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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14DEC2 it is the complementary color #EB213D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14DEC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14DEC2 shade: #19DEBD, #2AF0D0, #3BFFE3, #4CFFF6 and #5DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14DEC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14DEC2 shade: #14DEC2, #03CCAF, #00BA9C, #00A889 and #009676

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14DEC2 shade: #14DBC0, #14DB8A, #14DB54, #14DB1F and #40DB14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14DEC2 shade: #14DBC0, #14C1DB, #148CDB, #1456DB and #1420DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14DEC2 shade matches the following richer shades: #14DBC0 and #01EFCE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14DEC2 shade: #14DBC0, #28C8B2, #3BB5A4, #4FA196 and #628E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14DEC2 shade: #14DB53, #14DB88, #14DBBD, #14C4DB and #148FDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14DEC2 shade: #0D907E, #11B69F, #14DBC0, #2DECD1 and #53EFD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14DEC2 shade: #14DEC2, #1E14DB and #DB6E14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14DEC2 shade: #14DEC2, #BD14DB and #DBBD14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14DEC2 shade: #14DEC2, #1E14DB, #DB1432 and #D1DB14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14DEC2 shade: #14DEC2, #5A14DB, #DB1432 and #96DB14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 13 / 13

HEX #14DEC2

RGB 20 222 194

HSL 171.68, 0.83%, 0.47%

LAB 79.78, -50.57, 1.17

 

Complementary color

CMYK 0 / 86 / 74 / 8

HEX #EB213D

RGB 235 33 61

HSL 351.68, 0.83%, 0.53%

LAB 50.79, 72.7, 38.13

 

CMYK 89 / 0 / 15 / 13

HEX #19DEBD

RGB 25 222 189

HSL 169.95, 0.8%, 0.48%

LAB 79.68, -51.65, 3.69

 

CMYK 83 / 0 / 13 / 6

HEX #2AF0D0

RGB 42 240 208

HSL 170.3, 0.87%, 0.55%

LAB 85.69, -52.99, 2.4

 

CMYK 77 / 0 / 11 / 0

HEX #3BFFE3

RGB 59 255 227

HSL 171.43, 1%, 0.62%

LAB 90.78, -52.81, -0.07

 

CMYK 70 / 0 / 4 / 0

HEX #4CFFF6

RGB 76 255 246

HSL 176.98, 1%, 0.65%

LAB 91.55, -46, -8.74

 

CMYK 64 / 0 / 0 / 0

HEX #5DFFFF

RGB 93 255 255

HSL 180, 1%, 0.68%

LAB 92.16, -41.33, -12.47

 

CMYK 91 / 0 / 13 / 13

HEX #14DEC2

RGB 20 222 194

HSL 171.68, 0.83%, 0.47%

LAB 79.78, -50.57, 1.17

 

CMYK 99 / 0 / 14 / 20

HEX #03CCAF

RGB 3 204 175

HSL 171.34, 0.97%, 0.41%

LAB 73.74, -48.78, 2.57

 

CMYK 100 / 0 / 16 / 27

HEX #00BA9C

RGB 0 186 156

HSL 170.32, 1%, 0.36%

LAB 67.66, -46.54, 4.12

 

CMYK 100 / 0 / 18 / 34

HEX #00A889

RGB 0 168 137

HSL 168.93, 1%, 0.33%

LAB 61.49, -44.15, 5.75

 

CMYK 100 / 0 / 21 / 41

HEX #009676

RGB 0 150 118

HSL 167.2, 1%, 0.29%

LAB 55.2, -41.72, 7.47

 

CMYK 91 / 0 / 12 / 14

HEX #14DBC0

RGB 20 219 192

HSL 171.86, 0.83%, 0.47%

LAB 78.82, -49.87, 0.84

 

CMYK 91 / 0 / 37 / 14

HEX #14DB8A

RGB 20 219 138

HSL 155.58, 0.83%, 0.47%

LAB 77.67, -62.52, 27.68

 

CMYK 91 / 0 / 62 / 14

HEX #14DB54

RGB 20 219 84

HSL 139.3, 0.83%, 0.47%

LAB 76.95, -71.08, 52.81

 

CMYK 91 / 0 / 86 / 14

HEX #14DB1F

RGB 20 219 31

HSL 123.32, 0.83%, 0.47%

LAB 76.62, -75.22, 70.19

 

CMYK 71 / 0 / 91 / 14

HEX #40DB14

RGB 64 219 20

HSL 106.73, 0.83%, 0.47%

LAB 77.16, -70.58, 72.84

 

CMYK 91 / 0 / 12 / 14

HEX #14DBC0

RGB 20 219 192

HSL 171.86, 0.83%, 0.47%

LAB 78.82, -49.87, 0.84

 

CMYK 91 / 12 / 0 / 14

HEX #14C1DB

RGB 20 193 219

HSL 187.84, 0.83%, 0.47%

LAB 71.83, -30.21, -24.18

 

CMYK 91 / 36 / 0 / 14

HEX #148CDB

RGB 20 140 219

HSL 203.82, 0.83%, 0.47%

LAB 56.11, -1.72, -48.68

 

CMYK 91 / 61 / 0 / 14

HEX #1456DB

RGB 20 86 219

HSL 220.1, 0.83%, 0.47%

LAB 41.09, 32.31, -72.91

 

CMYK 91 / 85 / 0 / 14

HEX #1420DB

RGB 20 32 219

HSL 236.38, 0.83%, 0.47%

LAB 30.15, 62.55, -90.98

 

CMYK 91 / 0 / 12 / 14

HEX #14DBC0

RGB 20 219 192

HSL 171.86, 0.83%, 0.47%

LAB 78.82, -49.87, 0.84

 

CMYK 100 / 0 / 14 / 6

HEX #01EFCE

RGB 1 239 206

HSL 171.68, 0.99%, 0.47%

LAB 85.1, -54.86, 2.55

 

CMYK 91 / 0 / 12 / 14

HEX #14DBC0

RGB 20 219 192

HSL 171.86, 0.83%, 0.47%

LAB 78.82, -49.87, 0.84

 

CMYK 80 / 0 / 11 / 22

HEX #28C8B2

RGB 40 200 178

HSL 171.75, 0.67%, 0.47%

LAB 72.87, -44.3, -0.28

 

CMYK 67 / 0 / 9 / 29

HEX #3BB5A4

RGB 59 181 164

HSL 171.64, 0.51%, 0.47%

LAB 67.02, -37.36, -1.14

 

CMYK 51 / 0 / 7 / 37

HEX #4FA196

RGB 79 161 150

HSL 171.95, 0.34%, 0.47%

LAB 61.09, -27.77, -1.95

 

CMYK 31 / 0 / 4 / 44

HEX #628E88

RGB 98 142 136

HSL 171.82, 0.18%, 0.47%

LAB 55.81, -16.37, -1.63

 

CMYK 91 / 0 / 62 / 14

HEX #14DB53

RGB 20 219 83

HSL 138.99, 0.83%, 0.47%

LAB 76.94, -71.2, 53.23

 

CMYK 91 / 0 / 38 / 14

HEX #14DB88

RGB 20 219 136

HSL 154.97, 0.83%, 0.47%

LAB 77.63, -62.91, 28.66

 

CMYK 91 / 0 / 14 / 14

HEX #14DBBD

RGB 20 219 189

HSL 170.95, 0.83%, 0.47%

LAB 78.74, -50.66, 2.33

 

CMYK 91 / 11 / 0 / 14

HEX #14C4DB

RGB 20 196 219

HSL 186.93, 0.83%, 0.47%

LAB 72.72, -31.66, -22.81

 

CMYK 91 / 35 / 0 / 14

HEX #148FDB

RGB 20 143 219

HSL 202.91, 0.83%, 0.47%

LAB 56.99, -3.48, -47.28

 

CMYK 91 / 0 / 13 / 44

HEX #0D907E

RGB 13 144 126

HSL 171.76, 0.83%, 0.31%

LAB 53.53, -36.25, 0.49

 

CMYK 91 / 0 / 13 / 29

HEX #11B69F

RGB 17 182 159

HSL 171.64, 0.83%, 0.39%

LAB 66.58, -43.39, 0.9

 

CMYK 91 / 0 / 12 / 14

HEX #14DBC0

RGB 20 219 192

HSL 171.86, 0.83%, 0.47%

LAB 78.82, -49.87, 0.84

 

CMYK 81 / 0 / 11 / 7

HEX #2DECD1

RGB 45 236 209

HSL 171.52, 0.83%, 0.55%

LAB 84.56, -50.86, 0.23

 

CMYK 65 / 0 / 9 / 6

HEX #53EFD9

RGB 83 239 217

HSL 171.54, 0.83%, 0.63%

LAB 86.3, -45.66, -1.36

 

CMYK 91 / 0 / 13 / 13

HEX #14DEC2

RGB 20 222 194

HSL 171.68, 0.83%, 0.47%

LAB 79.78, -50.57, 1.17

 

CMYK 86 / 91 / 0 / 14

HEX #1E14DB

RGB 30 20 219

HSL 243.02, 0.83%, 0.47%

LAB 29.14, 66.79, -92.66

 

CMYK 0 / 50 / 91 / 14

HEX #DB6E14

RGB 219 110 20

HSL 27.14, 0.83%, 0.47%

LAB 58.29, 37.9, 62.2

 

CMYK 91 / 0 / 13 / 13

HEX #14DEC2

RGB 20 222 194

HSL 171.68, 0.83%, 0.47%

LAB 79.78, -50.57, 1.17

 

CMYK 14 / 91 / 0 / 14

HEX #BD14DB

RGB 189 20 219

HSL 290.95, 0.83%, 0.47%

LAB 47.54, 81.14, -61.74

 

CMYK 0 / 14 / 91 / 14

HEX #DBBD14

RGB 219 189 20

HSL 50.95, 0.83%, 0.47%

LAB 76.98, -3.91, 76.21

 

CMYK 91 / 0 / 13 / 13

HEX #14DEC2

RGB 20 222 194

HSL 171.68, 0.83%, 0.47%

LAB 79.78, -50.57, 1.17

 

CMYK 86 / 91 / 0 / 14

HEX #1E14DB

RGB 30 20 219

HSL 243.02, 0.83%, 0.47%

LAB 29.14, 66.79, -92.66

 

CMYK 0 / 91 / 77 / 14

HEX #DB1432

RGB 219 20 50

HSL 350.95, 0.83%, 0.47%

LAB 46.7, 70.33, 39.04

 

CMYK 5 / 0 / 91 / 14

HEX #D1DB14

RGB 209 219 20

HSL 63.02, 0.83%, 0.47%

LAB 84.11, -23.2, 81.35

 

CMYK 91 / 0 / 13 / 13

HEX #14DEC2

RGB 20 222 194

HSL 171.68, 0.83%, 0.47%

LAB 79.78, -50.57, 1.17

 

CMYK 59 / 91 / 0 / 14

HEX #5A14DB

RGB 90 20 219

HSL 261.11, 0.83%, 0.47%

LAB 33.54, 69.58, -85.22

 

CMYK 0 / 91 / 77 / 14

HEX #DB1432

RGB 219 20 50

HSL 350.95, 0.83%, 0.47%

LAB 46.7, 70.33, 39.04

 

CMYK 32 / 0 / 91 / 14

HEX #96DB14

RGB 150 219 20

HSL 80.8, 0.83%, 0.47%

LAB 80.29, -46.59, 76.7

 

Description

Color code: HEX #14DEC2 | qconv.com Color code: HEX #14DEC2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 222 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 222 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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