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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14D87B it is the complementary color #EB2784. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14D87B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14D87B shade: #19D876, #2AEA89, #3BFC9C, #4CFFAF and #5DFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14D87B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14D87B shade: #14D87B, #03C668, #00B455, #00A242 and #00902F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14D87B shade: #14D77A, #14D746, #17D714, #4BD714 and #80D714

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14D87B shade: #14D77A, #14D7AF, #14CAD7, #1496D7 and #1461D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14D87B shade matches the following richer shades: #14D77A and #01EA7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14D87B shade: #14D77A, #27C479, #3AB178, #4D9E77 and #608B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14D87B shade: #17D714, #14D745, #14D779, #14D7AC and #14CDD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14D87B shade: #0D8B4F, #10B165, #14D77A, #29EB8F and #4FEFA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14D87B shade: #14D87B, #144BD7 and #D72B14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14D87B shade: #14D87B, #7914D7 and #D77914

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14D87B shade: #14D87B, #144BD7, #D71472 and #D79F14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14D87B shade: #14D87B, #1714D7, #D71472 and #D3D714

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 43 / 15

HEX #14D87B

RGB 20 216 123

HSL 151.53, 0.83%, 0.46%

LAB 76.49, -64.32, 33.78

 

Complementary color

CMYK 0 / 83 / 44 / 8

HEX #EB2784

RGB 235 39 132

HSL 331.53, 0.83%, 0.54%

LAB 52.71, 75.87, -1.98

 

CMYK 88 / 0 / 45 / 15

HEX #19D876

RGB 25 216 118

HSL 149.21, 0.79%, 0.47%

LAB 76.45, -64.91, 36.24

 

CMYK 82 / 0 / 41 / 8

HEX #2AEA89

RGB 42 234 137

HSL 149.69, 0.82%, 0.54%

LAB 82.46, -66.36, 34.56

 

CMYK 77 / 0 / 38 / 1

HEX #3BFC9C

RGB 59 252 156

HSL 150.16, 0.97%, 0.61%

LAB 88.42, -67.42, 32.98

 

CMYK 70 / 0 / 31 / 0

HEX #4CFFAF

RGB 76 255 175

HSL 153.18, 1%, 0.65%

LAB 89.93, -62.67, 25.5

 

CMYK 64 / 0 / 24 / 0

HEX #5DFFC2

RGB 93 255 194

HSL 157.41, 1%, 0.68%

LAB 90.66, -56.09, 16.88

 

CMYK 91 / 0 / 43 / 15

HEX #14D87B

RGB 20 216 123

HSL 151.53, 0.83%, 0.46%

LAB 76.49, -64.32, 33.78

 

CMYK 98 / 0 / 47 / 22

HEX #03C668

RGB 3 198 104

HSL 151.08, 0.97%, 0.39%

LAB 70.46, -62.32, 35.59

 

CMYK 100 / 0 / 53 / 29

HEX #00B455

RGB 0 180 85

HSL 148.33, 1%, 0.35%

LAB 64.4, -59.64, 37.5

 

CMYK 100 / 0 / 59 / 36

HEX #00A242

RGB 0 162 66

HSL 144.44, 1%, 0.32%

LAB 58.26, -56.63, 39.37

 

CMYK 100 / 0 / 67 / 44

HEX #00902F

RGB 0 144 47

HSL 139.58, 1%, 0.28%

LAB 52.01, -53.33, 41.04

 

CMYK 91 / 0 / 43 / 16

HEX #14D77A

RGB 20 215 122

HSL 151.38, 0.83%, 0.46%

LAB 76.16, -64.16, 33.86

 

CMYK 91 / 0 / 67 / 16

HEX #14D746

RGB 20 215 70

HSL 135.38, 0.83%, 0.46%

LAB 75.57, -71.4, 57.09

 

CMYK 89 / 0 / 91 / 16

HEX #17D714

RGB 23 215 20

HSL 119.08, 0.83%, 0.46%

LAB 75.35, -74.32, 71.09

 

CMYK 65 / 0 / 91 / 16

HEX #4BD714

RGB 75 215 20

HSL 103.08, 0.83%, 0.46%

LAB 76.16, -67.23, 72.1

 

CMYK 40 / 0 / 91 / 16

HEX #80D714

RGB 128 215 20

HSL 86.77, 0.83%, 0.46%

LAB 78.02, -52.66, 74.39

 

CMYK 91 / 0 / 43 / 16

HEX #14D77A

RGB 20 215 122

HSL 151.38, 0.83%, 0.46%

LAB 76.16, -64.16, 33.86

 

CMYK 91 / 0 / 19 / 16

HEX #14D7AF

RGB 20 215 175

HSL 167.69, 0.83%, 0.46%

LAB 77.19, -52.66, 7.55

 

CMYK 91 / 6 / 0 / 16

HEX #14CAD7

RGB 20 202 215

HSL 184, 0.83%, 0.46%

LAB 74.38, -35.76, -18.13

 

CMYK 91 / 30 / 0 / 16

HEX #1496D7

RGB 20 150 215

HSL 200, 0.83%, 0.46%

LAB 58.85, -8.99, -42.1

 

CMYK 91 / 55 / 0 / 16

HEX #1461D7

RGB 20 97 215

HSL 216.31, 0.83%, 0.46%

LAB 43.66, 23.61, -66.42

 

CMYK 91 / 0 / 43 / 16

HEX #14D77A

RGB 20 215 122

HSL 151.38, 0.83%, 0.46%

LAB 76.16, -64.16, 33.86

 

CMYK 100 / 0 / 47 / 8

HEX #01EA7B

RGB 1 234 123

HSL 151.42, 0.99%, 0.46%

LAB 81.99, -70.92, 40.81

 

CMYK 91 / 0 / 43 / 16

HEX #14D77A

RGB 20 215 122

HSL 151.38, 0.83%, 0.46%

LAB 76.16, -64.16, 33.86

 

CMYK 80 / 0 / 38 / 23

HEX #27C479

RGB 39 196 121

HSL 151.34, 0.67%, 0.46%

LAB 70.38, -56.18, 26.8

 

CMYK 67 / 0 / 32 / 31

HEX #3AB178

RGB 58 177 120

HSL 151.26, 0.51%, 0.46%

LAB 64.72, -46.36, 19.77

 

CMYK 51 / 0 / 25 / 38

HEX #4D9E77

RGB 77 158 119

HSL 151.11, 0.34%, 0.46%

LAB 59.31, -34.23, 12.92

 

CMYK 31 / 0 / 15 / 45

HEX #608B76

RGB 96 139 118

HSL 150.7, 0.18%, 0.46%

LAB 54.3, -19.52, 6.54

 

CMYK 89 / 0 / 91 / 16

HEX #17D714

RGB 23 215 20

HSL 119.08, 0.83%, 0.46%

LAB 75.35, -74.32, 71.09

 

CMYK 91 / 0 / 68 / 16

HEX #14D745

RGB 20 215 69

HSL 135.08, 0.83%, 0.46%

LAB 75.56, -71.5, 57.48

 

CMYK 91 / 0 / 44 / 16

HEX #14D779

RGB 20 215 121

HSL 151.08, 0.83%, 0.46%

LAB 76.15, -64.34, 34.34

 

CMYK 91 / 0 / 20 / 16

HEX #14D7AC

RGB 20 215 172

HSL 166.77, 0.83%, 0.46%

LAB 77.12, -53.41, 9.05

 

CMYK 91 / 5 / 0 / 16

HEX #14CDD7

RGB 20 205 215

HSL 183.08, 0.83%, 0.46%

LAB 75.28, -37.16, -16.78

 

CMYK 91 / 0 / 43 / 45

HEX #0D8B4F

RGB 13 139 79

HSL 151.43, 0.83%, 0.3%

LAB 50.82, -45.77, 23.45

 

CMYK 91 / 0 / 43 / 31

HEX #10B165

RGB 16 177 101

HSL 151.68, 0.83%, 0.38%

LAB 63.75, -55.11, 28.51

 

CMYK 91 / 0 / 43 / 16

HEX #14D77A

RGB 20 215 122

HSL 151.38, 0.83%, 0.46%

LAB 76.16, -64.16, 33.86

 

CMYK 83 / 0 / 39 / 8

HEX #29EB8F

RGB 41 235 143

HSL 151.55, 0.83%, 0.54%

LAB 82.84, -65.7, 32.06

 

CMYK 67 / 0 / 32 / 6

HEX #4FEFA3

RGB 79 239 163

HSL 151.5, 0.83%, 0.62%

LAB 85.02, -58.54, 24.91

 

CMYK 91 / 0 / 43 / 15

HEX #14D87B

RGB 20 216 123

HSL 151.53, 0.83%, 0.46%

LAB 76.49, -64.32, 33.78

 

CMYK 91 / 65 / 0 / 16

HEX #144BD7

RGB 20 75 215

HSL 223.08, 0.83%, 0.46%

LAB 38, 37.87, -75.68

 

CMYK 0 / 80 / 91 / 16

HEX #D72B14

RGB 215 43 20

HSL 7.08, 0.83%, 0.46%

LAB 47.27, 63.95, 54.08

 

CMYK 91 / 0 / 43 / 15

HEX #14D87B

RGB 20 216 123

HSL 151.53, 0.83%, 0.46%

LAB 76.49, -64.32, 33.78

 

CMYK 44 / 91 / 0 / 16

HEX #7914D7

RGB 121 20 215

HSL 271.08, 0.83%, 0.46%

LAB 36.88, 71.45, -77.27

 

CMYK 0 / 44 / 91 / 16

HEX #D77914

RGB 215 121 20

HSL 31.08, 0.83%, 0.46%

LAB 60.04, 30.56, 63.24

 

CMYK 91 / 0 / 43 / 15

HEX #14D87B

RGB 20 216 123

HSL 151.53, 0.83%, 0.46%

LAB 76.49, -64.32, 33.78

 

CMYK 91 / 65 / 0 / 16

HEX #144BD7

RGB 20 75 215

HSL 223.08, 0.83%, 0.46%

LAB 38, 37.87, -75.68

 

CMYK 0 / 91 / 47 / 16

HEX #D71472

RGB 215 20 114

HSL 331.08, 0.83%, 0.46%

LAB 47.19, 72.97, 0.43

 

CMYK 0 / 26 / 91 / 16

HEX #D79F14

RGB 215 159 20

HSL 42.77, 0.83%, 0.46%

LAB 68.96, 10.18, 69.92

 

CMYK 91 / 0 / 43 / 15

HEX #14D87B

RGB 20 216 123

HSL 151.53, 0.83%, 0.46%

LAB 76.49, -64.32, 33.78

 

CMYK 89 / 91 / 0 / 16

HEX #1714D7

RGB 23 20 215

HSL 240.92, 0.83%, 0.46%

LAB 28.35, 65.58, -91.67

 

CMYK 0 / 91 / 47 / 16

HEX #D71472

RGB 215 20 114

HSL 331.08, 0.83%, 0.46%

LAB 47.19, 72.97, 0.43

 

CMYK 2 / 0 / 91 / 16

HEX #D3D714

RGB 211 215 20

HSL 61.23, 0.83%, 0.46%

LAB 83.18, -20.42, 80.7

 

Description

Color code: HEX #14D87B | qconv.com Color code: HEX #14D87B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 216 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 216 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 43 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 43% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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