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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1505C4 it is the complementary color #EAFA3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1505C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1505C4 shade: #1A05BF, #2B17D2, #3C29E5, #4D3BF8 and #5E4DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1505C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1505C4 shade: #1505C4, #0400B1, #00009E, #00008B and #000078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1505C4 shade: #1505C2, #4805C2, #7B05C2, #AE05C2 and #C205A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1505C4 shade: #1505C2 and #0505C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1505C4 shade matches the following richer shades: #1505C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1505C4 shade: #1505C2, #2215B2, #3025A2, #3D3592 and #4A4582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1505C4 shade: #055AC2, #0528C2, #1505C2, #4705C2 and #7905C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1505C4 shade: #0C0371, #10049A, #1505C2, #1906EA and #3220F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1505C4 shade: #1505C4, #C2058C and #41C205

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1505C4 shade: #1505C4, #C21505 and #05C215

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1505C4 shade: #1505C4, #C2058C, #B2C205 and #05C23B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1505C4 shade: #1505C4, #C20554, #B2C205 and #05C273

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 97 / 0 / 23

HEX #1505C4

RGB 21 5 196

HSL 245.03, 0.95%, 0.39%

LAB 24.49, 64.05, -87.02

 

Complementary color

CMYK 6 / 0 / 76 / 2

HEX #EAFA3B

RGB 234 250 59

HSL 65.03, 0.95%, 0.61%

LAB 94.39, -26.64, 82.34

 

CMYK 86 / 97 / 0 / 25

HEX #1A05BF

RGB 26 5 191

HSL 246.77, 0.95%, 0.38%

LAB 23.97, 62.86, -84.94

 

CMYK 80 / 89 / 0 / 18

HEX #2B17D2

RGB 43 23 210

HSL 246.42, 0.8%, 0.46%

LAB 28.85, 63.87, -87.91

 

CMYK 74 / 82 / 0 / 10

HEX #3C29E5

RGB 60 41 229

HSL 246.06, 0.78%, 0.53%

LAB 34.4, 63.34, -89.59

 

CMYK 69 / 76 / 0 / 3

HEX #4D3BF8

RGB 77 59 248

HSL 245.71, 0.93%, 0.6%

LAB 40.38, 61.94, -90.41

 

CMYK 63 / 70 / 0 / 0

HEX #5E4DFF

RGB 94 77 255

HSL 245.73, 1%, 0.65%

LAB 45.51, 56.6, -85.83

 

CMYK 89 / 97 / 0 / 23

HEX #1505C4

RGB 21 5 196

HSL 245.03, 0.95%, 0.39%

LAB 24.49, 64.05, -87.02

 

CMYK 98 / 100 / 0 / 31

HEX #0400B1

RGB 4 0 177

HSL 241.36, 1%, 0.35%

LAB 20.83, 60.25, -81.85

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 100 / 100 / 0 / 45

HEX #00008B

RGB 0 0 139

HSL 240, 1%, 0.27%

LAB 14.76, 50.43, -68.68

 

CMYK 100 / 100 / 0 / 53

HEX #000078

RGB 0 0 120

HSL 240, 1%, 0.24%

LAB 11.66, 45.35, -61.77

 

CMYK 89 / 97 / 0 / 24

HEX #1505C2

RGB 21 5 194

HSL 245.08, 0.95%, 0.39%

LAB 24.2, 63.55, -86.32

 

CMYK 63 / 97 / 0 / 24

HEX #4805C2

RGB 72 5 194

HSL 261.27, 0.95%, 0.39%

LAB 27.79, 65.26, -80.24

 

CMYK 37 / 97 / 0 / 24

HEX #7B05C2

RGB 123 5 194

HSL 277.46, 0.95%, 0.39%

LAB 34.43, 69.57, -69.07

 

CMYK 10 / 97 / 0 / 24

HEX #AE05C2

RGB 174 5 194

HSL 293.65, 0.95%, 0.39%

LAB 42.77, 76.38, -55.12

 

CMYK 0 / 97 / 16 / 24

HEX #C205A3

RGB 194 5 163

HSL 309.84, 0.95%, 0.39%

LAB 44.55, 75.28, -33.74

 

CMYK 89 / 97 / 0 / 24

HEX #1505C2

RGB 21 5 194

HSL 245.08, 0.95%, 0.39%

LAB 24.2, 63.55, -86.32

 

CMYK 97 / 97 / 0 / 24

HEX #0505C2

RGB 5 5 194

HSL 240, 0.95%, 0.39%

LAB 23.79, 63.39, -87.02

 

CMYK 89 / 97 / 0 / 24

HEX #1505C2

RGB 21 5 194

HSL 245.08, 0.95%, 0.39%

LAB 24.2, 63.55, -86.32

 

CMYK 89 / 97 / 0 / 24

HEX #1505C2

RGB 21 5 194

HSL 245.08, 0.95%, 0.39%

LAB 24.2, 63.55, -86.32

 

CMYK 81 / 88 / 0 / 30

HEX #2215B2

RGB 34 21 178

HSL 244.97, 0.79%, 0.39%

LAB 23.97, 55.31, -77.18

 

CMYK 70 / 77 / 0 / 36

HEX #3025A2

RGB 48 37 162

HSL 245.28, 0.63%, 0.39%

LAB 25.44, 44.1, -65.05

 

CMYK 58 / 64 / 0 / 43

HEX #3D3592

RGB 61 53 146

HSL 245.16, 0.47%, 0.39%

LAB 28.42, 31.14, -50.35

 

CMYK 43 / 47 / 0 / 49

HEX #4A4582

RGB 74 69 130

HSL 244.92, 0.31%, 0.39%

LAB 32.53, 18.55, -33.79

 

CMYK 97 / 54 / 0 / 24

HEX #055AC2

RGB 5 90 194

HSL 213.02, 0.95%, 0.39%

LAB 39.98, 19.3, -60.31

 

CMYK 97 / 79 / 0 / 24

HEX #0528C2

RGB 5 40 194

HSL 228.89, 0.95%, 0.39%

LAB 27.97, 50.85, -80.06

 

CMYK 89 / 97 / 0 / 24

HEX #1505C2

RGB 21 5 194

HSL 245.08, 0.95%, 0.39%

LAB 24.2, 63.55, -86.32

 

CMYK 63 / 97 / 0 / 24

HEX #4705C2

RGB 71 5 194

HSL 260.95, 0.95%, 0.39%

LAB 27.69, 65.2, -80.42

 

CMYK 38 / 97 / 0 / 24

HEX #7905C2

RGB 121 5 194

HSL 276.83, 0.95%, 0.39%

LAB 34.13, 69.35, -69.57

 

CMYK 89 / 97 / 0 / 56

HEX #0C0371

RGB 12 3 113

HSL 244.91, 0.95%, 0.23%

LAB 11.52, 42.23, -57.46

 

CMYK 90 / 97 / 0 / 40

HEX #10049A

RGB 16 4 154

HSL 244.8, 0.95%, 0.31%

LAB 18.05, 53.29, -72.49

 

CMYK 89 / 97 / 0 / 24

HEX #1505C2

RGB 21 5 194

HSL 245.08, 0.95%, 0.39%

LAB 24.2, 63.55, -86.32

 

CMYK 89 / 97 / 0 / 8

HEX #1906EA

RGB 25 6 234

HSL 245, 0.95%, 0.47%

LAB 30.1, 73.38, -99.66

 

CMYK 80 / 87 / 0 / 2

HEX #3220F9

RGB 50 32 249

HSL 244.98, 0.95%, 0.55%

LAB 35.1, 71.72, -99.78

 

CMYK 89 / 97 / 0 / 23

HEX #1505C4

RGB 21 5 196

HSL 245.03, 0.95%, 0.39%

LAB 24.49, 64.05, -87.02

 

CMYK 0 / 97 / 28 / 24

HEX #C2058C

RGB 194 5 140

HSL 317.14, 0.95%, 0.39%

LAB 43.47, 72.52, -21.53

 

CMYK 66 / 0 / 97 / 24

HEX #41C205

RGB 65 194 5

HSL 100.95, 0.95%, 0.39%

LAB 69.27, -62.89, 68.15

 

CMYK 89 / 97 / 0 / 23

HEX #1505C4

RGB 21 5 196

HSL 245.03, 0.95%, 0.39%

LAB 24.49, 64.05, -87.02

 

CMYK 0 / 89 / 97 / 24

HEX #C21505

RGB 194 21 5

HSL 5.08, 0.95%, 0.39%

LAB 41.24, 62.77, 53.28

 

CMYK 97 / 0 / 89 / 24

HEX #05C215

RGB 5 194 21

HSL 125.08, 0.95%, 0.39%

LAB 68.51, -69.43, 65.03

 

CMYK 89 / 97 / 0 / 23

HEX #1505C4

RGB 21 5 196

HSL 245.03, 0.95%, 0.39%

LAB 24.49, 64.05, -87.02

 

CMYK 0 / 97 / 28 / 24

HEX #C2058C

RGB 194 5 140

HSL 317.14, 0.95%, 0.39%

LAB 43.47, 72.52, -21.53

 

CMYK 8 / 0 / 97 / 24

HEX #B2C205

RGB 178 194 5

HSL 65.08, 0.95%, 0.39%

LAB 74.86, -24.35, 74.92

 

CMYK 97 / 0 / 70 / 24

HEX #05C23B

RGB 5 194 59

HSL 137.14, 0.95%, 0.39%

LAB 68.7, -66.99, 54.06

 

CMYK 89 / 97 / 0 / 23

HEX #1505C4

RGB 21 5 196

HSL 245.03, 0.95%, 0.39%

LAB 24.49, 64.05, -87.02

 

CMYK 0 / 97 / 57 / 24

HEX #C20554

RGB 194 5 84

HSL 334.92, 0.95%, 0.39%

LAB 41.56, 67.5, 10.58

 

CMYK 8 / 0 / 97 / 24

HEX #B2C205

RGB 178 194 5

HSL 65.08, 0.95%, 0.39%

LAB 74.86, -24.35, 74.92

 

CMYK 97 / 0 / 41 / 24

HEX #05C273

RGB 5 194 115

HSL 154.92, 0.95%, 0.39%

LAB 69.37, -58.88, 28.54

 

Description

Color code: HEX #1505C4 | qconv.com Color code: HEX #1505C4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 5 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 5 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 97 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 97% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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