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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #151C0C it is the complementary color #EAE3F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #151C0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #151C0C shade: #1A1C07, #2B2E1A, #3C402D, #4D5240 and #5E6453

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #151C0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #151C0C shade: #151C0C, #040A00 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #151C0C shade: #151D0C, #1A1D0C, #1D1B0C, #1D160C and #1D120C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #151C0C shade: #151D0C, #111D0C, #0D1D0C, #0C1D10 and #0C1D15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #151C0C shade matches the following richer shades: #151D0C, #162009, #162306 and #172602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #151C0C shade: #151D0C, #151910, #151613, #141316 and #140F19

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #151C0C shade: #1D1B0C, #1A1D0C, #151D0C, #111D0C and #0D1D0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #151C0C shade: #000000, #151D0C, #2B3919 and #415625

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #151C0C shade: #151C0C, #0C1D17 and #1D0C1C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #151C0C shade: #151C0C, #0C151D and #1D0C15

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #151C0C shade: #151C0C, #0C1D17, #130C1D and #1D0C12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #151C0C shade: #151C0C, #0C1D1B, #130C1D and #1D0C0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 57 / 89

HEX #151C0C

RGB 21 28 12

HSL 86.25, 0.4%, 0.08%

LAB 9.13, -6.95, 8.55

 

Complementary color

CMYK 4 / 7 / 0 / 5

HEX #EAE3F3

RGB 234 227 243

HSL 266.25, 0.4%, 0.92%

LAB 91.19, 5.25, -6.93

 

CMYK 7 / 0 / 75 / 89

HEX #1A1C07

RGB 26 28 7

HSL 65.71, 0.6%, 0.07%

LAB 9.53, -5.05, 11.27

 

CMYK 7 / 0 / 43 / 82

HEX #2B2E1A

RGB 43 46 26

HSL 69, 0.28%, 0.14%

LAB 18.11, -5.4, 12.47

 

CMYK 6 / 0 / 30 / 75

HEX #3C402D

RGB 60 64 45

HSL 72.63, 0.17%, 0.21%

LAB 26.21, -5.57, 11.1

 

CMYK 6 / 0 / 22 / 68

HEX #4D5240

RGB 77 82 64

HSL 76.67, 0.12%, 0.29%

LAB 33.95, -5.67, 9.91

 

CMYK 6 / 0 / 17 / 61

HEX #5E6453

RGB 94 100 83

HSL 81.18, 0.09%, 0.36%

LAB 41.4, -5.74, 8.87

 

CMYK 25 / 0 / 57 / 89

HEX #151C0C

RGB 21 28 12

HSL 86.25, 0.4%, 0.08%

LAB 9.13, -6.95, 8.55

 

CMYK 60 / 0 / 100 / 96

HEX #040A00

RGB 4 10 0

HSL 96, 1%, 0.02%

LAB 2.19, -2.96, 3.23

 

CMYK 28 / 0 / 59 / 89

HEX #151D0C

RGB 21 29 12

HSL 88.24, 0.41%, 0.08%

LAB 9.52, -7.65, 9.11

 

CMYK 10 / 0 / 59 / 89

HEX #1A1D0C

RGB 26 29 12

HSL 70.59, 0.41%, 0.08%

LAB 9.99, -5.02, 9.85

 

CMYK 0 / 7 / 59 / 89

HEX #1D1B0C

RGB 29 27 12

HSL 52.94, 0.41%, 0.08%

LAB 9.57, -1.97, 9.3

 

CMYK 0 / 24 / 59 / 89

HEX #1D160C

RGB 29 22 12

HSL 35.29, 0.41%, 0.08%

LAB 7.78, 1.68, 6.71

 

CMYK 0 / 38 / 59 / 89

HEX #1D120C

RGB 29 18 12

HSL 21.18, 0.41%, 0.08%

LAB 6.51, 4.29, 4.85

 

CMYK 28 / 0 / 59 / 89

HEX #151D0C

RGB 21 29 12

HSL 88.24, 0.41%, 0.08%

LAB 9.52, -7.65, 9.11

 

CMYK 41 / 0 / 59 / 89

HEX #111D0C

RGB 17 29 12

HSL 102.35, 0.41%, 0.08%

LAB 9.19, -9.44, 8.6

 

CMYK 55 / 0 / 59 / 89

HEX #0D1D0C

RGB 13 29 12

HSL 116.47, 0.41%, 0.08%

LAB 8.91, -10.91, 8.17

 

CMYK 59 / 0 / 45 / 89

HEX #0C1D10

RGB 12 29 16

HSL 134.12, 0.41%, 0.08%

LAB 8.94, -10.51, 6.18

 

CMYK 59 / 0 / 28 / 89

HEX #0C1D15

RGB 12 29 21

HSL 151.76, 0.41%, 0.08%

LAB 9.08, -9.4, 3.27

 

CMYK 28 / 0 / 59 / 89

HEX #151D0C

RGB 21 29 12

HSL 88.24, 0.41%, 0.08%

LAB 9.52, -7.65, 9.11

 

CMYK 31 / 0 / 72 / 87

HEX #162009

RGB 22 32 9

HSL 86.09, 0.56%, 0.08%

LAB 10.73, -9.56, 12.1

 

CMYK 37 / 0 / 83 / 86

HEX #162306

RGB 22 35 6

HSL 86.9, 0.71%, 0.08%

LAB 11.86, -11.84, 14.89

 

CMYK 39 / 0 / 95 / 85

HEX #172602

RGB 23 38 2

HSL 85, 0.9%, 0.08%

LAB 13.06, -13.65, 18.16

 

CMYK 28 / 0 / 59 / 89

HEX #151D0C

RGB 21 29 12

HSL 88.24, 0.41%, 0.08%

LAB 9.52, -7.65, 9.11

 

CMYK 16 / 0 / 36 / 90

HEX #151910

RGB 21 25 16

HSL 86.67, 0.22%, 0.08%

LAB 8.06, -3.99, 4.98

 

CMYK 5 / 0 / 14 / 91

HEX #151613

RGB 21 22 19

HSL 80, 0.07%, 0.08%

LAB 7.05, -1.14, 1.72

 

CMYK 9 / 14 / 0 / 91

HEX #141316

RGB 20 19 22

HSL 260, 0.07%, 0.08%

LAB 6.07, 1.11, -1.74

 

CMYK 20 / 40 / 0 / 90

HEX #140F19

RGB 20 15 25

HSL 270, 0.25%, 0.08%

LAB 5.06, 4.18, -5.49

 

CMYK 0 / 7 / 59 / 89

HEX #1D1B0C

RGB 29 27 12

HSL 52.94, 0.41%, 0.08%

LAB 9.57, -1.97, 9.3

 

CMYK 10 / 0 / 59 / 89

HEX #1A1D0C

RGB 26 29 12

HSL 70.59, 0.41%, 0.08%

LAB 9.99, -5.02, 9.85

 

CMYK 28 / 0 / 59 / 89

HEX #151D0C

RGB 21 29 12

HSL 88.24, 0.41%, 0.08%

LAB 9.52, -7.65, 9.11

 

CMYK 41 / 0 / 59 / 89

HEX #111D0C

RGB 17 29 12

HSL 102.35, 0.41%, 0.08%

LAB 9.19, -9.44, 8.6

 

CMYK 55 / 0 / 59 / 89

HEX #0D1D0C

RGB 13 29 12

HSL 116.47, 0.41%, 0.08%

LAB 8.91, -10.91, 8.17

 

CMYK 28 / 0 / 59 / 89

HEX #151D0C

RGB 21 29 12

HSL 88.24, 0.41%, 0.08%

LAB 9.52, -7.65, 9.11

 

CMYK 25 / 0 / 56 / 78

HEX #2B3919

RGB 43 57 25

HSL 86.25, 0.39%, 0.16%

LAB 21.98, -12.38, 17.99

 

CMYK 24 / 0 / 57 / 66

HEX #415625

RGB 65 86 37

HSL 85.71, 0.4%, 0.24%

LAB 33.8, -17.34, 25.66

 

CMYK 25 / 0 / 57 / 89

HEX #151C0C

RGB 21 28 12

HSL 86.25, 0.4%, 0.08%

LAB 9.13, -6.95, 8.55

 

CMYK 59 / 0 / 21 / 89

HEX #0C1D17

RGB 12 29 23

HSL 158.82, 0.41%, 0.08%

LAB 9.15, -8.88, 1.93

 

CMYK 0 / 59 / 3 / 89

HEX #1D0C1C

RGB 29 12 28

HSL 303.53, 0.41%, 0.08%

LAB 5.49, 11.06, -7.09

 

CMYK 25 / 0 / 57 / 89

HEX #151C0C

RGB 21 28 12

HSL 86.25, 0.4%, 0.08%

LAB 9.13, -6.95, 8.55

 

CMYK 59 / 28 / 0 / 89

HEX #0C151D

RGB 12 21 29

HSL 208.24, 0.41%, 0.08%

LAB 6.35, -1.1, -6.75

 

CMYK 0 / 59 / 28 / 89

HEX #1D0C15

RGB 29 12 21

HSL 328.24, 0.41%, 0.08%

LAB 5.22, 9.17, -2.15

 

CMYK 25 / 0 / 57 / 89

HEX #151C0C

RGB 21 28 12

HSL 86.25, 0.4%, 0.08%

LAB 9.13, -6.95, 8.55

 

CMYK 59 / 0 / 21 / 89

HEX #0C1D17

RGB 12 29 23

HSL 158.82, 0.41%, 0.08%

LAB 9.15, -8.88, 1.93

 

CMYK 34 / 59 / 0 / 89

HEX #130C1D

RGB 19 12 29

HSL 264.71, 0.41%, 0.08%

LAB 4.43, 6.39, -9.59

 

CMYK 0 / 59 / 38 / 89

HEX #1D0C12

RGB 29 12 18

HSL 338.82, 0.41%, 0.08%

LAB 5.13, 8.51, -0.35

 

CMYK 25 / 0 / 57 / 89

HEX #151C0C

RGB 21 28 12

HSL 86.25, 0.4%, 0.08%

LAB 9.13, -6.95, 8.55

 

CMYK 59 / 0 / 7 / 89

HEX #0C1D1B

RGB 12 29 27

HSL 172.94, 0.41%, 0.08%

LAB 9.29, -7.72, -0.85

 

CMYK 34 / 59 / 0 / 89

HEX #130C1D

RGB 19 12 29

HSL 264.71, 0.41%, 0.08%

LAB 4.43, 6.39, -9.59

 

CMYK 0 / 59 / 55 / 89

HEX #1D0C0D

RGB 29 12 13

HSL 356.47, 0.41%, 0.08%

LAB 5, 7.58, 2.18

 

Description

Color code: HEX #151C0C | qconv.com Color code: HEX #151C0C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 28 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 28 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 57 yellow and 89 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 57% 89% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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