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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14CD34 it is the complementary color #EB32CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14CD34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14CD34 shade: #19CD2F, #2ADF42, #3BF155, #4CFF68 and #5DFF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14CD34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14CD34 shade: #14CD34, #03BB21, #00A90E, #009700 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14CD34 shade: #14CC34, #26CC14, #58CC14, #89CC14 and #BBCC14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14CD34 shade: #14CC34, #14CC66, #14CC97, #14CCC9 and #149ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14CD34 shade matches the following richer shades: #14CC34 and #02DE28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14CD34 shade: #14CC34, #26BA40, #39A84C, #4B9658 and #5D8464

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14CD34 shade: #58CC14, #27CC14, #14CC33, #14CC64 and #14CC95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14CD34 shade: #0D8121, #10A72A, #14CC34, #21E943 and #46ED63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14CD34 shade: #14CD34, #1489CC and #CC143F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14CD34 shade: #14CD34, #3314CC and #CC3314

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14CD34 shade: #14CD34, #1489CC, #CC14AE and #CC5814

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14CD34 shade: #14CD34, #1452CC, #CC14AE and #CC8F14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 75 / 20

HEX #14CD34

RGB 20 205 52

HSL 130.38, 0.82%, 0.44%

LAB 72.27, -70.07, 60.31

 

Complementary color

CMYK 0 / 79 / 14 / 8

HEX #EB32CB

RGB 235 50 203

HSL 310.38, 0.82%, 0.56%

LAB 56.34, 81.26, -38.09

 

CMYK 88 / 0 / 77 / 20

HEX #19CD2F

RGB 25 205 47

HSL 127.33, 0.78%, 0.45%

LAB 72.28, -70.09, 61.98

 

CMYK 81 / 0 / 70 / 13

HEX #2ADF42

RGB 42 223 66

HSL 127.96, 0.74%, 0.52%

LAB 78.26, -72.33, 61.53

 

CMYK 76 / 0 / 65 / 5

HEX #3BF155

RGB 59 241 85

HSL 128.57, 0.87%, 0.59%

LAB 84.22, -73.96, 60.64

 

CMYK 70 / 0 / 59 / 0

HEX #4CFF68

RGB 76 255 104

HSL 129.39, 1%, 0.65%

LAB 88.95, -73.84, 58.12

 

CMYK 64 / 0 / 52 / 0

HEX #5DFF7B

RGB 93 255 123

HSL 131.11, 1%, 0.68%

LAB 89.52, -68.49, 50.42

 

CMYK 90 / 0 / 75 / 20

HEX #14CD34

RGB 20 205 52

HSL 130.38, 0.82%, 0.44%

LAB 72.27, -70.07, 60.31

 

CMYK 98 / 0 / 82 / 27

HEX #03BB21

RGB 3 187 33

HSL 129.78, 0.97%, 0.37%

LAB 66.27, -67.03, 60.33

 

CMYK 100 / 0 / 92 / 34

HEX #00A90E

RGB 0 169 14

HSL 124.97, 1%, 0.33%

LAB 60.26, -62.96, 59.16

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 90 / 0 / 75 / 20

HEX #14CC34

RGB 20 204 52

HSL 130.43, 0.82%, 0.44%

LAB 71.95, -69.78, 59.99

 

CMYK 81 / 0 / 90 / 20

HEX #26CC14

RGB 38 204 20

HSL 114.13, 0.82%, 0.44%

LAB 71.99, -69.89, 68.3

 

CMYK 57 / 0 / 90 / 20

HEX #58CC14

RGB 88 204 20

HSL 97.83, 0.82%, 0.44%

LAB 73.1, -60.53, 69.67

 

CMYK 33 / 0 / 90 / 20

HEX #89CC14

RGB 137 204 20

HSL 81.85, 0.82%, 0.44%

LAB 75.17, -45.02, 72.24

 

CMYK 8 / 0 / 90 / 20

HEX #BBCC14

RGB 187 204 20

HSL 65.54, 0.82%, 0.44%

LAB 78.35, -25.18, 76.12

 

CMYK 90 / 0 / 75 / 20

HEX #14CC34

RGB 20 204 52

HSL 130.43, 0.82%, 0.44%

LAB 71.95, -69.78, 59.99

 

CMYK 90 / 0 / 50 / 20

HEX #14CC66

RGB 20 204 102

HSL 146.74, 0.82%, 0.44%

LAB 72.42, -63.89, 39.07

 

CMYK 90 / 0 / 26 / 20

HEX #14CC97

RGB 20 204 151

HSL 162.72, 0.82%, 0.44%

LAB 73.26, -54.19, 14.81

 

CMYK 90 / 0 / 1 / 20

HEX #14CCC9

RGB 20 204 201

HSL 179.02, 0.82%, 0.44%

LAB 74.54, -40.9, -10.31

 

CMYK 90 / 23 / 0 / 20

HEX #149ECC

RGB 20 158 204

HSL 195, 0.82%, 0.44%

LAB 60.75, -17.37, -32.98

 

CMYK 90 / 0 / 75 / 20

HEX #14CC34

RGB 20 204 52

HSL 130.43, 0.82%, 0.44%

LAB 71.95, -69.78, 59.99

 

CMYK 99 / 0 / 82 / 13

HEX #02DE28

RGB 2 222 40

HSL 130.36, 0.98%, 0.44%

LAB 77.52, -76.36, 68.88

 

CMYK 90 / 0 / 75 / 20

HEX #14CC34

RGB 20 204 52

HSL 130.43, 0.82%, 0.44%

LAB 71.95, -69.78, 59.99

 

CMYK 80 / 0 / 66 / 27

HEX #26BA40

RGB 38 186 64

HSL 130.54, 0.66%, 0.44%

LAB 66.44, -61.56, 49.67

 

CMYK 66 / 0 / 55 / 34

HEX #39A84C

RGB 57 168 76

HSL 130.27, 0.49%, 0.44%

LAB 61.13, -50.78, 38.13

 

CMYK 50 / 0 / 41 / 41

HEX #4B9658

RGB 75 150 88

HSL 130.4, 0.33%, 0.44%

LAB 56.1, -37.2, 25.71

 

CMYK 30 / 0 / 24 / 48

HEX #5D8464

RGB 93 132 100

HSL 130.77, 0.17%, 0.44%

LAB 51.55, -20.58, 13.01

 

CMYK 57 / 0 / 90 / 20

HEX #58CC14

RGB 88 204 20

HSL 97.83, 0.82%, 0.44%

LAB 73.1, -60.53, 69.67

 

CMYK 81 / 0 / 90 / 20

HEX #27CC14

RGB 39 204 20

HSL 113.8, 0.82%, 0.44%

LAB 72.01, -69.78, 68.31

 

CMYK 90 / 0 / 75 / 20

HEX #14CC33

RGB 20 204 51

HSL 130.11, 0.82%, 0.44%

LAB 71.94, -69.86, 60.33

 

CMYK 90 / 0 / 51 / 20

HEX #14CC64

RGB 20 204 100

HSL 146.09, 0.82%, 0.44%

LAB 72.4, -64.2, 40.02

 

CMYK 90 / 0 / 27 / 20

HEX #14CC95

RGB 20 204 149

HSL 162.07, 0.82%, 0.44%

LAB 73.22, -54.66, 15.82

 

CMYK 90 / 0 / 74 / 49

HEX #0D8121

RGB 13 129 33

HSL 130.34, 0.82%, 0.28%

LAB 46.84, -49.11, 41.47

 

CMYK 90 / 0 / 75 / 35

HEX #10A72A

RGB 16 167 42

HSL 130.33, 0.83%, 0.36%

LAB 59.81, -59.91, 51.29

 

CMYK 90 / 0 / 75 / 20

HEX #14CC34

RGB 20 204 52

HSL 130.43, 0.82%, 0.44%

LAB 71.95, -69.78, 59.99

 

CMYK 86 / 0 / 71 / 9

HEX #21E943

RGB 33 233 67

HSL 130.2, 0.82%, 0.52%

LAB 81.3, -76.02, 64.28

 

CMYK 70 / 0 / 58 / 7

HEX #46ED63

RGB 70 237 99

HSL 130.42, 0.82%, 0.6%

LAB 83.32, -69.52, 53.76

 

CMYK 90 / 0 / 75 / 20

HEX #14CD34

RGB 20 205 52

HSL 130.38, 0.82%, 0.44%

LAB 72.27, -70.07, 60.31

 

CMYK 90 / 33 / 0 / 20

HEX #1489CC

RGB 20 137 204

HSL 201.85, 0.82%, 0.44%

LAB 54.45, -5.6, -42.86

 

CMYK 0 / 90 / 69 / 20

HEX #CC143F

RGB 204 20 63

HSL 345.98, 0.82%, 0.44%

LAB 43.79, 67.04, 27.1

 

CMYK 90 / 0 / 75 / 20

HEX #14CD34

RGB 20 205 52

HSL 130.38, 0.82%, 0.44%

LAB 72.27, -70.07, 60.31

 

CMYK 75 / 90 / 0 / 20

HEX #3314CC

RGB 51 20 204

HSL 250.11, 0.82%, 0.44%

LAB 28.28, 63.49, -85.35

 

CMYK 0 / 75 / 90 / 20

HEX #CC3314

RGB 204 51 20

HSL 10.11, 0.82%, 0.44%

LAB 45.98, 58.29, 52.19

 

CMYK 90 / 0 / 75 / 20

HEX #14CD34

RGB 20 205 52

HSL 130.38, 0.82%, 0.44%

LAB 72.27, -70.07, 60.31

 

CMYK 90 / 33 / 0 / 20

HEX #1489CC

RGB 20 137 204

HSL 201.85, 0.82%, 0.44%

LAB 54.45, -5.6, -42.86

 

CMYK 0 / 90 / 15 / 20

HEX #CC14AE

RGB 204 20 174

HSL 309.78, 0.82%, 0.44%

LAB 47.49, 77.03, -35.53

 

CMYK 0 / 57 / 90 / 20

HEX #CC5814

RGB 204 88 20

HSL 22.17, 0.82%, 0.44%

LAB 51.69, 42.98, 56.34

 

CMYK 90 / 0 / 75 / 20

HEX #14CD34

RGB 20 205 52

HSL 130.38, 0.82%, 0.44%

LAB 72.27, -70.07, 60.31

 

CMYK 90 / 60 / 0 / 20

HEX #1452CC

RGB 20 82 204

HSL 219.78, 0.82%, 0.44%

LAB 38.8, 29.13, -68.03

 

CMYK 0 / 90 / 15 / 20

HEX #CC14AE

RGB 204 20 174

HSL 309.78, 0.82%, 0.44%

LAB 47.49, 77.03, -35.53

 

CMYK 0 / 30 / 90 / 20

HEX #CC8F14

RGB 204 143 20

HSL 40.11, 0.82%, 0.44%

LAB 63.78, 13.99, 65.44

 

Description

Color code: HEX #14CD34 | qconv.com Color code: HEX #14CD34 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 205 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 205 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 75 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 75% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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