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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14CB6B it is the complementary color #EB3494. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14CB6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14CB6B shade: #19CB66, #2ADD79, #3BEF8C, #4CFF9F and #5DFFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14CB6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14CB6B shade: #14CB6B, #03B958, #00A745, #009532 and #00831F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14CB6B shade: #14CC6B, #14CC3A, #1FCC14, #51CC14 and #83CC14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14CB6B shade: #14CC6B, #14CC9D, #14C9CC, #1497CC and #1466CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14CB6B shade matches the following richer shades: #14CC6B and #02DE6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14CB6B shade: #14CC6B, #26BA6C, #38A76D, #4A956E and #5C836F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14CB6B shade: #20CC14, #14CC38, #14CC6A, #14CC9B and #14CCCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14CB6B shade: #0C8144, #10A657, #14CC6B, #20E97F and #46EC95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14CB6B shade: #14CB6B, #1451CC and #CC2014

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14CB6B shade: #14CB6B, #6A14CC and #CC6A14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14CB6B shade: #14CB6B, #1451CC, #CC1476 and #CC8E14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14CB6B shade: #14CB6B, #141ACC, #CC1476 and #CCC614

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 47 / 20

HEX #14CB6B

RGB 20 203 107

HSL 148.52, 0.82%, 0.44%

LAB 72.18, -62.74, 36.28

 

Complementary color

CMYK 0 / 78 / 37 / 8

HEX #EB3494

RGB 235 52 148

HSL 328.52, 0.82%, 0.56%

LAB 54.3, 74.27, -9.17

 

CMYK 88 / 0 / 50 / 20

HEX #19CB66

RGB 25 203 102

HSL 145.96, 0.78%, 0.45%

LAB 72.15, -63.23, 38.73

 

CMYK 81 / 0 / 45 / 13

HEX #2ADD79

RGB 42 221 121

HSL 146.48, 0.72%, 0.52%

LAB 78.22, -64.7, 37.05

 

CMYK 75 / 0 / 41 / 6

HEX #3BEF8C

RGB 59 239 140

HSL 147, 0.85%, 0.58%

LAB 84.25, -65.73, 35.46

 

CMYK 70 / 0 / 38 / 0

HEX #4CFF9F

RGB 76 255 159

HSL 147.82, 1%, 0.65%

LAB 89.65, -65.71, 33.17

 

CMYK 64 / 0 / 30 / 0

HEX #5DFFB2

RGB 93 255 178

HSL 151.48, 1%, 0.68%

LAB 90.35, -59.38, 24.62

 

CMYK 90 / 0 / 47 / 20

HEX #14CB6B

RGB 20 203 107

HSL 148.52, 0.82%, 0.44%

LAB 72.18, -62.74, 36.28

 

CMYK 98 / 0 / 52 / 27

HEX #03B958

RGB 3 185 88

HSL 148.02, 0.97%, 0.37%

LAB 66.08, -60.66, 38.08

 

CMYK 100 / 0 / 59 / 35

HEX #00A745

RGB 0 167 69

HSL 144.79, 1%, 0.33%

LAB 59.95, -57.81, 39.93

 

CMYK 100 / 0 / 66 / 42

HEX #009532

RGB 0 149 50

HSL 140.13, 1%, 0.29%

LAB 53.73, -54.55, 41.61

 

CMYK 100 / 0 / 76 / 49

HEX #00831F

RGB 0 131 31

HSL 134.2, 1%, 0.26%

LAB 47.41, -50.91, 42.79

 

CMYK 90 / 0 / 48 / 20

HEX #14CC6B

RGB 20 204 107

HSL 148.37, 0.82%, 0.44%

LAB 72.49, -63.07, 36.68

 

CMYK 90 / 0 / 72 / 20

HEX #14CC3A

RGB 20 204 58

HSL 132.39, 0.82%, 0.44%

LAB 71.99, -69.29, 57.9

 

CMYK 85 / 0 / 90 / 20

HEX #1FCC14

RGB 31 204 20

HSL 116.41, 0.82%, 0.44%

LAB 71.91, -70.62, 68.19

 

CMYK 60 / 0 / 90 / 20

HEX #51CC14

RGB 81 204 20

HSL 100.11, 0.82%, 0.44%

LAB 72.88, -62.27, 69.4

 

CMYK 36 / 0 / 90 / 20

HEX #83CC14

RGB 131 204 20

HSL 83.8, 0.82%, 0.44%

LAB 74.86, -47.19, 71.86

 

CMYK 90 / 0 / 48 / 20

HEX #14CC6B

RGB 20 204 107

HSL 148.37, 0.82%, 0.44%

LAB 72.49, -63.07, 36.68

 

CMYK 90 / 0 / 23 / 20

HEX #14CC9D

RGB 20 204 157

HSL 164.67, 0.82%, 0.44%

LAB 73.4, -52.76, 11.78

 

CMYK 90 / 1 / 0 / 20

HEX #14C9CC

RGB 20 201 204

HSL 180.98, 0.82%, 0.44%

LAB 73.73, -38.65, -13.15

 

CMYK 90 / 26 / 0 / 20

HEX #1497CC

RGB 20 151 204

HSL 197.28, 0.82%, 0.44%

LAB 58.64, -13.56, -36.27

 

CMYK 90 / 50 / 0 / 20

HEX #1466CC

RGB 20 102 204

HSL 213.26, 0.82%, 0.44%

LAB 44.25, 16.03, -59.17

 

CMYK 90 / 0 / 48 / 20

HEX #14CC6B

RGB 20 204 107

HSL 148.37, 0.82%, 0.44%

LAB 72.49, -63.07, 36.68

 

CMYK 99 / 0 / 52 / 13

HEX #02DE6A

RGB 2 222 106

HSL 148.36, 0.98%, 0.44%

LAB 78.05, -69.76, 44.07

 

CMYK 90 / 0 / 48 / 20

HEX #14CC6B

RGB 20 204 107

HSL 148.37, 0.82%, 0.44%

LAB 72.49, -63.07, 36.68

 

CMYK 80 / 0 / 42 / 27

HEX #26BA6C

RGB 38 186 108

HSL 148.38, 0.66%, 0.44%

LAB 66.99, -55.11, 29.12

 

CMYK 66 / 0 / 35 / 35

HEX #38A76D

RGB 56 167 109

HSL 148.65, 0.5%, 0.44%

LAB 61.29, -44.91, 21.07

 

CMYK 50 / 0 / 26 / 42

HEX #4A956E

RGB 74 149 110

HSL 148.8, 0.34%, 0.44%

LAB 56.16, -32.77, 13.58

 

CMYK 30 / 0 / 15 / 49

HEX #5C836F

RGB 92 131 111

HSL 149.23, 0.17%, 0.44%

LAB 51.45, -18.14, 6.48

 

CMYK 84 / 0 / 90 / 20

HEX #20CC14

RGB 32 204 20

HSL 116.09, 0.82%, 0.44%

LAB 71.92, -70.52, 68.21

 

CMYK 90 / 0 / 73 / 20

HEX #14CC38

RGB 20 204 56

HSL 131.74, 0.82%, 0.44%

LAB 71.97, -69.46, 58.62

 

CMYK 90 / 0 / 48 / 20

HEX #14CC6A

RGB 20 204 106

HSL 148.04, 0.82%, 0.44%

LAB 72.48, -63.24, 37.16

 

CMYK 90 / 0 / 24 / 20

HEX #14CC9B

RGB 20 204 155

HSL 164.02, 0.82%, 0.44%

LAB 73.35, -53.24, 12.79

 

CMYK 90 / 0 / 0 / 20

HEX #14CCCC

RGB 20 204 204

HSL 180, 0.82%, 0.44%

LAB 74.63, -40.01, -11.8

 

CMYK 91 / 0 / 47 / 49

HEX #0C8144

RGB 12 129 68

HSL 148.72, 0.83%, 0.28%

LAB 47.23, -44.27, 24.84

 

CMYK 90 / 0 / 48 / 35

HEX #10A657

RGB 16 166 87

HSL 148.4, 0.82%, 0.36%

LAB 59.95, -53.8, 30.94

 

CMYK 90 / 0 / 48 / 20

HEX #14CC6B

RGB 20 204 107

HSL 148.37, 0.82%, 0.44%

LAB 72.49, -63.07, 36.68

 

CMYK 86 / 0 / 45 / 9

HEX #20E97F

RGB 32 233 127

HSL 148.36, 0.82%, 0.52%

LAB 81.9, -68.57, 38.78

 

CMYK 70 / 0 / 37 / 7

HEX #46EC95

RGB 70 236 149

HSL 148.55, 0.81%, 0.6%

LAB 83.69, -61.51, 30.22

 

CMYK 90 / 0 / 47 / 20

HEX #14CB6B

RGB 20 203 107

HSL 148.52, 0.82%, 0.44%

LAB 72.18, -62.74, 36.28

 

CMYK 90 / 60 / 0 / 20

HEX #1451CC

RGB 20 81 204

HSL 220.11, 0.82%, 0.44%

LAB 38.54, 29.79, -68.45

 

CMYK 0 / 84 / 90 / 20

HEX #CC2014

RGB 204 32 20

HSL 3.91, 0.82%, 0.44%

LAB 44.12, 63.53, 50.86

 

CMYK 90 / 0 / 47 / 20

HEX #14CB6B

RGB 20 203 107

HSL 148.52, 0.82%, 0.44%

LAB 72.18, -62.74, 36.28

 

CMYK 48 / 90 / 0 / 20

HEX #6A14CC

RGB 106 20 204

HSL 268.04, 0.82%, 0.44%

LAB 33.82, 67.47, -75.99

 

CMYK 0 / 48 / 90 / 20

HEX #CC6A14

RGB 204 106 20

HSL 28.04, 0.82%, 0.44%

LAB 55.27, 33.91, 59

 

CMYK 90 / 0 / 47 / 20

HEX #14CB6B

RGB 20 203 107

HSL 148.52, 0.82%, 0.44%

LAB 72.18, -62.74, 36.28

 

CMYK 90 / 60 / 0 / 20

HEX #1451CC

RGB 20 81 204

HSL 220.11, 0.82%, 0.44%

LAB 38.54, 29.79, -68.45

 

CMYK 0 / 90 / 42 / 20

HEX #CC1476

RGB 204 20 118

HSL 328.04, 0.82%, 0.44%

LAB 45.15, 70.8, -5.29

 

CMYK 0 / 30 / 90 / 20

HEX #CC8E14

RGB 204 142 20

HSL 39.78, 0.82%, 0.44%

LAB 63.54, 14.53, 65.25

 

CMYK 90 / 0 / 47 / 20

HEX #14CB6B

RGB 20 203 107

HSL 148.52, 0.82%, 0.44%

LAB 72.18, -62.74, 36.28

 

CMYK 90 / 87 / 0 / 20

HEX #141ACC

RGB 20 26 204

HSL 238.04, 0.82%, 0.44%

LAB 27.43, 60.52, -86.81

 

CMYK 0 / 90 / 42 / 20

HEX #CC1476

RGB 204 20 118

HSL 328.04, 0.82%, 0.44%

LAB 45.15, 70.8, -5.29

 

CMYK 0 / 3 / 90 / 20

HEX #CCC614

RGB 204 198 20

HSL 58.04, 0.82%, 0.44%

LAB 78.04, -15, 76.45

 

Description

Color code: HEX #14CB6B | qconv.com Color code: HEX #14CB6B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 203 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 203 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 47 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 47% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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