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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14CE9B it is the complementary color #EB3164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14CE9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14CE9B shade: #19CE96, #2AE0A9, #3BF2BC, #4CFFCF and #5DFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14CE9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14CE9B shade: #14CE9B, #03BC88, #00AA75, #009862 and #00864F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14CE9B shade: #14CC9A, #14CC68, #14CC37, #23CC14 and #55CC14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14CE9B shade: #14CC9A, #14CCCB, #149BCC, #146ACC and #1438CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14CE9B shade matches the following richer shades: #14CC9A and #02DEA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14CE9B shade: #14CC9A, #26BA92, #39A889, #4B9681 and #5D8479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14CE9B shade: #14CC36, #14CC67, #14CC98, #14CCC9 and #149ECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14CE9B shade: #0D8161, #10A77D, #14CC9A, #21E9B2 and #46EDBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14CE9B shade: #14CE9B, #1424CC and #CC4E14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14CE9B shade: #14CE9B, #9814CC and #CC9814

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14CE9B shade: #14CE9B, #1424CC, #CC1448 and #CCBD14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14CE9B shade: #14CE9B, #3C14CC, #CC1448 and #A4CC14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 25 / 19

HEX #14CE9B

RGB 20 206 155

HSL 163.55, 0.82%, 0.44%

LAB 73.97, -54.02, 13.66

 

Complementary color

CMYK 0 / 79 / 57 / 8

HEX #EB3164

RGB 235 49 100

HSL 343.55, 0.82%, 0.56%

LAB 52.71, 71.09, 17.32

 

CMYK 88 / 0 / 27 / 19

HEX #19CE96

RGB 25 206 150

HSL 161.44, 0.78%, 0.45%

LAB 73.9, -54.91, 16.24

 

CMYK 81 / 0 / 25 / 12

HEX #2AE0A9

RGB 42 224 169

HSL 161.87, 0.75%, 0.52%

LAB 79.99, -56.16, 14.74

 

CMYK 76 / 0 / 22 / 5

HEX #3BF2BC

RGB 59 242 188

HSL 162.3, 0.88%, 0.59%

LAB 86.04, -57.08, 13.37

 

CMYK 70 / 0 / 19 / 0

HEX #4CFFCF

RGB 76 255 207

HSL 163.91, 1%, 0.65%

LAB 90.58, -55.76, 10.03

 

CMYK 64 / 0 / 11 / 0

HEX #5DFFE2

RGB 93 255 226

HSL 169.26, 1%, 0.68%

LAB 91.39, -48.76, 1.42

 

CMYK 90 / 0 / 25 / 19

HEX #14CE9B

RGB 20 206 155

HSL 163.55, 0.82%, 0.44%

LAB 73.97, -54.02, 13.66

 

CMYK 98 / 0 / 28 / 26

HEX #03BC88

RGB 3 188 136

HSL 163.14, 0.97%, 0.37%

LAB 67.85, -52.26, 15.3

 

CMYK 100 / 0 / 31 / 33

HEX #00AA75

RGB 0 170 117

HSL 161.29, 1%, 0.33%

LAB 61.68, -49.93, 17.11

 

CMYK 100 / 0 / 36 / 40

HEX #009862

RGB 0 152 98

HSL 158.68, 1%, 0.3%

LAB 55.42, -47.4, 19.04

 

CMYK 100 / 0 / 41 / 47

HEX #00864F

RGB 0 134 79

HSL 155.37, 1%, 0.26%

LAB 49.03, -44.74, 21.06

 

CMYK 90 / 0 / 25 / 20

HEX #14CC9A

RGB 20 204 154

HSL 163.7, 0.82%, 0.44%

LAB 73.33, -53.48, 13.3

 

CMYK 90 / 0 / 49 / 20

HEX #14CC68

RGB 20 204 104

HSL 147.39, 0.82%, 0.44%

LAB 72.45, -63.57, 38.12

 

CMYK 90 / 0 / 73 / 20

HEX #14CC37

RGB 20 204 55

HSL 131.41, 0.82%, 0.44%

LAB 71.97, -69.54, 58.97

 

CMYK 83 / 0 / 90 / 20

HEX #23CC14

RGB 35 204 20

HSL 115.11, 0.82%, 0.44%

LAB 71.96, -70.22, 68.25

 

CMYK 58 / 0 / 90 / 20

HEX #55CC14

RGB 85 204 20

HSL 98.8, 0.82%, 0.44%

LAB 73, -61.29, 69.55

 

CMYK 90 / 0 / 25 / 20

HEX #14CC9A

RGB 20 204 154

HSL 163.7, 0.82%, 0.44%

LAB 73.33, -53.48, 13.3

 

CMYK 90 / 0 / 0 / 20

HEX #14CCCB

RGB 20 204 203

HSL 179.67, 0.82%, 0.44%

LAB 74.6, -40.31, -11.3

 

CMYK 90 / 24 / 0 / 20

HEX #149BCC

RGB 20 155 204

HSL 195.98, 0.82%, 0.44%

LAB 59.84, -15.75, -34.39

 

CMYK 90 / 48 / 0 / 20

HEX #146ACC

RGB 20 106 204

HSL 211.96, 0.82%, 0.44%

LAB 45.38, 13.45, -57.34

 

CMYK 90 / 73 / 0 / 20

HEX #1438CC

RGB 20 56 204

HSL 228.26, 0.82%, 0.44%

LAB 32.56, 45.64, -78.29

 

CMYK 90 / 0 / 25 / 20

HEX #14CC9A

RGB 20 204 154

HSL 163.7, 0.82%, 0.44%

LAB 73.33, -53.48, 13.3

 

CMYK 99 / 0 / 27 / 13

HEX #02DEA2

RGB 2 222 162

HSL 163.64, 0.98%, 0.44%

LAB 78.96, -59.08, 16.94

 

CMYK 90 / 0 / 25 / 20

HEX #14CC9A

RGB 20 204 154

HSL 163.7, 0.82%, 0.44%

LAB 73.33, -53.48, 13.3

 

CMYK 80 / 0 / 22 / 27

HEX #26BA92

RGB 38 186 146

HSL 163.78, 0.66%, 0.44%

LAB 67.73, -46.87, 9.73

 

CMYK 66 / 0 / 18 / 34

HEX #39A889

RGB 57 168 137

HSL 163.24, 0.49%, 0.44%

LAB 62.24, -38.82, 6.92

 

CMYK 50 / 0 / 14 / 41

HEX #4B9681

RGB 75 150 129

HSL 163.2, 0.33%, 0.44%

LAB 56.97, -28.63, 3.94

 

CMYK 30 / 0 / 8 / 48

HEX #5D8479

RGB 93 132 121

HSL 163.08, 0.17%, 0.44%

LAB 52.07, -16.1, 1.57

 

CMYK 90 / 0 / 74 / 20

HEX #14CC36

RGB 20 204 54

HSL 131.09, 0.82%, 0.44%

LAB 71.96, -69.62, 59.31

 

CMYK 90 / 0 / 50 / 20

HEX #14CC67

RGB 20 204 103

HSL 147.07, 0.82%, 0.44%

LAB 72.44, -63.73, 38.59

 

CMYK 90 / 0 / 25 / 20

HEX #14CC98

RGB 20 204 152

HSL 163.04, 0.82%, 0.44%

LAB 73.29, -53.96, 14.31

 

CMYK 90 / 0 / 1 / 20

HEX #14CCC9

RGB 20 204 201

HSL 179.02, 0.82%, 0.44%

LAB 74.54, -40.9, -10.31

 

CMYK 90 / 23 / 0 / 20

HEX #149ECC

RGB 20 158 204

HSL 195, 0.82%, 0.44%

LAB 60.75, -17.37, -32.98

 

CMYK 90 / 0 / 25 / 49

HEX #0D8161

RGB 13 129 97

HSL 163.45, 0.82%, 0.28%

LAB 47.81, -37.66, 9.11

 

CMYK 90 / 0 / 25 / 35

HEX #10A77D

RGB 16 167 125

HSL 163.31, 0.83%, 0.36%

LAB 60.98, -46.11, 11.73

 

CMYK 90 / 0 / 25 / 20

HEX #14CC9A

RGB 20 204 154

HSL 163.7, 0.82%, 0.44%

LAB 73.33, -53.48, 13.3

 

CMYK 86 / 0 / 24 / 9

HEX #21E9B2

RGB 33 233 178

HSL 163.5, 0.82%, 0.52%

LAB 82.82, -58.23, 13.98

 

CMYK 70 / 0 / 19 / 7

HEX #46EDBF

RGB 70 237 191

HSL 163.47, 0.82%, 0.6%

LAB 84.81, -53.04, 10.08

 

CMYK 90 / 0 / 25 / 19

HEX #14CE9B

RGB 20 206 155

HSL 163.55, 0.82%, 0.44%

LAB 73.97, -54.02, 13.66

 

CMYK 90 / 82 / 0 / 20

HEX #1424CC

RGB 20 36 204

HSL 234.78, 0.82%, 0.44%

LAB 28.82, 56.35, -84.48

 

CMYK 0 / 62 / 90 / 20

HEX #CC4E14

RGB 204 78 20

HSL 18.91, 0.82%, 0.44%

LAB 49.9, 47.65, 55.03

 

CMYK 90 / 0 / 25 / 19

HEX #14CE9B

RGB 20 206 155

HSL 163.55, 0.82%, 0.44%

LAB 73.97, -54.02, 13.66

 

CMYK 25 / 90 / 0 / 20

HEX #9814CC

RGB 152 20 204

HSL 283.04, 0.82%, 0.44%

LAB 40.47, 73.06, -64.85

 

CMYK 0 / 25 / 90 / 20

HEX #CC9814

RGB 204 152 20

HSL 43.04, 0.82%, 0.44%

LAB 66.02, 9.1, 67.15

 

CMYK 90 / 0 / 25 / 19

HEX #14CE9B

RGB 20 206 155

HSL 163.55, 0.82%, 0.44%

LAB 73.97, -54.02, 13.66

 

CMYK 90 / 82 / 0 / 20

HEX #1424CC

RGB 20 36 204

HSL 234.78, 0.82%, 0.44%

LAB 28.82, 56.35, -84.48

 

CMYK 0 / 90 / 65 / 20

HEX #CC1448

RGB 204 20 72

HSL 343.04, 0.82%, 0.44%

LAB 43.95, 67.49, 21.72

 

CMYK 0 / 7 / 90 / 20

HEX #CCBD14

RGB 204 189 20

HSL 55.11, 0.82%, 0.44%

LAB 75.63, -10.44, 74.57

 

CMYK 90 / 0 / 25 / 19

HEX #14CE9B

RGB 20 206 155

HSL 163.55, 0.82%, 0.44%

LAB 73.97, -54.02, 13.66

 

CMYK 71 / 90 / 0 / 20

HEX #3C14CC

RGB 60 20 204

HSL 253.04, 0.82%, 0.44%

LAB 28.96, 63.93, -84.21

 

CMYK 0 / 90 / 65 / 20

HEX #CC1448

RGB 204 20 72

HSL 343.04, 0.82%, 0.44%

LAB 43.95, 67.49, 21.72

 

CMYK 20 / 0 / 90 / 20

HEX #A4CC14

RGB 164 204 20

HSL 73.04, 0.82%, 0.44%

LAB 76.76, -34.64, 74.18

 

Description

Color code: HEX #14CE9B | qconv.com Color code: HEX #14CE9B | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 206 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 206 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 25 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 25% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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