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Color name
HEX #14D93C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14D93C it is the complementary color #EB26C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14D93C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14D93C shade: #19D937, #2AEB4A, #3BFD5D, #4CFF70 and #5DFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14D93C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14D93C shade: #14D93C, #03C729, #00B516, #00A303 and #009100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14D93C shade: #14D73B, #21D714, #55D714, #8AD714 and #BED714

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14D93C shade: #14D73B, #14D770, #14D7A4, #14D4D7 and #14A0D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14D93C shade matches the following richer shades: #14D73B and #01EA30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14D93C shade: #14D73B, #27C447, #3AB152, #4D9E5D and #608B69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14D93C shade: #55D714, #21D714, #14D73B, #14D76F and #14D7A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14D93C shade: #0D8B27, #10B131, #14D73B, #29EB50 and #4FEF6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14D93C shade: #14D93C, #1489D7 and #D7143B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14D93C shade: #14D93C, #3B14D7 and #D73B14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14D93C shade: #14D93C, #1489D7, #D714B0 and #D76214

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14D93C shade: #14D93C, #144ED7, #D714B0 and #D79C14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 72 / 15

HEX #14D93C

RGB 20 217 60

HSL 132.18, 0.83%, 0.46%

LAB 76.13, -72.89, 61.44

 

Complementary color

CMYK 0 / 84 / 17 / 8

HEX #EB26C3

RGB 235 38 195

HSL 312.18, 0.83%, 0.54%

LAB 55.06, 82.84, -35.5

 

CMYK 88 / 0 / 75 / 15

HEX #19D937

RGB 25 217 55

HSL 129.38, 0.79%, 0.47%

LAB 76.14, -72.96, 63.18

 

CMYK 82 / 0 / 69 / 8

HEX #2AEB4A

RGB 42 235 74

HSL 129.95, 0.83%, 0.54%

LAB 82.06, -75.19, 62.53

 

CMYK 77 / 0 / 63 / 1

HEX #3BFD5D

RGB 59 253 93

HSL 130.52, 0.98%, 0.61%

LAB 87.95, -76.84, 61.52

 

CMYK 70 / 0 / 56 / 0

HEX #4CFF70

RGB 76 255 112

HSL 132.07, 1%, 0.65%

LAB 89.03, -72.89, 54.72

 

CMYK 64 / 0 / 49 / 0

HEX #5DFF83

RGB 93 255 131

HSL 134.07, 1%, 0.68%

LAB 89.62, -67.39, 46.81

 

CMYK 91 / 0 / 72 / 15

HEX #14D93C

RGB 20 217 60

HSL 132.18, 0.83%, 0.46%

LAB 76.13, -72.89, 61.44

 

CMYK 98 / 0 / 79 / 22

HEX #03C729

RGB 3 199 41

HSL 131.63, 0.97%, 0.4%

LAB 70.19, -69.92, 61.76

 

CMYK 100 / 0 / 88 / 29

HEX #00B516

RGB 0 181 22

HSL 127.29, 1%, 0.35%

LAB 64.25, -66.02, 61.12

 

CMYK 100 / 0 / 98 / 36

HEX #00A303

RGB 0 163 3

HSL 121.1, 1%, 0.32%

LAB 58.23, -61.58, 59.08

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 91 / 0 / 73 / 16

HEX #14D73B

RGB 20 215 59

HSL 132, 0.83%, 0.46%

LAB 75.49, -72.39, 61.14

 

CMYK 85 / 0 / 91 / 16

HEX #21D714

RGB 33 215 20

HSL 116, 0.83%, 0.46%

LAB 75.44, -73.53, 71.19

 

CMYK 60 / 0 / 91 / 16

HEX #55D714

RGB 85 215 20

HSL 100, 0.83%, 0.46%

LAB 76.43, -65.01, 72.43

 

CMYK 36 / 0 / 91 / 16

HEX #8AD714

RGB 138 215 20

HSL 83.69, 0.83%, 0.46%

LAB 78.49, -49.23, 74.98

 

CMYK 12 / 0 / 91 / 16

HEX #BED714

RGB 190 215 20

HSL 67.69, 0.83%, 0.46%

LAB 81.62, -29.17, 78.81

 

CMYK 91 / 0 / 73 / 16

HEX #14D73B

RGB 20 215 59

HSL 132, 0.83%, 0.46%

LAB 75.49, -72.39, 61.14

 

CMYK 91 / 0 / 48 / 16

HEX #14D770

RGB 20 215 112

HSL 148.31, 0.83%, 0.46%

LAB 76.02, -65.88, 38.66

 

CMYK 91 / 0 / 24 / 16

HEX #14D7A4

RGB 20 215 164

HSL 164.31, 0.83%, 0.46%

LAB 76.94, -55.36, 13.05

 

CMYK 91 / 1 / 0 / 16

HEX #14D4D7

RGB 20 212 215

HSL 180.92, 0.83%, 0.46%

LAB 77.37, -40.35, -13.63

 

CMYK 91 / 26 / 0 / 16

HEX #14A0D7

RGB 20 160 215

HSL 196.92, 0.83%, 0.46%

LAB 61.82, -14.55, -37.44

 

CMYK 91 / 0 / 73 / 16

HEX #14D73B

RGB 20 215 59

HSL 132, 0.83%, 0.46%

LAB 75.49, -72.39, 61.14

 

CMYK 100 / 0 / 79 / 8

HEX #01EA30

RGB 1 234 48

HSL 132.1, 0.99%, 0.46%

LAB 81.33, -79.2, 70.3

 

CMYK 91 / 0 / 73 / 16

HEX #14D73B

RGB 20 215 59

HSL 132, 0.83%, 0.46%

LAB 75.49, -72.39, 61.14

 

CMYK 80 / 0 / 64 / 23

HEX #27C447

RGB 39 196 71

HSL 132.23, 0.67%, 0.46%

LAB 69.73, -63.86, 50.33

 

CMYK 67 / 0 / 54 / 31

HEX #3AB152

RGB 58 177 82

HSL 132.1, 0.51%, 0.46%

LAB 64.12, -53.05, 38.8

 

CMYK 51 / 0 / 41 / 38

HEX #4D9E5D

RGB 77 158 93

HSL 131.85, 0.34%, 0.46%

LAB 58.81, -39.29, 26.56

 

CMYK 31 / 0 / 24 / 45

HEX #608B69

RGB 96 139 105

HSL 132.56, 0.18%, 0.46%

LAB 54, -22.19, 13.56

 

CMYK 60 / 0 / 91 / 16

HEX #55D714

RGB 85 215 20

HSL 100, 0.83%, 0.46%

LAB 76.43, -65.01, 72.43

 

CMYK 85 / 0 / 91 / 16

HEX #21D714

RGB 33 215 20

HSL 116, 0.83%, 0.46%

LAB 75.44, -73.53, 71.19

 

CMYK 91 / 0 / 73 / 16

HEX #14D73B

RGB 20 215 59

HSL 132, 0.83%, 0.46%

LAB 75.49, -72.39, 61.14

 

CMYK 91 / 0 / 48 / 16

HEX #14D76F

RGB 20 215 111

HSL 148, 0.83%, 0.46%

LAB 76.01, -66.05, 39.14

 

CMYK 91 / 0 / 24 / 16

HEX #14D7A3

RGB 20 215 163

HSL 164, 0.83%, 0.46%

LAB 76.92, -55.59, 13.55

 

CMYK 91 / 0 / 72 / 45

HEX #0D8B27

RGB 13 139 39

HSL 132.38, 0.83%, 0.3%

LAB 50.33, -51.73, 42.68

 

CMYK 91 / 0 / 72 / 31

HEX #10B131

RGB 16 177 49

HSL 132.3, 0.83%, 0.38%

LAB 63.16, -62.33, 52.12

 

CMYK 91 / 0 / 73 / 16

HEX #14D73B

RGB 20 215 59

HSL 132, 0.83%, 0.46%

LAB 75.49, -72.39, 61.14

 

CMYK 83 / 0 / 66 / 8

HEX #29EB50

RGB 41 235 80

HSL 132.06, 0.83%, 0.54%

LAB 82.09, -74.72, 60.24

 

CMYK 67 / 0 / 54 / 6

HEX #4FEF6F

RGB 79 239 111

HSL 132, 0.83%, 0.62%

LAB 84.25, -67.15, 49.48

 

CMYK 91 / 0 / 72 / 15

HEX #14D93C

RGB 20 217 60

HSL 132.18, 0.83%, 0.46%

LAB 76.13, -72.89, 61.44

 

CMYK 91 / 36 / 0 / 16

HEX #1489D7

RGB 20 137 215

HSL 204, 0.83%, 0.46%

LAB 55.02, -1.46, -48.16

 

CMYK 0 / 91 / 73 / 16

HEX #D7143B

RGB 215 20 59

HSL 348, 0.83%, 0.46%

LAB 45.99, 69.64, 32.72

 

CMYK 91 / 0 / 72 / 15

HEX #14D93C

RGB 20 217 60

HSL 132.18, 0.83%, 0.46%

LAB 76.13, -72.89, 61.44

 

CMYK 73 / 91 / 0 / 16

HEX #3B14D7

RGB 59 20 215

HSL 252, 0.83%, 0.46%

LAB 30.25, 66.72, -88.46

 

CMYK 0 / 73 / 91 / 16

HEX #D73B14

RGB 215 59 20

HSL 12, 0.83%, 0.46%

LAB 49.04, 59.01, 55.31

 

CMYK 91 / 0 / 72 / 15

HEX #14D93C

RGB 20 217 60

HSL 132.18, 0.83%, 0.46%

LAB 76.13, -72.89, 61.44

 

CMYK 91 / 36 / 0 / 16

HEX #1489D7

RGB 20 137 215

HSL 204, 0.83%, 0.46%

LAB 55.02, -1.46, -48.16

 

CMYK 0 / 91 / 18 / 16

HEX #D714B0

RGB 215 20 176

HSL 312, 0.83%, 0.46%

LAB 49.6, 79.4, -33.25

 

CMYK 0 / 54 / 91 / 16

HEX #D76214

RGB 215 98 20

HSL 24, 0.83%, 0.46%

LAB 55.31, 42.33, 59.77

 

CMYK 91 / 0 / 72 / 15

HEX #14D93C

RGB 20 217 60

HSL 132.18, 0.83%, 0.46%

LAB 76.13, -72.89, 61.44

 

CMYK 91 / 64 / 0 / 16

HEX #144ED7

RGB 20 78 215

HSL 222.15, 0.83%, 0.46%

LAB 38.73, 35.95, -74.48

 

CMYK 0 / 91 / 18 / 16

HEX #D714B0

RGB 215 20 176

HSL 312, 0.83%, 0.46%

LAB 49.6, 79.4, -33.25

 

CMYK 0 / 27 / 91 / 16

HEX #D79C14

RGB 215 156 20

HSL 41.85, 0.83%, 0.46%

LAB 68.22, 11.79, 69.36

 

Description

Color code: HEX #14D93C | qconv.com Color code: HEX #14D93C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 217 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 217 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 72 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 72% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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