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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #14B63B it is the complementary color #EB49C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #14B63B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #14B63B shade: #19B636, #2AC849, #3BDA5C, #4CEC6F and #5DFE82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #14B63B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #14B63B shade: #14B63B, #03A428, #009215, #008002 and #006E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #14B63B shade: #14B83C, #19B814, #45B814, #71B814 and #9DB814

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #14B63B shade: #14B83C, #14B868, #14B894, #14AFB8 and #1483B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #14B63B shade matches the following richer shades: #14B83C and #04C833

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #14B63B shade: #14B83C, #25A744, #35974D, #468655 and #56765E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #14B63B shade: #45B814, #1AB814, #14B83A, #14B866 and #14B892

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #14B63B shade: #0C6D24, #109230, #14B83C, #19DD48 and #36E961

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #14B63B shade: #14B63B, #1471B8 and #B81430

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #14B63B shade: #14B63B, #3A14B8 and #B83A14

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #14B63B shade: #14B63B, #1471B8, #B81492 and #B85B14

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #14B63B shade: #14B63B, #1440B8, #B81492 and #B88C14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 68 / 29

HEX #14B63B

RGB 20 182 59

HSL 134.44, 0.8%, 0.4%

LAB 64.9, -62.61, 50.02

 

Complementary color

CMYK 0 / 69 / 17 / 8

HEX #EB49C4

RGB 235 73 196

HSL 314.44, 0.8%, 0.6%

LAB 58.43, 73.48, -30.83

 

CMYK 86 / 0 / 70 / 29

HEX #19B636

RGB 25 182 54

HSL 131.08, 0.76%, 0.41%

LAB 64.91, -62.7, 52.05

 

CMYK 79 / 0 / 64 / 22

HEX #2AC849

RGB 42 200 73

HSL 131.77, 0.65%, 0.47%

LAB 71.06, -64.55, 50.97

 

CMYK 73 / 0 / 58 / 15

HEX #3BDA5C

RGB 59 218 92

HSL 132.45, 0.68%, 0.54%

LAB 77.19, -65.82, 49.67

 

CMYK 68 / 0 / 53 / 7

HEX #4CEC6F

RGB 76 236 111

HSL 133.13, 0.81%, 0.61%

LAB 83.27, -66.65, 48.29

 

CMYK 63 / 0 / 49 / 0

HEX #5DFE82

RGB 93 254 130

HSL 133.79, 0.99%, 0.68%

LAB 89.31, -67.18, 46.9

 

CMYK 89 / 0 / 68 / 29

HEX #14B63B

RGB 20 182 59

HSL 134.44, 0.8%, 0.4%

LAB 64.9, -62.61, 50.02

 

CMYK 98 / 0 / 76 / 36

HEX #03A428

RGB 3 164 40

HSL 133.79, 0.96%, 0.33%

LAB 58.72, -59.93, 50.88

 

CMYK 100 / 0 / 86 / 43

HEX #009215

RGB 0 146 21

HSL 128.63, 1%, 0.29%

LAB 52.52, -56.1, 50.89

 

CMYK 100 / 0 / 98 / 50

HEX #008002

RGB 0 128 2

HSL 120.94, 1%, 0.25%

LAB 46.23, -51.62, 49.48

 

CMYK 100 / 0 / 100 / 57

HEX #006E00

RGB 0 110 0

HSL 120, 1%, 0.22%

LAB 39.84, -46.39, 44.77

 

CMYK 89 / 0 / 67 / 28

HEX #14B83C

RGB 20 184 60

HSL 134.63, 0.8%, 0.4%

LAB 65.56, -63.12, 50.32

 

CMYK 86 / 0 / 89 / 28

HEX #19B814

RGB 25 184 20

HSL 118.17, 0.8%, 0.4%

LAB 65.39, -65.45, 62.57

 

CMYK 63 / 0 / 89 / 28

HEX #45B814

RGB 69 184 20

HSL 102.07, 0.8%, 0.4%

LAB 66.21, -58.35, 63.6

 

CMYK 39 / 0 / 89 / 28

HEX #71B814

RGB 113 184 20

HSL 85.98, 0.8%, 0.4%

LAB 67.9, -45.29, 65.71

 

CMYK 15 / 0 / 89 / 28

HEX #9DB814

RGB 157 184 20

HSL 69.88, 0.8%, 0.4%

LAB 70.52, -28.14, 68.95

 

CMYK 89 / 0 / 67 / 28

HEX #14B83C

RGB 20 184 60

HSL 134.63, 0.8%, 0.4%

LAB 65.56, -63.12, 50.32

 

CMYK 89 / 0 / 43 / 28

HEX #14B868

RGB 20 184 104

HSL 150.73, 0.8%, 0.4%

LAB 66.08, -56.76, 29.98

 

CMYK 89 / 0 / 20 / 28

HEX #14B894

RGB 20 184 148

HSL 166.83, 0.8%, 0.4%

LAB 66.95, -46.99, 7.5

 

CMYK 89 / 5 / 0 / 28

HEX #14AFB8

RGB 20 175 184

HSL 183.29, 0.8%, 0.4%

LAB 65.18, -32.68, -15.04

 

CMYK 89 / 29 / 0 / 28

HEX #1483B8

RGB 20 131 184

HSL 199.39, 0.8%, 0.4%

LAB 51.66, -9.6, -35.86

 

CMYK 89 / 0 / 67 / 28

HEX #14B83C

RGB 20 184 60

HSL 134.63, 0.8%, 0.4%

LAB 65.56, -63.12, 50.32

 

CMYK 98 / 0 / 75 / 22

HEX #04C833

RGB 4 200 51

HSL 134.39, 0.96%, 0.4%

LAB 70.58, -69.46, 58.93

 

CMYK 89 / 0 / 67 / 28

HEX #14B83C

RGB 20 184 60

HSL 134.63, 0.8%, 0.4%

LAB 65.56, -63.12, 50.32

 

CMYK 78 / 0 / 59 / 35

HEX #25A744

RGB 37 167 68

HSL 134.31, 0.64%, 0.4%

LAB 60.29, -54.94, 40.89

 

CMYK 65 / 0 / 49 / 41

HEX #35974D

RGB 53 151 77

HSL 134.69, 0.48%, 0.4%

LAB 55.51, -44.96, 30.68

 

CMYK 48 / 0 / 37 / 47

HEX #468655

RGB 70 134 85

HSL 134.06, 0.31%, 0.4%

LAB 50.7, -31.93, 20.2

 

CMYK 27 / 0 / 20 / 54

HEX #56765E

RGB 86 118 94

HSL 135, 0.16%, 0.4%

LAB 46.64, -16.83, 9.57

 

CMYK 63 / 0 / 89 / 28

HEX #45B814

RGB 69 184 20

HSL 102.07, 0.8%, 0.4%

LAB 66.21, -58.35, 63.6

 

CMYK 86 / 0 / 89 / 28

HEX #1AB814

RGB 26 184 20

HSL 117.8, 0.8%, 0.4%

LAB 65.4, -65.36, 62.59

 

CMYK 89 / 0 / 68 / 28

HEX #14B83A

RGB 20 184 58

HSL 133.9, 0.8%, 0.4%

LAB 65.54, -63.32, 51.12

 

CMYK 89 / 0 / 45 / 28

HEX #14B866

RGB 20 184 102

HSL 150, 0.8%, 0.4%

LAB 66.05, -57.13, 30.98

 

CMYK 89 / 0 / 21 / 28

HEX #14B892

RGB 20 184 146

HSL 166.1, 0.8%, 0.4%

LAB 66.9, -47.5, 8.53

 

CMYK 89 / 0 / 67 / 57

HEX #0C6D24

RGB 12 109 36

HSL 134.85, 0.8%, 0.24%

LAB 39.82, -42.2, 32.61

 

CMYK 89 / 0 / 67 / 43

HEX #109230

RGB 16 146 48

HSL 134.77, 0.8%, 0.32%

LAB 52.82, -52.78, 41.52

 

CMYK 89 / 0 / 67 / 28

HEX #14B83C

RGB 20 184 60

HSL 134.63, 0.8%, 0.4%

LAB 65.56, -63.12, 50.32

 

CMYK 89 / 0 / 67 / 13

HEX #19DD48

RGB 25 221 72

HSL 134.39, 0.8%, 0.48%

LAB 77.51, -72.66, 58.4

 

CMYK 77 / 0 / 58 / 9

HEX #36E961

RGB 54 233 97

HSL 134.41, 0.8%, 0.56%

LAB 81.8, -70.77, 52.8

 

CMYK 89 / 0 / 68 / 29

HEX #14B63B

RGB 20 182 59

HSL 134.44, 0.8%, 0.4%

LAB 64.9, -62.61, 50.02

 

CMYK 89 / 39 / 0 / 28

HEX #1471B8

RGB 20 113 184

HSL 205.98, 0.8%, 0.4%

LAB 46.2, 1.15, -44.48

 

CMYK 0 / 89 / 74 / 28

HEX #B81430

RGB 184 20 48

HSL 349.76, 0.8%, 0.4%

LAB 39.42, 61.23, 30.09

 

CMYK 89 / 0 / 68 / 29

HEX #14B63B

RGB 20 182 59

HSL 134.44, 0.8%, 0.4%

LAB 64.9, -62.61, 50.02

 

CMYK 68 / 89 / 0 / 28

HEX #3A14B8

RGB 58 20 184

HSL 253.9, 0.8%, 0.4%

LAB 26.33, 58.55, -76.78

 

CMYK 0 / 68 / 89 / 28

HEX #B83A14

RGB 184 58 20

HSL 13.9, 0.8%, 0.4%

LAB 43.16, 49.2, 48.42

 

CMYK 89 / 0 / 68 / 29

HEX #14B63B

RGB 20 182 59

HSL 134.44, 0.8%, 0.4%

LAB 64.9, -62.61, 50.02

 

CMYK 89 / 39 / 0 / 28

HEX #1471B8

RGB 20 113 184

HSL 205.98, 0.8%, 0.4%

LAB 46.2, 1.15, -44.48

 

CMYK 0 / 89 / 21 / 28

HEX #B81492

RGB 184 20 146

HSL 313.9, 0.8%, 0.4%

LAB 42.41, 69.47, -26.98

 

CMYK 0 / 51 / 89 / 28

HEX #B85B14

RGB 184 91 20

HSL 25.98, 0.8%, 0.4%

LAB 49.16, 33.56, 53.05

 

CMYK 89 / 0 / 68 / 29

HEX #14B63B

RGB 20 182 59

HSL 134.44, 0.8%, 0.4%

LAB 64.9, -62.61, 50.02

 

CMYK 89 / 65 / 0 / 28

HEX #1440B8

RGB 20 64 184

HSL 223.9, 0.8%, 0.4%

LAB 32.43, 33.24, -66.77

 

CMYK 0 / 89 / 21 / 28

HEX #B81492

RGB 184 20 146

HSL 313.9, 0.8%, 0.4%

LAB 42.41, 69.47, -26.98

 

CMYK 0 / 24 / 89 / 28

HEX #B88C14

RGB 184 140 20

HSL 43.9, 0.8%, 0.4%

LAB 60.78, 6.71, 62.14

 

Description

Color code: HEX #14B63B | qconv.com Color code: HEX #14B63B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 182 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 182 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 68 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 68% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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