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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14D9B7 it is the complementary color #EB2648. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14D9B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14D9B7 shade: #19D9B2, #2AEBC5, #3BFDD8, #4CFFEB and #5DFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14D9B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14D9B7 shade: #14D9B7, #03C7A4, #00B591, #00A37E and #00916B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14D9B7 shade: #14D7B5, #14D781, #14D74C, #14D718 and #45D714

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14D9B7 shade: #14D7B5, #14C4D7, #148FD7, #145BD7 and #1426D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14D9B7 shade matches the following richer shades: #14D7B5 and #01EAC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14D9B7 shade: #14D7B5, #27C4A9, #3AB19C, #4D9E90 and #608B83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14D9B7 shade: #14D74B, #14D77F, #14D7B3, #14C6D7 and #1493D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14D9B7 shade: #0D8B75, #10B195, #14D7B5, #29EBCA and #4FEFD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14D9B7 shade: #14D9B7, #1714D7 and #D76514

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14D9B7 shade: #14D9B7, #B314D7 and #D7B314

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14D9B7 shade: #14D9B7, #1714D7, #D71438 and #D3D714

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14D9B7 shade: #14D9B7, #5214D7, #D71438 and #99D714

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 16 / 15

HEX #14D9B7

RGB 20 217 183

HSL 169.64, 0.83%, 0.46%

LAB 77.99, -51.42, 4.43

 

Complementary color

CMYK 0 / 84 / 69 / 8

HEX #EB2648

RGB 235 38 72

HSL 349.64, 0.83%, 0.54%

LAB 51.29, 72.15, 32.26

 

CMYK 88 / 0 / 18 / 15

HEX #19D9B2

RGB 25 217 178

HSL 167.81, 0.79%, 0.47%

LAB 77.9, -52.45, 6.98

 

CMYK 82 / 0 / 16 / 8

HEX #2AEBC5

RGB 42 235 197

HSL 168.19, 0.83%, 0.54%

LAB 83.93, -53.76, 5.63

 

CMYK 77 / 0 / 15 / 1

HEX #3BFDD8

RGB 59 253 216

HSL 168.56, 0.98%, 0.61%

LAB 89.92, -54.77, 4.39

 

CMYK 70 / 0 / 8 / 0

HEX #4CFFEB

RGB 76 255 235

HSL 173.3, 1%, 0.65%

LAB 91.26, -48.88, -3.48

 

CMYK 64 / 0 / 0 / 0

HEX #5DFFFE

RGB 93 255 254

HSL 179.63, 1%, 0.68%

LAB 92.13, -41.59, -11.99

 

CMYK 91 / 0 / 16 / 15

HEX #14D9B7

RGB 20 217 183

HSL 169.64, 0.83%, 0.46%

LAB 77.99, -51.42, 4.43

 

CMYK 98 / 0 / 18 / 22

HEX #03C7A4

RGB 3 199 164

HSL 169.29, 0.97%, 0.4%

LAB 71.92, -49.65, 5.89

 

CMYK 100 / 0 / 20 / 29

HEX #00B591

RGB 0 181 145

HSL 168.07, 1%, 0.35%

LAB 65.82, -47.39, 7.52

 

CMYK 100 / 0 / 23 / 36

HEX #00A37E

RGB 0 163 126

HSL 166.38, 1%, 0.32%

LAB 59.62, -44.98, 9.23

 

CMYK 100 / 0 / 26 / 43

HEX #00916B

RGB 0 145 107

HSL 164.28, 1%, 0.28%

LAB 53.29, -42.51, 11.04

 

CMYK 91 / 0 / 16 / 16

HEX #14D7B5

RGB 20 215 181

HSL 169.54, 0.83%, 0.46%

LAB 77.33, -51.12, 4.55

 

CMYK 91 / 0 / 40 / 16

HEX #14D781

RGB 20 215 129

HSL 153.54, 0.83%, 0.46%

LAB 76.27, -62.87, 30.44

 

CMYK 91 / 0 / 65 / 16

HEX #14D74C

RGB 20 215 76

HSL 137.23, 0.83%, 0.46%

LAB 75.62, -70.78, 54.71

 

CMYK 91 / 0 / 89 / 16

HEX #14D718

RGB 20 215 24

HSL 121.23, 0.83%, 0.46%

LAB 75.34, -74.39, 70.41

 

CMYK 68 / 0 / 91 / 16

HEX #45D714

RGB 69 215 20

HSL 104.92, 0.83%, 0.46%

LAB 76.02, -68.43, 71.92

 

CMYK 91 / 0 / 16 / 16

HEX #14D7B5

RGB 20 215 181

HSL 169.54, 0.83%, 0.46%

LAB 77.33, -51.12, 4.55

 

CMYK 91 / 9 / 0 / 16

HEX #14C4D7

RGB 20 196 215

HSL 185.85, 0.83%, 0.46%

LAB 72.58, -32.93, -20.85

 

CMYK 91 / 33 / 0 / 16

HEX #148FD7

RGB 20 143 215

HSL 202.15, 0.83%, 0.46%

LAB 56.78, -4.98, -45.37

 

CMYK 91 / 58 / 0 / 16

HEX #145BD7

RGB 20 91 215

HSL 218.15, 0.83%, 0.46%

LAB 42.06, 27.52, -69.03

 

CMYK 91 / 82 / 0 / 16

HEX #1426D7

RGB 20 38 215

HSL 234.46, 0.83%, 0.46%

LAB 30.5, 58.81, -88.09

 

CMYK 91 / 0 / 16 / 16

HEX #14D7B5

RGB 20 215 181

HSL 169.54, 0.83%, 0.46%

LAB 77.33, -51.12, 4.55

 

CMYK 100 / 0 / 18 / 8

HEX #01EAC1

RGB 1 234 193

HSL 169.44, 0.99%, 0.46%

LAB 83.29, -56.22, 6.76

 

CMYK 91 / 0 / 16 / 16

HEX #14D7B5

RGB 20 215 181

HSL 169.54, 0.83%, 0.46%

LAB 77.33, -51.12, 4.55

 

CMYK 80 / 0 / 14 / 23

HEX #27C4A9

RGB 39 196 169

HSL 169.68, 0.67%, 0.46%

LAB 71.4, -45.08, 2.46

 

CMYK 67 / 0 / 12 / 31

HEX #3AB19C

RGB 58 177 156

HSL 169.41, 0.51%, 0.46%

LAB 65.55, -37.83, 1.13

 

CMYK 51 / 0 / 9 / 38

HEX #4D9E90

RGB 77 158 144

HSL 169.63, 0.34%, 0.46%

LAB 59.93, -28.3, -0.27

 

CMYK 31 / 0 / 6 / 45

HEX #608B83

RGB 96 139 131

HSL 168.84, 0.18%, 0.46%

LAB 54.65, -16.57, -0.46

 

CMYK 91 / 0 / 65 / 16

HEX #14D74B

RGB 20 215 75

HSL 136.92, 0.83%, 0.46%

LAB 75.61, -70.89, 55.11

 

CMYK 91 / 0 / 41 / 16

HEX #14D77F

RGB 20 215 127

HSL 152.92, 0.83%, 0.46%

LAB 76.24, -63.25, 31.42

 

CMYK 91 / 0 / 17 / 16

HEX #14D7B3

RGB 20 215 179

HSL 168.92, 0.83%, 0.46%

LAB 77.28, -51.64, 5.55

 

CMYK 91 / 8 / 0 / 16

HEX #14C6D7

RGB 20 198 215

HSL 185.23, 0.83%, 0.46%

LAB 73.18, -33.88, -19.94

 

CMYK 91 / 32 / 0 / 16

HEX #1493D7

RGB 20 147 215

HSL 200.92, 0.83%, 0.46%

LAB 57.96, -7.28, -43.5

 

CMYK 91 / 0 / 16 / 45

HEX #0D8B75

RGB 13 139 117

HSL 169.52, 0.83%, 0.3%

LAB 51.65, -36.59, 2.96

 

CMYK 91 / 0 / 16 / 31

HEX #10B195

RGB 16 177 149

HSL 169.57, 0.83%, 0.38%

LAB 64.74, -44.04, 3.77

 

CMYK 91 / 0 / 16 / 16

HEX #14D7B5

RGB 20 215 181

HSL 169.54, 0.83%, 0.46%

LAB 77.33, -51.12, 4.55

 

CMYK 83 / 0 / 14 / 8

HEX #29EBCA

RGB 41 235 202

HSL 169.79, 0.83%, 0.54%

LAB 84.05, -52.57, 3.16

 

CMYK 67 / 0 / 12 / 6

HEX #4FEFD3

RGB 79 239 211

HSL 169.5, 0.83%, 0.62%

LAB 86.06, -47.76, 1.43

 

CMYK 91 / 0 / 16 / 15

HEX #14D9B7

RGB 20 217 183

HSL 169.64, 0.83%, 0.46%

LAB 77.99, -51.42, 4.43

 

CMYK 89 / 91 / 0 / 16

HEX #1714D7

RGB 23 20 215

HSL 240.92, 0.83%, 0.46%

LAB 28.35, 65.58, -91.67

 

CMYK 0 / 53 / 91 / 16

HEX #D76514

RGB 215 101 20

HSL 24.92, 0.83%, 0.46%

LAB 55.89, 40.85, 60.19

 

CMYK 91 / 0 / 16 / 15

HEX #14D9B7

RGB 20 217 183

HSL 169.64, 0.83%, 0.46%

LAB 77.99, -51.42, 4.43

 

CMYK 17 / 91 / 0 / 16

HEX #B314D7

RGB 179 20 215

HSL 288.92, 0.83%, 0.46%

LAB 45.62, 78.96, -62.63

 

CMYK 0 / 17 / 91 / 16

HEX #D7B314

RGB 215 179 20

HSL 48.92, 0.83%, 0.46%

LAB 74.02, -0.44, 73.78

 

CMYK 91 / 0 / 16 / 15

HEX #14D9B7

RGB 20 217 183

HSL 169.64, 0.83%, 0.46%

LAB 77.99, -51.42, 4.43

 

CMYK 89 / 91 / 0 / 16

HEX #1714D7

RGB 23 20 215

HSL 240.92, 0.83%, 0.46%

LAB 28.35, 65.58, -91.67

 

CMYK 0 / 91 / 74 / 16

HEX #D71438

RGB 215 20 56

HSL 348.92, 0.83%, 0.46%

LAB 45.95, 69.53, 34.47

 

CMYK 2 / 0 / 91 / 16

HEX #D3D714

RGB 211 215 20

HSL 61.23, 0.83%, 0.46%

LAB 83.18, -20.42, 80.7

 

CMYK 91 / 0 / 16 / 15

HEX #14D9B7

RGB 20 217 183

HSL 169.64, 0.83%, 0.46%

LAB 77.99, -51.42, 4.43

 

CMYK 62 / 91 / 0 / 16

HEX #5214D7

RGB 82 20 215

HSL 259.08, 0.83%, 0.46%

LAB 32.26, 68.04, -85.06

 

CMYK 0 / 91 / 74 / 16

HEX #D71438

RGB 215 20 56

HSL 348.92, 0.83%, 0.46%

LAB 45.95, 69.53, 34.47

 

CMYK 29 / 0 / 91 / 16

HEX #99D714

RGB 153 215 20

HSL 79.08, 0.83%, 0.46%

LAB 79.28, -43.78, 75.95

 

Description

Color code: HEX #14D9B7 | qconv.com Color code: HEX #14D9B7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 217 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 217 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 16 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 16% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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