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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14BCC8 it is the complementary color #EB4337. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14BCC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14BCC8 shade: #19BCC3, #2ACED6, #3BE0E9, #4CF2FC and #5DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14BCC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14BCC8 shade: #14BCC8, #03AAB5, #0098A2, #00868F and #00747C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14BCC8 shade: #14BCC8, #148BC8, #145BC8, #142AC8 and #2E14C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14BCC8 shade: #14BCC8, #148BC8, #145BC8, #142AC8 and #1414C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14BCC8 shade matches the following richer shades: #14BCC8 and #02CBD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14BCC8 shade: #14BCC8, #25ACB6, #379DA4, #498D92 and #5B7E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14BCC8 shade: #14C874, #14C8A4, #14BCC8, #148CC8 and #145CC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14BCC8 shade: #0C757C, #1098A2, #14BCC8, #1CDBE9 and #42E1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14BCC8 shade: #14BCC8, #4414C8 and #C88C14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14BCC8 shade: #14BCC8, #C814BC and #BCC814

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14BCC8 shade: #14BCC8, #4414C8, #C82014 and #98C814

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14BCC8 shade: #14BCC8, #7A14C8, #C82014 and #62C814

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

Complementary color

CMYK 0 / 71 / 77 / 8

HEX #EB4337

RGB 235 67 55

HSL 4, 0.82%, 0.57%

LAB 53.98, 63.32, 44.95

 

CMYK 87 / 4 / 0 / 24

HEX #19BCC3

RGB 25 188 195

HSL 182.47, 0.77%, 0.43%

LAB 69.55, -35.13, -14.52

 

CMYK 80 / 4 / 0 / 16

HEX #2ACED6

RGB 42 206 214

HSL 182.79, 0.68%, 0.5%

LAB 75.76, -36.56, -15.49

 

CMYK 75 / 4 / 0 / 9

HEX #3BE0E9

RGB 59 224 233

HSL 183.1, 0.8%, 0.57%

LAB 81.91, -37.67, -16.37

 

CMYK 70 / 4 / 0 / 1

HEX #4CF2FC

RGB 76 242 252

HSL 183.41, 0.97%, 0.64%

LAB 88, -38.55, -17.18

 

CMYK 64 / 0 / 0 / 0

HEX #5DFFFF

RGB 93 255 255

HSL 180, 1%, 0.68%

LAB 92.16, -41.33, -12.47

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 98 / 6 / 0 / 29

HEX #03AAB5

RGB 3 170 181

HSL 183.71, 0.97%, 0.36%

LAB 63.43, -31.91, -16.02

 

CMYK 100 / 6 / 0 / 36

HEX #0098A2

RGB 0 152 162

HSL 183.7, 1%, 0.32%

LAB 57.14, -29.46, -14.81

 

CMYK 100 / 6 / 0 / 44

HEX #00868F

RGB 0 134 143

HSL 183.78, 1%, 0.28%

LAB 50.73, -26.85, -13.56

 

CMYK 100 / 6 / 0 / 51

HEX #00747C

RGB 0 116 124

HSL 183.87, 1%, 0.24%

LAB 44.16, -24.17, -12.28

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 90 / 31 / 0 / 22

HEX #148BC8

RGB 20 139 200

HSL 200.33, 0.82%, 0.43%

LAB 54.85, -8.26, -39.96

 

CMYK 90 / 55 / 0 / 22

HEX #145BC8

RGB 20 91 200

HSL 216.33, 0.82%, 0.43%

LAB 40.9, 21.64, -62.29

 

CMYK 90 / 79 / 0 / 22

HEX #142AC8

RGB 20 42 200

HSL 232.67, 0.82%, 0.43%

LAB 29.35, 52.13, -81.28

 

CMYK 77 / 90 / 0 / 22

HEX #2E14C8

RGB 46 20 200

HSL 248.67, 0.82%, 0.43%

LAB 27.44, 62.21, -84.42

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 90 / 31 / 0 / 22

HEX #148BC8

RGB 20 139 200

HSL 200.33, 0.82%, 0.43%

LAB 54.85, -8.26, -39.96

 

CMYK 90 / 55 / 0 / 22

HEX #145BC8

RGB 20 91 200

HSL 216.33, 0.82%, 0.43%

LAB 40.9, 21.64, -62.29

 

CMYK 90 / 79 / 0 / 22

HEX #142AC8

RGB 20 42 200

HSL 232.67, 0.82%, 0.43%

LAB 29.35, 52.13, -81.28

 

CMYK 90 / 90 / 0 / 22

HEX #1414C8

RGB 20 20 200

HSL 240, 0.82%, 0.43%

LAB 26.21, 61.44, -86.5

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 99 / 6 / 0 / 15

HEX #02CBD9

RGB 2 203 217

HSL 183.91, 0.98%, 0.43%

LAB 74.66, -36.16, -18.8

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 80 / 5 / 0 / 29

HEX #25ACB6

RGB 37 172 182

HSL 184.14, 0.66%, 0.43%

LAB 64.38, -30.63, -15.1

 

CMYK 66 / 4 / 0 / 36

HEX #379DA4

RGB 55 157 164

HSL 183.85, 0.5%, 0.43%

LAB 59.53, -26.53, -12.27

 

CMYK 50 / 3 / 0 / 43

HEX #498D92

RGB 73 141 146

HSL 184.11, 0.33%, 0.43%

LAB 54.6, -20.06, -9.32

 

CMYK 29 / 2 / 0 / 49

HEX #5B7E81

RGB 91 126 129

HSL 184.74, 0.17%, 0.43%

LAB 50.37, -11.52, -5.63

 

CMYK 90 / 0 / 42 / 22

HEX #14C874

RGB 20 200 116

HSL 152, 0.82%, 0.43%

LAB 71.36, -60.12, 30.66

 

CMYK 90 / 0 / 18 / 22

HEX #14C8A4

RGB 20 200 164

HSL 168, 0.82%, 0.43%

LAB 72.32, -49.42, 6.48

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 90 / 30 / 0 / 22

HEX #148CC8

RGB 20 140 200

HSL 200, 0.82%, 0.43%

LAB 55.15, -8.83, -39.49

 

CMYK 90 / 54 / 0 / 22

HEX #145CC8

RGB 20 92 200

HSL 216, 0.82%, 0.43%

LAB 41.17, 20.98, -61.85

 

CMYK 90 / 6 / 0 / 51

HEX #0C757C

RGB 12 117 124

HSL 183.75, 0.82%, 0.27%

LAB 44.6, -23.97, -11.6

 

CMYK 90 / 6 / 0 / 36

HEX #1098A2

RGB 16 152 162

HSL 184.11, 0.82%, 0.35%

LAB 57.25, -28.78, -14.64

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 88 / 6 / 0 / 9

HEX #1CDBE9

RGB 28 219 233

HSL 184.1, 0.82%, 0.51%

LAB 80.06, -37.76, -19.19

 

CMYK 72 / 5 / 0 / 7

HEX #42E1EC

RGB 66 225 236

HSL 183.88, 0.82%, 0.59%

LAB 82.41, -36.49, -17.19

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 66 / 90 / 0 / 22

HEX #4414C8

RGB 68 20 200

HSL 256, 0.82%, 0.43%

LAB 29.16, 63.36, -81.51

 

CMYK 0 / 30 / 90 / 22

HEX #C88C14

RGB 200 140 20

HSL 40, 0.82%, 0.43%

LAB 62.58, 13.86, 64.32

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 0 / 90 / 6 / 22

HEX #C814BC

RGB 200 20 188

HSL 304, 0.82%, 0.43%

LAB 47.51, 78.2, -43.76

 

CMYK 6 / 0 / 90 / 22

HEX #BCC814

RGB 188 200 20

HSL 64, 0.82%, 0.43%

LAB 77.31, -22.82, 75.34

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 66 / 90 / 0 / 22

HEX #4414C8

RGB 68 20 200

HSL 256, 0.82%, 0.43%

LAB 29.16, 63.36, -81.51

 

CMYK 0 / 84 / 90 / 22

HEX #C82014

RGB 200 32 20

HSL 4, 0.82%, 0.43%

LAB 43.31, 62.42, 49.91

 

CMYK 24 / 0 / 90 / 22

HEX #98C814

RGB 152 200 20

HSL 76, 0.82%, 0.43%

LAB 74.85, -37.59, 72.33

 

CMYK 90 / 6 / 0 / 22

HEX #14BCC8

RGB 20 188 200

HSL 184, 0.82%, 0.43%

LAB 69.67, -33.85, -17.08

 

CMYK 39 / 90 / 0 / 22

HEX #7A14C8

RGB 122 20 200

HSL 274, 0.82%, 0.43%

LAB 35.61, 68.35, -70.64

 

CMYK 0 / 84 / 90 / 22

HEX #C82014

RGB 200 32 20

HSL 4, 0.82%, 0.43%

LAB 43.31, 62.42, 49.91

 

CMYK 51 / 0 / 90 / 22

HEX #62C814

RGB 98 200 20

HSL 94, 0.82%, 0.43%

LAB 72.2, -56.35, 69.06

 

Description

Color code: HEX #14BCC8 | qconv.com Color code: HEX #14BCC8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 188 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 188 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 6 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 6% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

84% - Enes Aktas
Link: http://www.enesaktas.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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