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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14CB2C it is the complementary color #EB34D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14CB2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14CB2C shade: #19CB27, #2ADD3A, #3BEF4D, #4CFF60 and #5DFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14CB2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14CB2C shade: #14CB2C, #03B919, #00A706, #009500 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14CB2C shade: #14CC2C, #2ECC14, #5FCC14, #91CC14 and #C3CC14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14CB2C shade: #14CC2C, #14CC5E, #14CC90, #14CCC1 and #14A6CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14CB2C shade matches the following richer shades: #14CC2C and #02DE1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14CB2C shade: #14CC2C, #26BA3A, #39A847, #4B9655 and #5D8462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14CB2C shade: #61CC14, #30CC14, #14CC2A, #14CC5B and #14CC8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14CB2C shade: #0D811C, #10A724, #14CC2C, #21E93B and #46ED5C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14CB2C shade: #14CB2C, #1492CC and #CC1448

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14CB2C shade: #14CB2C, #2A14CC and #CC2A14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14CB2C shade: #14CB2C, #1492CC, #CC14B7 and #CC4E14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14CB2C shade: #14CB2C, #145BCC, #CC14B7 and #CC8614

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 78 / 20

HEX #14CB2C

RGB 20 203 44

HSL 127.87, 0.82%, 0.44%

LAB 71.58, -70.06, 62.22

 

Complementary color

CMYK 0 / 78 / 10 / 8

HEX #EB34D3

RGB 235 52 211

HSL 307.87, 0.82%, 0.56%

LAB 56.9, 81.85, -41.78

 

CMYK 88 / 0 / 81 / 20

HEX #19CB27

RGB 25 203 39

HSL 124.72, 0.78%, 0.45%

LAB 71.6, -70.02, 63.7

 

CMYK 81 / 0 / 74 / 13

HEX #2ADD3A

RGB 42 221 58

HSL 125.36, 0.72%, 0.52%

LAB 77.59, -72.38, 63.67

 

CMYK 75 / 0 / 68 / 6

HEX #3BEF4D

RGB 59 239 77

HSL 126, 0.85%, 0.58%

LAB 83.55, -74.11, 63.04

 

CMYK 70 / 0 / 62 / 0

HEX #4CFF60

RGB 76 255 96

HSL 126.7, 1%, 0.65%

LAB 88.88, -74.71, 61.4

 

CMYK 64 / 0 / 55 / 0

HEX #5DFF73

RGB 93 255 115

HSL 128.15, 1%, 0.68%

LAB 89.43, -69.52, 53.95

 

CMYK 90 / 0 / 78 / 20

HEX #14CB2C

RGB 20 203 44

HSL 127.87, 0.82%, 0.44%

LAB 71.58, -70.06, 62.22

 

CMYK 98 / 0 / 86 / 27

HEX #03B919

RGB 3 185 25

HSL 127.25, 0.97%, 0.37%

LAB 65.58, -66.87, 61.67

 

CMYK 100 / 0 / 96 / 35

HEX #00A706

RGB 0 167 6

HSL 122.16, 1%, 0.33%

LAB 59.57, -62.62, 59.75

 

CMYK 100 / 0 / 100 / 42

HEX #009500

RGB 0 149 0

HSL 120, 1%, 0.29%

LAB 53.49, -57.73, 55.72

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 90 / 0 / 78 / 20

HEX #14CC2C

RGB 20 204 44

HSL 127.83, 0.82%, 0.44%

LAB 71.9, -70.35, 62.53

 

CMYK 77 / 0 / 90 / 20

HEX #2ECC14

RGB 46 204 20

HSL 111.52, 0.82%, 0.44%

LAB 72.11, -68.89, 68.44

 

CMYK 53 / 0 / 90 / 20

HEX #5FCC14

RGB 95 204 20

HSL 95.54, 0.82%, 0.44%

LAB 73.33, -58.66, 69.96

 

CMYK 29 / 0 / 90 / 20

HEX #91CC14

RGB 145 204 20

HSL 79.24, 0.82%, 0.44%

LAB 75.61, -42.05, 72.78

 

CMYK 4 / 0 / 90 / 20

HEX #C3CC14

RGB 195 204 20

HSL 62.93, 0.82%, 0.44%

LAB 78.95, -21.81, 76.85

 

CMYK 90 / 0 / 78 / 20

HEX #14CC2C

RGB 20 204 44

HSL 127.83, 0.82%, 0.44%

LAB 71.9, -70.35, 62.53

 

CMYK 90 / 0 / 54 / 20

HEX #14CC5E

RGB 20 204 94

HSL 144.13, 0.82%, 0.44%

LAB 72.32, -65.11, 42.82

 

CMYK 90 / 0 / 29 / 20

HEX #14CC90

RGB 20 204 144

HSL 160.43, 0.82%, 0.44%

LAB 73.12, -55.8, 18.34

 

CMYK 90 / 0 / 5 / 20

HEX #14CCC1

RGB 20 204 193

HSL 176.41, 0.82%, 0.44%

LAB 74.31, -43.22, -6.33

 

CMYK 90 / 19 / 0 / 20

HEX #14A6CC

RGB 20 166 204

HSL 192.39, 0.82%, 0.44%

LAB 63.16, -21.61, -29.24

 

CMYK 90 / 0 / 78 / 20

HEX #14CC2C

RGB 20 204 44

HSL 127.83, 0.82%, 0.44%

LAB 71.9, -70.35, 62.53

 

CMYK 99 / 0 / 86 / 13

HEX #02DE1F

RGB 2 222 31

HSL 127.91, 0.98%, 0.44%

LAB 77.49, -76.78, 70.93

 

CMYK 90 / 0 / 78 / 20

HEX #14CC2C

RGB 20 204 44

HSL 127.83, 0.82%, 0.44%

LAB 71.9, -70.35, 62.53

 

CMYK 80 / 0 / 69 / 27

HEX #26BA3A

RGB 38 186 58

HSL 128.11, 0.66%, 0.44%

LAB 66.39, -62.17, 52.09

 

CMYK 66 / 0 / 58 / 34

HEX #39A847

RGB 57 168 71

HSL 127.57, 0.49%, 0.44%

LAB 61.07, -51.45, 40.49

 

CMYK 50 / 0 / 43 / 41

HEX #4B9655

RGB 75 150 85

HSL 128, 0.33%, 0.44%

LAB 56.05, -37.71, 27.27

 

CMYK 30 / 0 / 26 / 48

HEX #5D8462

RGB 93 132 98

HSL 127.69, 0.17%, 0.44%

LAB 51.51, -20.97, 14.1

 

CMYK 52 / 0 / 90 / 20

HEX #61CC14

RGB 97 204 20

HSL 94.89, 0.82%, 0.44%

LAB 73.4, -58.1, 70.05

 

CMYK 76 / 0 / 90 / 20

HEX #30CC14

RGB 48 204 20

HSL 110.87, 0.82%, 0.44%

LAB 72.14, -68.61, 68.48

 

CMYK 90 / 0 / 79 / 20

HEX #14CC2A

RGB 20 204 42

HSL 127.17, 0.82%, 0.44%

LAB 71.89, -70.47, 63.11

 

CMYK 90 / 0 / 55 / 20

HEX #14CC5B

RGB 20 204 91

HSL 143.15, 0.82%, 0.44%

LAB 72.29, -65.54, 44.2

 

CMYK 90 / 0 / 31 / 20

HEX #14CC8C

RGB 20 204 140

HSL 159.13, 0.82%, 0.44%

LAB 73.04, -56.69, 20.36

 

CMYK 90 / 0 / 78 / 49

HEX #0D811C

RGB 13 129 28

HSL 127.76, 0.82%, 0.28%

LAB 46.8, -49.54, 43.34

 

CMYK 90 / 0 / 78 / 35

HEX #10A724

RGB 16 167 36

HSL 127.95, 0.83%, 0.36%

LAB 59.78, -60.37, 53.32

 

CMYK 90 / 0 / 78 / 20

HEX #14CC2C

RGB 20 204 44

HSL 127.83, 0.82%, 0.44%

LAB 71.9, -70.35, 62.53

 

CMYK 86 / 0 / 75 / 9

HEX #21E93B

RGB 33 233 59

HSL 127.8, 0.82%, 0.52%

LAB 81.25, -76.64, 66.96

 

CMYK 70 / 0 / 61 / 7

HEX #46ED5C

RGB 70 237 92

HSL 127.9, 0.82%, 0.6%

LAB 83.25, -70.32, 56.71

 

CMYK 90 / 0 / 78 / 20

HEX #14CB2C

RGB 20 203 44

HSL 127.87, 0.82%, 0.44%

LAB 71.58, -70.06, 62.22

 

CMYK 90 / 28 / 0 / 20

HEX #1492CC

RGB 20 146 204

HSL 198.91, 0.82%, 0.44%

LAB 57.14, -10.76, -38.62

 

CMYK 0 / 90 / 65 / 20

HEX #CC1448

RGB 204 20 72

HSL 343.04, 0.82%, 0.44%

LAB 43.95, 67.49, 21.72

 

CMYK 90 / 0 / 78 / 20

HEX #14CB2C

RGB 20 203 44

HSL 127.87, 0.82%, 0.44%

LAB 71.58, -70.06, 62.22

 

CMYK 79 / 90 / 0 / 20

HEX #2A14CC

RGB 42 20 204

HSL 247.17, 0.82%, 0.44%

LAB 27.72, 63.13, -86.31

 

CMYK 0 / 79 / 90 / 20

HEX #CC2A14

RGB 204 42 20

HSL 7.17, 0.82%, 0.44%

LAB 45, 61.03, 51.49

 

CMYK 90 / 0 / 78 / 20

HEX #14CB2C

RGB 20 203 44

HSL 127.87, 0.82%, 0.44%

LAB 71.58, -70.06, 62.22

 

CMYK 90 / 28 / 0 / 20

HEX #1492CC

RGB 20 146 204

HSL 198.91, 0.82%, 0.44%

LAB 57.14, -10.76, -38.62

 

CMYK 0 / 90 / 10 / 20

HEX #CC14B7

RGB 204 20 183

HSL 306.85, 0.82%, 0.44%

LAB 47.95, 78.23, -40.09

 

CMYK 0 / 62 / 90 / 20

HEX #CC4E14

RGB 204 78 20

HSL 18.91, 0.82%, 0.44%

LAB 49.9, 47.65, 55.03

 

CMYK 90 / 0 / 78 / 20

HEX #14CB2C

RGB 20 203 44

HSL 127.87, 0.82%, 0.44%

LAB 71.58, -70.06, 62.22

 

CMYK 90 / 55 / 0 / 20

HEX #145BCC

RGB 20 91 204

HSL 216.85, 0.82%, 0.44%

LAB 41.2, 23.22, -64.11

 

CMYK 0 / 90 / 10 / 20

HEX #CC14B7

RGB 204 20 183

HSL 306.85, 0.82%, 0.44%

LAB 47.95, 78.23, -40.09

 

CMYK 0 / 34 / 90 / 20

HEX #CC8614

RGB 204 134 20

HSL 37.17, 0.82%, 0.44%

LAB 61.6, 18.89, 63.78

 

Description

Color code: HEX #14CB2C | qconv.com Color code: HEX #14CB2C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 203 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 203 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 78 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 78% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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