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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14BF5E it is the complementary color #EB40A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14BF5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14BF5E shade: #19BF59, #2AD16C, #3BE37F, #4CF592 and #5DFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14BF5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14BF5E shade: #14BF5E, #03AD4B, #009B38, #008925 and #007712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14BF5E shade: #13BD5D, #13BD2F, #25BD13, #53BD13 and #81BD13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14BF5E shade: #13BD5D, #13BD8A, #13BDB8, #1394BD and #1366BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14BF5E shade matches the following richer shades: #13BD5D and #02CE5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14BF5E shade: #13BD5D, #24AC5F, #359B61, #468A63 and #577966

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14BF5E shade: #27BD13, #13BD2D, #13BD5A, #13BD87 and #13BDB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14BF5E shade: #0C7238, #0F974A, #13BD5D, #17E26F and #39EA85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14BF5E shade: #14BF5E, #1354BD and #BD1613

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14BF5E shade: #14BF5E, #5A13BD and #BD5A13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14BF5E shade: #14BF5E, #1354BD, #BD1376 and #BD7C13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14BF5E shade: #14BF5E, #1321BD, #BD1376 and #BDAF13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 51 / 25

HEX #14BF5E

RGB 20 191 94

HSL 145.96, 0.81%, 0.41%

LAB 68.18, -60.87, 37.74

 

Complementary color

CMYK 0 / 73 / 31 / 8

HEX #EB40A1

RGB 235 64 161

HSL 325.96, 0.81%, 0.59%

LAB 55.99, 72.12, -14.29

 

CMYK 87 / 0 / 53 / 25

HEX #19BF59

RGB 25 191 89

HSL 143.13, 0.77%, 0.42%

LAB 68.16, -61.28, 40.17

 

CMYK 80 / 0 / 48 / 18

HEX #2AD16C

RGB 42 209 108

HSL 143.71, 0.67%, 0.49%

LAB 74.3, -62.75, 38.51

 

CMYK 74 / 0 / 44 / 11

HEX #3BE37F

RGB 59 227 127

HSL 144.29, 0.75%, 0.56%

LAB 80.4, -63.75, 36.93

 

CMYK 69 / 0 / 40 / 4

HEX #4CF592

RGB 76 245 146

HSL 144.85, 0.89%, 0.63%

LAB 86.46, -64.41, 35.42

 

CMYK 64 / 0 / 35 / 0

HEX #5DFFA5

RGB 93 255 165

HSL 146.67, 1%, 0.68%

LAB 90.12, -61.84, 30.86

 

CMYK 90 / 0 / 51 / 25

HEX #14BF5E

RGB 20 191 94

HSL 145.96, 0.81%, 0.41%

LAB 68.18, -60.87, 37.74

 

CMYK 98 / 0 / 57 / 32

HEX #03AD4B

RGB 3 173 75

HSL 145.41, 0.97%, 0.35%

LAB 62.01, -58.74, 39.5

 

CMYK 100 / 0 / 64 / 39

HEX #009B38

RGB 0 155 56

HSL 141.68, 1%, 0.3%

LAB 55.81, -55.72, 41.23

 

CMYK 100 / 0 / 73 / 46

HEX #008925

RGB 0 137 37

HSL 136.2, 1%, 0.27%

LAB 49.53, -52.21, 42.62

 

CMYK 100 / 0 / 85 / 53

HEX #007712

RGB 0 119 18

HSL 129.08, 1%, 0.23%

LAB 43.12, -48.21, 43.08

 

CMYK 90 / 0 / 51 / 26

HEX #13BD5D

RGB 19 189 93

HSL 146.12, 0.82%, 0.41%

LAB 67.52, -60.43, 37.41

 

CMYK 90 / 0 / 75 / 26

HEX #13BD2F

RGB 19 189 47

HSL 129.88, 0.82%, 0.41%

LAB 67.08, -65.86, 56.84

 

CMYK 80 / 0 / 90 / 26

HEX #25BD13

RGB 37 189 19

HSL 113.65, 0.82%, 0.41%

LAB 67.15, -65.67, 64.33

 

CMYK 56 / 0 / 90 / 26

HEX #53BD13

RGB 83 189 19

HSL 97.41, 0.82%, 0.41%

LAB 68.23, -56.6, 65.67

 

CMYK 32 / 0 / 90 / 26

HEX #81BD13

RGB 129 189 19

HSL 81.18, 0.82%, 0.41%

LAB 70.25, -41.61, 68.18

 

CMYK 90 / 0 / 51 / 26

HEX #13BD5D

RGB 19 189 93

HSL 146.12, 0.82%, 0.41%

LAB 67.52, -60.43, 37.41

 

CMYK 90 / 0 / 27 / 26

HEX #13BD8A

RGB 19 189 138

HSL 162, 0.82%, 0.41%

LAB 68.29, -51.51, 14.85

 

CMYK 90 / 0 / 3 / 26

HEX #13BDB8

RGB 19 189 184

HSL 178.24, 0.82%, 0.41%

LAB 69.47, -39.22, -8.61

 

CMYK 90 / 22 / 0 / 26

HEX #1394BD

RGB 19 148 189

HSL 194.47, 0.82%, 0.41%

LAB 57.07, -17.34, -30.26

 

CMYK 90 / 46 / 0 / 26

HEX #1366BD

RGB 19 102 189

HSL 210.71, 0.82%, 0.41%

LAB 43.23, 10.02, -52.14

 

CMYK 90 / 0 / 51 / 26

HEX #13BD5D

RGB 19 189 93

HSL 146.12, 0.82%, 0.41%

LAB 67.52, -60.43, 37.41

 

CMYK 99 / 0 / 56 / 19

HEX #02CE5A

RGB 2 206 90

HSL 145.88, 0.98%, 0.41%

LAB 72.82, -67.08, 45.29

 

CMYK 90 / 0 / 51 / 26

HEX #13BD5D

RGB 19 189 93

HSL 146.12, 0.82%, 0.41%

LAB 67.52, -60.43, 37.41

 

CMYK 79 / 0 / 45 / 33

HEX #24AC5F

RGB 36 172 95

HSL 146.03, 0.65%, 0.41%

LAB 62.26, -52.63, 29.77

 

CMYK 66 / 0 / 37 / 39

HEX #359B61

RGB 53 155 97

HSL 145.88, 0.49%, 0.41%

LAB 57.14, -42.97, 22.03

 

CMYK 49 / 0 / 28 / 46

HEX #468A63

RGB 70 138 99

HSL 145.59, 0.33%, 0.41%

LAB 52.26, -31.03, 14.39

 

CMYK 28 / 0 / 16 / 53

HEX #577966

RGB 87 121 102

HSL 146.47, 0.16%, 0.41%

LAB 47.83, -16.42, 6.55

 

CMYK 79 / 0 / 90 / 26

HEX #27BD13

RGB 39 189 19

HSL 112.94, 0.82%, 0.41%

LAB 67.18, -65.41, 64.36

 

CMYK 90 / 0 / 76 / 26

HEX #13BD2D

RGB 19 189 45

HSL 129.18, 0.82%, 0.41%

LAB 67.07, -66.01, 57.5

 

CMYK 90 / 0 / 52 / 26

HEX #13BD5A

RGB 19 189 90

HSL 145.06, 0.82%, 0.41%

LAB 67.48, -60.9, 38.84

 

CMYK 90 / 0 / 29 / 26

HEX #13BD87

RGB 19 189 135

HSL 160.94, 0.82%, 0.41%

LAB 68.23, -52.2, 16.38

 

CMYK 90 / 0 / 5 / 26

HEX #13BDB4

RGB 19 189 180

HSL 176.82, 0.82%, 0.41%

LAB 69.35, -40.4, -6.59

 

CMYK 89 / 0 / 51 / 55

HEX #0C7238

RGB 12 114 56

HSL 145.88, 0.81%, 0.25%

LAB 41.84, -40.91, 24.6

 

CMYK 90 / 0 / 51 / 41

HEX #0F974A

RGB 15 151 74

HSL 146.03, 0.82%, 0.33%

LAB 54.79, -50.87, 31.2

 

CMYK 90 / 0 / 51 / 26

HEX #13BD5D

RGB 19 189 93

HSL 146.12, 0.82%, 0.41%

LAB 67.52, -60.43, 37.41

 

CMYK 90 / 0 / 51 / 11

HEX #17E26F

RGB 23 226 111

HSL 146.01, 0.82%, 0.49%

LAB 79.46, -69.44, 43.45

 

CMYK 76 / 0 / 43 / 8

HEX #39EA85

RGB 57 234 133

HSL 145.76, 0.81%, 0.57%

LAB 82.6, -65.44, 36.78

 

CMYK 90 / 0 / 51 / 25

HEX #14BF5E

RGB 20 191 94

HSL 145.96, 0.81%, 0.41%

LAB 68.18, -60.87, 37.74

 

CMYK 90 / 56 / 0 / 26

HEX #1354BD

RGB 19 84 189

HSL 217.06, 0.82%, 0.41%

LAB 38.12, 21.85, -60.42

 

CMYK 0 / 88 / 90 / 26

HEX #BD1613

RGB 189 22 19

HSL 1.06, 0.82%, 0.41%

LAB 40.31, 61.41, 47.13

 

CMYK 90 / 0 / 51 / 25

HEX #14BF5E

RGB 20 191 94

HSL 145.96, 0.81%, 0.41%

LAB 68.18, -60.87, 37.74

 

CMYK 52 / 90 / 0 / 26

HEX #5A13BD

RGB 90 19 189

HSL 265.06, 0.82%, 0.41%

LAB 30.19, 62.65, -73.25

 

CMYK 0 / 52 / 90 / 26

HEX #BD5A13

RGB 189 90 19

HSL 25.06, 0.82%, 0.41%

LAB 49.71, 36.09, 54.12

 

CMYK 90 / 0 / 51 / 25

HEX #14BF5E

RGB 20 191 94

HSL 145.96, 0.81%, 0.41%

LAB 68.18, -60.87, 37.74

 

CMYK 90 / 56 / 0 / 26

HEX #1354BD

RGB 19 84 189

HSL 217.06, 0.82%, 0.41%

LAB 38.12, 21.85, -60.42

 

CMYK 0 / 90 / 38 / 26

HEX #BD1376

RGB 189 19 118

HSL 325.06, 0.82%, 0.41%

LAB 42.14, 67.55, -10.08

 

CMYK 0 / 34 / 90 / 26

HEX #BD7C13

RGB 189 124 19

HSL 37.06, 0.82%, 0.41%

LAB 57.35, 17.77, 59.96

 

CMYK 90 / 0 / 51 / 25

HEX #14BF5E

RGB 20 191 94

HSL 145.96, 0.81%, 0.41%

LAB 68.18, -60.87, 37.74

 

CMYK 90 / 83 / 0 / 26

HEX #1321BD

RGB 19 33 189

HSL 235.06, 0.82%, 0.41%

LAB 26.45, 53.06, -79.62

 

CMYK 0 / 90 / 38 / 26

HEX #BD1376

RGB 189 19 118

HSL 325.06, 0.82%, 0.41%

LAB 42.14, 67.55, -10.08

 

CMYK 0 / 7 / 90 / 26

HEX #BDAF13

RGB 189 175 19

HSL 55.06, 0.82%, 0.41%

LAB 70.54, -9.82, 70.21

 

Description

Color code: HEX #14BF5E | qconv.com Color code: HEX #14BF5E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 191 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 191 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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