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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14DB5E it is the complementary color #EB24A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14DB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14DB5E shade: #19DB59, #2AED6C, #3BFF7F, #4CFF92 and #5DFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14DB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14DB5E shade: #14DB5E, #03C94B, #00B738, #00A525 and #009312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14DB5E shade: #14DB5E, #14DB29, #36DB14, #6BDB14 and #A1DB14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14DB5E shade: #14DB5E, #14DB94, #14DBCA, #14B7DB and #1482DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14DB5E shade matches the following richer shades: #14DB5E and #01EF59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14DB5E shade: #14DB5E, #28C863, #3BB568, #4FA16D and #628E72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14DB5E shade: #36DB14, #14DB28, #14DB5D, #14DB92 and #14DBC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14DB5E shade: #0D903E, #11B64E, #14DB5E, #2DEC74 and #53EF8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14DB5E shade: #14DB5E, #146BDB and #DB141B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14DB5E shade: #14DB5E, #5D14DB and #DB5D14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14DB5E shade: #14DB5E, #146BDB, #DB1492 and #DB8514

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14DB5E shade: #14DB5E, #142FDB, #DB1492 and #DBC114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

Complementary color

CMYK 0 / 85 / 31 / 8

HEX #EB24A1

RGB 235 36 161

HSL 322.31, 0.83%, 0.53%

LAB 53.49, 79.26, -18.09

 

CMYK 89 / 0 / 59 / 14

HEX #19DB59

RGB 25 219 89

HSL 139.79, 0.8%, 0.48%

LAB 77.04, -70.17, 50.73

 

CMYK 82 / 0 / 54 / 7

HEX #2AED6C

RGB 42 237 108

HSL 140.31, 0.84%, 0.55%

LAB 82.99, -71.93, 49.2

 

CMYK 77 / 0 / 50 / 0

HEX #3BFF7F

RGB 59 255 127

HSL 140.82, 1%, 0.62%

LAB 88.91, -73.22, 47.67

 

CMYK 70 / 0 / 43 / 0

HEX #4CFF92

RGB 76 255 146

HSL 143.46, 1%, 0.65%

LAB 89.45, -67.97, 39.32

 

CMYK 64 / 0 / 35 / 0

HEX #5DFFA5

RGB 93 255 165

HSL 146.67, 1%, 0.68%

LAB 90.12, -61.84, 30.86

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

CMYK 99 / 0 / 63 / 21

HEX #03C94B

RGB 3 201 75

HSL 141.82, 0.97%, 0.4%

LAB 71.08, -67.44, 50.03

 

CMYK 100 / 0 / 69 / 28

HEX #00B738

RGB 0 183 56

HSL 138.36, 1%, 0.36%

LAB 65.08, -64.25, 51.4

 

CMYK 100 / 0 / 78 / 35

HEX #00A525

RGB 0 165 37

HSL 133.45, 1%, 0.32%

LAB 59.01, -60.61, 52.21

 

CMYK 100 / 0 / 88 / 42

HEX #009312

RGB 0 147 18

HSL 127.35, 1%, 0.29%

LAB 52.85, -56.54, 51.93

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

CMYK 91 / 0 / 81 / 14

HEX #14DB29

RGB 20 219 41

HSL 126.33, 0.83%, 0.47%

LAB 76.66, -74.75, 67.86

 

CMYK 75 / 0 / 91 / 14

HEX #36DB14

RGB 54 219 20

HSL 109.75, 0.83%, 0.47%

LAB 76.98, -72.17, 72.61

 

CMYK 51 / 0 / 91 / 14

HEX #6BDB14

RGB 107 219 20

HSL 93.77, 0.83%, 0.47%

LAB 78.37, -60.67, 74.33

 

CMYK 26 / 0 / 91 / 14

HEX #A1DB14

RGB 161 219 20

HSL 77.49, 0.83%, 0.47%

LAB 80.9, -42.49, 77.45

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

CMYK 91 / 0 / 32 / 14

HEX #14DB94

RGB 20 219 148

HSL 158.59, 0.83%, 0.47%

LAB 77.85, -60.46, 22.74

 

CMYK 91 / 0 / 8 / 14

HEX #14DBCA

RGB 20 219 202

HSL 174.87, 0.83%, 0.47%

LAB 79.09, -47.15, -4.11

 

CMYK 91 / 16 / 0 / 14

HEX #14B7DB

RGB 20 183 219

HSL 190.85, 0.83%, 0.47%

LAB 68.85, -25.25, -28.75

 

CMYK 91 / 41 / 0 / 14

HEX #1482DB

RGB 20 130 219

HSL 206.83, 0.83%, 0.47%

LAB 53.2, 4.28, -53.31

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

CMYK 100 / 0 / 63 / 6

HEX #01EF59

RGB 1 239 89

HSL 142.18, 0.99%, 0.47%

LAB 83.16, -77.11, 57.68

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

CMYK 80 / 0 / 51 / 22

HEX #28C863

RGB 40 200 99

HSL 142.13, 0.67%, 0.47%

LAB 71.32, -61.33, 39.22

 

CMYK 67 / 0 / 43 / 29

HEX #3BB568

RGB 59 181 104

HSL 142.13, 0.51%, 0.47%

LAB 65.73, -50.85, 29.64

 

CMYK 51 / 0 / 32 / 37

HEX #4FA16D

RGB 79 161 109

HSL 141.95, 0.34%, 0.47%

LAB 60.12, -37.14, 19.61

 

CMYK 31 / 0 / 20 / 44

HEX #628E72

RGB 98 142 114

HSL 141.82, 0.18%, 0.47%

LAB 55.23, -21.26, 10.17

 

CMYK 75 / 0 / 91 / 14

HEX #36DB14

RGB 54 219 20

HSL 109.75, 0.83%, 0.47%

LAB 76.98, -72.17, 72.61

 

CMYK 91 / 0 / 82 / 14

HEX #14DB28

RGB 20 219 40

HSL 126.03, 0.83%, 0.47%

LAB 76.66, -74.8, 68.12

 

CMYK 91 / 0 / 58 / 14

HEX #14DB5D

RGB 20 219 93

HSL 142.01, 0.83%, 0.47%

LAB 77.04, -69.96, 48.93

 

CMYK 91 / 0 / 33 / 14

HEX #14DB92

RGB 20 219 146

HSL 157.99, 0.83%, 0.47%

LAB 77.81, -60.88, 23.73

 

CMYK 91 / 0 / 9 / 14

HEX #14DBC7

RGB 20 219 199

HSL 173.97, 0.83%, 0.47%

LAB 79, -47.98, -2.63

 

CMYK 91 / 0 / 57 / 44

HEX #0D903E

RGB 13 144 62

HSL 142.44, 0.83%, 0.31%

LAB 52.26, -50.51, 34.24

 

CMYK 91 / 0 / 57 / 29

HEX #11B64E

RGB 17 182 78

HSL 142.18, 0.83%, 0.39%

LAB 65.06, -60.51, 41.72

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

CMYK 81 / 0 / 51 / 7

HEX #2DEC74

RGB 45 236 116

HSL 142.3, 0.83%, 0.55%

LAB 82.81, -70.18, 45.26

 

CMYK 65 / 0 / 41 / 6

HEX #53EF8D

RGB 83 239 141

HSL 142.31, 0.83%, 0.63%

LAB 84.74, -61.91, 35.68

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

CMYK 91 / 51 / 0 / 14

HEX #146BDB

RGB 20 107 219

HSL 213.77, 0.83%, 0.47%

LAB 46.68, 18.7, -63.8

 

CMYK 0 / 91 / 88 / 14

HEX #DB141B

RGB 219 20 27

HSL 357.89, 0.83%, 0.47%

LAB 46.5, 69.76, 50.97

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

CMYK 58 / 91 / 0 / 14

HEX #5D14DB

RGB 93 20 219

HSL 262.01, 0.83%, 0.47%

LAB 33.86, 69.8, -84.67

 

CMYK 0 / 58 / 91 / 14

HEX #DB5D14

RGB 219 93 20

HSL 22.01, 0.83%, 0.47%

LAB 55.01, 46.24, 59.84

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

CMYK 91 / 51 / 0 / 14

HEX #146BDB

RGB 20 107 219

HSL 213.77, 0.83%, 0.47%

LAB 46.68, 18.7, -63.8

 

CMYK 0 / 91 / 33 / 14

HEX #DB1492

RGB 219 20 146

HSL 322.01, 0.83%, 0.47%

LAB 49.05, 76.8, -16.18

 

CMYK 0 / 39 / 91 / 14

HEX #DB8514

RGB 219 133 20

HSL 34.07, 0.83%, 0.47%

LAB 63.25, 25.87, 65.85

 

CMYK 91 / 0 / 57 / 14

HEX #14DB5E

RGB 20 219 94

HSL 142.31, 0.83%, 0.47%

LAB 77.05, -69.83, 48.49

 

CMYK 91 / 79 / 0 / 14

HEX #142FDB

RGB 20 47 219

HSL 231.86, 0.83%, 0.47%

LAB 32.47, 55.7, -87.12

 

CMYK 0 / 91 / 33 / 14

HEX #DB1492

RGB 219 20 146

HSL 322.01, 0.83%, 0.47%

LAB 49.05, 76.8, -16.18

 

CMYK 0 / 12 / 91 / 14

HEX #DBC114

RGB 219 193 20

HSL 52.16, 0.83%, 0.47%

LAB 78.02, -5.97, 77.01

 

Description

Color code: HEX #14DB5E | qconv.com Color code: HEX #14DB5E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 219 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 219 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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