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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #154F5E it is the complementary color #EAB0A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #154F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #154F5E shade: #1A4F59, #2B616C, #3C737F, #4D8592 and #5E97A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #154F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #154F5E shade: #154F5E, #043D4B, #002B38, #001925 and #000712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #154F5E shade: #15505F, #153C5F, #15285F, #16155F and #2A155F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #154F5E shade: #15505F, #153C5F, #15285F and #15155F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #154F5E shade matches the following richer shades: #15505F, #0C5669 and #025B72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #154F5E shade: #15505F, #1F4A56, #28454C, #323F43 and #3B3A39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #154F5E shade: #155F46, #155F5A, #15505F, #153D5F and #15295F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #154F5E shade: #06171C, #0E343D, #15505F, #1D6C81 and #2488A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #154F5E shade: #154F5E, #33155F and #5F5015

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #154F5E shade: #154F5E, #5F1550 and #505F15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #154F5E shade: #154F5E, #33155F, #5F2415 and #425F15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #154F5E shade: #154F5E, #49155F, #5F2415 and #2B5F15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 16 / 0 / 63

HEX #154F5E

RGB 21 79 94

HSL 192.33, 0.63%, 0.23%

LAB 30.78, -12.75, -14.11

 

Complementary color

CMYK 0 / 25 / 31 / 8

HEX #EAB0A1

RGB 234 176 161

HSL 12.33, 0.63%, 0.77%

LAB 76.75, 19.11, 15.91

 

CMYK 71 / 11 / 0 / 65

HEX #1A4F59

RGB 26 79 89

HSL 189.52, 0.55%, 0.23%

LAB 30.72, -13.71, -11.01

 

CMYK 60 / 10 / 0 / 58

HEX #2B616C

RGB 43 97 108

HSL 190.15, 0.43%, 0.3%

LAB 38.1, -14.28, -11.65

 

CMYK 53 / 9 / 0 / 50

HEX #3C737F

RGB 60 115 127

HSL 190.75, 0.36%, 0.37%

LAB 45.3, -14.6, -12.21

 

CMYK 47 / 9 / 0 / 43

HEX #4D8592

RGB 77 133 146

HSL 191.3, 0.31%, 0.44%

LAB 52.32, -14.78, -12.73

 

CMYK 43 / 8 / 0 / 35

HEX #5E97A5

RGB 94 151 165

HSL 191.83, 0.28%, 0.51%

LAB 59.19, -14.89, -13.21

 

CMYK 78 / 16 / 0 / 63

HEX #154F5E

RGB 21 79 94

HSL 192.33, 0.63%, 0.23%

LAB 30.78, -12.75, -14.11

 

CMYK 95 / 19 / 0 / 71

HEX #043D4B

RGB 4 61 75

HSL 191.83, 0.9%, 0.15%

LAB 23.24, -11.33, -13.39

 

CMYK 100 / 23 / 0 / 78

HEX #002B38

RGB 0 43 56

HSL 193.93, 1%, 0.11%

LAB 15.56, -8.48, -12.34

 

CMYK 100 / 32 / 0 / 85

HEX #001925

RGB 0 25 37

HSL 199.46, 1%, 0.07%

LAB 7.49, -4.35, -11.15

 

CMYK 100 / 61 / 0 / 93

HEX #000712

RGB 0 7 18

HSL 216.67, 1%, 0.04%

LAB 1.77, -0.03, -5.54

 

CMYK 78 / 16 / 0 / 63

HEX #15505F

RGB 21 80 95

HSL 192.16, 0.64%, 0.23%

LAB 31.17, -12.97, -14.16

 

CMYK 78 / 37 / 0 / 63

HEX #153C5F

RGB 21 60 95

HSL 208.38, 0.64%, 0.23%

LAB 24.38, -0.26, -24.73

 

CMYK 78 / 58 / 0 / 63

HEX #15285F

RGB 21 40 95

HSL 224.59, 0.64%, 0.23%

LAB 17.93, 14.06, -35.05

 

CMYK 77 / 78 / 0 / 63

HEX #16155F

RGB 22 21 95

HSL 240.81, 0.64%, 0.23%

LAB 12.82, 27.68, -43.41

 

CMYK 56 / 78 / 0 / 63

HEX #2A155F

RGB 42 21 95

HSL 257.03, 0.64%, 0.23%

LAB 14.71, 30.57, -40.24

 

CMYK 78 / 16 / 0 / 63

HEX #15505F

RGB 21 80 95

HSL 192.16, 0.64%, 0.23%

LAB 31.17, -12.97, -14.16

 

CMYK 78 / 37 / 0 / 63

HEX #153C5F

RGB 21 60 95

HSL 208.38, 0.64%, 0.23%

LAB 24.38, -0.26, -24.73

 

CMYK 78 / 58 / 0 / 63

HEX #15285F

RGB 21 40 95

HSL 224.59, 0.64%, 0.23%

LAB 17.93, 14.06, -35.05

 

CMYK 78 / 78 / 0 / 63

HEX #15155F

RGB 21 21 95

HSL 240, 0.64%, 0.23%

LAB 12.75, 27.57, -43.53

 

CMYK 78 / 16 / 0 / 63

HEX #15505F

RGB 21 80 95

HSL 192.16, 0.64%, 0.23%

LAB 31.17, -12.97, -14.16

 

CMYK 89 / 18 / 0 / 59

HEX #0C5669

RGB 12 86 105

HSL 192.26, 0.79%, 0.23%

LAB 33.46, -13.8, -16.95

 

CMYK 98 / 20 / 0 / 55

HEX #025B72

RGB 2 91 114

HSL 192.32, 0.97%, 0.23%

LAB 35.42, -14.03, -19.55

 

CMYK 78 / 16 / 0 / 63

HEX #15505F

RGB 21 80 95

HSL 192.16, 0.64%, 0.23%

LAB 31.17, -12.97, -14.16

 

CMYK 64 / 14 / 0 / 66

HEX #1F4A56

RGB 31 74 86

HSL 193.09, 0.47%, 0.23%

LAB 29.06, -10.78, -11.6

 

CMYK 47 / 9 / 0 / 70

HEX #28454C

RGB 40 69 76

HSL 191.67, 0.31%, 0.23%

LAB 27.38, -8.71, -7.63

 

CMYK 25 / 6 / 0 / 74

HEX #323F43

RGB 50 63 67

HSL 194.12, 0.15%, 0.23%

LAB 25.68, -4.21, -4.2

 

CMYK 0 / 2 / 3 / 77

HEX #3B3A39

RGB 59 58 57

HSL 30, 0.02%, 0.23%

LAB 24.49, 0.21, 0.77

 

CMYK 78 / 0 / 26 / 63

HEX #155F46

RGB 21 95 70

HSL 159.73, 0.64%, 0.23%

LAB 35.57, -28.8, 8.04

 

CMYK 78 / 0 / 5 / 63

HEX #155F5A

RGB 21 95 90

HSL 175.95, 0.64%, 0.23%

LAB 36.14, -22.97, -3.52

 

CMYK 78 / 16 / 0 / 63

HEX #15505F

RGB 21 80 95

HSL 192.16, 0.64%, 0.23%

LAB 31.17, -12.97, -14.16

 

CMYK 78 / 36 / 0 / 63

HEX #153D5F

RGB 21 61 95

HSL 207.57, 0.64%, 0.23%

LAB 24.71, -0.94, -24.2

 

CMYK 78 / 57 / 0 / 63

HEX #15295F

RGB 21 41 95

HSL 223.78, 0.64%, 0.23%

LAB 18.24, 13.32, -34.55

 

CMYK 79 / 18 / 0 / 89

HEX #06171C

RGB 6 23 28

HSL 193.64, 0.65%, 0.07%

LAB 6.64, -4.42, -5.59

 

CMYK 77 / 15 / 0 / 76

HEX #0E343D

RGB 14 52 61

HSL 191.49, 0.63%, 0.15%

LAB 19.58, -9.78, -9.56

 

CMYK 78 / 16 / 0 / 63

HEX #15505F

RGB 21 80 95

HSL 192.16, 0.64%, 0.23%

LAB 31.17, -12.97, -14.16

 

CMYK 78 / 16 / 0 / 49

HEX #1D6C81

RGB 29 108 129

HSL 192.6, 0.63%, 0.31%

LAB 42.11, -15.76, -18.36

 

CMYK 78 / 16 / 0 / 36

HEX #2488A2

RGB 36 136 162

HSL 192.38, 0.64%, 0.39%

LAB 52.5, -18.88, -21.85

 

CMYK 78 / 16 / 0 / 63

HEX #154F5E

RGB 21 79 94

HSL 192.33, 0.63%, 0.23%

LAB 30.78, -12.75, -14.11

 

CMYK 46 / 78 / 0 / 63

HEX #33155F

RGB 51 21 95

HSL 264.32, 0.64%, 0.23%

LAB 15.83, 32.23, -38.35

 

CMYK 0 / 16 / 78 / 63

HEX #5F5015

RGB 95 80 21

HSL 47.84, 0.64%, 0.23%

LAB 34.45, -0.87, 35.19

 

CMYK 78 / 16 / 0 / 63

HEX #154F5E

RGB 21 79 94

HSL 192.33, 0.63%, 0.23%

LAB 30.78, -12.75, -14.11

 

CMYK 0 / 78 / 16 / 63

HEX #5F1550

RGB 95 21 80

HSL 312.16, 0.64%, 0.23%

LAB 22.12, 39.49, -17.82

 

CMYK 16 / 0 / 78 / 63

HEX #505F15

RGB 80 95 21

HSL 72.16, 0.64%, 0.23%

LAB 37.74, -16.85, 37.92

 

CMYK 78 / 16 / 0 / 63

HEX #154F5E

RGB 21 79 94

HSL 192.33, 0.63%, 0.23%

LAB 30.78, -12.75, -14.11

 

CMYK 46 / 78 / 0 / 63

HEX #33155F

RGB 51 21 95

HSL 264.32, 0.64%, 0.23%

LAB 15.83, 32.23, -38.35

 

CMYK 0 / 62 / 78 / 63

HEX #5F2415

RGB 95 36 21

HSL 12.16, 0.64%, 0.23%

LAB 22.82, 25.88, 23.13

 

CMYK 31 / 0 / 78 / 63

HEX #425F15

RGB 66 95 21

HSL 83.51, 0.64%, 0.23%

LAB 36.74, -23.12, 36.6

 

CMYK 78 / 16 / 0 / 63

HEX #154F5E

RGB 21 79 94

HSL 192.33, 0.63%, 0.23%

LAB 30.78, -12.75, -14.11

 

CMYK 23 / 78 / 0 / 63

HEX #49155F

RGB 73 21 95

HSL 282.16, 0.64%, 0.23%

LAB 19.14, 36.91, -32.84

 

CMYK 0 / 62 / 78 / 63

HEX #5F2415

RGB 95 36 21

HSL 12.16, 0.64%, 0.23%

LAB 22.82, 25.88, 23.13

 

CMYK 55 / 0 / 78 / 63

HEX #2B5F15

RGB 43 95 21

HSL 102.16, 0.64%, 0.23%

LAB 35.5, -31.89, 34.96

 

Description

Color code: HEX #154F5E | qconv.com Color code: HEX #154F5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 79 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 79 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 16 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 16% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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