 / 15 / 0 / 62

HEX #155260

RGB 21 82 96

HSL 191.2, 0.64%, 0.23%

LAB 31.89, -13.78, -13.68

 

CMYK 78 / 35 / 0 / 62

HEX #153E60

RGB 21 62 96

HSL 207.2, 0.64%, 0.23%

LAB 25.1, -1.2, -24.23

 

CMYK 78 / 57 / 0 / 62

HEX #152960

RGB 21 41 96

HSL 224, 0.64%, 0.23%

LAB 18.32, 13.75, -35.08

 

CMYK 78 / 78 / 0 / 62

HEX #151560

RGB 21 21 96

HSL 240, 0.64%, 0.23%

LAB 12.86, 27.94, -44.01

 

CMYK 57 / 78 / 0 / 62

HEX #291560

RGB 41 21 96

HSL 256, 0.64%, 0.23%

LAB 14.69, 30.72, -40.93

 

CMYK 78 / 15 / 0 / 62

HEX #155260

RGB 21 82 96

HSL 191.2, 0.64%, 0.23%

LAB 31.89, -13.78, -13.68

 

CMYK 78 / 35 / 0 / 62

HEX #153E60

RGB 21 62 96

HSL 207.2, 0.64%, 0.23%

LAB 25.1, -1.2, -24.23

 

CMYK 78 / 57 / 0 / 62

HEX #152960

RGB 21 41 96

HSL 224, 0.64%, 0.23%

LAB 18.32, 13.75, -35.08

 

CMYK 78 / 78 / 0 / 62

HEX #151560

RGB 21 21 96

HSL 240, 0.64%, 0.23%

LAB 12.86, 27.94, -44.01

 

CMYK 78 / 15 / 0 / 62

HEX #155260

RGB 21 82 96

HSL 191.2, 0.64%, 0.23%

LAB 31.89, -13.78, -13.68

 

CMYK 89 / 17 / 0 / 58

HEX #0C586A

RGB 12 88 106

HSL 191.49, 0.8%, 0.23%

LAB 34.19, -14.58, -16.47

 

CMYK 98 / 18 / 0 / 55

HEX #025E73

RGB 2 94 115

HSL 191.15, 0.97%, 0.23%

LAB 36.47, -15.38, -18.54

 

CMYK 78 / 15 / 0 / 62

HEX #155260

RGB 21 82 96

HSL 191.2, 0.64%, 0.23%

LAB 31.89, -13.78, -13.68

 

CMYK 64 / 13 / 0 / 66

HEX #1F4C57

RGB 31 76 87

HSL 191.79, 0.47%, 0.23%

LAB 29.78, -11.64, -11.14

 

CMYK 48 / 9 / 0 / 70

HEX #28464D

RGB 40 70 77

HSL 191.35, 0.32%, 0.23%

LAB 27.76, -9.01, -7.71

 

CMYK 26 / 6 / 0 / 73

HEX #324044

RGB 50 64 68

HSL 193.33, 0.15%, 0.23%

LAB 26.05, -4.58, -4.31

 

CMYK 0 / 2 / 2 / 77

HEX #3B3A3A

RGB 59 58 58

HSL 0, 0.01%, 0.23%

LAB 24.52, 0.43, 0.15

 

CMYK 78 / 0 / 27 / 62

HEX #156046

RGB 21 96 70

HSL 159.2, 0.64%, 0.23%

LAB 35.92, -29.27, 8.53

 

CMYK 78 / 0 / 6 / 62

HEX #15605A

RGB 21 96 90

HSL 175.2, 0.64%, 0.23%

LAB 36.49, -23.48, -3.01

 

CMYK 78 / 15 / 0 / 62

HEX #155260

RGB 21 82 96

HSL 191.2, 0.64%, 0.23%

LAB 31.89, -13.78, -13.68

 

CMYK 78 / 35 / 0 / 62

HEX #153E60

RGB 21 62 96

HSL 207.2, 0.64%, 0.23%

LAB 25.1, -1.2, -24.23

 

CMYK 78 / 56 / 0 / 62

HEX #152A60

RGB 21 42 96

HSL 223.2, 0.64%, 0.23%

LAB 18.63, 13.01, -34.59

 

CMYK 79 / 17 / 0 / 89

HEX #06181D

RGB 6 24 29

HSL 193.04, 0.66%, 0.07%

LAB 7.05, -4.85, -5.73

 

CMYK 77 / 15 / 0 / 76

HEX #0E353E

RGB 14 53 62

HSL 191.25, 0.63%, 0.15%

LAB 19.99, -10.03, -9.62

 

CMYK 78 / 15 / 0 / 62

HEX #155260

RGB 21 82 96

HSL 191.2, 0.64%, 0.23%

LAB 31.89, -13.78, -13.68

 

CMYK 78 / 15 / 0 / 49

HEX #1D6F82

RGB 29 111 130

HSL 191.29, 0.64%, 0.31%

LAB 43.13, -17.09, -17.41

 

CMYK 78 / 15 / 0 / 36

HEX #248CA4

RGB 36 140 164

HSL 191.25, 0.64%, 0.39%

LAB 53.83, -20.34, -20.97

 

CMYK 78 / 15 / 0 / 63

HEX #15515F

RGB 21 81 95

HSL 191.35, 0.64%, 0.23%

LAB 31.51, -13.56, -13.63

 

CMYK 48 / 78 / 0 / 62

HEX #321560

RGB 50 21 96

HSL 263.2, 0.64%, 0.23%

LAB 15.79, 32.34, -39.08

 

CMYK 0 / 17 / 78 / 62

HEX #605015

RGB 96 80 21

HSL 47.2, 0.64%, 0.23%

LAB 34.56, -0.37, 35.34

 

CMYK 78 / 15 / 0 / 63

HEX #15515F

RGB 21 81 95

HSL 191.35, 0.64%, 0.23%

LAB 31.51, -13.56, -13.63

 

CMYK 0 / 78 / 15 / 62

HEX #601552

RGB 96 21 82

HSL 311.2, 0.64%, 0.23%

LAB 22.42, 40.08, -18.69

 

CMYK 15 / 0 / 78 / 62

HEX #526015

RGB 82 96 21

HSL 71.2, 0.64%, 0.23%

LAB 38.22, -16.46, 38.44

 

CMYK 78 / 15 / 0 / 63

HEX #15515F

RGB 21 81 95

HSL 191.35, 0.64%, 0.23%

LAB 31.51, -13.56, -13.63

 

CMYK 48 / 78 / 0 / 62

HEX #321560

RGB 50 21 96

HSL 263.2, 0.64%, 0.23%

LAB 15.79, 32.34, -39.08

 

CMYK 0 / 64 / 78 / 62

HEX #602315

RGB 96 35 21

HSL 11.2, 0.64%, 0.23%

LAB 22.8, 26.84, 23.16

 

CMYK 30 / 0 / 78 / 62

HEX #436015

RGB 67 96 21

HSL 83.2, 0.64%, 0.23%

LAB 37.14, -23.19, 37.02

 

CMYK 78 / 15 / 0 / 63

HEX #15515F

RGB 21 81 95

HSL 191.35, 0.64%, 0.23%

LAB 31.51, -13.56, -13.63

 

CMYK 25 / 78 / 0 / 62

HEX #481560

RGB 72 21 96

HSL 280.8, 0.64%, 0.23%

LAB 19.05, 36.92, -33.65

 

CMYK 0 / 64 / 78 / 62

HEX #602315

RGB 96 35 21

HSL 11.2, 0.64%, 0.23%

LAB 22.8, 26.84, 23.16

 

CMYK 53 / 0 / 78 / 62

HEX #2D6015

RGB 45 96 21

HSL 100.8, 0.64%, 0.23%

LAB 35.94, -31.67, 35.43

 

Description

Color code: HEX #15515F | qconv.com Color code: HEX #15515F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 81 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 81 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 15 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 15% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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