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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14C065 it is the complementary color #EB3F9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14C065. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14C065 shade: #19C060, #2AD273, #3BE486, #4CF699 and #5DFFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14C065. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14C065 shade: #14C065, #03AE52, #009C3F, #008A2C and #007819

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14C065 shade: #14C266, #14C237, #20C214, #4FC214 and #7EC214

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14C065 shade: #14C266, #14C295, #14C0C2, #1491C2 and #1462C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14C065 shade matches the following richer shades: #14C266 and #03D365

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14C065 shade: #14C266, #26B167, #379F68, #488E69 and #5A7D6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14C065 shade: #20C214, #14C237, #14C265, #14C294 and #14C2C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14C065 shade: #0D773F, #109D52, #14C266, #19E77A and #3EEB8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14C065 shade: #14C065, #144EC2 and #C22014

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14C065 shade: #14C065, #6514C2 and #C26514

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14C065 shade: #14C065, #144EC2, #C21471 and #C28814

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14C065 shade: #14C065, #141AC2, #C21471 and #C2BC14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 47 / 25

HEX #14C065

RGB 20 192 101

HSL 148.26, 0.81%, 0.42%

LAB 68.6, -60.05, 34.75

 

Complementary color

CMYK 0 / 73 / 34 / 8

HEX #EB3F9A

RGB 235 63 154

HSL 328.26, 0.81%, 0.58%

LAB 55.63, 71.68, -10.71

 

CMYK 87 / 0 / 50 / 25

HEX #19C060

RGB 25 192 96

HSL 145.51, 0.77%, 0.43%

LAB 68.57, -60.53, 37.24

 

CMYK 80 / 0 / 45 / 18

HEX #2AD273

RGB 42 210 115

HSL 146.07, 0.67%, 0.49%

LAB 74.71, -61.93, 35.55

 

CMYK 74 / 0 / 41 / 11

HEX #3BE486

RGB 59 228 134

HSL 146.63, 0.76%, 0.56%

LAB 80.82, -62.89, 33.96

 

CMYK 69 / 0 / 38 / 4

HEX #4CF699

RGB 76 246 153

HSL 147.18, 0.9%, 0.63%

LAB 86.87, -63.53, 32.47

 

CMYK 64 / 0 / 33 / 0

HEX #5DFFAC

RGB 93 255 172

HSL 149.26, 1%, 0.68%

LAB 90.24, -60.54, 27.5

 

CMYK 90 / 0 / 47 / 25

HEX #14C065

RGB 20 192 101

HSL 148.26, 0.81%, 0.42%

LAB 68.6, -60.05, 34.75

 

CMYK 98 / 0 / 53 / 32

HEX #03AE52

RGB 3 174 82

HSL 147.72, 0.97%, 0.35%

LAB 62.42, -58.01, 36.56

 

CMYK 100 / 0 / 60 / 39

HEX #009C3F

RGB 0 156 63

HSL 144.23, 1%, 0.31%

LAB 56.22, -55.12, 38.42

 

CMYK 100 / 0 / 68 / 46

HEX #008A2C

RGB 0 138 44

HSL 139.13, 1%, 0.27%

LAB 49.93, -51.78, 40.08

 

CMYK 100 / 0 / 79 / 53

HEX #007819

RGB 0 120 25

HSL 132.5, 1%, 0.24%

LAB 43.51, -48.02, 41.13

 

CMYK 90 / 0 / 47 / 24

HEX #14C266

RGB 20 194 102

HSL 148.28, 0.81%, 0.42%

LAB 69.25, -60.56, 35.08

 

CMYK 90 / 0 / 72 / 24

HEX #14C237

RGB 20 194 55

HSL 132.07, 0.81%, 0.42%

LAB 68.76, -66.61, 55.67

 

CMYK 84 / 0 / 90 / 24

HEX #20C214

RGB 32 194 20

HSL 115.86, 0.81%, 0.42%

LAB 68.71, -67.66, 65.46

 

CMYK 59 / 0 / 90 / 24

HEX #4FC214

RGB 79 194 20

HSL 99.66, 0.81%, 0.42%

LAB 69.68, -59.36, 66.67

 

CMYK 35 / 0 / 90 / 24

HEX #7EC214

RGB 126 194 20

HSL 83.45, 0.81%, 0.42%

LAB 71.6, -44.82, 69.06

 

CMYK 90 / 0 / 47 / 24

HEX #14C266

RGB 20 194 102

HSL 148.28, 0.81%, 0.42%

LAB 69.25, -60.56, 35.08

 

CMYK 90 / 0 / 23 / 24

HEX #14C295

RGB 20 194 149

HSL 164.48, 0.81%, 0.42%

LAB 70.11, -50.77, 11.44

 

CMYK 90 / 1 / 0 / 24

HEX #14C0C2

RGB 20 192 194

HSL 180.69, 0.81%, 0.42%

LAB 70.69, -37.55, -12.26

 

CMYK 90 / 25 / 0 / 24

HEX #1491C2

RGB 20 145 194

HSL 196.9, 0.81%, 0.42%

LAB 56.38, -13.85, -34.16

 

CMYK 90 / 49 / 0 / 24

HEX #1462C2

RGB 20 98 194

HSL 213.1, 0.81%, 0.42%

LAB 42.43, 14.66, -56.34

 

CMYK 90 / 0 / 47 / 24

HEX #14C266

RGB 20 194 102

HSL 148.28, 0.81%, 0.42%

LAB 69.25, -60.56, 35.08

 

CMYK 99 / 0 / 52 / 17

HEX #03D365

RGB 3 211 101

HSL 148.27, 0.97%, 0.42%

LAB 74.54, -67.01, 42.15

 

CMYK 90 / 0 / 47 / 24

HEX #14C266

RGB 20 194 102

HSL 148.28, 0.81%, 0.42%

LAB 69.25, -60.56, 35.08

 

CMYK 79 / 0 / 42 / 31

HEX #26B167

RGB 38 177 103

HSL 148.06, 0.65%, 0.42%

LAB 64.03, -52.75, 27.87

 

CMYK 65 / 0 / 35 / 38

HEX #379F68

RGB 55 159 104

HSL 148.27, 0.49%, 0.42%

LAB 58.61, -42.83, 20.18

 

CMYK 49 / 0 / 26 / 44

HEX #488E69

RGB 72 142 105

HSL 148.29, 0.33%, 0.42%

LAB 53.75, -31.09, 13.05

 

CMYK 28 / 0 / 15 / 51

HEX #5A7D6A

RGB 90 125 106

HSL 147.43, 0.16%, 0.42%

LAB 49.35, -16.68, 6.39

 

CMYK 84 / 0 / 90 / 24

HEX #20C214

RGB 32 194 20

HSL 115.86, 0.81%, 0.42%

LAB 68.71, -67.66, 65.46

 

CMYK 90 / 0 / 72 / 24

HEX #14C237

RGB 20 194 55

HSL 132.07, 0.81%, 0.42%

LAB 68.76, -66.61, 55.67

 

CMYK 90 / 0 / 48 / 24

HEX #14C265

RGB 20 194 101

HSL 147.93, 0.81%, 0.42%

LAB 69.24, -60.73, 35.56

 

CMYK 90 / 0 / 24 / 24

HEX #14C294

RGB 20 194 148

HSL 164.14, 0.81%, 0.42%

LAB 70.09, -51.02, 11.95

 

CMYK 90 / 0 / 0 / 24

HEX #14C2C2

RGB 20 194 194

HSL 180, 0.81%, 0.42%

LAB 71.3, -38.47, -11.35

 

CMYK 89 / 0 / 47 / 53

HEX #0D773F

RGB 13 119 63

HSL 148.3, 0.8%, 0.26%

LAB 43.71, -41.39, 23.09

 

CMYK 90 / 0 / 48 / 38

HEX #109D52

RGB 16 157 82

HSL 148.09, 0.82%, 0.34%

LAB 56.91, -51.52, 29.69

 

CMYK 90 / 0 / 47 / 24

HEX #14C266

RGB 20 194 102

HSL 148.28, 0.81%, 0.42%

LAB 69.25, -60.56, 35.08

 

CMYK 89 / 0 / 47 / 9

HEX #19E77A

RGB 25 231 122

HSL 148.25, 0.81%, 0.5%

LAB 81.16, -69.2, 40.27

 

CMYK 74 / 0 / 39 / 8

HEX #3EEB8F

RGB 62 235 143

HSL 148.09, 0.81%, 0.58%

LAB 83.14, -63.38, 32.5

 

CMYK 90 / 0 / 47 / 25

HEX #14C065

RGB 20 192 101

HSL 148.26, 0.81%, 0.42%

LAB 68.6, -60.05, 34.75

 

CMYK 90 / 60 / 0 / 24

HEX #144EC2

RGB 20 78 194

HSL 220, 0.81%, 0.42%

LAB 36.92, 27.87, -65.3

 

CMYK 0 / 84 / 90 / 24

HEX #C22014

RGB 194 32 20

HSL 4.14, 0.81%, 0.42%

LAB 42.08, 60.73, 48.46

 

CMYK 90 / 0 / 47 / 25

HEX #14C065

RGB 20 192 101

HSL 148.26, 0.81%, 0.42%

LAB 68.6, -60.05, 34.75

 

CMYK 48 / 90 / 0 / 24

HEX #6514C2

RGB 101 20 194

HSL 267.93, 0.81%, 0.42%

LAB 32.17, 64.67, -72.88

 

CMYK 0 / 48 / 90 / 24

HEX #C26514

RGB 194 101 20

HSL 27.93, 0.81%, 0.42%

LAB 52.76, 32.42, 56.46

 

CMYK 90 / 0 / 47 / 25

HEX #14C065

RGB 20 192 101

HSL 148.26, 0.81%, 0.42%

LAB 68.6, -60.05, 34.75

 

CMYK 90 / 60 / 0 / 24

HEX #144EC2

RGB 20 78 194

HSL 220, 0.81%, 0.42%

LAB 36.92, 27.87, -65.3

 

CMYK 0 / 90 / 42 / 24

HEX #C21471

RGB 194 20 113

HSL 327.93, 0.81%, 0.42%

LAB 43.01, 68.05, -5.58

 

CMYK 0 / 30 / 90 / 24

HEX #C28814

RGB 194 136 20

HSL 40, 0.81%, 0.42%

LAB 60.89, 13.39, 62.71

 

CMYK 90 / 0 / 47 / 25

HEX #14C065

RGB 20 192 101

HSL 148.26, 0.81%, 0.42%

LAB 68.6, -60.05, 34.75

 

CMYK 90 / 87 / 0 / 24

HEX #141AC2

RGB 20 26 194

HSL 237.93, 0.81%, 0.42%

LAB 26.11, 57.62, -83.14

 

CMYK 0 / 90 / 42 / 24

HEX #C21471

RGB 194 20 113

HSL 327.93, 0.81%, 0.42%

LAB 43.01, 68.05, -5.58

 

CMYK 0 / 3 / 90 / 24

HEX #C2BC14

RGB 194 188 20

HSL 57.93, 0.81%, 0.42%

LAB 74.5, -14.28, 73.33

 

Description

Color code: HEX #14C065 | qconv.com Color code: HEX #14C065 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 192 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 192 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 47 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 47% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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