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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14CC9F it is the complementary color #EB3360. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14CC9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14CC9F shade: #19CC9A, #2ADEAD, #3BF0C0, #4CFFD3 and #5DFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14CC9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14CC9F shade: #14CC9F, #03BA8C, #00A879, #009666 and #008453

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14CC9F shade: #14CC9F, #14CC6E, #14CC3C, #1ECC14 and #50CC14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14CC9F shade: #14CC9F, #14C8CC, #1496CC, #1464CC and #1433CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14CC9F shade matches the following richer shades: #14CC9F and #02DEA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14CC9F shade: #14CC9F, #26BA96, #39A88D, #4B9683 and #5D847A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14CC9F shade: #14CC3C, #14CC6D, #14CC9E, #14C9CC and #1498CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14CC9F shade: #0D8165, #10A782, #14CC9F, #21E9B8 and #46EDC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14CC9F shade: #14CC9F, #141DCC and #CC5514

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14CC9F shade: #14CC9F, #9E14CC and #CC9E14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14CC9F shade: #14CC9F, #141DCC, #CC1442 and #CCC314

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14CC9F shade: #14CC9F, #4214CC, #CC1442 and #9ECC14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

Complementary color

CMYK 0 / 78 / 59 / 8

HEX #EB3360

RGB 235 51 96

HSL 345.33, 0.82%, 0.56%

LAB 52.81, 70.3, 19.87

 

CMYK 88 / 0 / 25 / 20

HEX #19CC9A

RGB 25 204 154

HSL 163.24, 0.78%, 0.45%

LAB 73.37, -53.2, 13.35

 

CMYK 81 / 0 / 22 / 13

HEX #2ADEAD

RGB 42 222 173

HSL 163.67, 0.73%, 0.52%

LAB 79.47, -54.44, 11.9

 

CMYK 75 / 0 / 20 / 6

HEX #3BF0C0

RGB 59 240 192

HSL 164.09, 0.86%, 0.59%

LAB 85.53, -55.36, 10.57

 

CMYK 70 / 0 / 17 / 0

HEX #4CFFD3

RGB 76 255 211

HSL 165.25, 1%, 0.65%

LAB 90.67, -54.82, 8.09

 

CMYK 64 / 0 / 10 / 0

HEX #5DFFE6

RGB 93 255 230

HSL 170.74, 1%, 0.68%

LAB 91.49, -47.77, -0.51

 

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

CMYK 98 / 0 / 25 / 27

HEX #03BA8C

RGB 3 186 140

HSL 164.92, 0.97%, 0.37%

LAB 67.3, -50.53, 12.36

 

CMYK 100 / 0 / 28 / 34

HEX #00A879

RGB 0 168 121

HSL 163.21, 1%, 0.33%

LAB 61.12, -48.22, 14.13

 

CMYK 100 / 0 / 32 / 41

HEX #009666

RGB 0 150 102

HSL 160.8, 1%, 0.29%

LAB 54.84, -45.72, 16.01

 

CMYK 100 / 0 / 37 / 48

HEX #008453

RGB 0 132 83

HSL 157.73, 1%, 0.26%

LAB 48.42, -43.11, 18

 

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

CMYK 90 / 0 / 46 / 20

HEX #14CC6E

RGB 20 204 110

HSL 149.35, 0.82%, 0.44%

LAB 72.54, -62.56, 35.23

 

CMYK 90 / 0 / 71 / 20

HEX #14CC3C

RGB 20 204 60

HSL 133.04, 0.82%, 0.44%

LAB 72, -69.11, 57.17

 

CMYK 85 / 0 / 90 / 20

HEX #1ECC14

RGB 30 204 20

HSL 116.74, 0.82%, 0.44%

LAB 71.9, -70.71, 68.18

 

CMYK 61 / 0 / 90 / 20

HEX #50CC14

RGB 80 204 20

HSL 100.43, 0.82%, 0.44%

LAB 72.85, -62.51, 69.37

 

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

CMYK 90 / 2 / 0 / 20

HEX #14C8CC

RGB 20 200 204

HSL 181.3, 0.82%, 0.44%

LAB 73.43, -38.2, -13.6

 

CMYK 90 / 26 / 0 / 20

HEX #1496CC

RGB 20 150 204

HSL 197.61, 0.82%, 0.44%

LAB 58.34, -13, -36.74

 

CMYK 90 / 51 / 0 / 20

HEX #1464CC

RGB 20 100 204

HSL 213.91, 0.82%, 0.44%

LAB 43.69, 17.33, -60.08

 

CMYK 90 / 75 / 0 / 20

HEX #1433CC

RGB 20 51 204

HSL 229.89, 0.82%, 0.44%

LAB 31.52, 48.55, -80.01

 

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

CMYK 99 / 0 / 24 / 13

HEX #02DEA8

RGB 2 222 168

HSL 165.27, 0.98%, 0.44%

LAB 79.09, -57.69, 13.95

 

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

CMYK 80 / 0 / 19 / 27

HEX #26BA96

RGB 38 186 150

HSL 165.41, 0.66%, 0.44%

LAB 67.82, -45.88, 7.68

 

CMYK 66 / 0 / 16 / 34

HEX #39A88D

RGB 57 168 141

HSL 165.41, 0.49%, 0.44%

LAB 62.34, -37.82, 4.83

 

CMYK 50 / 0 / 13 / 41

HEX #4B9683

RGB 75 150 131

HSL 164.8, 0.33%, 0.44%

LAB 57.02, -28.13, 2.88

 

CMYK 30 / 0 / 8 / 48

HEX #5D847A

RGB 93 132 122

HSL 164.62, 0.17%, 0.44%

LAB 52.1, -15.87, 1.03

 

CMYK 90 / 0 / 71 / 20

HEX #14CC3C

RGB 20 204 60

HSL 133.04, 0.82%, 0.44%

LAB 72, -69.11, 57.17

 

CMYK 90 / 0 / 47 / 20

HEX #14CC6D

RGB 20 204 109

HSL 149.02, 0.82%, 0.44%

LAB 72.52, -62.73, 35.71

 

CMYK 90 / 0 / 23 / 20

HEX #14CC9E

RGB 20 204 158

HSL 165, 0.82%, 0.44%

LAB 73.42, -52.52, 11.28

 

CMYK 90 / 1 / 0 / 20

HEX #14C9CC

RGB 20 201 204

HSL 180.98, 0.82%, 0.44%

LAB 73.73, -38.65, -13.15

 

CMYK 90 / 25 / 0 / 20

HEX #1498CC

RGB 20 152 204

HSL 196.96, 0.82%, 0.44%

LAB 58.94, -14.11, -35.8

 

CMYK 90 / 0 / 22 / 49

HEX #0D8165

RGB 13 129 101

HSL 165.52, 0.82%, 0.28%

LAB 47.91, -36.6, 6.91

 

CMYK 90 / 0 / 22 / 35

HEX #10A782

RGB 16 167 130

HSL 165.3, 0.83%, 0.36%

LAB 61.1, -44.86, 9.11

 

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

CMYK 86 / 0 / 21 / 9

HEX #21E9B8

RGB 33 233 184

HSL 165.3, 0.82%, 0.52%

LAB 82.95, -56.81, 11.03

 

CMYK 70 / 0 / 17 / 7

HEX #46EDC4

RGB 70 237 196

HSL 165.27, 0.82%, 0.6%

LAB 84.92, -51.85, 7.63

 

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

CMYK 90 / 86 / 0 / 20

HEX #141DCC

RGB 20 29 204

HSL 237.07, 0.82%, 0.44%

LAB 27.81, 59.37, -86.17

 

CMYK 0 / 58 / 90 / 20

HEX #CC5514

RGB 204 85 20

HSL 21.2, 0.82%, 0.44%

LAB 51.13, 44.41, 55.93

 

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

CMYK 23 / 90 / 0 / 20

HEX #9E14CC

RGB 158 20 204

HSL 285, 0.82%, 0.44%

LAB 41.42, 73.92, -63.25

 

CMYK 0 / 23 / 90 / 20

HEX #CC9E14

RGB 204 158 20

HSL 45, 0.82%, 0.44%

LAB 67.53, 5.87, 68.31

 

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

CMYK 90 / 86 / 0 / 20

HEX #141DCC

RGB 20 29 204

HSL 237.07, 0.82%, 0.44%

LAB 27.81, 59.37, -86.17

 

CMYK 0 / 90 / 68 / 20

HEX #CC1442

RGB 204 20 66

HSL 345, 0.82%, 0.44%

LAB 43.84, 67.19, 25.31

 

CMYK 0 / 4 / 90 / 20

HEX #CCC314

RGB 204 195 20

HSL 57.07, 0.82%, 0.44%

LAB 77.23, -13.49, 75.82

 

CMYK 90 / 0 / 22 / 20

HEX #14CC9F

RGB 20 204 159

HSL 165.33, 0.82%, 0.44%

LAB 73.44, -52.27, 10.77

 

CMYK 68 / 90 / 0 / 20

HEX #4214CC

RGB 66 20 204

HSL 255, 0.82%, 0.44%

LAB 29.46, 64.26, -83.36

 

CMYK 0 / 90 / 68 / 20

HEX #CC1442

RGB 204 20 66

HSL 345, 0.82%, 0.44%

LAB 43.84, 67.19, 25.31

 

CMYK 23 / 0 / 90 / 20

HEX #9ECC14

RGB 158 204 20

HSL 75, 0.82%, 0.44%

LAB 76.38, -37.02, 73.72

 

Description

Color code: HEX #14CC9F | qconv.com Color code: HEX #14CC9F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 204 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 204 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 22 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 22% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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